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Post by ck100 on Mar 15, 2019 3:21:02 GMT
"Francis Ford Coppola’s Apocalypse Now will celebrate its 40th Anniversary at the Festival with a screening of a new, never-before-seen restored version of the film, entitled Apocalypse Now: Final Cut. Remastered from the original negative in 4K Ultra HD, the film will be brought to life with Dolby Vision® and Dolby Atmos®, delivering spectacular colors and highlights that are up to 40 times brighter and blacks that are 10 times darker, and Dolby Atmos, producing moving audio that flows all around you with breathtaking realism. The Beacon Theatre will also be outfitted for this exclusive occasion with Meyer VLFC (Very Low Frequency Control), a ground-breaking loudspeaker system engineered to output audio frequencies below the limits of human hearing, giving the audience a truly visceral experience."
I don't know if anyone can answer these questions:
1. Which version is getting this Final Cut? The theatrical cut or Redux? I know Coppola's preferred cut is Redux or else he never would have done it in the first place.
2. Is there going to be any new footage to the film for this Final Cut? What about footage being taken out? There is that 5-hour cut that had various footage eliminated before getting cut down and becoming the theatrical cut.
3. Is this Final Cut going to be in the same style and way as the Final Cut is for Blade Runner? I mean like fixing up errors, removing things, cleaning things up, etc.
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Post by ck100 on Mar 15, 2019 12:44:14 GMT
Anybody have any additional information on this Final Cut?
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Post by Popeye Doyle on Mar 15, 2019 12:58:00 GMT
I don't get it. Apocalypse Now was fine in its theatrical cut. Maybe because Coppola hasn't made a good movie in years, he can tinker with his earlier movies. I am definitely looking foward to the inevitable 4K release later this. Hopefully, it will include each version.
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Post by twothousandonemark on Mar 15, 2019 16:23:54 GMT
Redux for me.
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Post by johnspartan on Mar 15, 2019 17:21:16 GMT
I don't get it. Apocalypse Now was fine in its theatrical cut. Maybe because Coppola hasn't made a good movie in years, he can tinker with his earlier movies. I am definitely looking foward to the inevitable 4K release later this. Hopefully, it will include each version.
EVERY director's cut and "Special Edition" is about a bored director unnecessarily tinkering with his old movie to trick audiences into re-buying a movie they already own.
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Post by ck100 on Mar 15, 2019 20:14:25 GMT
I don't get it. Apocalypse Now was fine in its theatrical cut. Maybe because Coppola hasn't made a good movie in years, he can tinker with his earlier movies. I am definitely looking foward to the inevitable 4K release later this. Hopefully, it will include each version.
EVERY director's cut and "Special Edition" is about a bored director unnecessarily tinkering with his old movie to trick audiences into re-buying a movie they already own. I'd disagree with a movie like The Abyss. James Cameron was pressured to cut down the movie due to test screening results, trying to fit in more screenings per day, and that ILM didn't have enough time to complete the effects of certain sequences like the tidal wave. Because of the success of T2, ILM having enough time to complete the effects of the tidal wave sequence, and demand from audiences to see the tidal wave sequence as well as other deleted footage, Cameron created the Special Edition. Also, Spielberg did subsequent versions of Close Encounters because he felt rushed doing the theatrical cut, wanted to shoot some more footage he couldn't do the first time, and later to make a version without the mothership interior scene.
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Post by ck100 on Mar 15, 2019 20:43:16 GMT
There's a joke that the theatrical cut is from the director of The Godfather while Redux is from the director of Jack.
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Post by sublime92 on Mar 15, 2019 20:57:25 GMT
One hopes that the 4K Ultra HD disc release will feature new 4K restorations of the Theatrical and Redux versions as well.
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Post by ck100 on Mar 15, 2019 21:12:59 GMT
Some director's cuts/special editions that were done mostly for financial reasons:
-Alien (Even Ridley Scott said it was a marketing thing)
-The Exorcist (Director's Cut or Version you've never seen)
-Star Wars trilogy special editions
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Post by hi224 on Mar 15, 2019 21:45:28 GMT
"Francis Ford Coppola’s Apocalypse Now will celebrate its 40th Anniversary at the Festival with a screening of a new, never-before-seen restored version of the film, entitled Apocalypse Now: Final Cut. Remastered from the original negative in 4K Ultra HD, the film will be brought to life with Dolby Vision® and Dolby Atmos®, delivering spectacular colors and highlights that are up to 40 times brighter and blacks that are 10 times darker, and Dolby Atmos, producing moving audio that flows all around you with breathtaking realism. The Beacon Theatre will also be outfitted for this exclusive occasion with Meyer VLFC (Very Low Frequency Control), a ground-breaking loudspeaker system engineered to output audio frequencies below the limits of human hearing, giving the audience a truly visceral experience."
I don't know if anyone can answer these questions:
1. Which version is getting this Final Cut? The theatrical cut or Redux? I know Coppola's preferred cut is Redux or else he never would have done it in the first place.
2. Is there going to be any new footage to the film for this Final Cut? What about footage being taken out? There is that 5-hour cut that had various footage eliminated before getting cut down and becoming the theatrical cut.
3. Is this Final Cut going to be in the same style and way as the Final Cut is for Blade Runner? I mean like fixing up errors, removing things, cleaning things up, etc.
sounds sublime.
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Post by ck100 on Apr 5, 2019 1:45:18 GMT
Coppola: "I often felt that the original 1979 was too abruptly shortened, and Redux was too long, and settled on what I now felt was the perfect version, which is what we’re showing at Tribeca later this month."“By having a record of all old cuts on Betamax, I was able to see what steps had been made toward the final version released,” he said. “Interesting, even though I’ve had ‘final cut’ since Godfather‘s success, I always tried to be reasonable about ideas or suggestions made by the ‘finance’ partners, distributors or studios. However, their unanimous comment of ‘too long’ often led to trimming things out, whereas in retrospect the solution can often be to put more in. Also changes often beget other changes and you don’t quite realize then the road you are following. “Given that the Apocalypse original was not only long, but also unusual in style and substance for a film at that time, we tended to cut whenever possible not only in time but also in what then was considered ‘weirdness,’ ” he said. “Maybe 15 years later I happened to catch a TV viewing of it in a hotel, and as I always enjoyed seeing the beginning, started watching and ending up seeing the whole film. I realized that just with that time elapsed, that the film was not as weird as I had thought, and had become more ‘contemporary.’ The avant garde art of the present often becomes the ‘wallpaper’ (mainstream) art of the future. That plus many people’s (including distributor’s opinion) that so much great stuff had been cut out, led to what was later called Apocalypse Redux, which actually had a successful theatrical distribution thanks to Harvey Weinstein. But that version had all that had been cut out, restored. Later on, once again, when asked which version I personally wanted to be shown, I often felt that the original 1979 was too abruptly shortened, and Redux was too long, and settled on what I now felt was the perfect version, which is what we’re showing at Tribeca later this month, called Apocalypse Now Final Cut.” deadline.com/2019/04/francis-ford-coppola-megalopolis-directing-this-year-1202588167/?fbclid=IwAR1i7lxxtDenfKc3M4bcq2KaCCRU7j-gQS802QSZYOSead0jY-WzZDQdZWsWow, so I guess we're actually getting a new third version of "Apocalypse Now" at the Tribeca Film Festival in April. Makes me wonder what footage is being added/subtracted. It sucks that Coppola is changing his movie once again. I don't need to see him become like George Lucas with the original Star Wars films. But at least Coppola is kind enough to make the theatrical cut and Redux available to own. I don't see how you can do better than the theatrical cut though.
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Post by ck100 on Apr 24, 2019 2:59:10 GMT
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Post by ck100 on Apr 24, 2019 3:04:49 GMT
A featurette on the sound of the Final Cut:
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Post by poelzig on Apr 24, 2019 3:13:32 GMT
Redux was fine but damn Francis this smacks of desperation. Let's just hope he didn't digitally add more of his talentless kids into it.
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Post by ck100 on Apr 28, 2019 6:11:58 GMT
Sunday (4/28) marks the day of the Final Cut premiere at the Tribeca Film Festival. This new version runs 3 hours (according to the Tribeca website) in 4K restoration and will have an interview with Francis Ford Coppola conducted by Steven Soderbergh after the screening. As far as I know from news sources, this new version won't have any new footage to it.
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Post by ck100 on Apr 29, 2019 3:19:15 GMT
Trailer for the Final Cut. This version will come to theaters on August 15th.
The 4K Blu-ray will come out on August 27. It will have a 4K disc and 3 Blu-rays in the combo set.
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