Post by gw on Feb 4, 2020 5:06:15 GMT
Nearly every film exaggerates quite a bit. No road noise in cars, bad guys that can't shoot straight, impossibly concise and convenient conversations, ultra convenient password guesses, better looking actors then the real people in biographies and vehicular jumps that would wreck any real vehicle. Suspension of disbelief is the norm for movies even in ordinary seeming live action films.
In animation you have to suspend your disbelief even more. In hand drawn animation you have to watch a fully animated character with little detail, a detailed character with limited motion, or a character with neither. For television animation you have to accept limited motion in general but for it you get the chance to see a complex story that can't be shown in live action(Historically anyways but CG VFX have come a long way). I can understand why some people don't like animation but if at this point where you can practically perfectly recreate a real person they don't respect it as an artform, then I don't know what to tell them.
In animation you have to suspend your disbelief even more. In hand drawn animation you have to watch a fully animated character with little detail, a detailed character with limited motion, or a character with neither. For television animation you have to accept limited motion in general but for it you get the chance to see a complex story that can't be shown in live action(Historically anyways but CG VFX have come a long way). I can understand why some people don't like animation but if at this point where you can practically perfectly recreate a real person they don't respect it as an artform, then I don't know what to tell them.