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Post by delon on Aug 4, 2018 14:27:06 GMT
Comments/ratings/recommendations/film posters are welcome and much appreciated.
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Post by OldAussie on Aug 4, 2018 14:37:04 GMT
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Post by wmcclain on Aug 4, 2018 14:56:25 GMT
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Post by teleadm on Aug 4, 2018 15:34:06 GMT
 Boring rehash of a TV Series I never cared about. ![]()  Hong Kong action  For a lazy Sunday this one worked remararkbly well  Please bury this mess so nobody will hear about it again  It actually becomes better with each viewing  Morbid laughs, comedy with thrills, I like it!
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Post by Primemovermithrax Pejorative on Aug 4, 2018 17:30:57 GMT
WAR OF THE ZOMBIES - odd peplum film with John Drew Barrymore as the evil wizard with perfect hair who can resurrect dead Roman soldiers as an army. The zombie army fight scene was an interesting sequence.
THE VENGEANCE OF SHE - 1968 Olinka Berova aka Olga Schoberova was ingenious casting as Ursula Andress did not return--so they found someone as impossibly beautiful as they could find to make one forget the change. It almost works. Unfortunately the film has a very wobbly intro and despite better footing in the second half, is not particularly memorable after you finish it.
RED LIGHT 1949 George Raft seeks a Gideon Bible that may have the name of the killer of his brother (but the audience already knows it's Harry Morgan, paid by Raymond Burr, a disgruntled former employee of Raft who was sent to jail by him for embezzlement). Raft runs a trucking company (could also be a sequel to They Drive By Night given how that one ended). For once, Barton McClane is a good guy cop, not a bully or con artist. It's a hokey story but I found it worked.
COOGAN'S BLUFF 1968 - rewatch for 50th anniversary. It occurs to me that Susan Clark is portraying a parole officer just like she did in THE MIDNIGHT MAN. Wasn't there a discussion about actors portraying similar characters in two different films? These two would qualify for the list.
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Post by mikef6 on Aug 4, 2018 18:52:05 GMT
Scene Of The Crime / Roy Rowland (1949). Tough cop Mike Conovan (Van Johnson) is called in when an off duty cop is killed in what looks like the robbery of an illegal bookmaking operation. But Conovan is in his element as his neglected wife Gloria (Arlene Dahl) tells him when, yet again, a phone call comes and their plans for the evening are ruined. Conovan is working with a newly promoted detective, C.C. Gordon (Tom Drake) and old timer Detective Piper (John McIntire). Conovan goes on the hunt for a couple of “lobos,” criminal brothers from out of town. This leads him to Lili (Gloria DeHaven), a stripper who had once dated one of the brothers. Conovan asks for her help in corralling her lobo. Conovan has to juggle problems with his team, the growing affection of Lily, and problems in his marriage due to his dedication to his job. Also in the cast is Norman Lloyd who, as a hyperactive snitch, would have stolen the movie if he had been allowed more screen time. This is a pretty good procedural with more than a drop of noir to compliment it. FUN FACT: “Scene of the Crime” was nominated by the Mystery Writers Of America for an “Edgar” as Best Motion Picture of 1950. Its fellow nominees were “White Heat,” “Criss Cross,” and “Chicago Deadline.” Pretty good company. The winner was “The Window” from a Cornell Woolrich story starring Bobby Driscoll. Van Johnson, Norman Lloyd, John McIntyre, Tom Drake  Gloria DeHaven Cry Danger / Robert Parrish (1951). Rocky Mulloy (Dick Powell) has just been released from prison and is arriving back home to Los Angeles as the movie opens. He had been convicted of murder and robbery along with a friend, Dusty, who was still in prison. Rocky, however, had just been given an alibi. Delong (Richard Erdman), a marine who had been overseas until recently and out of touch with local news, provided the alibi for Mulloy. Cop Gus Cobb (Regis Toomey), however, doesn’t believe in Rocky’s innocence and vows to follow Rocky everywhere to recover $100,000 in stolen money. After Cobb leaves them alone, Rocky reveals that he has no idea who Delong is. The ex-Marine explains that he sprung Rocky in hopes that he would be cut in on the missing loot. When he realizes that Rocky is innocent, he agrees to help get evidence against the man who framed Rocky. The two men rent a mobile home near Nancy (Rhonda Fleming), Dusty’s wife and Rocky’s ex-girlfriend. The man behind the robbery and the frame-up is gangster Castro (William Conrad) who explains that he is now “60% legit.” This film was shot in 12 days skimping on expensive studio time by shooting almost exclusively on location in the Bunker Hill area of Los Angeles. (see below). Powell, although quick with a quip, plays Rocky deadpan, holding in his anger for the imprisonment and his feelings for Nancy. Perhaps only Robert Mitchum could have carried off such a performance. An essential for noir aficionados. From Cry Danger.  For those of you interested in such things: To see the Clover Trailer Park location today, search 644 North Hill Place, Los Angeles, CA at Google Maps and select street view (I have never found Google Maps’ links or pictures to post on this message board). The house with the up and down identical windows is still easily recognizable. It is the only structure on the street that still exists from the 1950s. The automobile is a 1950 Nash Ambassador Six Super Brougham 'Airflyte' Return From The Ashes / J. Lee Thompson (1965). The startling, attention grabbing pre-credit sequence introduces Michele Wolf (Ingrid Thulin), an emotional shell of a woman, thought dead by her family, returning home from a concentration camp at the end of WWII. We learn in flashback that she was a popular and successful physician in Vienna before the war. She had been wooed and won by a charming rogue named Stanislaus Pilgrin (Maximilian Schell) who never claimed to be anything but a sponger who lived for chess and was a master of the game. They married on the day the Nazis arrived in Vienna. Michele was arrested for being Jewish and disappeared from sight. After her return she was reluctant to reveal herself to Stan and Fabienne (Samantha Eggar), her step-daughter from her previous marriage because she had changed so much. But she recognized by her step-daughter. Up to this point we are engaged in a moving story about a person struggling to get her life back after a horrendous, unimaginable experience. But that story peters out and becomes a domestic drama as we learn that Stan and Fabi are sexually involved. After that is resolved, a murder plot develops. So, what is this movie about and where is it going? Does the script and the director really know? It is frustrating for the viewer as well. By the ending, the beginning seems forgotten as Michele is very calm and resolved after what has happened to her family on top of her concentration camp experience. Thulin (her surname is pronounced something like te-LIN, not THU-lin as Ben Mankiewicz pronounced; perhaps our friend from Sweden can help us out with this) had a long career in Sweden and is chiefly known for her films with Ingmar Bergman. In the ‘60s, she made a brief run at Hollywood success. She had a major role in “The Four Horsemen of the Apocalypse” (1962), only to have most or all of her dialog dubbed by Angela Lansbury. Except for a few small roles in the 1970s, she seems to have given up English language films after “Ashes.” One last matter: the first person to recognize Michele is her hospital colleague, Dr. Bovard (Herbert Lom). She tells Bovard, “The concentration camp at Dacha did one thing for me: it made me a Jew and a mother. I had almost forgotten I was Jewish, then I was reminded of the fact very harshly. I saw too many mothers and daughters being torn from each other.” In light of current events in the U.S., I will just let that quote speak for itself. NOTE: The movie database that we do not name claims that “Return From the Ashes” was “Remade to great acclaim in 2014 as 'Phoenix'” Well…..no. After Michele is spotted on the street by her step-daughter in the very early going, she and Stan, believing Michele to be dead, plot to pass off this look-a-like as Michele so her riches can be claimed. Michele goes along with this for a short time and the reveals herself as that story line drops out. “Phoenix,” however, plays that line out to the ending, an ending that can’t be anticipated, yet turns into one of the greatest in movie history. Directed by Christian Petzold, “Phoenix” echoes “Return From The Ashes” as well as “Vertigo” in its quest for true identity as one person gets groomed to be another, but this is a masterpiece, one of the best films of the decade, and definitely NOT a “remake” of anything. “Phoenix” is decidedly unique. 
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Post by delon on Aug 4, 2018 19:24:49 GMT
What did you think of " Hangmen Also Die! (1943)", Aussie ? This has been on my watchlist for quite a while .
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Post by Deleted on Aug 4, 2018 19:50:21 GMT
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Post by OldAussie on Aug 4, 2018 23:41:37 GMT
What did you think of " Hangmen Also Die! (1943)", Aussie ? This has been on my watchlist for quite a while . Very much a propaganda film but that doesn't mean it can't be good - which it is. Without giving anything away, as it IS a very fictionalized account of real events, I enjoyed it. To quote Dr Jones, "Nazis.....I hate those guys."
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Post by politicidal on Aug 5, 2018 0:49:58 GMT
Beirut (2018) 5/10
Hell and High Water (1953) 6/10
Kull the Conqueror (1997) 3/10
The Picture of Dorian Gray (1945) 6/10
Band of Angels (1957) 5/10
Cat People (1942) 6/10
Carlito's Way (1994) 7/10
Harper (1966) 6/10
7 Days in Entebbe (2018) 3/10
Thoroughbreds (2017) 6/10
Monster-In-Law (2005) 5/10
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Post by Lebowskidoo 🎄😷🎄 on Aug 5, 2018 12:59:16 GMT
This is what's known as a slow movie week for me, been bingeing on TV shows instead mainly. Summer of '42 (1971) is a beautifully told tale of a teenage boy with a crush on an older woman during the summer of '42 on Nantucket. There was a sequel, Class of '44 (1973), which I did make an attempt to find but couldn't. It was John Candy's film debut, he has a tiny part in it. Burying the Ex (2014) was directed by movie legend Joe Dante, and stars the late Anton Yelchin. Normally, I would enjoy a horror/comedy like this but it all seems extra morbid now that Yelchin passed away at such an early age. And reading the trivia for the movie on IMDB really didn't help: the movie features scenes filmed in the Hollywood Forever Cemetery, which is the final resting place of Rudolph Valentino, Judy Garland, Mickey Rooney, Johnny Ramone, Douglas Fairbanks, Douglas Fairbanks Jr., John Huston, Tyrone Power, Peter Lorre and Fay Wray, to name a few. It is also where Anton Yelchin was later put to rest. It's not the movie's fault that it all feels so morbid, it was made to entertain back when Yelchin was still alive. This is just what I felt watching it now. Mikey (1992) is a somewhat terrible horror movie where a child is made to be the slasher of the film. It's not the worst movie ever, and certainly not the best, but not in the least is it politically correct and probably wouldn't be made today. Plus, it gets repetitive and boring. 
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Post by Lebowskidoo 🎄😷🎄 on Aug 5, 2018 13:01:18 GMT
OldAussie I actually love the more recent Mission: Impossible movies more than the first three, the series has improved over time.
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Post by claudius on Aug 5, 2018 13:24:29 GMT
SHE'S HAVING A BABY (1988) 30TH ANNIVERSARY this year. This John Hughes film introduced me to Kate Bush. The first Vinyl I bought (in 2000) was this, for its song "This Woman's Work." Paramount Video VHS.
DRAGON BALL SUPER (2017) "Gohan's Plight! The Preposterous Great SaiyaMan Film Adaptation?!," "For My Beloved Ones! The Indominable Great SaiyaMan!" This two-parter, made to reestablish Son Gohan's return to prominence in the series, had its English premieres on Cartoon Network the last two Saturdays. Part 1 was viewed on a VHS recording, and the conclusion was last night.
MYSTERY SCIENCE THEATER 3000 (1993) "What To Do On A Date/Swamp Diamonds" 35TH ANNIVERSARY. The major feature, Roger Corman's SWAMP WOMEN, was one of the few productions that had previously made it to the Medved Brothers' THE FIFTY WORST MOVIES OF ALL TIME (SANTA CLAUS CONQUERS THE MARTIANS, EEGAH, and ROBOT MONSTER were others). I remember it had a still of a water scene of Mike "Touch" Connors fighting an alligator with the edge of the pool in sight! Joel and the Bots make some comments of the difference between location footage water scene and a shot-at-pool water scene. Shout Factory DVD.
THE MAGIC OF HERSELF THE ELF (1983) 35TH ANNIVERSARY. I always had a fondness for this Nelvana special, songs by Judy Collins and the voices of Jerry Orbach, Ellen Greene, Priscilla Lopez, Georgianne Engel, Denny Dillon, Terry Hawkes, Susan Roman (the latter two would voice the first SAILOR MOON dub). Scholastic Video VHS.
MIDSOMER MURDERS (1998, 2008) "Death in Disguise," "The Magician's Nephew." Amazon Prime.
NARUTO SHIPPUDEN (2011) "Lost Bonds" Viz Media DVD.
DRAGON BALL (1988) "Son Goku's Greatest Crisis!" 30TH ANNIVERSARY Funimation DVD.
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Post by teleadm on Aug 6, 2018 17:14:17 GMT
mikef6 and how to pronounce Thulin, as if the "h" isn't there, "Tulin" and sometimes depending where you live in this country as "Tulijn". Bergman is in Sweden pronounced "Berjman", with a "j"-sound and not with a "g"-sound. Swedish gramatics don't always make any sense.
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Post by mikef6 on Aug 6, 2018 17:21:48 GMT
mikef6 and how to pronounce Thulin, as if the "h" isn't there, "Tulin" and sometimes depending where you live in this country as "Tulijn". Bergman is in Sweden pronounced "Berjman", with a "j"-sound and not with a "g"-sound. Swedish gramatics don't always make any sense. Prob'ly more sense than English!  Thanks for the info. I like to get people's names right.
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Post by vegalyra on Aug 7, 2018 16:24:41 GMT
SLIGHT SPOILER CONTAINED
I believe I posted it in the Film General thread, but I recently watched Captain from Castile with Tyrone Power. Great film, and the blu ray from Twilight Time looks incredible. Brilliant bright colors and just enough grain to retain its film like appearance. Definitely recommend it. The film is fun although it has some bleak and pretty edgy moments for a film of the era (including Power's little sister being killed off screen by the Inquisition). A great adventure story.
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Post by mikef6 on Aug 7, 2018 17:51:15 GMT
SLIGHT SPOILER CONTAINED I believe I posted it in the Film General thread, but I recently watched Captain from Castile with Tyrone Power. Great film, and the blu ray from Twilight Time looks incredible. Brilliant bright colors and just enough grain to retain its film like appearance. Definitely recommend it. The film is fun although it has some bleak and pretty edgy moments for a film of the era (including Power's little sister being killed off screen by the Inquisition). A great adventure story. Since you liked “Captain From Castile,” let me recommend “Prince of Foxes” (1949). Tyrone Power stars in this one as well and both films are taken from books by the same author, Samuel Shellabarger. Although forgotten today, Shellabarger was a regular on the best seller lists with his historical novels for about 20 years, from the mid ‘30s to the mid ‘50s.
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Post by vegalyra on Aug 7, 2018 19:21:02 GMT
SLIGHT SPOILER CONTAINED I believe I posted it in the Film General thread, but I recently watched Captain from Castile with Tyrone Power. Great film, and the blu ray from Twilight Time looks incredible. Brilliant bright colors and just enough grain to retain its film like appearance. Definitely recommend it. The film is fun although it has some bleak and pretty edgy moments for a film of the era (including Power's little sister being killed off screen by the Inquisition). A great adventure story. Since you liked “Captain From Castile,” let me recommend “Prince of Foxes” (1949). Tyrone Power stars in this one as well and both films are taken from books by the same author, Samuel Shellabarger. Although forgotten today, Shellabarger was a regular on the best seller lists with his historical novels for about 20 years, from the mid ‘30s to the mid ‘50s. Thanks for the recommendation. I'll definitely have to check that out. I really enjoy Power, and I love the genre, especially from the classic film era.
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Post by morrisondylanfan on Aug 7, 2018 23:53:44 GMT
Hi all,I hope everyone is having a good week,and I finished July watching a great film mikef6 had told me about.  A Face in the Crowd (1957) 8 Meeting future President LBJ a number of times for research into his speaking style and mannerisms, Budd Schulberg reunites with director Elia Kazan for a jet-black satire of populism in the TV age. Pulling Larry 'Lonesome' Rhodes out of the blue-collar grass-roots of On The Waterfront, Schulberg warns of the instant fame TV can give by dicing Lonesome from a good olde Southern boy just happy to hear his tune on the radio, to his bigly gain in popularity from starring in trash TV shows powering Lonesome towards politics and becoming a demagogue who is top of the world ma! Whilst the way he is caught out rings as a false,rushed move in the tale, Schulberg follows the puppet-strings of Lonesome that go up to the dry wit of politicians trying to get Lonesome's populism to rub off on them, and Lonesome's romance with Marcia Jeffries's crumbles as he becomes surrounded by power. Continuing his trademark theme of "social issues" films, director Elia Kazan brings a giddy excitement to Lonesome's early days with flashing TV studio lights and signs, that starkly dim to a black screen transmitting the empty space now at the core of Lonesome. Joined by the fellow debut of Lee Remick as the high-kicking Betty Lou Fleckum, Andy Griffith gives a magnetic debut performance as Lonesome, whose laid-back style Griffith uses to charm the crowds and the viewers, that Griffith sours into a cold sweat,as Lonesome looks out and sees no faces in the crowd.  Eric Clapton: Life in 12 Bars (2017) 6  Game Night (2018) 8  Full Contact (1992) 10 Making Full Contact the same year fellow Heroic Bloodshed auteur John Woo did his final in the sub-genre with Hard Boiled, directing auteur Ringo Lam closes the peak era of the sub-genre which he had played a major role in since City on Fire (Full Contact bombing and Hard Boiled being a disappointment at the Hong Kong box office led to the end of big budget productions) Roaring into action with a shot in Thailand robbery, Lam continues building on his visual motifs with a magnificent eye for ultra-stylisation, following Gou Fei's ride for revenge in neon blue and a red-lit path to attack. Referencing Val Lewton's Cat People (and a possible nod to the Giallo with glittering in rain knives) Lam composes the action with a sharp precision which takes the viewer to the "bullet ballet" via following each shot from the triggering to the target and the crunch of bones from hand-to-hand combat. Whilst giving the title an unexpected (but welcomed) sensuality from Mona and her occasional dance numbers (!) Lam goes back to the roots of the sub-genre with an intense, doom-laden Neo-Noir atmosphere that sees Fei's heroism be washed away in the rain.Reuniting with Lam and Chow Yun-Fat, the screenplay by Yin Nam delivers a coda to the era, as the Noir-style loyalty bonding Fei and his friends is torn by a gang with a more fractured Heroic Bloodshed belief in loyalty. Keeping the fuse between Fei and The Judge lit, Nam keeps a real heart within the action from quiet, tragic moments that crackle from the full contact gun-fu. Grabbing the screen from the opening scene in a short green skirt, fittie Ann Bridgewater gives an enticing performance as Mona, whose playful sexuality as Mona and in the music numbers is held by Bridgewater as a force of power to have Mona rub shoulders with the guys. Teaming with Lam for the final time, Chow Yun-Fat goes out with all guns blazing by giving Gou Fei a simmering menace pinned down by a thoughtfulness towards his revenge plans of making full contact with heroic bloodshed.  Chabrol's Madame Bovary (1991) 6
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