Post by petrolino on Aug 17, 2019 18:54:48 GMT
Belinda Carlisle - The Polyphonic Polymorph

Belinda Jo Carlisle was born on August 17, 1958 (just one day after Madonna) in Hollywood, Los Angeles, California - today is her 61st birthday. She was the first of seven siblings, conceived when her mother Joanne (née Thompson) was 18; Belinda is named after Jean Negelescu's stylised film noir 'Johnny Belinda' (1948) which was her mother's favourite movie. Her father Harold Carlisle was a gas station employee who walked out on the family when she was a little girl.
Carlisle's mother struggled to make ends meet. This meant the kids had few clothes and sometimes went hungry. Her step-father Walt Kurczeski was an aggressive alcoholic and the family unit was rarely settled, moving from Simi Valley to Reseda, Burbank to Thousand Oaks. As she entered into her turbulent teenage years, Carlisle became a cheerleader and started smoking, drinking and experimenting with a wide range of drugs. She considered pursuing a career as a beautician before opting to dedicate herself to music.
"I ran away from home, smoked pot, dropped acid ... you name it, I'd try it."
- Belinda Carlisle

Like her hero Iggy Pop, Carlisle started out as a drummer and was a member of The Germs (the Stooges' 1973 album 'Raw Power' was Carlisle's gateway to exploring bands that would inspire her like the Velvet Underground, the New York Dolls and the Dictators). Her stage name was Dottie Danger and she was known to headbutt her cymbals but she was forced to drop out of the Germs after contracting glandular fever. During this time, Carlisle also sang backing vocals at gigs for Black Randy And The Metrosquad (her fellow Blackettes included Alice Bag of The Bags, Exene Cervenka of X, fellow Germ Lorna Doom & future bandmate Jane Wiedlin).
Carlilsle was a founding member of The Go-Go's, who were briefly called The Misfits (no relation to New Jersey's Misfits). Drummer Elissa Bello was replaced, possibly due to issues of unreliability, while original bassist Margot Olavarria was forced out for reasons that remain unknown. New players arrived and the line-up finally stabilised.
Go-Go Girls :
* Guitarist Jane Wiedlin came from Oconomowoc, Wisconsin and went by the stage name Jane Drano.
* An accomplished guitarist and classically trained pianist, Charlotte Caffey had played bass in The Eyes alongside X drummer and future Germ D. J. Bonebrake.
* Bass player Kathy Valentine came from the psychedelic city Austin in Texas and played briefly in Girlschool, later going on to join The Bangles.
* Drummer Gina Schock came from Baltimore, Maryland and had played rhythm in Edie And The Eggs alongside John Waters mainstay Edith Massey and Rhumboogie guitarist Ann Collier.
# The Go-Go's recorded three albums before splitting up in 1985 (a decision brought on by Wiedlin's departure in 1984).
1979 Rehearsal Tape
"I found out I’d been kicked out of the band from my good friend Exene Cervenka, from X. The Go-Go’s wanted someone with more pop song capability, and the desire to succeed, pretty much at any cost. There was a lack of integrity on their part, and the part of their manager, and their lawyers, who I also sued. I was already in a better band -- Brian Brain. The lawsuit took three years.
It’s sad that they played the drug card to explain why they kicked me out [Olavarria had been arrested for buying cocaine]. I find that so ridiculous. I was an outrageous party girl, I really was, but the others, in many ways, were way worse. And all of them continued in the drug world. I mean, I moved to New York and I saw Charlotte in my neighborhood -- Alphabet City, a notorious, drug-infested neighborhood. I knew what she was doing here!"
It’s sad that they played the drug card to explain why they kicked me out [Olavarria had been arrested for buying cocaine]. I find that so ridiculous. I was an outrageous party girl, I really was, but the others, in many ways, were way worse. And all of them continued in the drug world. I mean, I moved to New York and I saw Charlotte in my neighborhood -- Alphabet City, a notorious, drug-infested neighborhood. I knew what she was doing here!"
- Margot Olavarria, Billboard
"Miles Copeland said he had a great girl group, and he thought I should produce them. At first, I wasn’t interested. I’d done lots of girl groups. But I went to see them play at New York University [in Manhattan]. They weren’t great players, although Gina was a great drummer, and Kathy was second best as a player. But the songs were terrific. It was a relatively small budget for Beauty and the Beat: $35,000. I went over the budget and paid another $7,500 out of my pocket."
- Richard Gottehrer, Billboard
"Mainly during the punk days, when we rehearsed at the Masque, we had crazy people coming in and out. The Go-Gos were on one side of us, very very punk then, and The Motels on the other. The Germs would come down and we would lock our door since they liked to break stuff. I got to play and write with drummer Sandy West from the Runaways, which was great, and Cheech Marin put us in a movie when i went in for an audition for "Nice Dreams". Oh, it reminds me. In "Clean And Sober", I didn't get the part of a dead girl in the beginning, and wondered "Why can't i do dead good?"
- Linnea Quigley, Retro Junk
Carlilse took the decision to go solo and wisely continued working with songwriter and multi-instrumentalist Caffey. Her first album included backing vocals from Susanna Hoffs of the Bangles who'd been inspired by the Go-Go's success in Los Angeles. With the release of her most recent album 'Wilder Shores' (2017), Carlisle has now recorded 8 studio albums.
Carlisle's outrageous stage antics inspired a generation of hardcore punks. One of her more notorious backstage travails on the underground is now enshrined within the 'Midnight Blue' dvd series. The hardcore punk scene in Washington D.C., which ran parallel to spots and venues springing up around the state of California, was a rowdy, male-dominated arena where a band like Chalk Circle struggled to make a difference upon forming. In contrast, the California punk scene drew people together of every background, gender, ethnicity and sexuality, creating a cauldron of fear awash with sunburnt, psychedelic colour.
Black Randy And The Metrosquad ~ 'Pass The Dust, I Think I'm Bowie'
'You Goddam Kids!' ~ Geza X
Belinda Carlisle : 6 Studio Albums

'Beauty And The Beat' (1981) - The Go-Go's

"Belinda came up to me that night at the Starwood, I was playing with my punk band The Eyes; it was The Jam, The Dickies, and The Eyes, and we would play two sets a night. Of course, I can't imagine that today. (laughs) But it was between sets, Belinda and Margot (Olaverra, their original bass player) came up to me and they looked so freaky to me, because I was pretty normal looking. I think Belinda had purple hair and she was wearing a trash bag, and spikey heels with ripped stockings.
Now it's no big deal, but back then it was freaky. And Margot had pink and green hair and all this freaky makeup. And I thought, Well, this sounds like fun. They were talking about starting an all-girl band, and I thought, Wow, okay. It was kind of winding down with The Eyes, and I felt like, time to move on. And that's just what I did."
Now it's no big deal, but back then it was freaky. And Margot had pink and green hair and all this freaky makeup. And I thought, Well, this sounds like fun. They were talking about starting an all-girl band, and I thought, Wow, okay. It was kind of winding down with The Eyes, and I felt like, time to move on. And that's just what I did."
- Charlotte Caffey, Songwriter
"Few people took The Go-Go’s seriously. Not the Los Angeles punk scene that spawned the band, because The Go-Go’s were staggeringly incompetent — even by punk standards — in the early days and too pop and careerist once they got their shit together. Not the major labels, which had never earned enough of a return on an all-female band to justify the investment. Not the press, which tended to sound condescending even when it praised the group. For a while, all that the five members of The Go-Go’s had was one another and a manager who more or less happened into the job.
Turns out that’s all they needed. Four years after the band formed while sitting on a curb at a party, The Go-Go’s would be on top of the Billboard charts for six weeks, becoming the first female group that wrote its own songs and played its own instruments to do so. Beauty And The Beat would sell 2 million copies and begin a career marked by tumult that continues more than 30 years later."
Turns out that’s all they needed. Four years after the band formed while sitting on a curb at a party, The Go-Go’s would be on top of the Billboard charts for six weeks, becoming the first female group that wrote its own songs and played its own instruments to do so. Beauty And The Beat would sell 2 million copies and begin a career marked by tumult that continues more than 30 years later."
- Kyle Ryan, The A.V. Club
"The first album cover was Belinda's idea. The God Bless (The Go-Go's) artwork was my idea. We are very very hands-on when it comes to anything creative."
- Jane Wiedlin, Slug
'Lust To Love' - The Go-Go's
'Vacation' (1982) - The Go-Go's

"After a six-week run atop Billboard’s 200 album chart with the multi-platinum debut album Beauty and the Beat, all-girl rock group the Go-Go’s hurriedly released the follow-up sophomore effort, Vacation. Echoes of previous singles “We Got the Beat” and “Our Lips Are Sealed” could still be heard across radio airwaves when “Vacation” became the band’s third hit single in the summer of ’82. The bubbly title track was the first-ever cassette single and was accompanied by its vivid and playful music video, which revealed the band members hamming it up while pretending to be highly skilled water skiers.
During that time, I was wearing out the grooves of the Top 10 summertime hit’s 7-inch single, memorizing every word as I sang along with Belinda Carlisle. I played air guitar with Charlotte Caffey, Jane Wiedlin, and Kathy Valentine. I banged out Gina Schock’s thunderous drumbeats on any nearby surface, all the while I impatiently awaited the full-length album’s release. I remember calling my local Record Bar on a daily basis for updates, as exact record release dates were something of an enigma in the 1980s.
For me, that entire summer revolved around the Go-Go’s, from joining the band’s fan club, scouring magazine stands for any glimpse of Belinda and company, to recurrent spins of Beauty and the Beat as I counted down the days anticipating the arrival of Vacation. Alas, the day finally arrived when my eyes unexpectedly gazed upon the album’s totally kitschy cover art by Grammy-winning designer Mick Haggerty, which seemed to be waving at me from the record store’s new release rack. The ride home from the mall was an agonizing eternity as I shuddered with excitement.
When I arrived home, I immediately began to scrutinize every detail of the album’s liner notes, while my heartbeat kept time with the beat as I listened to the LP’s twelve new tracks for the first time. Vacation continued with the unique sound the band had perfected on Beauty, but this time it was infused with tones of a more polished California surf rock style. And the album’s lustrous artwork perfectly matched the music’s sound."
During that time, I was wearing out the grooves of the Top 10 summertime hit’s 7-inch single, memorizing every word as I sang along with Belinda Carlisle. I played air guitar with Charlotte Caffey, Jane Wiedlin, and Kathy Valentine. I banged out Gina Schock’s thunderous drumbeats on any nearby surface, all the while I impatiently awaited the full-length album’s release. I remember calling my local Record Bar on a daily basis for updates, as exact record release dates were something of an enigma in the 1980s.
For me, that entire summer revolved around the Go-Go’s, from joining the band’s fan club, scouring magazine stands for any glimpse of Belinda and company, to recurrent spins of Beauty and the Beat as I counted down the days anticipating the arrival of Vacation. Alas, the day finally arrived when my eyes unexpectedly gazed upon the album’s totally kitschy cover art by Grammy-winning designer Mick Haggerty, which seemed to be waving at me from the record store’s new release rack. The ride home from the mall was an agonizing eternity as I shuddered with excitement.
When I arrived home, I immediately began to scrutinize every detail of the album’s liner notes, while my heartbeat kept time with the beat as I listened to the LP’s twelve new tracks for the first time. Vacation continued with the unique sound the band had perfected on Beauty, but this time it was infused with tones of a more polished California surf rock style. And the album’s lustrous artwork perfectly matched the music’s sound."
- Eric Allen, Beat
"They may have been all dressed up like a bit of frothy pop fun in their heyday, but the Go-Gos came through the LA Punk scene the hard way and were tough with it."
- Ian Canty, Louder Than War
"That intro with Gina’s drums, it’s thrilling. She’s such a powerful hitter, and her timing is so perfect. You can use a drum machine, and obviously it will have perfect mechanical time. But a real human doing that, there’s something about it that just feels good.”
- Charlotte Caffey, Goldmine
'Vacation' - The Go-Go's
'Talk Show' (1984) - The Go-Go's

"At the beginning of 1983, the Go-Go’s got another shock, when they received their semiannual financial statement from I.R.S. Records. They discovered that they were owed more than a million dollars in royalties from the sales of Beauty and the Beat, their first LP, and the two hit singles it spawned — “Our Lips Are Sealed” and “We Got the Beat.” But when the band demanded its money, I.R.S. reportedly said they didn’t have it. According to Emily Shenkin, a lawyer for the group, the Go-Go’s then declared their intention to leave the label, and I.R.S. filed suit to keep them. (The dispute was resolved out of court. Royalties were paid, and the Go-Go’s remained on I.R.S.)
Even before manager Ginger Canzoneri’s departure, the band had hired Front Line Management, which guided acts like the Eagles and Steely Dan. But that association was jeopardized when Front Line founder Irving Azoff suddenly left the company to head MCA Records. Stunned, the band began reevaluating managers all over again. After a month and a half, they decided to remain with Front Line after all."
- Christopher Connelly, Rolling Stone
Even before manager Ginger Canzoneri’s departure, the band had hired Front Line Management, which guided acts like the Eagles and Steely Dan. But that association was jeopardized when Front Line founder Irving Azoff suddenly left the company to head MCA Records. Stunned, the band began reevaluating managers all over again. After a month and a half, they decided to remain with Front Line after all."
- Christopher Connelly, Rolling Stone
"Having increasingly expanded the bread-free breadth of her GOOP empire of lifestyle expertise — from the excavation and draping of your lumpy intestinal crags to the equally careful cultivation of fat-free aural delicacies — Gwyneth Paltrow will next use her passion for elevating lowbrow indulgences by handcrafting a theatrical production around '80s girl group The Go-Go's, turning their alcohol-addled antics and bubblegum pop-punk numbers into a proper night that all patrons of the theater paying a $150 minimum per ticket can marvel at in a more refined context. The Hollywood Reporter notes that Paltrow is currently in negotiations to produce the show based on the life and music of the group, with Belinda Carlisle and her bandmates reportedly still considering their own involvement and possibly writing new songs for the production, songs that would presumably then be vetted and deemed appropriate for inclusion in a Gwyneth Paltrow production."
- Sean O'Neal, The A.V. Club (reporting in March 2012)
"Showtime announced Saturday that the network had acquired a feature documentary about The Go-Go’s. The film will premiere late this year. The Alison Ellwood-directed film features “full access” to the band, along with “candid interviews and archival footage to tell the real story of their meteoric rise to fame and the journeys, triumphs, laughter and struggles along the way,” producers said of the film.
The Go-Go’s posted about the news on social media and with lead singer Belinda Carlisle tweeting that she was “really happy to finally be able to tell you all” about the news."
The Go-Go’s posted about the news on social media and with lead singer Belinda Carlisle tweeting that she was “really happy to finally be able to tell you all” about the news."
- Ilana Kaplan, Rolling Stone (reporting in February 2019)
'Forget That Day' - The Go-Go's
'Belinda' (1986) - Belinda Carlisle
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"Upon leaving the Go-Go's, Belinda Carlisle felt no compunction in leaving behind the band's energetic new wave. On her own, she dove right into the mainstream with the assistance of producer Michael Lloyd, embracing the big radio-ready sheen of the mid-'80s on her 1986 debut, Belinda. The album's lead single (and album opener), "Mad About You," celebrated this shift and she was rewarded with a huge hit, one that went all the way to number three in the U.S. Behind the gloss, however, lay some elements of the Go-Go's, which shouldn't be surprising, considering how Charlotte Caffey wrote half of the record -- more songs than Carlisle herself. Often, these songs suggest that Caffey and Carlisle were picking up where Talk Show left off, particularly with the infectious Motown bounce of "I Feel the Magic" and the power pop insistence of "Gotta Get to You." These songs, along with the Bangles leftover "I Need a Disguise" (another entry in the wannabe Motown hit parade) and a nicely moody reading of Tim Finn's "Stuff and Nonsense," have aged better than a ham-fisted cover of Freda Payne's "Band of Gold" and the neon synths of "Shot in the Dark," and they're also the reason why Belinda will be the solo Carlisle album that will appeal the most to Go-Go's diehards. [Edsel's 2014 reissue of Belinda contains an expanded CD plus a DVD. The first disc contains a remastered version of the proper album, plus five bonus tracks; three of these are versions of "Band of Gold" featuring Freda Payne, then there's an expanded version of "Mad About You" plus the non-LP "Dancing in the City." The DVD contains videos for "Mad About You" and "I Feel the Magic," then the entirety of a live concert filmed and released on home video in 1986.]"
- Stephen Thomas Erlewine, AllMusic
'I Feel The Magic' - Belinda Carlisle
'Heaven On Earth' (1987) - Belinda Carlisle
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"Belinda Carlisle's first solo album was a typical 80's album but it was one of the best of its category. Her second album "Heaven on Earth" included more complex songs. The song "Heaven Is a Place on Earth" opened the doors to Europa. Before that song she was well known only in Canada and USA for The Go-Go's and her debut album. "Heaven Is a Place on Earth" is an amazing song and it has got a lot of radio time in many radio stations and still you can hear it. It's her best known song but it isn'y my favorite even on this album. "I Get Weak" is actually my favorite. I know it is a song about getting weak when Belinda sees the man of her dreams. It is a cheesy love song which could be competing with Celine Dion's "My Heart Will Go On" about cheesiness. "I Get Weak" works very well and is well known but not overplayed, at least for me who was about 6 years old when the song came out. "Circle in the Sand" is another hit and a little bit slower than those two songs. All those three songs are the ones I have heard from radio and it is amazing because I don't actually listen to radio.
Other single releases were too. "World Without You" is almost as cheesy as "I Get Weak" but I love also that song. "Love Never Dies" is actually very sad and emotional song. It is defintely one of favorite songs, a perfect album closer. "I Feel Free" is a song which would fit perfectly as an opener for live shows and it also been used for that. It is an upbeat song which some great elements. A quite rocking track.
"Fool for Love" and "Nobody Owns Me" are the most rocking tracks of the album. "We Can Change" is a good pop song too with good elements but because the album has so many other better songs, it is often forgotten. "Should I Let You In?" is another amazing song.
It's amazing that this album has only good songs. Belinda didn't write anything for this album but her style of singing and her voice is something else from other artists. I don't know any artist who could have made this album sound as good as she did. This is definitely one of her best albums. The only one who beats this is "Runaway Horses" which had even more hits although the album wasn't as successful as this was."
Other single releases were too. "World Without You" is almost as cheesy as "I Get Weak" but I love also that song. "Love Never Dies" is actually very sad and emotional song. It is defintely one of favorite songs, a perfect album closer. "I Feel Free" is a song which would fit perfectly as an opener for live shows and it also been used for that. It is an upbeat song which some great elements. A quite rocking track.
"Fool for Love" and "Nobody Owns Me" are the most rocking tracks of the album. "We Can Change" is a good pop song too with good elements but because the album has so many other better songs, it is often forgotten. "Should I Let You In?" is another amazing song.
It's amazing that this album has only good songs. Belinda didn't write anything for this album but her style of singing and her voice is something else from other artists. I don't know any artist who could have made this album sound as good as she did. This is definitely one of her best albums. The only one who beats this is "Runaway Horses" which had even more hits although the album wasn't as successful as this was."
- Reijo Piipulla, 'Heaven Is A Place On Earth'
'Heaven Is A Place On Earth' - Belinda Carlisle
'Runaway Horses' (1989) - Belinda Carlisle
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"A great album. One of the greatest albums of all time!"
- Kev Inion, Rate Your Music
'Leave A Light On' - Belinda Carlisle
Happy Birthday, Belinda!!

