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Post by BATouttaheck on Mar 26, 2020 0:12:32 GMT
NOT the most flattering looks at our fair city BUT they were filmed on location (or faithful reproduction thereof ) and have some pretty good shots of NY
Dog Day Afternoon The French Connection The Godfather On The Waterfront and Marathon Man and Three Days of the Condor and The Hard Way … all which I managed to see some of the filming .
More Flattering NYC films: Working Girl Moonstruck
and then there's King Kong !
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Post by Rufus-T on Mar 26, 2020 0:45:09 GMT
Taxi Driver: Time Square in the 70s 
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Post by BATouttaheck on Mar 26, 2020 2:02:25 GMT
and Midnight Cowboy  and to balance that … Breakfast at Tiffany's 
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Post by BATouttaheck on Mar 26, 2020 2:07:18 GMT
Texas has also been hit so for their salute … Urban Cowboy 
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Post by spiderwort on Mar 26, 2020 2:24:30 GMT
“Not a single roll of toilet paper in all of New Orleans!” 
As politicidal said, Brilliant! And you also made me laugh out loud, jervis. Thank you so much for that. I needed a laugh today.
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Post by BATouttaheck on Mar 26, 2020 3:00:00 GMT
Not as seriously hit as some (yet) But  and 
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Post by spiderwort on Mar 26, 2020 3:43:36 GMT
BATouttaheck Yes, Pennsylvania, along with Michigan, Illinois, Florida, and Massachusetts are taking hits now. I guess we can add those to the list and pray that it ends there, though sadly that doesn't seem likely. I'll add Little Women (2019) for Massachusetts:  and Sweet Bird of Youth (1962) for Florida (lord, Shirley Knight was a beauty when she was young!). 
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Post by teleadm on Mar 26, 2020 19:15:17 GMT
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Post by mikef6 on Mar 26, 2020 21:17:21 GMT
“Not a single roll of toilet paper in all of New Orleans!”  Best laugh I've had all day. Thanks.
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Post by kijii on Mar 27, 2020 1:38:09 GMT
Panic in the Streets (1950) / Elia Kazan Rat race against a ravaging plague epidemickijii18 November 2016 Warning: Spoilers This movie garnered an Oscar for Edna and Edward Anhalt's writing of the original story for a motion picture. And, WHAT a great idea for a story this is--even today. It was shot completely on location in what used to be a truly great and important gulf port city, New Orleans, Louisiana. This movie ingeniously teams up a crotchety, skeptical policeman (Paul Douglas) with a totally devoted doctor (Richard Widmark) from the US Public Health Service, a regular branch of the service that doesn't get enough attention for ITS service to our country. Here, we get to see Widmark as the good guy for a change. He is workaholic family man— struggling to make ends meet--who doesn't have enough time for wife (Barbara Bel Geddes) and his young son. As the movie opens, we see a group of gangsters playing cards in some cheap hotel room. Blackie (Jack Palance) is the boss of the gang, Fitch (Zero Mosel) is his go-for guy, and Poldi (Guy Thomajan) is another gang member. When Poldi's cousin wants to drop out of the card game because he is sick, Blackie doesn't want him to leave since he is too far ahead in the game. When he does leave, the gang chases him though the city and down to the train tracks where he is shot and left. The police discover his body the next day and have it taken to the Coroner's office for an autopsy....
We first get to know Lieutenant Commander Dr. Clinton Reed (Richard Widmark) and his family in the next scene. 'Clint' and his wife, Nancy (Barbara Bel Geddes), have money problems (and bill collectors) which worry them. But, right now, Clint is trying to take some time off from work to spend it his young son who he hardly ever sees because of his job...
When the coroner's autopsy reveals that the man's body is loaded with pneumonic plague---a disease related to bubonic plague but more serious since it can be so easily contracted from sneezing, sputum, or simple contact--the Coroner's office calls in Clint to handle the possible effects of a ravaging plague epidemic. Clint immediately calls for help from the NOPD. He needs them to help quickly find, and contain, the source of the plague before it spreads.
Clint is teamed with a cynical Police Captain, Tom Warren (Paul Douglas), who doesn't care much for doctors or Navy men. (In fact, though Clint's uniform may look like that of a Navy officer, the US Public Health Service and the Navy have nothing whatsoever to do with each other.) Tom and Clint soon learn to work together as they realize each other's roles in the almost impossible mission of finding where the dead man came from while keeping their search 'under wraps' to prevent any possible panic. Added to the difficulty of finding where the dead man came from is the fact that his body, and therefore the dead man's ID, was immediately incinerated to prevent contagion. Also, they have to work fast since the incubation period is only 48 hours.
As Clint and Tom chase down clues, they are eventually led to a restaurant in a Greek neighborhood. They find out that the restaurant owner's wife had suddenly died of a high fever. This brings them closer to the plague's source than they had ever been; it brings them close to where Poldi in now lying sick in his mother's apartment. Poldi's mother had ordered a nurse, who had reported his symptoms to a local hospital and ordered an ambulance.
On the other hand, when Blackie and Fitch find Poldi, they believe that he and his cousin had been into something with a VERY big payoff. (After all—in their minds--why else wold the whole police department be looking SO hard to find Poldi and his cousin?) Blackie assumes that Poldi's cousin must have been in on a huge drug haul and Poldi must know about it. They try to pump Poldi for information before he dies. But, he is too sick to tell them anything. As Blackie and Fitch try to carry Poldi out of his mother's upstairs apartment, they meet Clint and Tom on the steps, throw Poldi down the steps, and are chased by the police.
The final running foot-chase sequence, with the police in hot pursuit of Blackie and Fitch, is one of the best of it kind in film noir! The foot-chase takes us to the docks and in the warehouses and back streets of New Orleans. The two gangsters are seen on the levees, structures, and substructures of the once-famous gulf port city.
The noir shots of Blackie and Fitch (Palance and Mosel) running across structures, popping up and dropping down from one level of a coffee and banana warehouse to another is almost visually poetic. In fact, they remind us of rats crawling along beams, bridges and other structures (occasionally falling in the swampy water only to get up and run some more).
The rat analogy reminds us of the plague that ships sometime bring into ports and refocuses us on WHY the two are being chased in the first place: to stop and control an possible plague epidemic. After Fitch has been shot dead, the final rat-plague analogy is brought home as we see Blackie climbing a fruit freighter's line. He falls to his death, not by a bullet from the police, but by the line's rat catcher.
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Post by spiderwort on Mar 27, 2020 11:49:42 GMT
Great comments, kijii, about a film that's sadly relevant to the times (with a better ending, thankfully). But great location shooting. The first film that Kazan shot away from a soundstage, save the WPA documentary he co-directed, The People of the Cumberland (1937). I'm not sure, but Panic may be the first Hollywood film shot on location in New Orleans. If not, it was certainly among the first.
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Post by kijii on Mar 27, 2020 14:12:23 GMT
In light of the virus jeopardizing so many, I thought it would be nice to recognize some films that take place in the currently most vulnerable areas:
New York (especially Manhattan) New Jersey the Pacific northwest
California, especially the San Francisco bay area New Orleans (its trajectory is particularly perilous)
Favorites or not.
EDIT: Or maybe just share stories about the places, if you know them (and pictures, whatever). Anything to brighten the horizon, no pun intended.
Spider-- I think many American landscapes are in danger due to climate change too. Miami area, New Orleans and part of NYC, for example....Charlestown SC is another city with beauty that is in danger....
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