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Post by stefancrosscoe on Jun 18, 2018 11:49:12 GMT
 Artist: Depeche Mode
Album: Construction Time AgainGenre: Synthpop
Year: 1983Standout tracks: Everything Counts, Two Minute Warning, Told You So and And Then...Another day, another 80s synth release to go through and right now I will try to finish my journey within the musical journey of Depeche Mode and their 80s and early 90s albums. I was not too impressed by their second one, A Broken Frame (1982) which never really grew on me, no matter how many listens in a row I did and while not a terrible record, it did absolutely nothing for me and I will likely ever bother wasting any more time on it. Anyway, on their third title which is one I only know of because it comes with the fantastic song Everything Counts, but the rest of the songs on it, I have either never heard or completely forgotten about. 01. Love, In Itself - Starts off and rather fast, and while it is a catchy number which includes a more rich or warmer variation to their usual cold synth beat approach, here one are treated with guitars and piano, but still it kind of end up letting itself down by bringing along some truly awful and very dated 80s production details which makes it to be an very uneven album opener. 02. More Than A Party - And they sure do not slow things down, as this one is even done in a faster pace but again as with the opening act, it is just a bit too hectic and without any hint of a good or remotely catchy melody to back it up, it just ends up as a very annoyingly and dull filler. 03. Pipeline - Well, so much for hoping for a positive start, as here is the third forgettable and dull filler in a row and to make it even worse, it is the albums most lengthy number as well. 04. Everything Counts - And then finally things begin to look a lot brighter, as this classic brings along a small hope of better things to come. 05. Two Minute Warning - Yes, now we are talking. Another pleasant surprise which I have never heard (or so I think) before. Here the production is top notch and it is a surprise to learn that this great cut never made it out as a single back in the day, as it is surely among the best and most catchy songs of their early 80s material. 06. Shame - And it just could not last could it? Every time these guys is on a good row with solid stuff, it is cut off immediately by yet another filler. Okay, so this one is not as bad as the first two tracks, but coming up after the two beast above, it is just a big letdown. 07. The Landscape Is Changing - Oh great, once more with the terrible production sounds along with an extremely dull song/lyrics, this album has to really finish off in a great way to stop it from being yet another below average one. 08. Told You So - Okay, so maybe this record has a few hidden gems lying around, as this might just be one of the few but very good ones which might "save" it or me from falling a sleep of boredome. 09. And Then... - A real shame that such a beautiful song as this is has to be stuck on such a uneven and at times poor album. 10. Everything Counts (Reprise) - Well, was that really needed? Less than 60 seconds of their bigest hit of this album, once more. It should have finished off with And Then..., not this. A big hit and miss in my ears, as this album sure do pack some great songs, well 4 of them but it also suffers badly by having to much fillers and some which contain terrible production notes that makes it almost unbearable. I have absolutely no idea how this record gets so much praise by critic and fans, at best a mediocre release with some solid gems, but where their search of finding their right sound ends up standing in the way of including good and memorable melodies, and while I do enjoy a bit of the industrial noises they use, it just do not work well for my part and I cannot give this one a better final rating than a generous: 5/10
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Post by stefancrosscoe on Jun 18, 2018 12:42:46 GMT
 Artist: Depeche Mode
Album: Some Great RewardGenre: Synthpop
Year: 1984Standout tracks: Something to Do, Lie to Me, People are People, Master and Servant and Blasphemous RumoursAnother of their albums I have owned for years but rarely heard through all of it, only a couple of the big hits, which this do have a few of, I think. Anyway, coming up from two disappointing album in a row, I am beginning to believe it might be more promising stuff a head and hopefully this is the drastic change for better things to come, as I really need something positive to boost up my motiviation to dig further into their music catalog. 01. Something to Do - Wastes no time at all, and gets straight on with it right away. A very promising start and while I am not sure if I have heard this one before, it do end up sounding strangely familiar, but in a great way. Their best album opener since New Life. 02. Lie to Me - Now this is more like it. A great follow up, very mysterious and cool number which has the potential of becoming another favorite gem of theirs. Also to be noted, what a huge and impressive difference in the production as well, this sounds ten times better than most of the stuff on Construction Time Again. A big improvement and also one which has a great melody and lyrics. 03. People Are People - This I have heard, several times but one which never gets old. Begins in the same industrial manner as some of the stuff from their third release, but here it is also backed up by a ridiculous catchy chorus and is surely one of their best singles to come out of the early 80s. 04. It Doesn't Matter - Coming up after three very energy filled cuts, this quiet but soulful number hints out a bit of what to come within their next release as Martin Gore takes to the microhpone and delivers a solid performance. 05. Stories of Old - Not a bad one, but still without much of a memorable melody to it along with too much of that awful 80s production from Constuction Time Again going strong at times, this only ends up falling way behind the four great opening cuts. 06. Somebody - Once more a quiet and atmospheric Martin Gore number. 07. Master and Servant - One of the main reasons to why I picked up this album, was the great use of clips from the 101 music documentary that I saw back in summer of 2005. 08. If You Want - Takes a little time before settling in, but gets more pacy as it goes on. Not a bad one this either but one which ends up getting stuck in between two far superior numbers. 09. Blasphemous Rumours - A haunting yet very catchy song where everything I was hoping for in both music, melodies and lyrics all come together and makes it into a majestic and dark masterpiece which surely has to be their best moment of everything they did up till that point of time. 4 great ones and one fantastic out of 9 is surely not bad, and while the rest is not "horrible" they are not really anywhere close to the stand out cuts and while maybe a bit harsh naming them as "fillers", they are easy come, easy go at least to me and I really wanted to give the album a higher rating, as here it is not hard to see how much improvement they have done both as musicians and song writers but the production is also a huge step up and for me this their best album out of the first four, without a doubt. Maybe with time, I might rate it higher, but as of now I end up with a solid: 6,5/10
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Post by stefancrosscoe on Jun 20, 2018 12:43:54 GMT
 Artist: Depeche ModeAlbum: Black CelebrationGenre: SynthpopYear: 1986Standout tracks: Black Celebration, Fly on the Windscreen - Final, A Question of Lust, A Question of Time and StrippedOf their fifth studio release, my expecations are as of now very high but having their last three, very uneven albums in the back of my mind I do hope that Black Celebration might just be the one which finally does it for me. 01. - Black Celebration - And we're off to a very promising start with the freezing yet still very moody title cut, which builds up slowly but then ends up erupting into a fantastic and upbeat opener. 02. Fly on the Windscreen - Final - Next up is a much darker and heavier cut which might not be as melodic as the opener but damn this sure comes packs some slick beats and also the production here is amazing. 03. A Question of Lust - While not bad or anything, my main problem with the far more quietly and peaceful of Martin Gore's "ballads" is that they often tend to lack a memorable melody or that little bit of extra to turn them up among the best cuts of an album, as clearly evident on Some Great Reward, where they pretty much ended up as nice little "fillers" stuck in between far better songs. Now this time however, Gore delivers a stunning tune which easily manages to stand out as one of the highlights, and not just on this album but of their career. 04. Sometimes - And here I would start worrying as none of their earlier albums seemed to be able of backing up such a great start, but here I am beginning to think that I am in for a very big and positive change, as the gems just seem to almost come straight out of the assambly line. While not as powerful or memorable as the first three, Sometimes, while maybe a little too short still ends up as a soulful and pleasant surprise. 05. It Doesn't Matter Two - Okay, so I guess a filler was to come sooner or later. Not horrible or anything but the kind of stuff which reminded me of some of the dull sleepers which took up far too much space on A Broken Frame and this one is surely not on the same level as the first four cuts. 06. A Question of Time - After a few easy listening and soft tracks in a row, this album needed a bit of a energy boost and this surely makes up for that and more. 07. Stripped - This was to be one of my earliest memories of the band, back in 2005 through the music documentary 101 (1989) and it still manages to be just as hauntingly powerful as ever. A stunning piece of music and once again the production here is truly something special to behold. 08. Here is the House - Not an easy task of following up two such great songs and this is one of those which I did not really invest too much time or interest in with the first few times I heard the album, but it is one which gets better each time you listen to it. 09. World Full of Nothing - As with Sometimes, this beautiful number is up there with the far more upbeat and melodic songs of this album, yet I would have wanted it to last a little bit longer as I think it would have been even better with a nice and lengthy outro. 10. Dressed in Black - Somehow this one always make me think of the older James Bond films with Connery and Moore, not sure why really but there is something about its mysterious and dark mood and also they way Dave sings it. 11. New Dress - Closes the album off in a more industrial way of doing things, still I would have liked more to have Dressed in Black or World Full of Nothing doing that part, as this sounds almost like a b-side which was brought in at the last minute and instead puts me off a little. Well, that was more like it. Without doubt the best album of their first five ones, not that the competition were all that great, but it is nice to see that they managed to get better from album to album and hopefully that will continue on with their next one. 8/10
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Post by lostinlimbo on Jun 20, 2018 15:01:17 GMT
 Artist: Depeche ModeAlbum: Black CelebrationGenre: SynthpopYear: 1986Standout tracks: Black Celebration, Fly on the Windscreen - Final, A Question of Lust, A Question of Time and StrippedOf their fifth studio release, my expecations are as of now very high but having their last three, very uneven albums in the back of my mind I do hope that Black Celebration might just be the one which finally does it for me. 01. - Black Celebration - And we're off to a very promising start with the freezing yet still very moody title cut, which builds up slowly but then ends up erupting into a fantastic and upbeat opener. 02. Fly on the Windscreen - Final - Next up is a much darker and heavier cut which might not be as melodic as the opener but damn this sure comes packs some slick beats and also the production here is amazing. 03. A Question of Lust - While not bad or anything, my main problem with the far more quietly and peaceful of Martin Gore's "ballads" is that they often tend to lack a memorable melody or that little bit of extra to turn them up among the best cuts of an album, as clearly evident on Some Great Reward, where they pretty much ended up as nice little "fillers" stuck in between far better songs. Now this time however, Gore delivers a stunning tune which easily manages to stand out as one of the highlights, and not just on this album but of their career. 04. Sometimes - And here I would start worrying as none of their earlier albums seemed to be able of backing up such a great start, but here I am beginning to think that I am in for a very big and positive change, as the gems just seem to almost come straight out of the assambly line. While not as powerful or memorable as the first three, Sometimes, while maybe a little too short still ends up as a soulful and pleasant surprise. 05. It Doesn't Matter Two - Okay, so I guess a filler was to come sooner or later. Not horrible or anything but the kind of stuff which reminded me of some of the dull sleepers which took up far too much space on A Broken Frame and this one is surely not on the same level as the first four cuts. 06. A Question of Time - After a few easy listening and soft tracks in a row, this album needed a bit of a energy boost and this surely makes up for that and more. 07. Stripped - This was to be one of my earliest memories of the band, back in 2005 through the music documentary 101 (1989) and it still manages to be just as hauntingly powerful as ever. A stunning piece of music and once again the production here is truly something special to behold. 08. Here is the House - Not an easy task of following up two such great songs and this is one of those which I did not really invest too much time or interest in with the first few times I heard the album, but it is one which gets better each time you listen to it. 09. World Full of Nothing - As with Sometimes, this beautiful number is up there with the far more upbeat and melodic songs of this album, yet I would have wanted it to last a little bit longer as I think it would have been even better with a nice and lengthy outro. 10. Dressed in Black - Somehow this one always make me think of the older James Bond films with Connery and Moore, not sure why really but there is something about its mysterious and dark mood and also they way Dave sings it. 11. New Dress - Closes the album off in a more industrial way of doing things, still I would have liked more to have Dressed in Black or World Full of Nothing doing that part, as this sounds almost like a b-side which was brought in at the last minute and instead puts me off a little. Well, that was more like it. Without doubt the best album of their first five ones, not that the competition were all that great, but it is nice to see that they managed to get better from album to album and hopefully that will continue on with their next one. 8/10
Nice write-up Stefan. Love this album. It was the one that got me hooked with the band. Have you been listening to the remastered albums with the bonus tracks and documentary of each album? The run they go on after the excellent “Black Celebration” provided some of my favourite Depeche Mode albums.
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Post by stefancrosscoe on Jun 21, 2018 14:18:49 GMT
Thanks.  It is nice to be able of listening to whole albums again, not done so for a long time and be able of finding new gems and favorites, even if some of the records is a bit of a hit or miss, Black Celebration is one of those which might just go even further up the rating scale with more listenings, but as of right now I think I must continue on as I have many more albums awaiting me, but I am looking forward to hearing what comes up with their next releases, as here I hope they do live up to my expectations and more. The only remastered Depeche Mode record I own, is their debut Speak & Spell but I have not given much time on the bonus cuts. However, I did notice that my copy of Black Celebration actually have 14 tracks, but only 11 is mentioned on the booklet/CD artwork. Next up is Music for the Masses (1987), 101 (1989), Violator (1990), Songs of Faith and Devotion (1993) and Playing the Angel (2005). Ultra (1997) and Exciter (2001) I might pick up on later, but the ones mentioned above and those I have heard and rated earlier in this thread are those I own as of now.
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Post by lostinlimbo on Jun 22, 2018 13:55:39 GMT
Thanks.  The only remastered Depeche Mode record I own, is their debut Speak & Spell but I have not given much time on the bonus cuts. However, I did notice that my copy of Black Celebration actually have 14 tracks, but only 11 is mentioned on the booklet/CD artwork. Next up is Music for the Masses (1987), 101 (1989), Violator (1990), Songs of Faith and Devotion (1993) and Playing the Angel (2005). Ultra (1997) and Exciter (2001) I might pick up on later, but the ones mentioned above and those I have heard and rated earlier in this thread are those I own as of now. The “Black Celebration” album I got is 11 tracks and an additional 8 more. The bonus tracks are quite decent. I reckon you will dig “Violator” and possibly “Songs of Faith and Devotion”. No filler on those strong albums. I don’t know how popular “Ultra” was, but it had some great songs on it too. It’s interesting to read all the turmoil that was going on before they produced that album. I wasn’t really feeling it for “Exciter”, but “Playing the Angel” was a kicker.
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Post by stefancrosscoe on Jun 23, 2018 12:13:30 GMT
I only know of the singles coming from Ultra and Exciter but never got around to purchase either of em, Playing the Angel however I remember included some very strong and memorable cuts and I am looking forward to getting back to it, as I have not heard it since 2005.
I sure have some big hopes for Violator and Songs of Faith and Devotion but first out I will have to go through Music for the Masses and then 101.
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Post by stefancrosscoe on Jun 23, 2018 13:00:13 GMT
 Artist: Depeche ModeAlbum: Music for the MassesGenre: Synthpop and New WaveYear: 1987Standout tracks: Never Let Me Down Again, The Things You Said, Behind the Wheel and NothingI remember loving the opening number very much back in summer 2006 but cannot remember if I ever actually sat down and heard through the entire album, so I sure do hope that the wait is well worth it, as I am very curious to see if this one might top Black Celebration (1986) which for me stands out, right now as their most solid 80s release. 01. Never Let Me Down Again - Not much introduction is needed for this fantastic album opener and surely one of their finest songs ever recorder. It is one of those classics which manages within only a few seconds of time to hook me right in and one which really do live up to its name by never letting me down, ever again. 02. The Things You Said - An icy and haunting follow up to the far more upbeat and melodic opener, still this is a very beautiful number and one where Martin Gore once more sings in a very soothing but calm way, with I guess Dave behind him on the backing vocals 03. Strangelove - And this is where I felt like I was loosing touch with some of the material on this album, specially since coming up after two such impressive cuts as the ones above, Strangelove sounds a bit too "happy" and where the production, lyrics and music never really boost my interest the way I had hoped for. Not a bad song in any way, but still it is one of those that is easily forgotten than remembered, at least for me that is. 04. Sacred - Once again, another letdown for my part. Neither very memorable or melodic and having gone through the album several times this week, I still cannot seem to warmen up to this one either. 05. Little 15 - A much calmer and moodier cut, but once again it just ends up as another one which goes me by and without ever coming close of capturing my interest at all. 06. Behind the Wheel - And finally things are taking a change for the positive, with a more upbeat and melodic number and while not even close of the album opener, this is surely much better and memorable stuff than the three snorefests which came sadly in a row and almost put me to sleep. 07. I Want You Now - Well that went well, not. Back to yet another downer which does absoutely nothing for me and I am getting very frustrated as I am now closing in on the albums length and still I just cannot seem to get into this record. 08. To Have and to Hold - Most likely the darkest cut of this album, and one which I really enjoyed. Sadly it does not last longer as it had so much more to offer, or so I think. 09. Nothing - A little too late but finally this album hands out a song which is up there in the same way as the first two cuts from it. If only there were a bit more of this calibre included. 10. Pimpf - Instead of going out with a bang, it is right back to another sleeper, sadly. I really, really wanted to love this album, and have for this week heard it somewhere between 8-10 times over but it just do not seem to hold my interest or even come close of living up my expecations, which of course did not exactly help me out much either knowing how well recieved it is by fans and critics, and going through reviews of the album, seeing only postive writings all over the place. Compared to Black Celebration, Music for the Masses never even came close of capturing me in the same way, as when you open with such a strong act then it is followed by mostly forgettable and very anonymous tracks which not matter how many times over I might have to heard them again, they will not do anything for me, beside frustrate me that is. A very uneven and disappointing release, and one that I right now feel very much "finished" with for now. There is a limit to how many times I can "force" myself upon an album and when it does not work or get any better, I just do not have either time or interest in continuing with further listens. But then again, who knows, maybe in a year or so, I might pick it up again and love it and think of how much of a fool I was who did not get it the first time, but right now the best I can give it is a generous: 5,5/10
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Post by stefancrosscoe on Jul 3, 2018 12:06:07 GMT
 Artist: Depeche ModeAlbum: 101Genre: Synthpop and New WaveYear: 1989Standout tracks: Stripped, Somebody, Things You Said, Nothing, A Question of Time, Never Let Me Down Again, A Question of Lust and Master and ServantThe concert video/documentary with the same name, was the one which got me into the whole synthpop/new wave era of british artists in the late 70s and early 80s, and I thought some of the live clips from 101 was very impressive and as an result, I did a lot of impulse purchases in the following days, not only that of Depeche Mode. However, I rarely think I ever sat down a listened to the whole live record, but since I am through with their other 1980s studio releases, I thought I could finish of that decade with this album. Disc: A 01. Pimpf - Where as the album version closing of Music for the Masses did absolutely nothing for me, at least this concert intro manages to do something which the original did not, as here it only last for less than a minute, but even by those small measures, it is still a complete "nothing" cut for my part. 02. Behind the Wheel - Follows up right afterwards, and while not a great one, still it was one of the few which stood out as one of the more memorable from their 1987 album. 03. Strangelove - Dave's voice sounds a little off early on, but again the song is not a big favorite of mine and this live album seems to open up in a weak manner, lacking the punch I had hoped for. 04. Sacred - And the dull fillers keep on coming, Dave still seems to sing way too "low" and offbeat, and when the melody and music is such a bore, then once more it ends up making not much of a impressive opening of this concert album. 05. Something to Do - Finally, something which reminds me of a more upbeat and good live number. Still it sounds like the band has not yet reached "climax", the voice and music is still a little disappointing and the focus seems to be on how loud the teenage girls can scream, along with Dave and his constant and annoying "YEEEEEEEAH!". 06. Blasphemous Rumours - While not as powerful as the stunning closer from Some Great Reward, it still do sound very good here. However, such a thing of dark beauty such deserved to be among the closing acts, not among the opening ones, specially coming up after so many poor ones. 07. Stripped - Another stunning Depeche classic, and once again I cannot understand why they chose to use it so early on, should have been done during the last act as I think it would have been more effective. However, this is a great live performance and surely among the stand out cuts from 101. 08. Somebody - Even better and more powerful than the album version, as Martin surely delivers one hell of a performance here. 09. Things You Said - Well, things did get not just a little better but improved greatly through the end of side 1, but as I have mentioned I wished these beautiful and atmospheric numbers would have worked out far better if they were brought in much later on, and instead focused on trying to boost up the poor start with more melodic and upbeat pop numbers. Disc: B 01. Black Celebration - Comes nowhere as being nearly as solid as the album version, but still a superior start to part 2 than what I got with the intro of part 1. 02. Shake the Disease - Not sure if I have ever heard this one, cannot remember it was on any of their studio albums put out in the 80s, hm maybe as a bonus cut later on? Anyway, it does not much for me anyway. 03. Nothing - One of the few and best cuts of Music for the Masses, and compared to the dull and lame Sacred, Behind the Wheel and Strangelove, Nothing actually sounds miles ahead better and more powerful. 04. Pleasure Little Treasure - The poorest cut on this release and once again a number I have never heard before. Sounds cheap and when coming up after such a great act as Nothing, it ends up even even worse. 05. People are People - This I remember well from the documentary and concert movie, not great but surely among the better performances. 06. A Question of Time - Now this is the kind of great music they should have used far more of, earlier on but no matter where it ends up, it still sounds great. 07. Never Let Me Down Again - Probably the most famous cut from the 101 performance and rightely so. But I have always thought it was the final number to close it off with. 08. A Question of Lust - Feels and sounds like Stripped part 2, but in a fantastic way. And speaking of Stripped, these two would have worked wonders if they were coming up after each other, and not with so much space between them. 09. Master and Servant - One of my favorite tunes from this concert and here it sounds better than the album version as well. 10. Just Can't Get Enough - Surprised they could not find room for New Life but I guess this song was more famous or familiar with the american audience at that time. 11. Everything Counts - A good way of going out, but I would prefer Never Let Me Down Again, but that is just a small "complaint" from my part. All in all, I have never been much of a concert/live album fan, as very few have lived up to the "hype" or big expectations, but I think in this case I actually enjoyed the movie more than the CD album, even if it does not include every song in its full. I guess this was Depeche Mode's "U2" flirting with america, as they seemed to only become bigger and more successfull with every new release and would probably hit their commercial and creative peak only a few years on. Not a great live record, too many dull and forgettable fillers along with a few really bad ones. Also the song selection suffers greatly from having so many poor ones among a few great and makes it as a very frustrating at times, uneven album. 6/10
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Post by Deleted on Jul 3, 2018 12:54:16 GMT
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Post by Vodkie on Jul 3, 2018 15:34:33 GMT
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Post by Lucy on Jul 4, 2018 3:57:40 GMT
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Post by RiP, IMDb on Aug 14, 2018 6:13:55 GMT
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Post by Nicko's Nose on Aug 14, 2018 7:09:16 GMT
 Hard rockers Blue Öyster Cult’s best song is actually a ballad:
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Post by lostinlimbo on Aug 19, 2018 10:57:04 GMT
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Post by Deleted on Aug 20, 2018 0:58:39 GMT
Back to Brooklyn (Barbra Streisand). Not my album but my favorite of hers. I recommend it.
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Post by RiP, IMDb on Aug 23, 2018 5:51:29 GMT
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Post by RiP, IMDb on Aug 23, 2018 6:47:08 GMT
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Post by RiP, IMDb on Aug 23, 2018 12:11:36 GMT
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Post by RiP, IMDb on Aug 24, 2018 7:29:26 GMT
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