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Post by janntosh on Aug 30, 2021 22:40:49 GMT
considered Roger Moore's best film. The film lives up to the hype and delivers everything you want in a Bond film but manages to walk that fine line without descending into complete camp like some of the other Bond films. One of the best aspects of the film is the main bond girl, Anya. Holy shit! She is smart, capable, and sexy as hell. Probably the best Bond girl after Vesper Lynd. The production value of the film is really strong with some extremely elaborate sets and a big action scene on a tanker at the end. Some people complain about the score but I didn't mind. Hell "Bond 77" will get a ly air time on Spotify for me. Roger Moore also seems the most closest to Connery here. Especially liked the scene where he admits he killed Anya's lover. Basically telling her " yeah I did it, what do you expect?". Jaws is also introduced and definitely makes for a memorable and intimidating henchmen though him biting a shark to death at the end might be a little much for some. 
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Post by phantomparticle on Aug 30, 2021 23:40:18 GMT
Among my top five Bond films from the Connery-Moore Era, and second favorite song (after Goldfinger). They poured a lot of money into this one and it shows. Moore hit his stride here although Curt Jurgens is not one of the memorable Bond villains.
It's always a pleasure to see Richard Kiel in a movie. The guy really fills the screen. I agree, killing the shark was a bit much. Unfortunately, the inclusion of the theme from Lawrence of Arabia when they are crossing the desert is a disheartening portent of the series eventual descent into self aware camp.
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Post by jcush on Aug 30, 2021 23:42:14 GMT
It is my favorite of the Roger Moore Bond movies. Fun stuff.
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Post by politicidal on Aug 30, 2021 23:50:06 GMT
It's my favorite of the Moore films.
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Post by Cat on Aug 31, 2021 0:07:20 GMT
I liked it. Thought for a while that Live and Let Die was my favorite Roger Moore Bond. I've circled back to The Spy Who Loved Me.
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Post by sdrew13163 on Aug 31, 2021 0:45:21 GMT
Easily Moore’s best 007 movie. The action is surprisingly intense and I’ve always liked the villain quite a bit.
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Post by FridayOnElmStreet on Aug 31, 2021 1:13:34 GMT
9/10 A wonderful and exciting adventure. However For Your Eyes Only is my favorite Moore Bond film.
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Post by alpha128 on Aug 31, 2021 3:05:32 GMT
9/10 A wonderful and exciting adventure. However For Your Eyes Only is my favorite Moore Bond film. For Your Eyes Only is also my favorite Moore Bond film. I like The Spy Who Loved Me, and think it was Moore's best at the time. But I can't help but notice it's essentially a remake of You Only Live Twice with submarines instead of space capsules.
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Post by ck100 on Aug 31, 2021 4:07:14 GMT
"Keeping the British end up, Sir!"
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Post by wmcclain on Aug 31, 2021 11:52:39 GMT
The Spy Who Loved Me (1977), directed by Lewis Gilbert. When the Brits and Soviets each lose a nuclear submarine, they team up to find out what's going on. James Bond gets an unsmiling but ravishing KGB partner. They become pretty comfy until she discovers that he killed her boyfriend on an earlier mission. That puts a chill on things but they still have to hunt down Captain Nemo / Blofeld / the latest megalomaniac and penetrate and blow up his vast ocean facility. Somehow I had never seen Bond #10, Roger Moore's third, before. It's widely considered his best and the story does flirt with seriousness, although never for very long. He kills more than usual this time, but has a submersible car and an unending supply of quips. Dr Evil has a shark tank (sigh). We have sporadic action scenes until it really picks up with large-scale fighting in the final quarter. We see the slow evolution of the Bond Girl into a more estimable, challenging woman. As I've said, I think this was to appeal to the female demographic, but it also makes for better stories. 007 has no difficulty handling her at this stage. Barbara Bach was in Playboy during those years, although I forget to what "extent". 7'1" Richard Kiel is the unstoppable "Jaws"; he'll be back. I don't think nuclear weapons (two of them) have ever actually exploded in any other Bond film. Varied score by Marvin Hamlisch. The bits of period funk hurt. Carly Simon sings the famous theme. Available on Blu-ray. 
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Post by vegalyra on Aug 31, 2021 12:32:35 GMT
One of the best and nobody does it better than Moore. Barbara Bach is beautiful but then Caroline Munro almost steals the show even with her brief appearance as Naomi. The opening sequence is one of the best ever done. I’m still amazed at that shot off the mountain. The Egyptian setting is amazing, I like the show about Ancient Egypt at the pyramids being narrated by Charles Gray.
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Post by Spike Del Rey on Aug 31, 2021 12:58:40 GMT
Easily my favorite from Moore, and possibly only behind Casino Royale as my favorite in the entire series.
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Post by gspdude on Aug 31, 2021 13:57:56 GMT
The opening sequence is one of the best ever done. I’m still amazed at that shot off the mountain. 2nd unit director John Glen on that scene: " My last words to Rick(stuntman Rick Sylvester) were 'Go, go Rick - don't forget you're James Bond!' "
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Post by janntosh on Aug 31, 2021 14:17:23 GMT
It’s too bad there are some crappy rear projection effects on the mountain scene in the beginning and some others later because if it weren’t for this I would say everything on screen looks “real” and hold up to this day
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Post by Lux on Aug 31, 2021 14:50:24 GMT
It’s too bad there are some crappy rear projection effects on the mountain scene in the beginning and some others later because if it weren’t for this I would say everything on screen looks “real” and hold up to this day Janntosh, that is the most stupid comment I've ever read from you. Rear projection is meant to look stupid that's the point for films set in the olden days that couldn't achieve green screen yet or more realistic effects. This is the film forum there are no liberals here for to try to out stupid, so don't.
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Post by Archelaus on Aug 31, 2021 17:09:26 GMT
8/10. It's also my favorite of the Roger Moore Bond films. As noted before, the plot borrows from You Only Live Twice, but the détente between adds a new angle. Jaws was a memorable henchman, and even overshadows the main villain Karl Stromberg. Speaking of Stromberg, the character reminds me of Aristotle Onassis, although in early drafts, it was meant to be Blofeld.
I adore the title song, and Marvin Hamslich's score is one of the series' best. I listen to "Bond 77" every now and then. The production design by Ken Adam, particularly of the expansive set of the Liparus, is top-notch.
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Post by louise on Sept 3, 2021 4:42:33 GMT
I like it but not as much as Live and Let Die or The Man with the Golden Gun.
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Post by drystyx on Sept 4, 2021 5:08:54 GMT
It's the greatest of the 007 films in my ratings, and from what I've seen from across the spectrum in life and on line, it is acknowledged by a plurality of people as the best Bond film.
A good reason for that is because it stands alone as a classic story, one that works even if it wasn't a Bond film. The idea of a man seeking revenge against the man who killed her lover, only to find that the man doesn't warrant that revenge.
Bond is all man, in every detail and characteristic, defender of women, lustful of beauty, the ideal macho man, and XXX is the total woman. A total beauty, with deadly female charm. They're a more positive pair of Philip Lombard and Vera Claythorne. In the animal kingdom, it is natural for the total woman to always maintain the advantage of the total man.
Add to that the greatest elements of classic Bond, this movie has it all: beautiful women, exotic and beautiful scenery, wit, humor, high adventure, every dangerous milieu imaginable of ocean, desert, snow, mountains, underwater, even space when one considers the height of the ski lift. These exotic sceneries are sorely missing in the dull modern Bond films. Octopussy was probably the last classic Bond film. After that, they became hum drum dull bits of Hollywood self indulgence, total formula movies.
THE SPY WHO LOVED ME 10/10
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