Oh my yes - a Noir Goddess - and I doubt Western fans feel short changed either.
Her turn in KEY LARGO was voted best ever distaff Classic support turn in a major imdb1 poll (Hattie was runner up).
I have seen some 58 of her 68 movies and aside from KEY LARGO I'd recommend (in chronological order):
DEAD END - minimal screen time but it established her screen persona.
STAGECOACH
CROSSROADS - smooth thriller supporting William Powell & Hedy Lamarr
MURDER MY SWEET
Trevor: I find myself attracted to men".
Powell " I imagine they meet you half way"
THE BACHELOR'S DAUGHTER - obscure treat with Trevor as the most wordly of 4 shopgirls renting a mansion to snare millionaire husbands. Gail Russell, Ann Dvorak and Jane Wyatt are the competition.

BORN TO KILL/LADY OF DECEIT probably my favourite too after KEY LARGO ... a rare lead for once as the flint hearted dame involved with killer Lawrence Tierney.

THE HIGH AND THE MIGHTY - one of the more entertaining passengers in this smash hit proto AIRPORT- another oscar nom
MAN WITHOUT A STAR - propping up the saloon bar whilst Kirk Douglas gets goo goo eyes for feisty land baroness Jeanne Crain.
TWO WEEKS IN ANOTHER TOWN - neglected Minnelli, as faded producer Edward G Robinson's "lawful wedded nightmare".

THE STRIPPER - very effective as the anxious mother losing her son to visiting old friend Joanne Woodward in downbeat Inge drama.
Should probably give CRACKUP another spin.
DANTE'S INFERNO and THE BABE RUTH STORY were both beyond lousy. STOP YOU'RE KILLING ME pretty bad too.

turns out I have not seen her last feature so thanks for prodding me to seek it out for tonight's viewing
ok.ru/video/740124264993Here's her last TV film BREAKING HOME TIES , which I also have to watch - with Jason Robards & Eva Marie Saint from 1987, , a well received Thanksgiving special inspired by a Norman Rockwell painting,
Source for her TV DODSWORTH 1956 opposite Fredric March welcome.