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Post by Fox in the Snow on Aug 20, 2018 9:47:29 GMT
A companion piece to moviemouth 's themes threadAndrei Tarkovsky - water, the natural world encroaching on the man-made world David Lynch - red velvet curtains, telephones Tsai Ming-liang - rain |
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Post by CoolJGS☺ on Aug 20, 2018 11:23:48 GMT
Scorsese - Snapshot scenes
Spielberg - Tracking shots that close in on a person talking.
Spike Lee - The walk where the actors seem to be moving on wheels.
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Post by BATouttaheck on Aug 20, 2018 11:35:42 GMT
John Ford using Monument Valley as the setting for anywhere in the West
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Post by hardball on Aug 20, 2018 11:39:09 GMT
Tim Burton - the Gothic look
Zack Snyder - stylized visuals, muted colors
Michael Bay - explosions
M Night Shyamalan - twists
David Lynch - dark highways
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Post by BATouttaheck on Aug 20, 2018 11:40:11 GMT
Robert Altman... overlapping dialogue, often in a long tracking shot
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Post by wmcclain on Aug 20, 2018 12:31:21 GMT
Roger Corman: red candles
David Lynch: brains, a glimpse of heaven at the end
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Post by petrolino on Aug 20, 2018 12:56:18 GMT
George Romero - Visual recognition of distorted media feeds, news broadcasts and network communications filtered through industrial filmmaking techniques.
John Carpenter - Wide-angle shots inside industrial chambers, enclosed spaces and minimalist interiors that accentuate siege mentality.
Wes Craven - Setting and execution of Rube Goldbergesque booby traps and live-action stunt cartoonians using raw documentary techniques.
Tobe Hooper - Colourfully composed Low-angle & high-angle shots of actresses from behind in indoor and outdoor locations.
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Post by moviemouth on Aug 20, 2018 19:54:23 GMT
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Post by bravomailer on Aug 20, 2018 20:23:13 GMT
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Post by twothousandonemark on Aug 21, 2018 2:37:56 GMT
John Ford using Monument Valley as the setting for anywhere in the West I've been scolded for mocking his The Searchers 'Texas' signage for that. Texas literally not good enough to match its own hype. Even Looney Tunes lied to me as a kid that way. |
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Post by twothousandonemark on Aug 21, 2018 2:40:13 GMT
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Post by BATouttaheck on Aug 21, 2018 2:41:38 GMT
John Ford using the same group of actors in so many of his movies so that they came to be expected in a John Ford movie.
Hitchcock Cameos.
Hitchcock Blondes.
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Post by Fox in the Snow on Aug 21, 2018 8:16:20 GMT
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Post by poes on Aug 21, 2018 8:17:46 GMT
Cameron - night scenes tinted in blue.
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Post by Fox in the Snow on Aug 21, 2018 8:38:21 GMT
Yasujiro Ozu - "pillow shots", a series of a few static shots of inanimate objects used between scenes
Jean-Luc Godard - jump cuts, intertitles, direct to camera addresses
Wong Kar-wai - blurred washes of neon
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Post by moviebuffbrad on Aug 28, 2018 20:40:09 GMT
JJ Abrams - lens flairs
Michael Bay - sunsets
David Fincher - CG pans through objects
Wes Anderson - characters sitting center frame
Spike Lee - dolly shots where characters glide
Martin Scorsese - red tint
Zack Snyder - slow-mo speed up
Brian De Palma - split screen
Quentin Tarantino - shots within trunks
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