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Post by darksidebeadle on Mar 25, 2019 2:02:55 GMT
Welcome back to another week of the BEST & WORST edition of 'what movies did you see last week?' thread. For those who haven't been part of it before, basically your host (me) posts my weekly movies and you can comment on those and list your movie for the same time frame. I will get back to you on yours and you can talk to other users here about their films. It's a great place to talk about film. FIRST TIME MOVIE VIEWING
Gun Crazy (1950, Joseph H. Lewis)
This film noir starts off a bit corny but the 2nd half is really very good with some great moody scenes. It follows a crackshot husband whose marksman wife convinces him to go on a robbery spree. Peggy Cummins is great but I find John Dalls take a little to wide eyed. 6/10 Street of Chance (1942, Jack Hively)
This New York set Noir sees Burgess Meredith (Rocky) playing a man with amnesia who finds out the ugly truth about his real identity and past by interacting with people who seem to know him well. The concept and mystery work well and this is an easy watch. 6/10 Apology for Murder (1945, Sam Newfield)
This is a B movie cash in on the legendary noir Double Indemnity (1944) with pretty much the same plot. It does not hold a candle to the film its aping but it is not without its own charms and the presence of Ann Savage (Detour) is always welcome in a noir. 5/10 The Man Who Killed Hitler and the the Bigfoot (2018, Robert D. Krzykowski)
This film has a different tone than you might expect with it mostly being a slow brooding character piece, unfortunately it is not a very good one. The films visuals are well crafted and it has a great cast but the script mostly feels like a big nothing and it is a bit of a chore to get through. 4/10
FIRST TIME DOCO' VIEWING
Behind the Curve (2018, Daniel J. Clark) Netflix
Flat Earthers, a term synonymous with conspiracy theorists who wear tinfoil hats. Meet real Flat Earthers, a small but growing contingent of people who firmly believe in a conspiracy to suppress the truth that the Earth is flat. One of the most prominent Flat Earthers is Mark Sargent who, in the midst of the upcoming Solar Eclipse, proudly speaks at the first Flat Earther conference. Quite amusing. Recommended FIRST TIME TV VIEWING The Disappearance of Madeleine McCann (2019, Season One) Netflix
Documentary series on the real life case goes through all the details, Quite interesting Recommended The Ted Bundy Tapes (2019, Season One) Netflix
A look inside the mind of serial killer Ted Bundy, featuring interviews with him on death row. Recommended WEEKLY AWARDSBEST FILM: Gun Crazy BEST ACTOR: Burgess Meredith - Street of Chance BEST ACTRESS: Peggy Cummins - Gun Crazy BEST SUPPORTING ACTOR: Jerome Cowen - Street of Chance BEST SUPPORTING ACTRESS: Frieda Inescort - Street of Chance BEST SCORE: Victor Young - Gun Crazy BEST CINEMATOGRAPHY: Russell Harlan - Gun Crazy BEST DIRECTOR: Joseph H. Lewis - Gun Crazy 10/10 - Perfection (or as close to it as possible) 09/10 - An Excellent film 08/10 - A VERY Good film 07/10 - A Good film 06/10 - A Solid film 05/10 - An Average film 04/10 - Below Average film 03/10 - A mostly bad film 02/10 - A mostly terrible film 01/10 - Awful through and through 00/10 - Not only awful but offensive too Hi, Dark. None of yours, this week. I want to watch Gun Crazy. Mine: The Aftermath 7.5/10 It's the movie with Keira Knightley and Alexander Skarsgaard, about an English woman in Germany with her military husband right after WW2, who starts an affair with the owner of the house they're staying in, and that's been confiscated by the allies. I enjoyed it, it's not great maybe, but it's kind of an old fashion drama, I'm a sucker for those. It's sensual too. Keira Knightley is good. Dances with Wolves 8.5/10 Kevin Costner movie, I hadn't seen it in ages, it holds up well, IMO. It's very beautiful visually, I found it moving too. St. Ives 6.5/10 It's a movie with Charles Bronson and Jacqueline Bisset, about a crime writer who gets hired to be the middle man between a businessman and the thieves who stole some mysterious documents. It's not great or anything, but it's not bad, IMO, Charles Bronson and Jacqueline Bisset are cool. I like the ending too. Triple Frontier 8/10 It's the movie with Oscar Isaac and Ben Affleck, it's about a group of ex soldiers who get together to rob a drug lord in Colombia. I liked it, it's pretty well made. Oscar Isaac is great. hey billy Dances with Wolves - not seen in a long time but i was really unimpressed at the time 4/10 Triple Frontier - have not heard the best things about it but I like the directors other works so will see it eventually
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william
Sophomore
@william
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Post by william on Mar 25, 2019 2:19:46 GMT
Hi, Dark. None of yours, this week. I want to watch Gun Crazy. Mine: The Aftermath 7.5/10 It's the movie with Keira Knightley and Alexander Skarsgaard, about an English woman in Germany with her military husband right after WW2, who starts an affair with the owner of the house they're staying in, and that's been confiscated by the allies. I enjoyed it, it's not great maybe, but it's kind of an old fashion drama, I'm a sucker for those. It's sensual too. Keira Knightley is good. Dances with Wolves 8.5/10 Kevin Costner movie, I hadn't seen it in ages, it holds up well, IMO. It's very beautiful visually, I found it moving too. St. Ives 6.5/10 It's a movie with Charles Bronson and Jacqueline Bisset, about a crime writer who gets hired to be the middle man between a businessman and the thieves who stole some mysterious documents. It's not great or anything, but it's not bad, IMO, Charles Bronson and Jacqueline Bisset are cool. I like the ending too. Triple Frontier 8/10 It's the movie with Oscar Isaac and Ben Affleck, it's about a group of ex soldiers who get together to rob a drug lord in Colombia. I liked it, it's pretty well made. Oscar Isaac is great. hey billy Dances with Wolves - not seen in a long time but i was really unimpressed at the time 4/10 Triple Frontier - have not heard the best things about it but I like the directors other works so will see it eventually Well, Triple Frontier is kind of an old school action movie, I think you would enjoy it. I think Dance is my favourite movie from Kevin Costner, as a director. I thought Open Range was too. I didn't like The Postman.
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Post by darksidebeadle on Mar 25, 2019 2:38:24 GMT
hey billy Dances with Wolves - not seen in a long time but i was really unimpressed at the time 4/10 Triple Frontier - have not heard the best things about it but I like the directors other works so will see it eventually Well, Triple Frontier is kind of an old school action movie, I think you would enjoy it. I think Dance is my favourite movie from Kevin Costner, as a director. I thought Open Range was too. I didn't like The Postman. Not seen OPen Range, I started it once but was not feeling it, I have a soft spot for the Postman.. it is only this minute that I realise he did not direct waterworld hah
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william
Sophomore
@william
Posts: 513
Likes: 166
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Post by william on Mar 25, 2019 3:00:33 GMT
Well, Triple Frontier is kind of an old school action movie, I think you would enjoy it. I think Dance is my favourite movie from Kevin Costner, as a director. I thought Open Range was too. I didn't like The Postman. Not seen OPen Range, I started it once but was not feeling it, I have a soft spot for the Postman.. it is only this minute that I realise he did not direct waterworld hah I meant, I thought Open Range was good too, I forgot to type good. Kevin Reynolds directed Waterworld...I found this on IMDB though... It is rumored that director Kevin Reynolds and Kevin Costner had a huge squabble over the film, resulting in Reynolds walking off the project and left Costner to finish it. Reynolds was quoted as saying that "Kevin Costner should only star in movies he directs. That way, he can work with his favorite actor and favorite director".
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Post by darksidebeadle on Mar 25, 2019 3:42:42 GMT
Not seen OPen Range, I started it once but was not feeling it, I have a soft spot for the Postman.. it is only this minute that I realise he did not direct waterworld hah I meant, I thought Open Range was good too, I forgot to type good. Kevin Reynolds directed Waterworld...I found this on IMDB though... It is rumored that director Kevin Reynolds and Kevin Costner had a huge squabble over the film, resulting in Reynolds walking off the project and left Costner to finish it. Reynolds was quoted as saying that "Kevin Costner should only star in movies he directs. That way, he can work with his favorite actor and favorite director". That sounds about right đ
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Post by sjg on Mar 25, 2019 10:26:49 GMT
Hey Dark,
Not seen any of yours this week
Mine: 1) Miss Congeniality 2000 (6/10)
2) The China Syndrome 1979 (7/10)
3) Don't Say a Word 2001 (6/10)
4) A Chorus Line 1985 (5/10)
5) Misery 1990 (7/10)
6) The Money Pit 1986 (6/10)
7) Bahubali: The Beginning 2015 (5/10)
8) The Killer Elite 1975 (5/10)
9) Bohemian Rhapsody 2018 (4/10)
10) Bratz 2007 (3/10)
11) Crossroads 2002 (5/10)
12) Miss Congeniality 2: Armed & Fabulous 2005 (5/10)
13) Daddy Day Camp 2007 (4/10)
14) Animal World 2018 (7/10)
15) Dumb and Dumberer: When Harry Met Lloyd 2003 (4/10)
16) It's My Turn 1980 (5/10)
17) Beyond the Reach 2014 (5/10)
18) Haywire 2011 (6/10)
19) The Emoji Movie 2017 (6/10)
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Post by darksidebeadle on Mar 25, 2019 11:06:26 GMT
Hey Dark, Not seen any of yours this week Mine: 1) Miss Congeniality 2000 (6/10) 2) The China Syndrome 1979 (7/10) 3) Don't Say a Word 2001 (6/10) 4) A Chorus Line 1985 (5/10) 5) Misery 1990 (7/10) 6) The Money Pit 1986 (6/10) 7) Bahubali: The Beginning 2015 (5/10) 8) The Killer Elite 1975 (5/10) 9) Bohemian Rhapsody 2018 (4/10) 10) Bratz 2007 (3/10) 11) Crossroads 2002 (5/10) 12) Miss Congeniality 2: Armed & Fabulous 2005 (5/10) 13) Daddy Day Camp 2007 (4/10) 14) Animal World 2018 (7/10) 15) Dumb and Dumberer: When Harry Met Lloyd 2003 (4/10) 16) It's My Turn 1980 (5/10) 17) Beyond the Reach 2014 (5/10) 18) Haywire 2011 (6/10) 19) The Emoji Movie 2017 (6/10) 1) The China Syndrome 1979 (6/10) 3) Don't Say a Word 2001 (2/10) 5) Misery 1990 (7/10) 6) The Money Pit 1986 (5/10) 9) Bohemian Rhapsody 2018 (6.5) 18) Haywire 2011 (6.5)
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william
Sophomore
@william
Posts: 513
Likes: 166
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Post by william on Mar 25, 2019 13:06:14 GMT
I meant, I thought Open Range was good too, I forgot to type good. Kevin Reynolds directed Waterworld...I found this on IMDB though... It is rumored that director Kevin Reynolds and Kevin Costner had a huge squabble over the film, resulting in Reynolds walking off the project and left Costner to finish it. Reynolds was quoted as saying that "Kevin Costner should only star in movies he directs. That way, he can work with his favorite actor and favorite director". That sounds about right đ He must have directed something of Waterworld, maybe some reshoots.
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Post by mikef6 on Mar 26, 2019 16:39:22 GMT
I have been watching a lot of noir and B-crime films from the '40s and '50s since discovering Noir Alley on TCM about a year ago. I love "Gun Crazy" and have your other two on my (very long) watch list. The Case Of The Lucky Legs / Archie Mayo (1935). The third of six âBâ movies featuring Perry Mason, the lawyer-detective created by Erle Stanley Gardner. Warren Williams plays an alcoholic but happy-go-lucky, wise-cracking Mason, a different approach from the books and from the popular TV series from the 1960s. The suspects are all the victims of a con man who organizes beauty contests (the âLucky Legsâ competition) and then absconds with the proceeds. When he turns up murdered, suspects abound. The only one we can be sure is innocent is the one Perry Mason is defending. âLucky Legsâ is one of the best of the â30s Masons. Porter Hall, Genevieve Tobin, Warren William The Whistler / William Castle (1944). Columbia. âI am The Whistler. I know many things for I walk by night. I know many strange tales, many secrets in the hearts of men and women who have stepped into the shadows. Yes, I know the nameless terrors of which they dare not speakâ So says The Whistler at the start of each film. It has been said that the 8-feature âWhistlerâ series is one of the least known but one of the best of the 1940s movie crime series. If the first two films are typical of the rest then this saying is true. âThe Whistlerâ is an anthology series. Each story is a stand-alone. There are no continuing characters. Silent and early sound star Richard Dix leads the cast in all but the last episode. The Whistler is never seen, only heard in voice-over narration. In the first story, Earl Conrad (Dix) is a business man whose wife was recently killed in a boating accident. He feels that his friends all think he murdered her. Too afraid to do it himself, he tries to die by hiring a hit man through an intermediary. The intermediary is himself shot dead by police right after contacting the assassin. When Conrad hears that his wife might still be alive, he desperately tries to call off the hit. J. Carrol Naish plays the hired killer and Gloria Stuart (âTitanicâ) plays Conradâs right-hand at work who is secretly in love with him. Also, in an uncredited role is one of my favorite unknown character actors, Joan Woodbury. Dark, edgy, and unsettling. J. Carrol Naish, Richard Dix, and Gloria Stuart in a posed publicity photo The Mark Of The Whistler / William Castle (1944). Columbia. Lee Nugent (Richard Dix) is a down-on-his-luck Knight of the Road. In a strange city, he sees in a newspaper that a bank is looking for heirs of unclaimed accounts. One of the heirs is a Lee Nugent â someone with the same name. Nugent decides to see if he can claim the money by convincing people that he is the other Lee Nugent. By doing so, he stirs trouble out of the past of that other man who he doesnât know. Janis Carter, Porter Hall, and Paul Guilfoyle co-star in this terrific tale based on a Cornell Woolrich short story which has an O. Henry-ish ending. The films are based on a long running radio program. Song Of The South / Wilfred Jackson (animation) and Harve Foster (live action) (1946). The print I watched began with a âWARNING: The film you are watching is a product of fan editors and is distributed for free over the Internet. If you have purchased this film, through Ebay or similar sites, you have been ripped-off. If you are selling copies of this film you are committing a criminal offense and taking credit for othersâ hard work.â I am surprised that this âfan editâ is up. Disney is usually very vigilant about protecting its property rights. Based on the Uncle Remus tales of the white southern writer Joel Chandler Harris (1848-1908), who collected folk tales from the antebellum slave culture of the American deep south. The movie contains, in animation, only three of the folk stories (about 20 minutes total) while telling a live action coming of age of a young boy (Bobby Driscoll) who comes with his mother to live on a Georgia plantation during the Reconstruction Era. He finds a comforting father figure in Uncle Remus, a former slave who stills lives nearby. Remus is played by first-time movie actor James Baskett who gives such a deep convincing performance that Walt Disney campaigned for a special Oscar for Baskett who received it at the 20th Academy Awards (Films of â47). From the first moment the movie was announced it became a subject of controversy and protest from the African-American community (which gives the lie to right-wingers who claim that modern âpolitical correctnessâ is keeping a DVD from being issued in the U.S.). Uncle Walt, who has been described as reactionary almost approaching fascism, at first tried to please both African-Americans and southern whites (as well as supporting Baskett) but eventually fell into delusions that Dirty Commies were inciting the African-American news media against him. Anyway, when Brâer (brother) Rabbit and friends are not on screen, the movie is a bit on the dull side. Baskett is great and Driscoll (10-years-old at the time of filming) is a natural talent so we have good acting to carry us through, but I wish there had been at least twice as much of Brâer Rabbit, Brâer Fox, and Brâer Bear. Union Station / Rudolph MatĂ© (1950). Paramount. This was a big year for William Holden and Nancy Olson. They first appeared together in Billy Wilderâs âSunset Blvd.â then, two weeks after close of production, they reteamed for âUnion Stationâ at the same studio. The two films opened about a month apart in August and September. William Holden had been kicking around the studio for years. Holden was considered a solid professional who took the roles they gave him but who had never quite connected with audiences. âSunset Blvd.â changed all that and âUnion Stationâ became one of the last of his âcontractâ pictures as his career started to grow. But I believe that Nancy Olson is the true lead in this picture. It is she who realizes that a crime is occurring on the train and that someone she knows has been kidnapped. She also stays with the investigation as a person who can identify the criminals and even follows one to identify another. She makes deductions and observations that the professionals miss. I loved that. Holden plays the top cop in charge of security at the major railroad station. He works with the city cops lead by vet Barry Fitzgerald. Even though there is a romance sub-plot between Holden and Olson, the main couple chemistry is between Holden and Fitzgerald. The story begins as a police procedural but as it develops, a lot of noir elements sneak in. âUnion Stationâ is action packed. I liked it a lot. In supporting, Lyle Bettger is the main baddie, Jan Sterling is great as Bettgerâs moll who is having second thoughts, and Allene Roberts is the kidnap victim. Nancy Olson pesters the conductor (Harry Hayden) until he reports a man with a gun on the train Quo Vadis / Mervyn LeRoy (1951). MGM. By the early 1950s, movie studios were growing more and more desperate over the loss of audiences to that new-fangled thing called television. The solution most of them chose (in this case MGM head of production Dore Schary) was spectacle that small black and white TV screens could not deliver. Schary was partial to musicals but green-lighted this historical extravaganza to be shot in Italy with a cast of thousands (literally, in the pre-CGI era), a run-time of just under three hours, and Technicolor (if Schary had waited a couple of years he could have had wide screen, too) â all layered over with a sentimental, simplistic, and pandering Christianity that rarely rises above a childrenâs Sunday school class lesson. In fact, Jesus, himself, has the movieâs last line. The last quarter of the film has the tension and danger up to a level that attention must be paid but I would never have made it that far had it not been for one thing â Peter Ustinovâs outstanding performance as Emperor Nero. At first I wondered if he was overacting or exaggerating for comic effect but finally came to see that it was a well thought out and executed accomplishment. Brilliant, to be precise. âQuo Vadisâ was the box office hit that MGM had hoped for so the historical and Biblical epics kept coming for the rest of the decade.
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Post by ghostintheshell on Mar 26, 2019 19:36:28 GMT
12 Strong (2018) 7.5/10
2 Guns (2013) 6.5/10
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Post by darksidebeadle on Mar 26, 2019 21:23:14 GMT
I have been watching a lot of noir and B-crime films from the '40s and '50s since discovering Noir Alley on TCM about a year ago. I love "Gun Crazy" and have your other two on my (very long) watch list. The Case Of The Lucky Legs / Archie Mayo (1935). The third of six âBâ movies featuring Perry Mason, the lawyer-detective created by Erle Stanley Gardner. Warren Williams plays an alcoholic but happy-go-lucky, wise-cracking Mason, a different approach from the books and from the popular TV series from the 1960s. The suspects are all the victims of a con man who organizes beauty contests (the âLucky Legsâ competition) and then absconds with the proceeds. When he turns up murdered, suspects abound. The only one we can be sure is innocent is the one Perry Mason is defending. âLucky Legsâ is one of the best of the â30s Masons. Porter Hall, Genevieve Tobin, Warren William The Whistler / William Castle (1944). Columbia. âI am The Whistler. I know many things for I walk by night. I know many strange tales, many secrets in the hearts of men and women who have stepped into the shadows. Yes, I know the nameless terrors of which they dare not speakâ So says The Whistler at the start of each film. It has been said that the 8-feature âWhistlerâ series is one of the least known but one of the best of the 1940s movie crime series. If the first two films are typical of the rest then this saying is true. âThe Whistlerâ is an anthology series. Each story is a stand-alone. There are no continuing characters. Silent and early sound star Richard Dix leads the cast in all but the last episode. The Whistler is never seen, only heard in voice-over narration. In the first story, Earl Conrad (Dix) is a business man whose wife was recently killed in a boating accident. He feels that his friends all think he murdered her. Too afraid to do it himself, he tries to die by hiring a hit man through an intermediary. The intermediary is himself shot dead by police right after contacting the assassin. When Conrad hears that his wife might still be alive, he desperately tries to call off the hit. J. Carrol Naish plays the hired killer and Gloria Stuart (âTitanicâ) plays Conradâs right-hand at work who is secretly in love with him. Also, in an uncredited role is one of my favorite unknown character actors, Joan Woodbury. Dark, edgy, and unsettling. J. Carrol Naish, Richard Dix, and Gloria Stuart in a posed publicity photo The Mark Of The Whistler / William Castle (1944). Columbia. Lee Nugent (Richard Dix) is a down-on-his-luck Knight of the Road. In a strange city, he sees in a newspaper that a bank is looking for heirs of unclaimed accounts. One of the heirs is a Lee Nugent â someone with the same name. Nugent decides to see if he can claim the money by convincing people that he is the other Lee Nugent. By doing so, he stirs trouble out of the past of that other man who he doesnât know. Janis Carter, Porter Hall, and Paul Guilfoyle co-star in this terrific tale based on a Cornell Woolrich short story which has an O. Henry-ish ending. The films are based on a long running radio program. Song Of The South / Wilfred Jackson (animation) and Harve Foster (live action) (1946). The print I watched began with a âWARNING: The film you are watching is a product of fan editors and is distributed for free over the Internet. If you have purchased this film, through Ebay or similar sites, you have been ripped-off. If you are selling copies of this film you are committing a criminal offense and taking credit for othersâ hard work.â I am surprised that this âfan editâ is up. Disney is usually very vigilant about protecting its property rights. Based on the Uncle Remus tales of the white southern writer Joel Chandler Harris (1848-1908), who collected folk tales from the antebellum slave culture of the American deep south. The movie contains, in animation, only three of the folk stories (about 20 minutes total) while telling a live action coming of age of a young boy (Bobby Driscoll) who comes with his mother to live on a Georgia plantation during the Reconstruction Era. He finds a comforting father figure in Uncle Remus, a former slave who stills lives nearby. Remus is played by first-time movie actor James Baskett who gives such a deep convincing performance that Walt Disney campaigned for a special Oscar for Baskett who received it at the 20th Academy Awards (Films of â47). From the first moment the movie was announced it became a subject of controversy and protest from the African-American community (which gives the lie to right-wingers who claim that modern âpolitical correctnessâ is keeping a DVD from being issued in the U.S.). Uncle Walt, who has been described as reactionary almost approaching fascism, at first tried to please both African-Americans and southern whites (as well as supporting Baskett) but eventually fell into delusions that Dirty Commies were inciting the African-American news media against him. Anyway, when Brâer (brother) Rabbit and friends are not on screen, the movie is a bit on the dull side. Baskett is great and Driscoll (10-years-old at the time of filming) is a natural talent so we have good acting to carry us through, but I wish there had been at least twice as much of Brâer Rabbit, Brâer Fox, and Brâer Bear. Union Station / Rudolph MatĂ© (1950). Paramount. This was a big year for William Holden and Nancy Olson. They first appeared together in Billy Wilderâs âSunset Blvd.â then, two weeks after close of production, they reteamed for âUnion Stationâ at the same studio. The two films opened about a month apart in August and September. William Holden had been kicking around the studio for years. Holden was considered a solid professional who took the roles they gave him but who had never quite connected with audiences. âSunset Blvd.â changed all that and âUnion Stationâ became one of the last of his âcontractâ pictures as his career started to grow. But I believe that Nancy Olson is the true lead in this picture. It is she who realizes that a crime is occurring on the train and that someone she knows has been kidnapped. She also stays with the investigation as a person who can identify the criminals and even follows one to identify another. She makes deductions and observations that the professionals miss. I loved that. Holden plays the top cop in charge of security at the major railroad station. He works with the city cops lead by vet Barry Fitzgerald. Even though there is a romance sub-plot between Holden and Olson, the main couple chemistry is between Holden and Fitzgerald. The story begins as a police procedural but as it develops, a lot of noir elements sneak in. âUnion Stationâ is action packed. I liked it a lot. In supporting, Lyle Bettger is the main baddie, Jan Sterling is great as Bettgerâs moll who is having second thoughts, and Allene Roberts is the kidnap victim. Nancy Olson pesters the conductor (Harry Hayden) until he reports a man with a gun on the train Quo Vadis / Mervyn LeRoy (1951). MGM. By the early 1950s, movie studios were growing more and more desperate over the loss of audiences to that new-fangled thing called television. The solution most of them chose (in this case MGM head of production Dore Schary) was spectacle that small black and white TV screens could not deliver. Schary was partial to musicals but green-lighted this historical extravaganza to be shot in Italy with a cast of thousands (literally, in the pre-CGI era), a run-time of just under three hours, and Technicolor (if Schary had waited a couple of years he could have had wide screen, too) â all layered over with a sentimental, simplistic, and pandering Christianity that rarely rises above a childrenâs Sunday school class lesson. In fact, Jesus, himself, has the movieâs last line. The last quarter of the film has the tension and danger up to a level that attention must be paid but I would never have made it that far had it not been for one thing â Peter Ustinovâs outstanding performance as Emperor Nero. At first I wondered if he was overacting or exaggerating for comic effect but finally came to see that it was a well thought out and executed accomplishment. Brilliant, to be precise. âQuo Vadisâ was the box office hit that MGM had hoped for so the historical and Biblical epics kept coming for the rest of the decade. Hey I saw Songs of the South a long time ago, Union Station is on my watchlist, sounds up my alley.
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Post by darksidebeadle on Mar 26, 2019 21:23:56 GMT
12 Strong (2018) 7.5/10 2 Guns (2013) 6.5/10 Not seen or keen on either unfortunately buddy
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