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Post by Popeye Doyle on Jan 23, 2019 23:02:09 GMT
You have "classics" like Ilsa, She Wolf of the SS and Salon Kitty. Anne Frankly, it's all a bit strange.
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Post by Primemovermithrax Pejorative on Jan 23, 2019 23:46:35 GMT
Madmen of Mandoras
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Post by Lebowskidoo 🦞 on Jan 23, 2019 23:50:01 GMT
Nazis at the Center of the Earth (2012)
Sky Sharks (2018)
Iron Sky (2012)
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Post by koskiewicz on Jan 24, 2019 1:32:42 GMT
Hogan's Heroes
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Post by Popeye Doyle on Jan 24, 2019 1:34:57 GMT
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Post by OldAussie on Jan 24, 2019 2:04:11 GMT
Salon Kitty is the only movie I've ever walked out of before it finished. Not my idea but the friends I was with were bored.
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Post by Sulla on Jan 24, 2019 2:19:45 GMT
Tarzan Triumphs (1943)
Even sub-Saharan Africa isn't safe from Nazi greed. Tarzan tries not to get involved, but you just can't ignore Nazis. When they kidnap Boy, Tarzan says the famous line...
"Now Tarzan make war!"
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Post by Captain Spencer on Jan 24, 2019 2:24:29 GMT
The ultragory, over-the-top Nazi zombie movie Dead Snow.  |
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Post by Popeye Doyle on Jan 24, 2019 2:32:04 GMT
The ultragory, over-the-top Nazi zombie movie Dead Snow. Yeah, man! |
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Post by darkreviewer2013 on Jan 24, 2019 4:03:13 GMT
I saw a DVD of SS Experiment Love Camp on sale in one of my local DVD stores. I've never seen any movie from this genre, but it looked like soft porn to me.
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Post by darkreviewer2013 on Jan 24, 2019 4:04:55 GMT
The Gestapo's Last Orgy is especially fucked up. I own a couple Nazisploitation collections on DVD. Wow. Hard to believe a film with a title like that actually exists. Hilarious and a little tasteless all at the same time. Is it any good? |
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Post by petrolino on Jan 26, 2019 11:49:11 GMT
The 'Ilsa' trilogy has been referenced a great deal in horror cinema. Dyanne Thorne often appears at film conventions to sign autographs. I don't generally enjoy the "nazisploitation" films. In Europe, a lot of talented directors passed on the opportunity to make them. This led to them often falling into the hands of directors who brought little in the way of style. The films typically ended up as freak shows set during wartime, with an endless parade of torture traps and atrocities shot with little invention. There's one exception. I like Patrice Rhomm's thriller 'Elsa Fraulein SS' (1977), that's probably my favourite. It might be connected to Erwin Dietrich's 'She Devils Of The SS' (1973). Dietrich produced 'Wanda, The Wicked Warden' (1977), the second picture in the 'Ilsa' trilogy, for which he was able to bring in Jess Franco to direct. Rino Di Silvestro directed 'Deported Women Of The SS Special Section' (1976), which some say is the best example of the routine entries (I've not seen it). I've heard some enthusiastic comments from horror fans regarding 'Mad Foxes' (1981), which is another Dietrich production (not seen this either).
I've seen Liliana Cavanai's 'The Night Porter' (1974), Pier Paolo Pasolini's 'Salo, Or The 120 Days Of Sodom' (1975) and Tinto Brass' Salon Kitty' (1976). Brass' friend Helen Mirren, who's interviewed on the new documentary 'Istintobrass' (2018), considers his war trilogy to be essential work for those interested in his filmmaking. Brass creates bold imagery, he trained as a painter. I agree with Mirren that a viewing of 'Salon Kitty' is complimented by watching his dramas 'The Key' (1983) and 'Black Angel' (2002). The basic elements of the 1970s films continue to be recycled in independent horror. I like James Bickert's 'Dear God, No!' (2011) and its sequel 'Frankenstein Created Bikers' (2016), both of which draw ideas from the original "nazisploitation" cycle and a host of other "exploitation" film subgenres. I didn't see Downtown David B. Stewart III's 'Reichsfuhrer-SS' (2015) which garnered a lot of heated press on the indie horror scene.
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Post by OldAussie on Jan 26, 2019 11:59:57 GMT
In this one the Nazis wore red uniforms - |
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Post by koskiewicz on Jan 26, 2019 16:15:07 GMT
"Shock Waves" with Peter Cushing
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