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Post by Doghouse6 on Jan 2, 2018 2:37:17 GMT
manfromplanetx's inclusion of The Postman Always Rings Twice and gunshotwound's of Suddenly, Last Summer are examples not only of memorable entrances, but of cinematic symmetry in their exits: TPART: the dropped lipstick. SLS: the voice is heard before the descending elevator brings her into view; as the elevator ascends at the end, the voice is heard after she disappears. I know there are other examples of characters who went out the way they came in (even if I can't think of them at the moment), but these are two of the nicest.
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