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Post by stefancrosscoe on May 25, 2018 11:58:19 GMT
 Artist: YelloAlbum: StellaGenre: Synthpop and New Wave
Year: 1985Standout tracks: Desire, Vicious Games, Sometimes (Dr. Hirsch), Let Me Cry and Angel NoI only own two albums by the Swizz synthpop duo, well actually three as I have two versions of Stella in my collection. One is an older CD copy, the other is part of the remastered series which was released in 2005. Anyway, beside the obvious hit single Oh Yeah and The Race, I pretty much got their 1985 album on impulse buy as an result of hearing Desire in an episode of Miami Vice, I think and I was glad I did so, because the album showcased far more that just that one famous song, instead there were far better stuff included and for a short while I played the album almost on a daily basis. However, it have been a while since the last time and I am curious to see if it will live up to my fond memories or not. 01. Desire - A very soothing and seductive pop number which suited perfectly in with the whole Miami Vice atmosphere and I think was one of several Yello cuts which was used in that classic 80s show but I think few fitted so well as this great song. When I first heard about the duo, I remember being told they were a "techno" act, of course as I have already mentioned I only own two of their records, so I cannot really say I have heard too much of their stuff but Desire was a very long way off the whole techno genre and is one of my favorite late night 80s pop songs and have been often used in both TV shows and movies as well, maybe not as much or frequently as Oh Yeah or The Race but maybe that is a good thing as sometimes a great song can end up getting a little bit "overused" or overplayed and it looses its magic. Thankfully that I think is not gonna happen with this one anytime soon. Anyway, a great album opener which sets the tone or standard. 02. Vicious Games - Is a bit more upbeat number and where vocalist Dieter Meier shares the microphone with female singer Rush Winters. Another classic Yello cut and again one which continues on with the warm and tropical feel or sound that of Desire but in a more danceable way. 03. Oh Yeah - I guess this one do not need much of an introduction. I am not sure how many films, TV shows or other things this cult hit have not been participating in for the last three decades or more. Still, it is one of those weird, silly but oh so ridiculous catchy and recognizable (but in a good way) groovy 80s hits which somehow always brings a big smile to my face. For many people this is probably most known as the Duffman Theme from The Simpsons, for other it is the one from Ferris Bueller's Day Off or that one which was played in The Secret of My Success and countless other titles as well. All in all, I can survive hearing it a few times more, but compared to the first two tracks, I think it is not as great but it end up working okay. 04. Desert Inn - "Ooooaaaa-oaaaaa-ooooooo." The production is top notch but the vocal/sampling parts however do gets a little bit on my nerves and also the lack of a good melody makes it into a rather "forgettable" one, even if it not what I would consider to be a weak track. 05. Stalakdrama - One of I think two instrumentals on the album. A rather dramatic piece actually but one I would describe as "going to the bathroom during the TV commercial" kind of a number. It is there but not much else and goes down as a typical album filler and one which I rarely ever have any urges of re-visiting, as it does very little for me. 06. Koladi-ola - Kind of reminds me a little of Desert Inn, in which the melody is not that interesting but the production is surely good. But again the sampling and annoying vocal part takes up too much space and time. Again, not a very good number and after three strong opening cuts, the album have taken a solid turn in the wrong direction. 07. Domingo - Finally gets thing going again, after a few forgettable acts too many. A guitar driven and very pulsating tune where the music once more is the best part. 08. Sometimes (Dr. Hirsch) - This one took me by surprise the first I heard it. An atmospheric but very danceable synthpop number which I think should have been released as a single from the album as it surely is among the best ones from it. I kind of wish they had done a few more like this one and instead ditched the more "experimental" ones as they ended up slowing down the albums pace and style and for me it will have a rather negative impact on the final rating, sadly. 09. Let Me Cry - Angsty, dark and chaotic but delivered and sung in an classy almost Kraftwerk similar way. Again, it was a pleasant surprise to hear for the first time and stands as one of the best songs of the album. 10. Ciel Ouvert - The longest track off the record and the second of the two instrumentals on it. Again, not exactly a very memorable piece, atmospheric yes but for me it just do not give me much to go by. Some parts sounds almost like it was taken directly out of Blade Runner, other sounds like just something they did in the studio to fill in the last few minutes of space, and is once more another uninteresting filler that I just cannot wait until it is over with. 11. Angel No - Is probably the most catchy and comes with a great party factor to it. A fat, funky and very danceable number delivered in a foxy and neat way by the talented singer Rush Winters. All in all, I really wanted to give the album a much higher rating but going through it for the first time in a while, it is just a little too clear for my part that the album is far away off as good as I had hoped it would be. Too much filler is included and while there are also some real killers to be found, they just cannot make me ignore the lesser ones and I thereby end up with what I think is a fair final score: 6,5/10
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Post by Deleted on May 26, 2018 8:46:30 GMT
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Post by RiP, IMDb on May 29, 2018 10:15:20 GMT
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Post by stefancrosscoe on May 29, 2018 12:58:53 GMT
 Artist: YelloAlbum: One SecondGenre: Synthpop and New Wave
Year: 1987Standout tracks: Moon on Ice and Si Señor the Hairy GrillThe only album beside Stella that I own of Yello and I pretty much blind buyed back a few years, much thanks to my experience with their former 1985 release. However I do not remember playing it more than once or twice but I really cannot remember much about it, well beside the lovely album cover that is. I will not go in with much expecations this time around, but as usual I hope for the best or the better. 01. La Habanera - Seems to continue the tropical and warmer sound of the better cuts from Stella, and while not exactly a bad thing this number is sadly not a very good one or even remotely memorable and at times it points a little too much towards their next album Flag and the hit release which was to be The Race (1988). An uneven and very overlong album opener which just never sit well with me. 02. Moon on Ice - Is a more downbeat and mysterious cut which feels like it should have been included on Stella rather than on this record. A much better song. Seductive and breezing cool but one I fear will "drown" out if the quality of the rest of the album do not pick up drastically. 03. Call it Love - And then we are back to another downer. Not bad really but still nowhere near a good song either and coming up after such a positive track like the one above, I just hate when that happens. 04. Le Secret Farida - Instrumental piece and again I am not that fond of Yello and their non vocal stuff. Typical filler but thankfully it do only last for about three minutes of time but not something I will ever want to hear again. 05. Hawaiian Chance - The most upbeat number up till this point, but again another and not very impressive instrumental cut which seems to be included just to fill up some space and once more it leaves me with absolute nothing to go for. 06. The Rhythm Divine - Shirley Bassey on vocals, but the whole overblown James Bond wannabe feel just do not work for me at all. 07. Santiago - Starts out like something which reminds me of late 80s Michael Jackson or something not that far off, but then fades into an very uneven and at times annoying piece with some terrible vocal samples in arabic. Of course it had to last for almost 6 minutes of time, and I was more than ready to hand in the towel after only about 2 minutes. 08. Goldrush - More annoying vocal samples continue and the lack of anything resembling a melody would sadly not help out much either. This album is surely a big letdown and I no longer think there might be any more quality stuff on it, beside track 2. 09. Dr. Van Steiner - Starts off promisingly, I'll give it that. But it just ends up going the wrong way not long after as this end up sounding like a mix-up of Angel No from Stella and The Race from Flag. Not bad, but it sounds a little too unfinished and is not really much to go on either. 10. Si Senor the Hairy Grill - Beside the ridiculous title it actually ends up as a rather nice surprise for a change. Very industrial sounding number, feels like a more heavy and fast relative to Let Me Cry. Now why couldn't these guys make more music like this or Moon on Ice, either slow it down or go in all the way. 11. L'Hôtel - Well, going from such a fun and feisty number as the one above, we are back to yet another boring as hell instrumental and that leaves me with not much else to hand out a very disappointing final score. 3,5/10
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Post by stefancrosscoe on Jun 1, 2018 12:43:36 GMT
 Artist: New OrderAlbum: MovementGenre: Post-punk and New Wave
Year: 1981Standout tracks: None I haven't been listening to a Joy Division album in ages, or at least I must travel back to winter/spring of 2005. However, I do remember enjoying Closer (1980) far more than Unkown Pleasures (1979) at that time, and ended up getting into New Order a year later when purchashing their compilation album Substance: 1987 (1987) which I was very impressed by, and loved several of their upbeat and incredible catchy songs. But when it comes to the studio album format, I have not been listening too much of any of their releases, or of those I own, which is only three. I recently got Movement for a very cheap price, but have not been giving it a chance until of now that is. I hoped that it would include Ceremony, but I guess that did not happen and so I have never heard any of the stuff from it before and are not sure what to expect. 01. Dreams Never End - Peter Hook's unmistakenly bass starts things up rather promisingly, before it builds upwards to a rather upbeat opener. However, this song is soon to be sadly "overtaken" by Bernard Sumner doing a poor man's Ian Curtis vocal performance, and do not sit too well with my ears. Not a bad track, but certainly not a very memorable one either. 02. Truth - Is next up, which shows some signs of what to come with a more synthesized musically driven melody, but again the Joy Division sounds looms a little to heavy upon these guys shoulders, and once more the Curtis doomsday vocal part do not fit Sumner on this song either. Some okay moments here and there but again it is just not something which does much for me at all and it soon fades into 03. Senses - wich sounds like it was heavily inspired by Kraftwerk and their fantastic Metal on Metal from Trans Europe Express, sadly this is not something to jump through the rough of either, as New Orders version is just flat and extremely dull in comparision. I am beginning to understand that this record will not do any wonders for me, that is. A very dull line up of repetitive and forgettable songs now and my little interest in the rest of the album have surely not been "boosted" by any means. 04. Chosen Time - Finally a more "different" sound, one which feels more in touch with the New Order I mostly know through their later work. Great bass lines and a very groovy beat by Stephen Morris, but again the vocal part is letting me down, and while not as bad as in some of the cuts above, still it just takes up too much space in the wrong kind of way. More annoying than effective and would have loved if they had let this be an instrumental instead. Still, the closest of the first four to be what I would considering a "good" number. 05. ICB - Peter Hook continues dishing out solid bass lines and the beginning of this sounds very much like an "forgotten" Joy Division b-side or something similar, but once more the vocal stuff just do not work, at all. It is actually hard to hear what is being said or sung, but it is pretty much the same, as it would not matter that much to me. The lack of a melody is again a little too obvious and it never ends up getting anywhere, even if things do get spiced up a little bit more, later on. 06. The Him - The longest cut on the album and also the most moody or atmospheric one. Strangely it reminds me in small parts of the updated theme version of the great Phantasm II main theme, which is never a bad thing. This time also the vocal part is more in touch with the singing style I am more familiar to from Sumner and that is also a nice detail. The song picks up in a more agressive and edgier way as it edges the 2 minute mark. Again, not a great act but along with Chosen Time the closest I can think of as any "highlight" this album has to offer me. 07. Doubts Even Here - And then we are back to "square one", doomsday Ian Curtis vocals, depressing and bleak melody and is just another one which sounds like a poor Joy Division b-side that ended up on this album to fill in the gaps in the last minute. 08. Denial - Final number of the bunch and one of the most upbeat ones as well, but it feels a little too rushed and uneven in places and like the most of this record, it is one I will have forgotten about within a few minutes or less after hearing it. Well that was disappointing. I really did hope for something far better than what I was "treated" with, with this dull and forgettable bunch of mostly uneven (at best) collection of disposable Joy Division after toughts, and where I am not sure if classic cuts like Temptation or Ceremony could even manage to save this album, that is if they had been included. 3-4 times now in as many days, and it just did absolutely nothing for me or my ears. I just cannot understand the praise that this album seems to get, it is a very poor debut but then again it could be me that just do not get it, which is not the first time or the last but I will not waste anymore of my time on this release as I feel I am pretty much done and over with it for now and the chances that it will survive and become a part of my music collection is very slim to none, as of now. I know it must have been very hard and tough for the rest of the band to go into the studio and suddenly just find their own "voice" after losing such a powerful figure as Ian Curtis but I am glad they ended up going in a very different way, later on as that fitted them so much better on all accounts. I did not think of this as a bad album but just one I could net get into at all. Hopefully their next one will be a better listen, as that one I am very excited about hearing again, as I do not think I have heard it since 2006, so it is about time to do someting about that. 4/10
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Post by darknessfish on Jun 1, 2018 13:07:53 GMT
01. Dreams Never End - Peter Hook's unmistakenly bass starts things up rather promisingly, before it builds upwards to a rather upbeat opener. However, this song is soon to be sadly "overtaken" by Bernard Sumner doing a poor man's Ian Curtis vocal performance, and do not sit too well with my ears. Not a bad track, but certainly not a very memorable one either. Peter Hook does the vocal job on that track, not Bernard Sumner. I reckon its probably the best track on the album, it seems to signal more of the direction they were going to head in, rather than being overly Joy Divisiony. The album's grown on me, but it's not in the same league as Power, Corruption & Lies, after which I don't think there's much from New Order worth hearing at all. If you had bought the Collector's edition, you also get the 2nd CD with two versions of Ceremony & Temptation, which are worth the extra cash alone.
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Post by stefancrosscoe on Jun 1, 2018 13:17:45 GMT
Thanks for the info, I had no idea that was Peter on the vocals. I doubt I will be heading back again for further listens anytime soon, it just was too flat and monotone for my taste.
My big "fear" is that I will end up with yet another great single band, but where their studio albums just are nowhere near being the same quality, but hopefully that might change with Power, Corruption & Lies which I have in line next up. Ceremony and Temptation I have both on the 2002 best of called International and on Substance: 1987.
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Post by Anonymous Andy on Jun 4, 2018 22:49:11 GMT
 7/10 on first full listen
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Post by stefancrosscoe on Jun 5, 2018 15:03:31 GMT
 Artist: New Order
Album: Power, Corruption & LiesGenre: Synthpop and New Wave
Year: 1983Standout tracks: Age Of Consent and Your Silent FaceAfter the disappointing debut, I really had my hopes for their second one, and while not an album I have heard for at least a decade or more, I remember it had at least two or three great classics included but that's pretty much it. What I do remember however is that I was very upset coming home after purchasing the CD as I was informed that "Yeah, it is the one with Blue Monday" and since their minimalisic approach when it comes to album artwork somewhat "forgot" to write down the song titles on the back of the album cover, I just had to believe what I was being told. And of course my copy did not come with the legendary synthpop classic, but maybe there are others which might be as good or hopefully better lying around somewhere. 01. Age of Consent - Now this was more like it! The vocals, melody, music is pure magic and pretty much the first few seconds is almost more than enough to make me forget their gloomy/doomy mess that was Movement. A truly stunning album opener, in which everything I wanted from the band is all there and just keeps on giving and giving. More of this, please. 02. We All Stand - Well, that lasted long. Talk about being a party pooper. Back to a somewhat slightly downbeat, jazzy/funky downer which somewhat has a similarity in its melody to some of their later stuff featured on Technique (1989), or so I think. The bass is very "wooden" but in an almost hypnotnic manner, sadly the melody is surely lacking and coming up straight after such a strong and memorable act, this was a bit of a letdown for my part. 03. The Village - Back to a more upbeat and catchy cut which I think should have followed We All Stand, while the latter could have been more effective at the end of the record instead. This however is probably the most dancable number of the album and while not a great song, it do however get the job done. 04. 5 8 6 - And again I feel like it is a bit of a "Deja vu" moment there, as it starts up in a bit of the same wooden/slow down and fat beat as We All Stand, with almost 2 minutes of pretty much nothing really, before setting off into what sounds like a half hearted attempt of recreating Blue Monday, only this time it ends up sounding more annoying at times than great, specially the terrible vocal echo effects and lyrics by Sumner. This 7 minute mess should have never made it into the album and the song it reminds me so much of, should have instead. 05. Your Silent Face - This one I have heard several times in the movies but never on record. An incredible piece of music, just a shame that it is featured on what is likely to be a very uneven and disappointing record for me. 06. Ultraviolence - This is getting very tiredsome by now, and while not as forgettable or poor as some of the lesser cuts, this is just another one of those I will have no trouble with skipping by if I ever decides to revisit the entire album, which looks like it will be probably another 10-12 years till I might do so. 07. Ecstasy - I really wish these guys would have done a few of these songs purely as instrumentals, as once again the vocal part gets in the way, this time a robotic voice which is neither fun or funky, but annoying and wears out its welcome within seconds. A poorly delivered Giorgio Moroder cut which is once again more a filler than every coming close to being a killer. 08. Leave Me Alone - Has some nice similarity to that of Ceremony but the melody is somewhat lacking and it does not help much either when the lyrics/vocals is not all that great either. Well, that was to be another disappointing New Order album in a row. Two fantastic songs, and one or two almost good/decent cuts as well, but the rest is just forgettable fillers which I will probably never bother with again. The album as a whole was too uneven and not even Blue Monday could have saved this album for me. 6/10
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Post by stefancrosscoe on Jun 6, 2018 13:53:09 GMT
 Artist: New OrderAlbum: TechniqueGenre: Synthpop, Alternative and DanceYear: 1989Standout tracks: Vanishing PointMy last of their three studio albums which I own, and coming right of Power, Corruption & Lies, I am not expecting much this time either. What little I remember from their 1989 release is that it includes one of my favorite New Order cuts, which is the terrific Vanishing Point, but beside that I can barely remember anything else from it. 01. Fine Time - Starts up in a very dance/club house similar style of play and where there sure are lots of stuff happening all at once, maybe a little too much actually. The main melody kind of gets drowned out in all of it, and never really settles down with me that much. I guess for those who love late 80s dance-club music, this might do well, but beside some interesting and catchy which pops up here and there, as an album opener however it is not a very strong or memorable one. 02. All the Way - A very different kind of animal than the opening cut, this however almost sounds like one of the happier The Cure songs, only that this number is not all that great or melodic. Not a bad one, still it ends up giving me very little to go on by. 03. Love Less - Continues in the same radio friendly and safe pop playing manner as All the Way but once again, not something which sticks with me for long and is just another decent pop tune that goes nowhere. 04. Round & Round - Is back to the more dance-club scene genre as Fine Time, but is not really that much of a good song either. Mediocre at best and ends up sounding like another uninspired and very flat number. 05. Guilty Partner - A darker track which again makes me think of The Cure, but one which again lacks the hooks and catchy melodies of Robert Smith and co. 06. Run - Now I am just not even trying anymore, as it feels like the band did pretty much the same thing when they were recording this album in the studio. 07. Mr. Disco - Well, back to the dance scene once more. The constant uneveness of trying to combine dance floor cuts with daft and dull radio friendly pop songs makes up for not a very good listen, and when both lyrics and melody goes missing no matter how many "cool" music details they end up putting in, it do not help out in anyway. 08. Vanishing Point - Without a doubt, the best thing off this record. One of my favorite of theirs and one which surely had deserved far better than to be stuck with so much mediocrity as this album sadly packs too much of. This song beat the living crap out of the rest with a fantastic 1 minute and 30 seconds long intro and never lets the listener down. I just cannot believe they did not release this classic as a single. The obvious stand out track and as it looks like for now, the only one as well. 09. Dream Attack - And once more we are back to a more pop driven and guitar dominated cut, but one that is slightly delivered in a more melodic way than the others. Right now I am very disppointed by these three albums, and will probably only bother with Low-Life and Brotherhood if I am able of finding a dirt cheap copy of them on CD, Movement I am surely finished with for good and where Power, Corruption & Lies along with this one will only be around in my collection because of a couple of great songs, and that is it. 5/10
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Post by You_Got_A_Stew_Goin_Baby on Jun 7, 2018 0:32:29 GMT
Weezer’s Blue Album
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Post by Anonymous Andy on Jun 7, 2018 0:41:46 GMT
 7/10 - Don't know that it's something I'll revisit again and again, but it's funky, fresh and I enjoy hearing Jack White do something a little off the beaten path. Maybe this is his Midnite Vultures? Get In The Mind Shaft is pretty sweet.
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Post by HorrorMetal on Jun 7, 2018 2:40:50 GMT
The Gathering by Testament
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Post by stefancrosscoe on Jun 10, 2018 14:19:38 GMT
 Artist: New OrderAlbum: Substance 1987Genre: Synthpop, Post-punk and Dance-popYear: 1987Standout tracks: Ceremony, Temptation, Blue Monday, Thieves Like Us, The Perfect Kiss, Shellshock, Bizarre Love Triangle and True FaithMy last and final New Order record that I own, and where it is a compilation album and not a studio release. It looks like the original LP version only included the disc 1, which have songs on it, however my CD copy have second disc which contains another 12 cuts, mostly instrumentals, b-sides and other probably at that time, unreleased material. I have never really given much attention to disc 2, and stayed pretty much most focused on disc 1, so this might be quite a little job to get through almost 2 hours and 30 minutes of music, but in the end I hope it is worth it, as I surely am in a bad need of something better than what I have gotten out of some of their rather uneven to just downright poor and disappointing studio albums. Disc 1: 01. Ceremony - A fantastic cut, which I think was made shortly before Ian Curtis death and I do believe there is also a Joy Division version on their Live album known as Still. Anyway, this is one hell of a tune and one I have loved since the first time I heard it. Extremely catchy and the way it slowly builds up, then "explodes" only to calm down a little and finally erupts once more, is truly fantastic stuff. 02. Everything's Gone Green - Not so sure about this one. Is it an early New Order cut or an late Joy Divison song? While it has some promising moments here and there, it is surely a big letdown coming up after the powerful opener and it do not get any better looking up at the upcoming tracks which follows it. Not bad, just not very good or memorable. 03. Temptation - Another classic, which I heard for the first time through a cover version, I think in Trainspotting (1996). Uplifiting, dreamy and very melodic song that easily make me forget the rather dull number above. 04. Blue Monday - Incredibly I did not geto to hear this monster tune until I got a hold of a FIFA Fotball game on PS2, back when those games had some fantastic music included to them. I think, if you won certain tournaments, one could unlock several songs from the 1980s and this chilling and very danceable beast that was one day gifted to me, after having one a few cups or titles on that video game. All in all, this one I never gets tired of and it must have sounded like it came from some far away space ship, created by aliens when it first arrived the airwaves and nightclubs. 05. Confusion - A much more dance oriented sound than the ones above, never been one of my favorites as it sounds a little too "hectic" or chaotic. The samples along with an uneven melody makes it not a bad number but still one which never have done much for my part. 06. Thieves Like Us - Now we're talking. A beautiful song, and one which have one of my favorite intros, lasting for almost 2 minutes and 30 second of time and for me it could have easily continued for much longer. A smooth, romantic and very dreamy synthpop masterpiece. 07. The Perfect Kiss - Another stunning number is up next, and few 80s songs have sounded and felt so in touch with that era as this one, or at least to how I have often pictured that time of period Everything works so damn well, almost like an explosion of rich and colorful sounds and even though I am not sure if this is the orginal and fully lengthed version, it is just a terrific piece of music which could easily go onto last for much longer. 08. Subculture - Another one which I do not remember that much, and it is by no accident either. While it sure sounds like something which could easily fit in well with the whole eurodance genre of the 90s, it ends up as a bit of a downer coming up after such an incredible string of classics. 09. Shellshock - Brings back the fun and quality. A very catchy and very 80s sounding cut, which is easily among the best of this first part of the album. I have lost count of how many hours or days I have spent by using this song as a perfect workout music to motivate me when I run outdoors. 10. State of the Nation - Well, there had to be another one I guess. Not as forgettable as Subculture but still a very uneven and dull song which sounds most like a filler and not a great one. 11. Bizarre Love Triangle - The album or side 1 finishes very strong with the first out of two classics in a row. I remember well that this was played very effectively in a TV teaser/trailer for the 1988 romantic screwball comedy Married to the mob by Jonatha Demme, but it was I think an instrumnetal version and I was very happy when I finally discovered that it was included on this album. 12. True Faith - Hard not to think about American Psycho when hearing this one, but again another brilliant piece of 80s music which brings disc 1 one to an end. Disc 2: 01. In a Lonely Place - Disc 2 opens up in a very Joy Disvison heavy manner. Dark, brooding and atmospheric, but way better than anything off Movement which is a nice touch. 02. Procession - Another fine little surprise. Maybe a bit more uplifting and melodic than the album opener but again I am glad to have discovered it as I do not remember hearing it before. 03. Mesh - Continues the Joy Division sound, and is a more fast forward moving piece, but compared to the first two cuts, a slightly lesser song. 04. Hurt - And here it comes. A very messy and poor number which is more annoying than coming close to being good. Does not get better that it last for almost 7 minutes of time, which is far too long. 05. The Beach - Blue Monday instrumental or remix. Not as great as the original but it pretty much contains most of the single version or 12 inch that is never a bad thing. 06. Confused Instrumental - Confusion all over again, but still not one I will seem to warmen up to. 07. Lonesome Tonight - A very guitar and pop driven track which stands out from most of the material of the record but not much else. 08. Murder - My interest have surely gone down, fast and now I am just skipping through the final numbers, as they are mostly skippable fillers which gives me little or nothing of interest. 09. Thieves Like Us Instrumental - A great non vocal version, which surely had deserved to be put on the first disc and not among so many poor and dull sleepers. 10. Kiss of Death - The Perfect Kiss all over again, great and all but it will be of little help for disc 2 as it is just far too uneven and poor to ever have an chance of stadning up to disc 1. 11. Shame of the Nation - Switch Shame with State and you get what you are in for. I just cannot wait for this side to finish and sadly I am still not there. 12. 1963 - One of the better and few cuts to end off a very uneven and disappointing disc 2 with. Well, I would gladly have given this compilation a deservedly final high rating but as it comes with a part 2 which is nowhere near of the same quality, that is very hard to ignore as it surely brings down the score by a few notches and there are just too many boring and down right dull fillers to be included and as of that I end up with a: 7/10
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Post by stefancrosscoe on Jun 11, 2018 13:59:16 GMT
 Artist: Pet Shop BoysAlbum: ActuallyGenre: Synthpop & Dance-popYear: 1987
Standout tracks: What Have I Done To Deserve This?, Rent, It Couldn't Happen Here, It's A Sin, I Want To Wake Up and King's CrossAnother prominent british synthpop act which scored several big hits during the late 80s and early 90s, but where I have never heard much of their albums, well beside this one, which is the only one of theirs I do own. Not much else to say really, and so we'll start off with: 01. One More Chance - In a very dance dominated and upbeat way, with everything from what sounds like christmas bells, animal noises and much more to come. Can't say I really do remember this number, but it becomes very obvious early in that it is not exactly a very melodic or memorable song, and instead comes off as maybe a little too "chaotic" and one which never seems to settle down. Not a very good way of opening an album with and one which over stays its welcome by several minutes too many. 02. What Have I Done to Deserve This? - Now this one I know very well, a great pop song which features Dusty Springfield on vocals. Surely one of their finest singles and one which strangely I have yet to hear being played on radio like a few of their other work, but is almost on 24/7 on VH1-Classic. 03. Shopping - Here the overused big 80s production comes in and in a rather poor manner. Ends up sounding more annoying than catchy or good and is yet another weak and not at all impressive filler. 04. Rent - A very uneven start for what is supposed to be among the "greatest" 80s albums ever made, however things is picking up again and very fast with yet another classic in Rent. A somewhat sad but still very catchy song and without a doubt one of the best of this record. 05. Hit Music - Damn, I am getting really tired of this. After yet another great act, it is right down to mediocrity and generic sounds which by now has pretty much ruined any chance this album had of reaching a solid score. 06. It Couldn't Happen Here - Well, talk about a pleasant surpise! Now this is more like it. A stunning achievment, specially considering how poor some of the songs have been of this album, but here the band showcases what they could come up with and sadly such a beautiful piece of music have to share space with far too many forgettable numbers. 07. It's a Sin - Most likely one of the most overplayed 80s songs on radio that I can think of, still that do not make it any lesser or worse. While never been a favorite of mine, this is surely another solid work of pop music. 08. I Want to Wake Up - Another nice little surprise. A moody number but one with a bit more dramatic touch to it. 09. Heart - It just couldn't last, could it. Back again to those annoyingly and loud as hell, terrible and generic 80s samples and production details which just fills me with anger and frustration as it feels like getting an bucket full of ice thrown right in my face, after coming up from having some great cuts in a row, and this piece just ruins it with "style". 10. King's Cross - But, then all of a sudden this beautiful and haunting masterpiece arrives and I am almost tempted to be a little more kind with my final rating, as this is an incredible way of closing the album off with, even if it is one filled up with far too many weak ones. As with New Order, I just cannot hear nor understand all the hype being thrown at this record. Surely there are some fantastic stand out songs her, great pop songs as well, but no "perfect" record would include that much dead weight as Actually sadly does for almost half the time or length. 6,5/10
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Post by them1ghtyhumph on Jun 13, 2018 20:02:34 GMT
Venus and Mars - Wings
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Post by stefancrosscoe on Jun 15, 2018 11:57:07 GMT
 Artist: Depeche ModeAlbum: Speak & SpellGenre: SynthpopYear: 1981Standout tracks: New Life, Puppets, Photographic, Any Second Now (Voices), Just Can't Get Enough and Dreaming of MeDuring summer of 2005, I pretty much bought on impulse 30-40 synthpop and new wave 80s records within a day, and one of the main reasons was a great music documentary about Depeche Mode, along with the whole live concert film which I think was 101 (1989) and the very next day, I went crazy picking up almost every one of their 1980s releases. Somehow, I never really got any further than maybe listening to a few of them, mostly the songs I had already heard or knew of, but few of the albums as a whole. So I am very excited about going through all my Depeche Mode titles, starting up with their very first one, which is Speak & Spell. 01. New Life - An instant classic and one which still sounds fresh or well, damn good and where within only a few seconds of time one just knows that it will be a great one. Love their simplistic yet futuristic early synth cuts and New Life surely stands among as one of their finest achievements of that period. 02. I Sometimes Wish I Was Dead - Compared to the strong album opener, this one along with its over dramatic title ends up sounding a little "cheap" and rushed. While not terrible, it is just that it surely was a big way down from such a great first act and the follow up is not very impressive, even though it comes with a certain melodic charm to it. All in all, a very short and forgettable filler. 03. Puppets - Now this is more like it. We move into a more serious and darker place, still very melodic and catchy but one which comes with a little more depth to it and turned out to be a very pleasant surprise, as this one had almost gone me completely by. 04. Boys Say Go! - The vocal introduction delivery somehow makes me think of Duran Duran and some of their later 80s hits, which is not a very good sign for my part. The music however is very upbeat and coming up after such a strong number as Puppets, this was sadly for me another letdown. Not bad but something I would have no trouble with by skipping forward. 05. Nodisco - Is back to the more laidback and melodic driven "darker" cuts of this album. I might have enjoyed it better if it were an instrumental, as once more the lyrics and vocal parts end up sounding a little tame, compared to the music but still a better number than the one above it. 06. What's Your Name? - Well, this is going great, not. Here we end up with what surely has to be one of their most cringeworthy and annoying numbers, and one that easily takes the leading position for the nomination of this albums absolute worst cut award. 07. Photographic - About time! After a few not so very impressive numbers in a row to the almost unlistenable stinker above, finally this album once again deliver and when it does I am treated with yet another dark and heavily techno themed classic which for me as of now might just be the best song of this record and an instant favorite. 08. Tora! Tora! Tora! - This one sounds almost identical to some the earlier work of The Human League, which I guess must have been a huge inspiration for Depeche Mode at the time of the recording of their debut release. A bit too uneven both lyrcially and musically, and again is something I would have little trouble with by pushing the skip forward button. 09. Big Muff - A very upbeat disco/electro instrumental piece, which bring my mind to some of Gary Numan's earlier stuff, and while not exactly the most memorable or exciting cut, it is however a decent attempt of filling in some space I guess. 10. Any Second Now (Voices) - Another pleasant surprise of a "lost" Depeche Mode gem, at least for my part that is. A beautiful and moody song which makes me think of their later albums. 11. Just Can't Get Enough - This one I guess do not need much a an introduction, a synthpop classic if there ever was one. And surely one of the most covered songs of Depeche Mode, which for me is actually not a problem at all as most of the cover verson used frequently in norwegian TV commercials are often sung or made in such a boring and tame way, that they take out all the fun out of the song and puts me almost to sleep. This however is as fun and joyful as ever and strangely enough, for such a popular number, I cannot remember hearing the original ever being played on radio, but the cover version seems to go on day and night. 12. Dreaming of Me - Catchy, yet with a certain sadness to it and the albums final closer ends up as as another fine surprise for me and I am very glad I have revisited this record, as it surely did contain some great moments that I had either forgotten all about or not heard before. Well that was mostly a nice surprise as here was some truly fantastic synthpop numbers, and where not even the weaker or downright bad ones could take that away from it, and while maybe not a great debut album, this surely stands a a very promising first release, containing several classic hits and some just as good album cuts as well. I am not sure how much of Speak & Spell which was written by Vince Clarke but it is not hard to hear how much his creative input is behind many of these songs, and it must have been a very tough time for everybody when he decided to leave not long after the album release and then start up as Yazoo. Anyway, what I liked most of this record is how fresh and at times sweet and innocent some of the material and sound really is, which is quite impressive considering how young these guys must have been at the time of recording it. All in all, not what I would describe as a great record but as an starting point, it could have been a lot worse and for fans of 80s synthpop music and new wave, this album surely is a must as it comes with some true gems and of course for fans of Depeche Mode as well. I really wanted to hand it a positive score and while some of the not so good songs for a short while did look like it was gonna get dragged down to mediocrity, thankfully the album kicks back with a handful of very good to great final tracks to end up making it it a good one and which I rate with a: 6/10
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Post by stefancrosscoe on Jun 15, 2018 12:39:45 GMT
 Artist: Depeche Mode
Album: A Broken FrameGenre: Synthpop
Year: 1982Standout tracks: None Just a little note, that the Speak & Spell version I got on CD turned out to be the 2006 remaster, which did contain Dreaming of Me as the 12th and final track of that album, where as my other copy of the record has it as one of several bonus cuts. Still, I think such a good song deserved to be on the final product and if I had take it away, I would have to decrease my rating of their debut as well, I will not that. Anyway, moving onto their second release, which came up in what I guess must have been a rather hectic period of time, as their main creative force Vince Clarke had left and now the guys had to find their own voice and sound if not, then an uncertain future might lie ahead of them. 01. Leave in Silence - Not exactly an strong opener this, very downbeat and lacks the extra punch that a good first track usually needs, but I guess this album might be a very different one to their debut release. 02. My Secret Garden - More of an atomospheric piece, or at least that is how it start up things with. From only hearing the first two songs, this albums surely seem far more "serious" than Speak & Spell, but again this is not something which stays with me for long and yet another forgettable filler is to be heard. 03. Monument - Most likely the "best" of the first three, but that means very little as none of them makes any big impact on me. 04. Nothing To Fear - Finally something with a bit of a beat and melody to it and one which also sounds like a very "typical" Depeche Mode number. 05. See You - Another upbeat song which fits better into the sound I was hoping for, and would probably not have looked all that lost if it was included on their debut. 06. Satellite - Yet a downer that goes on for far too long. 07. The Meaning Of Love - Sounds like it was straight of Speak & Spell, and would probably fit there better than on this uneven second album. 08. A Photograph Of You - Opens up promisingly, almost like it was a big 80s hit I have heard somewhere but lost memory of, but then the vocal parts comes in and that is the end of that. 09. Shouldn't Have Done That - Well, back to the more dramatic and lowkey act I guess. 10. The Sun & The Rainfall - Well, this album sure took its sweet time before getting to what is at least a bit better song material. Sadly it is just a little too late for my part as this surely was not a very good record. Far too many forgettable and boring numbers, with far too much length to them as well. The closing act, while surely the better of a bunch of not so great ones, is not enough to save it and I end up with a: 4/10
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Post by HorrorMetal on Jun 16, 2018 0:45:28 GMT
Reunion by Black Sabbath
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Post by RiP, IMDb on Jun 16, 2018 6:47:05 GMT
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