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Post by Penn Guinn on Jul 18, 2022 13:17:54 GMT
Great ... thanks ! Next rainy stay inside day !
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Post by marshamae on Jul 18, 2022 14:56:48 GMT
Remick / Bronson AND the wonderous Tyne Daly ..... it's on the FIND THIS ONE list ! Thanks ! Edit... but its title is Telefon <--- IMDb link It is on OK.ru TELEFON Thanks ! My new iPad is like a frog. It leaps around changing words.
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Post by telegonus on Jul 21, 2022 7:31:55 GMT
Anatomy of a Murder is my favorite movie of hers. Those are some other good ones you have listed there. The camera never loved Lee Remick more than in that one. And she used her acting chops for all they were worth. She played beautifully off Ben Gazzara and James Stewart in it.
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spiderwort
Junior Member
@spiderwort
Posts: 2,519
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Post by spiderwort on Sept 16, 2022 23:04:00 GMT
A quick note from Kazan about Jo Van Fleet in this film, tim: She was insistent that the make-up artists take the time to make her hands look old, with spots, et al. Kazan (hard for me to believe, but he told the story) said, "No need to do that, Jo. No one will know." She looked at him and said, "I'll know." A tiny comeupance to the great actor's director. She was amazing in that role. Never understood why she didn't get an Oscar nomination for it.
But back to Remick, here's another story Kazan told about her in the film. During filming, her husband had been in a car wreck and was in the hospital. Fortunately, he was going to be okay, but of course, Remick was still concerned, especially on the day they were shooting the scene on the porch, when she knew she was falling in love with Clift but shouldn't be, as he gently stroked her cheek and she moaned, "Chuck, Chuck." Kazan said that he knew he didn't need to direct her for that scene. All he did was stand behind her for a few moments there on the porch, just being with her with his hands on her shoulders, providing silent support. He knew she was already ready. Then they rolled, and she was so powerful in that scene, with all her anguish right at the surface. Her great acting was empowered by his great "silent" directing.
I ran into Ms. Remick at the DGA Awards in 1988, only three years before she was passed away (that was devastating). There were so many things I wanted to say to her, but it wasn't the right time or place. But I'll be forever grateful for that chance encounter. With her work in WILD RIVER, along with Kazan, Van Fleet, and Clift, she made a real difference in my life.
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