Post by kijii on Sept 1, 2017 16:25:20 GMT
Given that it's Labor Day weekend, I wanted to acknowledge this film set in a small midwestern town during a Labor Day celebration.
Adapted from the Pulitzer Prize winning play by William Inge, shot by the great James Wong Howe, directed by Joshua Logan, and starring William Holden, Kim Novak, Rosalind Russell, Cliff Robertson, and Susan Strasberg, it is one of my personal favorites. Because it was shot on location in Kansas, where Inge was from, it has a wonderfully authentic 1950s small midwestern town feel to it.
As long as I live I'll never forget the beautiful scene in which Holden and Novak dance beneath colored lights to the tune of George Duning's great original score married to the popular song "Moonglow."
Dance scene in PICNIC
Anyone else a fan of this classic film?
Adapted from the Pulitzer Prize winning play by William Inge, shot by the great James Wong Howe, directed by Joshua Logan, and starring William Holden, Kim Novak, Rosalind Russell, Cliff Robertson, and Susan Strasberg, it is one of my personal favorites. Because it was shot on location in Kansas, where Inge was from, it has a wonderfully authentic 1950s small midwestern town feel to it.
As long as I live I'll never forget the beautiful scene in which Holden and Novak dance beneath colored lights to the tune of George Duning's great original score married to the popular song "Moonglow."
Dance scene in PICNIC
Anyone else a fan of this classic film?
More than the dance scenes of this movie, I enjoy the way Joshua Logan (and James Wong Howe) took time to focus in on the picnic itself with the games, people, etc. It is interesting to imagine how this Labor Day picnic might have been filmed.
Rosalind Russell was great, here, as the spinster school teacher desperate to get married before it was too late. Howard seems to be her last chance.
The Madge Owens/Hall Carter relationship mirrored that of Rosemary Sidney/Howard Bevans in some respects.
I also loved Vera Felton as Miss Potts and her conversation with Flo (Betty Field):
Flo Owens: You liked him, didn't you Helen?
Helen Potts: Yes, I did. I got so used to things as they were: Everything so prim, the geranium in the window, the smell of mama's medicines. And then he walked in, and it was different! He clomped through the place like he was still outdoors. There was a man in the place and it seemed good!
Helen Potts: Yes, I did. I got so used to things as they were: Everything so prim, the geranium in the window, the smell of mama's medicines. And then he walked in, and it was different! He clomped through the place like he was still outdoors. There was a man in the place and it seemed good!
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I never miss a chance to plead with the forces that be to TRY HARD to restore and digitize Dark at the Top of the Stairs. It is another Inge play that I don't believe has been restored and will be impossible to watch unless it is restored and digitized. I think that the only living cast member that might push for this are Angela Lansbury and Shirley Knight.

