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Post by darksidebeadle on Jun 25, 2022 11:53:15 GMT
Your Top 5 American Noir of 1957
1. Sweet Smell of Success 2. The Brothers Rico 3. The Garment Jungle 4. The Shadow on the window 5. Plunder road
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Post by mikef6 on Jun 25, 2022 13:41:09 GMT
Not a real good year for noir.
Baby Face Nelson Slaughter On 10th Avenue Plunder Road The Girl In Black Stockings The Midnight Story
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Post by timshelboy on Jun 25, 2022 18:06:59 GMT
a thin year CRIME OF PASSION THE TATTERED DRESS THE GIRL IN BLACK STOCKINGS SWEET SMELL OF SUCCESS HIT AND RUN Out of scope (but better than any) LES LOUVES
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Post by politicidal on Jun 26, 2022 14:31:26 GMT
Hmm, only got Sweet Smell of Success. Which I enjoyed immensely.
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Post by movielover on Jul 12, 2022 23:29:56 GMT
The Brothers Rico Nightfall The Garment Jungle Sweet Smell of Success The Girl in the Black Stockings
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Post by mikef6 on Jul 12, 2022 23:51:52 GMT
a thin year CRIME OF PASSION THE TATTERED DRESS THE GIRL IN BLACK STOCKINGS On vacation in Utah, My Lovely Wife and I stopped off at the Parry Lodge in Kanab where “The Girl In Black Stockings” was filmed, almost, in its entirety. The sign out front, the main registration building, and the pool are virtually unchanged over the last 65 years. The Edmund Parry played by Canadian actor Ron Randell is totally fictional. The real Parry Brothers were responsible for spearheading Hollywood’s use of the surrounding area for western locations starting in the 1930s and for southern Utah’s tourist industry. The lobby of the main building is a shine to the Brothers' success. All of the rooms are named for stars who had stayed at Parry’s. The pool which figures prominently in the film itself was fairly new when the movie was shot. John Wayne paid half to install it because he wanted a place to cool off while lodging there. Sadly, about 1970, the need for western movie locations dried up but the lodge persists, no doubt, on nostalgia seekers familiar with its history. This picture taken during production can be seen enlarged at the Parry Lodge. That looks like Lex Barker in swim trunks on top of the van (far right).
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Post by Richard Kimble on Jul 15, 2022 19:14:52 GMT
Nightfall is better than any (excepting SSoS) of the listed ones I've seen.
Haven't seen:
The Girl in the Black Stockings
Shadow On The Window
Hit & Run
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Post by darksidebeadle on Jul 15, 2022 22:22:33 GMT
Nightfall is better than any (excepting SSoS) of the listed ones I've seen. Haven't seen: The Girl in the Black Stockings
Shadow On The Window
Hit & Run You’ll find nightfall in the 1956 thread
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Post by london777 on Jul 15, 2022 23:07:21 GMT
1957 is the dying embers of Noir, in the USA at least, though it was still a relative novelty in other countries. Sweet Smell of Success is one of the greatest, but hardly a typical Noir, amd was directed by someone who had forged a career in the UK. It has an oblique relation to the noir canon as does the equally great Sunset Boulevard.
The other week I watched a film on YouTube and wondered 'Is this the first neo-noir?', but my senile brain can no longer remember which it was. I believe it was mid-1960s. Any suggestions?
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Post by mikef6 on Jul 16, 2022 1:26:45 GMT
1957 is the dying embers of Noir, in the USA at least, though it was still a relative novelty in other countries. Sweet Smell of Success is one of the greatest, but hardly a typical Noir, amd was directed by someone who had forged a career in the UK. It has an oblique relation to the noir canon as does the equally great Sunset Boulevard. The other week I watched a film on YouTube and wondered 'Is this the first neo-noir?', but my senile brain can no longer remember which it was. I believe it was mid-1960s. Any suggestions? If you want to get all technical about it, most critics and film historians who have weighed in on the question seem to have come to something like a consensus that the film noir era ended in 1959, possibly with “Odds Against Tomorrow” being the last true noir. If you go by that, any movie you saw from the 1960s would be a neo -noir. Personally, I would like to extend the era into the mid-‘60s, or maybe even take the entire decade. Perhaps you saw: The Girl Hunters (1963). Author Mickey Spillane plays his own creation Mike Hammer in an adaptation of one of his hard-boiled novels. The Killers (1964) with assassins Lee Marvin and Clu Gulager on the trail of robbery loot. Ronald Reagan’s last film and his only villain (unless you count his presidency ). The Eyes Of Annie Jones (1964). Richard Conte in the U.K. A touch of the supernatural. Seven Days In May (1964). A famous movie about an attempted coup on the U.S. government. You would probably know if you saw this one. Mirage (1965). Gregory Peck thinks he is one person but isn't sure. People after him think he is someone else. Était En Noir (The Bride Wore Black) (1968) French thriller deliberately “Hitchcockian.”
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Post by joekiddlouischama on Aug 19, 2023 2:22:34 GMT
1957 is the dying embers of Noir, in the USA at least, though it was still a relative novelty in other countries. Sweet Smell of Success is one of the greatest, but hardly a typical Noir, amd was directed by someone who had forged a career in the UK. It has an oblique relation to the noir canon as does the equally great Sunset Boulevard. The other week I watched a film on YouTube and wondered 'Is this the first neo-noir?', but my senile brain can no longer remember which it was. I believe it was mid-1960s. Any suggestions? If you want to get all technical about it, most critics and film historians who have weighed in on the question seem to have come to something like a consensus that the film noir era ended in 1959, possibly with “Odds Against Tomorrow” being the last true noir. If you go by that, any movie you saw from the 1960s would be a neo -noir. Personally, I would like to extend the era into the mid-‘60s, or maybe even take the entire decade. Perhaps you saw: The Girl Hunters (1963). Author Mickey Spillane plays his own creation Mike Hammer in an adaptation of one of his hard-boiled novels. The Killers (1964) with assassins Lee Marvin and Clu Gulager on the trail of robbery loot. Ronald Reagan’s last film and his only villain (unless you count his presidency ). The Eyes Of Annie Jones (1964). Richard Conte in the U.K. A touch of the supernatural. Seven Days In May (1964). A famous movie about an attempted coup on the U.S. government. You would probably know if you saw this one. Mirage (1965). Gregory Peck thinks he is one person but isn't sure. People after him think he is someone else. Était En Noir (The Bride Wore Black) (1968) French thriller deliberately “Hitchcockian.” I do not know about the others, but although I have not seen The Killers, I know that it is in color. Conversely, that consensus of film historians and critics that you speak of seems to believe—quite rightfully, perhaps—that genuine films noir are in black-and-white and that anything in color constitutes neo- noir by definition. Perhaps you would dissent, but thanks for another knowledgeable post, as usual.
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