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Post by kijii on Jan 22, 2021 18:51:15 GMT
A key moment in the history of African Americans in cinema was in IN THE HEAT IF THE NUGHT, when Larry Gates slaps Sidney Poitier and Poitier slaps him back. i am watching ANY NUMBER CAN PLAY a 1949 Clark Gable film with Caleb Peterson as a houseman in a gambling palace. His jobs are serving and cleaning, but he seems to be on equal terms with the other employees, the dealers, put bosses and accountants. They all have a fierce loyalty to Gable. Peterson speaks in a natural Black accented voice rather than a step n fetch it comic dialect. The most impressive moment of push back comes when two villains insist on calling him George, a leftover from the days when White men called all train porters George, as though they did not have personal names . Peterson protests, at first calmly, then more firmly. When the two villains are overcome and thrown out of the club, Peterson yells “ Good Night , GEORGE “ after them. It’s a surprisingly natural performance , with the Black character, despite his subservient position, refusing to accept humiliating insults. i am wondering about other Pre 1967 moments when Black characters are shown pushing back at ill treatment, speaking in natural voices, having a life of their own away from the white characters. I just saw ANY NUMBER CAN PLAY, again, this morning on TCM. I think it is a very good movie that doesn't get enough mentioned. Most of the cast members seem to be MGM regulars (although I identify Mary Astor as a Warner Broth performer). I was surprised to see that this story is based on a novel rather than a play since its has that "play-like feeling about it--all characters "essentially" in one room (Clark Gable's casino).
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