|
Post by politicidal on Apr 9, 2022 1:33:39 GMT
He made the comments in a GQ interview:
"It’s bullsh*t. What if it’s a sh*t film? What do you think you achieved? Am I impressed that you didn’t drop character? You should have dropped it from the beginning! How do you prepare for a serial killer? You gonna spend two years checking it out?"
“I would have the time of my life, just breaking down the character constantly. ‘I’m having a cigarette? This is from 2020, it’s not from 1870 – can you live with it?’ It’s just pretentious. Daniel Day-Lewis is a great actor. But it’s got nothing to do with this. The media goes, ‘Oh my god, he took it so seriously, therefore he must be fantastic; let’s give him an award.’ Then that’s the talk, and everybody knows about it, and it becomes a thing.”
|
|
|
|
Post by CrepedCrusader on Apr 9, 2022 5:08:34 GMT
I support actors doing whatever is right for them, up to a point a point, to be able to give their best performance. The point I referred to is when their "method" becomes disruptive to others and/or the production.
|
|
|
Post by onethreetwo on Apr 9, 2022 5:26:14 GMT
Sounds like he thinks he's too cool to take acting seriously.
|
|
|
Post by mikef6 on Apr 24, 2022 18:57:20 GMT
And yet I am sure that Mikkelsen practices a form of it himself. Some actors, like Day-Lewis stick to the traditional formula of understanding your character to a point where you can be him/her even off-set. You are always inside that person and vice versa.
But a lot of Method training today involves observation of how people really talk, move, and react in real life. Improvisation is frequently used to train oneself in unselfconsciously natural movement. It is a commonplace for acting teachers to give students a problem like: you are sitting alone in an office waiting room. You hear a slight sound, maybe a scratching or a beeping sound. Now, your job is to try to locate where the sound is coming from. Try it yourself. Acting as if you are being unconsciously natural is incredibly difficult. That is what a lot of acting training is about. Something like this is likely what Mikkelsen would describe if you discussed acting theory with him.
Even Stanislavski himself, the creator of the Method, later in life, backed off of the “emotion memory” part of his teaching theory.
|
|
|
Post by politicidal on Jul 8, 2022 0:21:02 GMT
David Harbour agrees with him.
|
|