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Post by mstreepsucks on Oct 22, 2020 21:44:40 GMT
Not that the films are probably hard to watch really.
Not necessarily which are the best, although they could be both , of course.
Not because i am planning to see any ever. I probably won't I usually just stick to old films, that were made from my generation. Which is the early ninteties. I'm just asking for fun.
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Post by marshamae on Oct 22, 2020 22:58:17 GMT
Well since you don’t really care about tge answer,I feel free to tell you what I please. I think Ford is always accessible , because he is a master story teller. He has a very sophisticated visual sense, but it’s not obscure, so the images are lovely , and meaningful , but not full of strange meanings, as in ORSON Welles, Igmar Bergman et al
CHEYENNE AUTUMN
THE QUIET MAN
RIO GRANDE
MOGAMBO
Mr ROBERTS
GRAPES OF WRATH
HOW GREEN WAS MY VALLEY.
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Post by senan90 on Oct 22, 2020 22:59:04 GMT
Ford's most accessible work comes in the middle of his career in the Post War
Drums Along the Mohawk
Fort Apache
The Searchers
My Darling Clementine
Wagon Master
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Post by politicidal on Oct 22, 2020 23:02:54 GMT
Stagecoach is probably the simplest in terms of plot yet it is one of his most iconic films.
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Post by cynthiagreen on Oct 23, 2020 11:19:40 GMT
I'm no huge Ford fan but THE GRAPES OF WRATH is a beautiful film (especially as Ford had nothing beautiful to film except young Fonda).
THE SEARCHERS is a crowdpleeser and DRUMS ALONG THE MOHAWK, STAGECOACH, FORT APACHE, MY DARLING CLEMENTINE HONDO and THE MAN WHO SHOT LIBERTY VALLANCE all good.
THE HURRICANE still impressive MOGAMBO fun and MISTR ROBERTS popular
I have a soft spot for THREE GODFATHERS
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Post by truecristian on Oct 23, 2020 21:18:36 GMT
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Post by Fox in the Snow on Oct 24, 2020 11:15:33 GMT
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