Post by Prime etc. on Apr 3, 2019 20:54:09 GMT
It's going to be a globalist multicultural mess.
Why is the director not Japanese?
This anti-national heritage attitude is so moronic.
Globalists make crap art.
The only thing that sustained them in the 30s and 40s was that most of the sensibility to the film structure they used was European.
But these days they have whittled it away.
Keep in mind--that it wasn't any of the big Hollywood studios that introduced Akira Kurosawa to North America. It was Roger Corman. Hollywood was satisfied with remaking his films as westerns (although Seven Samurai isn't a favorite, the story is much more intelligent than the Magnificent Seven remake which makes politically-motivated changes like the impossible scene of the gunfighters feeding the peasants or eliminating the sequence where the peasants commit a murder).
Watching Hollywood today is like observing a blind man trying to paint like Rembrandt with an echo chamber of paid fans telling us how brilliant the effort is.
Why is the director not Japanese?
This anti-national heritage attitude is so moronic.
Globalists make crap art.
The only thing that sustained them in the 30s and 40s was that most of the sensibility to the film structure they used was European.
But these days they have whittled it away.
Keep in mind--that it wasn't any of the big Hollywood studios that introduced Akira Kurosawa to North America. It was Roger Corman. Hollywood was satisfied with remaking his films as westerns (although Seven Samurai isn't a favorite, the story is much more intelligent than the Magnificent Seven remake which makes politically-motivated changes like the impossible scene of the gunfighters feeding the peasants or eliminating the sequence where the peasants commit a murder).
Watching Hollywood today is like observing a blind man trying to paint like Rembrandt with an echo chamber of paid fans telling us how brilliant the effort is.