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Post by thisguy4000 on Jul 16, 2020 4:56:45 GMT
I think one thing everyone can agree on when it comes to MoS and BvS is that they are very bombastic movies that try to convey this sense that you’re seeing these larger than life stories play out. On the other hand, JL feels like a dinky Saturday morning cartoon kind of story that doesn’t even attempt to give off a sense of grandeur or wonder (no pun intended) to it. It’s a movie about how a team of superheroes have to come together in order to save the world, but it’s just so empty and safe.
It’s really the ultimate example of a movie that feels like it was made in a factory.
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Post by _ on Jul 16, 2020 5:32:40 GMT
It's all of the Wheedon filmed scenes that are the small ones.
Just look at Snyder's city wide shots at the beginning.
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Post by politicidal on Jul 16, 2020 13:22:44 GMT
I wouldn’t say a factory, but more like Professor Pyg’s operating table.
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Post by moviebuffbrad on Jul 16, 2020 20:28:33 GMT
To be fair, that's basically what JL was trying to do, starting with straight out callbacks to the cartoons ("Booyah"). I think it was deliberately scaled back *because* of how bombastic MoS and BvS (and even SS and the third act of WW) were criticized for being. The wanton destruction, collateral damage, blue lights in the sky, save-the-world stakes, etc, each time were overwhelming and tired by JL, and things were slowly being scaled back (re: "everything is abandoned and unpopulated!" in BvS) to the point that JL deliberately just focused on a single Russian family armed with Raid.
Of course, this is an idiotic way to do a franchise. You generally want the stakes to get bigger each time, but Snyder couldn't start small. He's Zack Snyder, so everything has to be big and crazy. He blew his Death of Superman load on only the second movie.
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