|
|
Post by Doghouse6 on Feb 17, 2019 0:07:17 GMT
The Moon and Sixpence (1942) Misanthropic and obsessive artist Charles Strickland's (George Sanders) final canvas are the walls of his Tahitian home, seen only at the film's finale in Technicolor inserts, before being destroyed after his death by his dutiful widow.  The Raven (1935) The walls close in - quite literally - on Irene Ware and Lester Matthews in Bela Lugosi's functional basement shrine to Poe.
|
|