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Post by nutsberryfarm 🏜 on Apr 26, 2019 6:14:24 GMT
Almost like an Altman like song...
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Post by manfromplanetx on Apr 26, 2019 22:27:47 GMT
Thanks nutsberryfarm 🏝 !!
"A film is like a battleground. There's love. Hate. Action. Violence. Death. In one word, emotions."
Samuel Fuller uses a glorious black-and-white widescreen canvas to paint his bold artisic reinvention of the West. Ignited throughout with unique stylistic flourishes of extreme close-ups and extraordinary camera work adding pulpy dialogue a song or two he crafted an original narrative technique, a cinema language all of his own. Forty Guns is an expressive audacious highly entertaining film built around the larger-than-life figure of Barbara Stanwyck's (Jessica Drummond) "Woman with a Whip," one of her greatest performances, it has become one of my favourite American films...  |
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Post by hitchcockthelegend on Apr 27, 2019 7:13:57 GMT
Revisted and reviewed recently >
I was born upset.
Forty Guns is written and directed by Sam Fuller. It stars Barbara Stanwyck, Barry Sullivan, Dean Jagger, John Ericson, Gene Barry, Robert Dix, Eve Brent and Ziva Rodann. Music is by Harry Sukman and cinematography by Joseph F. Biroc.
It's all going to kick off in Arizona between the Bonnell brothers, U.S.Marshals, and Jessica Drummond - the tough no nonsense lady rancher who controls the territory.
So what do we have here then? Just another recycled Western plot that is basically the Earp's/Clanton's feud that culminated in the Gunfight At The O.K. Corral? Well no, not really, for this is Sam Fuller on devilishly twisty form.
Fuller gives this particular Western a film noir make over, both in look and dialogue innuendo. Pic is filled with outstanding sequences, be it shocking deaths, bravado pumped show downs or chiaroscuro framing of key characters, no frame is wasted in this piece - visually or aurally.
From a psychological stand point it's a right hornets nest, a meaty broth of cynical observations on love, power and that bastion of American cinema - the Western. The action construction on offer is electrifying, if Fuller isn't dallying with various camera techniques to keep the story on the hop, he's being kinetic with his action filming. All of which is in the Scope format, with the ace Biroc weaving some monochrome magic.
Probably now it has risen above being just a cult Western classic, Fuller's standing in the decades that would follow this release have ensured that to be the case. Yet it is noted that this holds no surprises in how story eventually pans out, which is disappointing given the noir pulse beats driving it forward. In fact a charge of schmaltz at pics end is justified and stops this being the masterpiece many of us yearn it to be.
Still, tis a superb genre piece of some considerable substance. A film that begs to be revisited on more than one occasion. Thank You Samuel. 8/10
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Post by nutsberryfarm 🏜 on Apr 28, 2019 8:32:56 GMT
Revisted and reviewed recently >
I was born upset.
Forty Guns is written and directed by Sam Fuller. It stars Barbara Stanwyck, Barry Sullivan, Dean Jagger, John Ericson, Gene Barry, Robert Dix, Eve Brent and Ziva Rodann. Music is by Harry Sukman and cinematography by Joseph F. Biroc.
It's all going to kick off in Arizona between the Bonnell brothers, U.S.Marshals, and Jessica Drummond - the tough no nonsense lady rancher who controls the territory.
So what do we have here then? Just another recycled Western plot that is basically the Earp's/Clanton's feud that culminated in the Gunfight At The O.K. Corral? Well no, not really, for this is Sam Fuller on devilishly twisty form.
Fuller gives this particular Western a film noir make over, both in look and dialogue innuendo. Pic is filled with outstanding sequences, be it shocking deaths, bravado pumped show downs or chiaroscuro framing of key characters, no frame is wasted in this piece - visually or aurally.
From a psychological stand point it's a right hornets nest, a meaty broth of cynical observations on love, power and that bastion of American cinema - the Western. The action construction on offer is electrifying, if Fuller isn't dallying with various camera techniques to keep the story on the hop, he's being kinetic with his action filming. All of which is in the Scope format, with the ace Biroc weaving some monochrome magic.
Probably now it has risen above being just a cult Western classic, Fuller's standing in the decades that would follow this release have ensured that to be the case. Yet it is noted that this holds no surprises in how story eventually pans out, which is disappointing given the noir pulse beats driving it forward. In fact a charge of schmaltz at pics end is justified and stops this being the masterpiece many of us yearn it to be.
Still, tis a superb genre piece of some considerable substance. A film that begs to be revisited on more than one occasion. Thank You Samuel. 8/10 Great review!
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Post by nutsberryfarm 🏜 on Apr 28, 2019 8:33:24 GMT
Thanks nutsberryfarm 🏝 !!
"A film is like a battleground. There's love. Hate. Action. Violence. Death. In one word, emotions."
Samuel Fuller uses a glorious black-and-white widescreen canvas to paint his bold artisic reinvention of the West. Ignited throughout with unique stylistic flourishes of extreme close-ups and extraordinary camera work adding pulpy dialogue a song or two he crafted an original narrative technique, a cinema language all of his own. Forty Guns is an expressive audacious highly entertaining film built around the larger-than-life figure of Barbara Stanwyck's (Jessica Drummond) "Woman with a Whip," one of her greatest performances, it has become one of my favourite American films... Good stuff!
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