Post by wmcclain on Sept 7, 2021 22:47:20 GMT
White Heat (1949), directed by Raoul Walsh.
First review
"Made it, Ma! Top of the world!"
Cody Jarrett (James Cagney) is tough. His gang is tough. Even his mother is tough. The cops are pretty serious, too. They say Cody is crazy, but I think he just has headaches and a quirky sense of humor.
It's an exciting, good looking classic, but the high body count and casual killing make it seem more comic book than realistic.
I'm always watching for Edmond O'Brien; here he is the undercover policeman who seems to spend most of his life in prison.
This is one of the films reused in Dead Men Don't Wear Plaid (1982).
Max Steiner score.
Second review
This time I noted the police detective's insight into Cody Jarrett, that as a child he faked headaches to get his mother's attention. As an adult he is no longer faking and only Ma can soothe him. In prison the undercover policeman becomes his surrogate mother; how weird is that?
When Cody finally discovers he has been betrayed he laughs and laughs, relishing his mania. He has only a few minutes left by then.
Notes:
Slashing score by Max Steiner. Photographed by Sydney Hickox, who also did Colorado Territory (1949).
Available on Blu-ray with a fact-filled commentary track.
First review
"Made it, Ma! Top of the world!"
Cody Jarrett (James Cagney) is tough. His gang is tough. Even his mother is tough. The cops are pretty serious, too. They say Cody is crazy, but I think he just has headaches and a quirky sense of humor.
It's an exciting, good looking classic, but the high body count and casual killing make it seem more comic book than realistic.
I'm always watching for Edmond O'Brien; here he is the undercover policeman who seems to spend most of his life in prison.
This is one of the films reused in Dead Men Don't Wear Plaid (1982).
Max Steiner score.
Second review
This time I noted the police detective's insight into Cody Jarrett, that as a child he faked headaches to get his mother's attention. As an adult he is no longer faking and only Ma can soothe him. In prison the undercover policeman becomes his surrogate mother; how weird is that?
When Cody finally discovers he has been betrayed he laughs and laughs, relishing his mania. He has only a few minutes left by then.
Notes:
- We are less with the crooks this time; they kill too easily.
- Ma is pretty murderous herself and she knows when she is being tailed.
- Seeing Virginia Mayo hiding out in the mountain cabin with the gang, I remembered her doing the same thing in Walsh's Colorado Territory (1949) made the same year.
- We are fascinated to watch her romance with Big Ed. She knows how dangerous that is but does it anyway.
- We get a lot of police hunt procedural.
- Some great moments of tension during the heist when undercover cop Edmond O'Brien is on the job with someone who can recognize him. They keep missing each other for a while.
- It had been ten years since Cagney's last gangster picture -- The Roaring Twenties (1939), also by Walsh -- and they don't try to hide his age.
Slashing score by Max Steiner. Photographed by Sydney Hickox, who also did Colorado Territory (1949).
Available on Blu-ray with a fact-filled commentary track.
Amazing range Cagney had - from this psychotic thug to the rueful romantic dentist in THE STRAWBERRY BLONDE, and from YANKEE DOODLE song and dance man to Shakespeare....
