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Post by wmcclain on Aug 26, 2019 11:31:36 GMT
Angel and the Badman (1947), directed by James Edward Grant. A wounded outlaw is rescued by a Quaker family in spectacular Monument Valley. Turns out they like him and he likes them back, particularly the daughter. She's fallen in love and doesn't mind saying so. Can he adjust to their non-violent ways? We expect some backsliding from a notorious gunman, but this is an unusual western that takes pacifist convictions seriously In the end -- well, we're glad the watchful Marshal isn't a Quaker. A romance western with John Wayne in love. Still lots of fighting and action, as when our "hero" rustles some cattle rustlers. A mythically powerful scene I remember from my youth: the fevered, delirious gunman, restless until they put his revolver in his hand, which quiets him. Gail Russell, last seen in The Uninvited (1944) and Seven Men from Now (1956), is only 23 here. She died at age 36, cause: alcoholism. Such haunted, watchful eyes. They drive the whole picture. Director Grant was more usually a screenwriter, often working with John Wayne. Too much music in the score. Witness (1985) is a similar story. Olive Films Blu-ray, no subtitles. The film is in the public domain but this transfer is often pretty good, although it doesn't look like the source was cleaned very much. 
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Post by wmcclain on Aug 26, 2019 11:32:12 GMT
Witness (1985), directed by Peter Weir. When an Amish boy witnesses a murder, a wounded big city police detective has to get him out of town and hides out with him among his own people in the country. They don't believe in violence. He does. You can't hide forever. I'd forgotten how good is the visual composition in this one. Still, you can see Peter Weir making the transition to big-title Hollywood director. The experimental risk-taking of Picnic at Hanging Rock (1975) and The Last Wave (1977) fade into the past. The plot flows smoothly. Predictably? I can't remember what I was expecting when I saw this in the theater. The one sour note is when Harrison Ford beats up some rude yahoos. Yes, he is upset that his partner has been murdered, but the point of the incident is to show how much more satisfying revenge is than nonviolence. At the time I recall the film was shown to some Amish and that was the only scene they really objected to: he shouldn't behave that way when wearing those clothes. Notes:
- Non-violent resolution has only a 1/3 success rate in this story.
- Laugh at them if you must, but the Amish have a little bit of paradise for those who can live it.
- Kelly McGillis fan club.
- Lukas Haas is age 9 here and performs very well. Those enormous eyes!
- I was gratified that the Daniel character (dancer Alexander Godunov) did not turn out to be a bad guy, spurned lover or no.
- Young Viggo Mortensen has a couple of lines as Amishman "Moses Hochleitner".
- The setup is similar the John Wayne western Angel and the Badman (1947).
Maurice Jarre synthesizer score. Ah, the 80s. Available on bare-bones Blu-ray (with about two dozen subtitle languages) and the result is disappointing. I hope the lab used up its black crush quota for this disc so that others don't suffer. So many Amish coats with so little detail. The package says 152 minutes, but they mean 1h52m. 
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Post by spiderwort on Aug 26, 2019 13:19:48 GMT
Thanks for posting these reviews about the collision of two conflicting worlds that result in conflicts that are challenging and difficult to fully resolve.
I haven't seen it in ages, but I remember really enjoying THE ANGEL AND THE BADMAN. I loved Wayne and Russell together, and what I remember as the gentleness of their relationship. If memory serves, this was a film that Wayne put together, and I find it interesting that he chose a piece that was in many ways so counter to his general screen persona.
And as for WITNESS, it's one of my favorites. When Peter Weir is good he's very good, and I think this is one of those cases. (Though I do think his Australian films are better; same with most Australian directors who migrated to America).
A beautifully directed film with a wonderful story. The intersection of the Amish world and the crime infested urban world was quite meaningful to me, one fraught with tension, and interesting moral questions, to say nothing of the meaning and cost of love in the "modern" world. I wasn't a fan of the score, because I don't like synthesizer music, but it didn't bother me too much. Beautiful cinematography, shaped by Weir, and such beautiful locations that help tell the story. I really, really appreciate this film.
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Post by petrolino on Aug 30, 2019 1:21:59 GMT
I'm very taken with 'Angel And The Badman'. If anybody asked me to recommend a more unusual John Wayne western, I'd pick this one. You can see why Veronica Lake felt a spiritual kinship with Gail Russell if you watch this movie.
Could never get into 'Witness' but I do struggle with Peter Weir's American films. I like Danny Glover's performance.
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Post by BATouttaheck on Aug 30, 2019 1:26:35 GMT
Both are among my "forever" films that get periodic revisits.
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