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Post by wmcclain on Jan 13, 2020 12:53:52 GMT
It Happened One Night (1934), directed by Frank Capra. A runaway reporter picks up a runaway heiress and teaches her to get some grit and be less spoiled. Do you think they might fall in love, too? Much is made of noir photography in later decades, but look at it's precursor in the lovely composition and lighting here. This is the magical Silver Screen. Moonlight on the water, a haystack under the stars, smoking in bed with faint light from outside, rain beating on the window. This was photographed by the great Joseph Walker. Made right at the end of the pre-Code era, there is nothing really outrageous here, although an unmarried man and woman -- registered as Mr & Mrs -- did not often share a motel room, undress and spend the night together in film, even if separated by a hanging blanket. Claudette Colbert in her undergarments: I think the censors put an end to that for a few years. Clark Gable was from Ohio. What accent does he use? It seems to me he sometimes tries to talk "black" as way of demonstrating style and rebelliousness. He also threatens quite a bit of violence toward her as a means of instruction and discipline. Does he mean it? She accepts it passively and appreciates his manliness. This is what Depression audiences wanted: a peek at the frivolous but likeable rich, but also reassurance that the stressed common folk had kindness, dignity and fortitude of their own. You want a director sympathetic to the down-and-out, their hopes, humanity and good humor? Frank Capra is your man. Watch Gable wave at the tramps on the train, and see how they laugh and wave back. Finally let me note the bouncing bus ride. A lot of films from the period didn't even try to suggest that level of realism. Criterion Blu-ray. The quality is nothing special by today's standards, but still a great improvement over earlier home video, with some variation between reels. It looks fine for an 80 year old film. 
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Post by mattgarth on Jan 13, 2020 14:14:51 GMT
Thanks once more, Wm.
Colbert thought it was the worst movie she ever made, and wasn't even going to attend the Oscar ceremony. She had to be pulled off the train she was about to take to New York, and accepted the prize wearing a travel suit .
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Post by bravomailer on Jan 13, 2020 14:42:52 GMT
Love Clark Gable's outfit. 
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Post by louise on Jan 13, 2020 15:24:57 GMT
It's okay, though not one of my favourites, I find it a bit heavy going. Much prefer Gable in Forsaking All Others and Love on the Run, and prefer Colbert in Tovarich and Midnight.
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Post by politicidal on Jan 13, 2020 17:32:33 GMT
Still need to see this one.
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Post by teleadm on Jan 13, 2020 18:55:05 GMT
It might have lost some of it's sparkle, but I thought that it's still a damn good movie.
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Post by mikef6 on Jan 14, 2020 15:27:40 GMT
IHON was among the last batch of films to get through before Joe Breen cracked down with the Production Code after taking charge of enforcement in early 1934. It is now legend how Gable and Colbert had to be arm twisted to take their roles after other movie stars had turned it down. Colbert was 4th choice because the part of the runaway bride had already been offered to Myrna Loy, Margaret Sullavan and Constance Bennett. Robert Montgomery had given thumbs down to playing the broke reporter. So Columbia shanghaied Gable, on punishment loan from MGM, who couldn’t turn it down and Colbert who got promised double her usual salary and that the shoot would be finished by Christmas. Right through the end of production, the two stars bellyached to others about this dog they were stuck in.
We all know the ending. The film won the Big Five on Oscar night: Best Picture, Actor, Actress, screenplay, and director. (1934 and 1935 had 12 Best Picture nominees. From 1936 thru 1943 there were 10. In 1944 began the 5 that we were used to until 2009). Winning the Quintuple Crown was a solo accomplishment that stood for 41 years until “One Flew Over The Cuckoo’s Nest” in 1975. “The Silence Of The Lambs” also got that distinction in 1991.
Roscoe Karns, Ward Bond, Alan Hale, and Bess Flowers provide colorful support to the main stars. But the major support comes from the great Walter Connolly who appears at first to be a (comically) controlling monster of a father but turns out to be perceptive and sympathetic. He is quite wonderful but didn’t get a nomination (the Big Five were the only nods the movie got).
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Post by petrolino on Jan 14, 2020 21:58:03 GMT
I love this movie. Love is not too strong a word in this instance. I wish I could take each and every frame and hang them all in a museum. You have Clark Gable's ruffled charm, and nobody did quiet indignation quite like Claudette Colbert, bolstered here by her portrayal of somebody so perfectly spoilt you end up liking her for it.
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