Post by staggerstag on Mar 3, 2017 2:55:30 GMT
Cool NME et al journos back in the 90s had their paid opinions but I wanna know what you think.
For me, Suede, then Echobelly.
Suede, still going strong, encompassed all manner of afternoon kitchen sink/late night alleyway city suburb diversity in their lyrics, coupled with a mix of slow, fast and inbetween intricate instrumentation to suit particular lyrics. Brett Anderson, save for Nick Cave, remains the total front man to this day, lanky, probing, a total Duracell on stage.
Echobelly seemed to have been missed by quite a few but produced some really good tracks, pure pop wannabe-Suede sometimes, but somehow retaining a listenability to this day.
Suede totally dumbfound the Brits Awards audience 1993
Echobelly : "King of the Kerb"
Who do you like? Waterboys? Blur? Verve? Elastica? Pulp? Oasis? Shed Seven? Pulp? Space? I mean, there's loads.
If this was Ameri-Pop 90s I'd go for Mazzy Star and Sophie B, to start the ball rolling.
For me, Suede, then Echobelly.
Suede, still going strong, encompassed all manner of afternoon kitchen sink/late night alleyway city suburb diversity in their lyrics, coupled with a mix of slow, fast and inbetween intricate instrumentation to suit particular lyrics. Brett Anderson, save for Nick Cave, remains the total front man to this day, lanky, probing, a total Duracell on stage.
Echobelly seemed to have been missed by quite a few but produced some really good tracks, pure pop wannabe-Suede sometimes, but somehow retaining a listenability to this day.
Suede totally dumbfound the Brits Awards audience 1993
Echobelly : "King of the Kerb"
Who do you like? Waterboys? Blur? Verve? Elastica? Pulp? Oasis? Shed Seven? Pulp? Space? I mean, there's loads.
If this was Ameri-Pop 90s I'd go for Mazzy Star and Sophie B, to start the ball rolling.