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Post by mortsahlfan on Mar 14, 2021 15:02:04 GMT
In movies, shows, etc..
Can't these fucking producers hire someone who can write. Maybe someone who didn't go to some Ivy League humorless cunt school?
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Post by Feologild Oakes on Mar 14, 2021 15:12:26 GMT
Why don`t you just write something for them. I mean if you are so much better than these writers.
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Post by Xcalatë on Mar 14, 2021 16:59:07 GMT
Its not all on the writers. Producers, companies and Networks just like to play it safe and as long as their rehashed crap keeps making enough money they wont stop.
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Post by mortsahlfan on Mar 14, 2021 17:03:20 GMT
Why don`t you just write something for them. I mean if you are so much better than these writers.
How do you know I don't?
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Post by Downey on Mar 14, 2021 17:06:03 GMT
Its not all on the writers. Producers, companies and Networks just like to play it safe and as long as their rehashed crap keeps making enough money they wont stop. Studios want to make money what a surprise. Maybe twats instead of moaning should submit their "original works" to studios instead of ranting online but of course they never do. |
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Post by politicidal on Mar 14, 2021 17:09:48 GMT
Why don`t you just write something for them. I mean if you are so much better than these writers.
How do you know I don't?
Have they been geenlit?
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Post by Prime etc. on Mar 14, 2021 17:26:30 GMT
Isn't this thread a remake of other threads on the same subject?  |
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Post by Deleted on Mar 14, 2021 17:27:00 GMT
We all know that’s not how this works. There are literally THOUSANDS of indie writers out there who are infinitely better than the hacks in Hollywood right now. The writers in Hollywood are “Yes Men” who are told what to write and say. A narrative or agenda. Very few who actually write something that means anything because directors and producers don’t care about art anymore. The studios hire them to make money by checking off boxes. |
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Post by mikef6 on Mar 14, 2021 17:30:29 GMT
They won't stop until the ticket buyers stop. There are plenty good writers for movies but they aren't the prime movers behind all these reboots and cookie-cutter alike superhero movies. The writers for them write to order. The 15-30 male demographic - and female companions - still pack the theaters (when they were open) and purchases all the blu-rays. They must be stopped!
Tired of all the sameness and repetition? Don't give them any money. That's all anyone can do.
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Post by novastar6 on Mar 14, 2021 17:35:12 GMT
Its not all on the writers. Producers, companies and Networks just like to play it safe and as long as their rehashed crap keeps making enough money they wont stop. Studios want to make money what a surprise. Maybe twats instead of moaning should submit their "original works" to studios instead of ranting online but of course they never do. Last I checked it was a free country.
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Post by Downey on Mar 14, 2021 17:37:49 GMT
Studios want to make money what a surprise. Maybe twats instead of moaning should submit their "original works" to studios instead of ranting online but of course they never do. Last I checked it was a free country. What's the matter? |
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Post by Catman 猫的主人 on Mar 14, 2021 17:45:17 GMT
Heck, they even made a reboot of ReBoot.
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Post by ck100 on Mar 14, 2021 18:27:53 GMT
I don't like them either, but just remember you don't have to watch them. That won't necessarily stop them, but at least you'll spare yourself.
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Post by Catman 猫的主人 on Mar 14, 2021 18:40:18 GMT
But seriously, how many Monkey King reboots does the world need?
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Post by Prime etc. on Mar 14, 2021 19:14:31 GMT
Hollywood has transformed into the same kind of cultural model that the USSR had. They appoint apparatchiks to make propaganda. Whether the public wants it or not didn't matter. You either take their content or you seek underground media. While it seems to be coming from a capitalist direction, there's nothing rightwing or grass-roots about it. There's no competition--the only companies that are able to get any foothold for distribution--Blumhouse and the other smaller companies--are not deviating from the thematic directions of the corporations. They all follow the political correctness (to use a Soviet term). There's no way to change policy by not watching the content--it didn't matter in the USSR so why would matter to these giant corporations who get money kickbacks from taxpayers? They have said--they are more interested in appealing to China than they are in keeping the European focus of cinema. How can you attract a totally different audience without losing your base audience? Yet they don't care. The argument that it is what the people wants--makes as much sense as saying the public wants a leader with dementia. They don't, but that is forced on them without a choice. Corporate media despite the capitalist veneer takes its operational model from the USSR approach to culture. I.e. en.wikipedia.org/wiki/Circus_(1936_film) |
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Post by Harmless elf on Mar 14, 2021 19:26:16 GMT
Yeah it's not all reboots, I watched a good original Amazon Prime movie called Greenland the other week
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Post by moviebuffbrad on Mar 14, 2021 21:28:33 GMT
Sorry, but Hollywood is mandated to only hire out of UHC (University of Humorless Cunts).
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Post by spooner5020 on Mar 15, 2021 1:22:30 GMT
Heck, they even made a reboot of ReBoot. DON’T REMIND ME!!!!!! |
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Post by spooner5020 on Mar 15, 2021 1:24:08 GMT
But seriously, how many Monkey King reboots does the world need? Can’t believe I’m having to ask this, are we talking about the animated movie Monkey King or you mean King Kong and Godzilla movies? |
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Post by Fox in the Snow on Mar 15, 2021 8:15:15 GMT
It'll get to a point where they're just making the same film over and over, endlessly reworking it in the hope of making the "perfect" film that will appeal to everyone.
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