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Post by wmcclain on Apr 15, 2021 11:53:20 GMT
The Gunfighter (1950), directed by Henry King. Notorious gunman Gregory Peck is tired of his fame and even more tired of the "young squirts" who want to fast-draw on him in every town. Tired of staying ahead of their vengeful surviving brothers. Now he just wants a quiet day to visit his estranged wife and see the boy who has no idea who his father is. What are the chances Jimmy Ringo will get what he wants? Peck is, as always, excellent. His adult persona is well-suited to the role of a bad man who has calmed down with age. We also have Karl Malden, Millard Mitchell, and Skip Homeier looking ridiculous as a "young squirt" gunman. And Alan Hale Jr, uncredited as one of the vengeful brothers. A fine looking western: the town has mud streets. More character driven than action oriented, although there are some shootouts. I don't believe we ever see Ringo draw. (He's too fast). A nicely comical interlude when he has to cope with a delegation of furious respectable ladies. Alfred Newman score. Photographed by Arthur C. Miller -- How Green Was My Valley (1941), The Ox-Bow Incident (1943), The Song of Bernadette (1943). Later: I added thumbnails from the Criterion Blu-ray.
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Post by OldAussie on Apr 15, 2021 11:59:16 GMT
Peck's BEST performance! First time I saw it I had a fair idea of the plot but couldn't imagine Gregory in the role. He won me over within a minute.
And Richard Jaeckel has a great few minutes in the opening scenes.
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Post by politicidal on Apr 15, 2021 12:26:19 GMT
Intriguing premise for a western. Gregory Peck is really good. Can't say I found it entertaining. 5/10.
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Post by mattgarth on Apr 15, 2021 12:40:54 GMT
Peck later would turn down HIGH NOON because he felt he had done that already with GUNFIGHTER.
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Post by mikef6 on Apr 15, 2021 18:40:43 GMT
“The Gunfighter” didn’t do all that well at the box office but it’s influence on subsequent westerns is immeasurable. The archetype of the aging gunfighter, the end of an era, and the passing to another generation essentially began here. I wonder if we could have had “Butch Cassidy and The Sundance Kid,” “The Wild Bunch,” or any of a dozen titles we could think of, if not for “The Gunfighter.”
Amazingly, Peck was only 33 years old when he etched this complex portrait of a tired and cynical gunfighter. Sometimes a physical trait or special costume will help an actor reach a character. In this case, I think, it was Ringo’s mustache, a bold move because Gregory Peck had never appeared with facial hair and fan response was uncertain.
A story I know I have told on this board before but I love is that when studio head Darryl F. Zanuck saw the first rough cut, he went ballistic and ordered the ‘stash to go and all scenes reshot. Peck, director Henry King, and cinematographer Arthur C. Miller convinced him that a total reshoot would be too expensive. Zanuck blamed Peck’s facial hair for the film’s not performing as well at the box office as expected. Even though the picture did turn a profit, Zanuck grossed about it for a long time. Years later at a party, he told Peck, “That goddam mustache cost me a million dollars.”
One last word for one of pictures' most unsung character actors, Millard Mitchell, superb in “The Gunfighter.”
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Post by mattgarth on Apr 15, 2021 22:58:52 GMT
Millard Mitchell also scored well in their scenes together with Peck in 12 O'CLOCK HIGH the previous year.
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Post by petrolino on Apr 17, 2021 0:02:22 GMT
Great movie from a great director.
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