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Post by stefancrosscoe on May 9, 2020 9:04:20 GMT
Not so much horror, but still have horror and thrills elementsI would say, just by looking at these great pictures/images that you have posted, they all come with that elegant, yet classic horror feel of the 30s and 40s with them, and would have likely have been looking very good as potential movie posters or just framing them up as they are, on the wall. My favorite of the 3 you posted, are surely the one in the middle, that looked very impressive, specially the actors facial expressions and I might have to check out these films.
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Post by stefancrosscoe on May 9, 2020 9:55:10 GMT
Resurrection (1999) - Russel Mulchay I have only seen this very typical late 90s crime-thriller once before, and this one surely tries hard in style and tone to "cash in" on the success of several serial-thrillers of the mid 90s, such as Se7en (1995) and Copycat (1995). But there is also a bit of The Silence of the Lambs (1991) vibe going on strong, at least a few times, I think. Of course, this is probably a far more low budget or tv-movie made film, that still manages to be, well, maybe better is not exactly the right word when it comes to Christopher Lambert and his acting, but compared to so much of the awful films he usally makes, I think this one of the few times I was left postively surprised. It is fast paced, gory, nasty, stylish, and at times very funny, but I just wished there was a bit more, how should you say, originality to the script and its characters, because, I am not saying a "great" movie lie between the pages or something like that, but it could surely have become a little more sharper in both tone, and story. Lambert sure does his best, but again, it kind of feels a little to over-the-top, and which brings some of the more overused thriller cliches into being almost unintentional funny, than what they were meant to be.  Of course, there is lots of walking cliches in this one, the tragic main character, his caring and lonely wife, their sad backstory, the wisecracking partner and sidekick, the angry and explosive police chief, the douchy asshole co-workers, the creepy looking killer with his huge bug eyes and constant intense stare, the grungy green-grey use of colors, the constant heavy rain showering the city and streets, and showing far too much of all these horrible dead bodies or body parts, and yeah, sometimes those who are not even dead, just dying and, well, I tend to prefer movies such as Manhunter (1986), specially when it comes to not show "everything", all the time.  Let the fantasy or imagination play their part, because what you often do not see, is way more scary or effective (or so I believe), than being constantly thrown all these horrific and gory images of mutilated bodies and victims of the killer. Also, when I think of wandering cliches, the serial killer is quite a piece of "work" himself, I mean the religous themes, the use of numbers, digitals and other obvious clues, such as windows or walls, being smeared in with blood in huge red letters "COME FIND ME!" and then Lamberts charactert begin this long and very serious speech about that this means the killer is serious and will surely continue on with his murdering, and it just, well, was so laughable and funny (sure not meant to be) that it felt like a parody of the crime-thrillere genre at times.  Another reason to why I have a certain soft spot for the film, is that one of my favorite directors, David Cronenberg also has a small part in here, as a local priest. Nothing huge or really special, but I thought it was nice little role from Cronenbergs side, and he did it pretty good. The one thing I would have really liked, and I think could have done this movie a huge favor, was surprising the viewer with a bit a of a shock, and I do not mean more blood and gore, but because somewhere along the way, especially when Lamberts character began discussing with his wisecracking partner and friend, about how he "admired" the intellect of the serial killer, and his partner, I always hoped or suspected would turn out as the bad guy, and he for a few moments looked very creepy, when Lambert started the whole admiring part, but sadly I guess that whole potential just got thrown away, and it was back the more creepy looking, sterotypical Hollywood serial killer kind of type, and again, that is why I love Manhunter and constantly brings it up, as how I wished more thrillers would deliver their serial killer.  Brian Cox looks just like a "normal" guy, with a very non-normal way of personality, while most of the Hollywood serial killer figures looks like they just stumbled out of the assembly line for "movie serial killer" or "creepy movie monsters", and they just do absolutely nothing for me. They are rarely ever scary or impressive, just most of the time dull and I have seen them so many times over, so just come up with something a little different, as I like to think normal is way more scarier or unsettling than having yet another cheap looking rip-off of the legendary Dr. Hannibal Lecter (the Anthony Hopkins version). Anyway, I enjoyed the movie, not great by any means, but entertaining and surely one of the better films that Christopher Lambert made during the late 90s. 6/10
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Post by stefancrosscoe on May 11, 2020 9:23:36 GMT
 Elvira's Haunted Hills (2001) by Sam Irvin I guess this one is not really a "sequel", more just a new kind of movie involving Elvira (Cassandra Peterson) and this time she is back the 1850s, and along with her chamber maid they must stay the night (in fact several) in some creepy old castle, where a bunch rather colorful figures soon appears. Anyway, I have seen it once before, and, well it was surely not even close of being as funny or charming as the first one, Elvira: Mistress of the Dark (1988), who combined sexy slapstick comedy, b-movie charm and I thought Cassandra did a great job, but many years later on, the whole horror-comedy vulgar-sexy slapstick routine has just grown very tiredsome and feels more cheap and annoying, than even coming close to "funny" or entertaining. How many times can they can the keep on repeating the same "joke", (which was never really funny to begin with) of having Elvira shoving her funbags into other peoples faces, or having them grab a good hold of them, again and again. Well, one scene had a bit of charm " It is a good thing that I come with my own airbags" or something like that, when some creepy Dr. characters stumbles right into her boobies when driving to the gothic castle earlier in the film. Sadly, it is one very few highlights, as already in the opening scene, the "standard" of comedy has been set, when Elvira and her chamber maid must flea the scene, of some sleazy motel, and the owner surely is wanting his money: "I WANT MY MOOONEY, I WANT MY MONEY!" then this "funny" line or horrible joke, just goes on, forever and I knew then that it was not gonna be a very good movie, and sadly I was right. But, I do love Elvira, at least the 80s version, but Cassandra sure looks still stunning in this one, and I just wish they hired better writers, but I guess Peterson actually was one of the two who penned down the script, so maybe that was part of the problem. The positive things, I liked the classic comedy horror gothic look, specially the castle and clothes, hairstyles and the atmosphere (at times), so maybe as I said, if they had got a better script and maybe a little more money/budget behind it, this movie could have been so much better. 4/10
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Post by stefancrosscoe on May 11, 2020 9:38:17 GMT
Texas Chainsaw Massacre 2 Second watch since about a decade ago. Fucking balls to the wall entertainment with awesome work by Tom Savini! Without a doubt my favorite entry in the franchise behind the original. I don’t think I fully appreciated this my first watch but man I’m glad I decided to revisit. Amazing set pieces, great gore and unforgettable characters sprinkled with genuinely funny moments. Rating 4/5 Sorry about bumping your reply, so long after, but I re-watched Texas Chainssaw Massacre 2 (1986) earlier this year, and I just loved it! Had almost forgotten how crazy and funny it really was, I specially loved Dennis Hopper, who completely owned this movie, and to think he did both this and Blue Velvet both released in 1986, damn, he was in good form back then. "BRIIIIIIING IIIIIT AAAAAAALL DOOOOOOOWN!"The one scene, that had me almost on the floor laughing, was the part where he went out to buy himself a big ass chainssaw, and the owner of the store, looks at this madman with huge admiration, and it was just such a hilarious but great part. Another huge reason to why I love the film, was the beautiful Caroline Williams, and I just fell so hard for her whole charming Texas accent and those long stunning legs of hers. Damn she was fine, and I had absolute no problems with Leatherface also having a thing for her, because who wouldn't? Tom Savini of course, surely did not do any wrong here either, incredible special effects all the way. Anyway, it was sure great to get to see it again, after so long and I know, I must get a hold of the original, as I have not watched it since the early 00s, but from what I remember, that tone or style was completely different, and this sequel was just so over-the-top and ridiculous fun, that, well it has to be one of the best horror sequels of the 80s, or so I believe.
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Post by stefancrosscoe on May 11, 2020 9:53:49 GMT
Double shot last night of two very different extremes. Both re-watches.  A great ensemble cast really carry this goofball comedy-horror. Charming, although I do find it to lose steam by the end.   The story might be muddled and anticlimactic, but the set-designs and practical fx looks good in this Roger Corman production. Oh, and of course a WTF moment here and there.  Again, sorry about bumping these "old" posts, but I have lost so much time on here from my "vacation", and just love going backwards and reading up on all these fine reviews and images/posters people have posted and written down earlier on. I just love that Transylvania 6-5000 (1985) movie poster, and so much, in fact that I have it on VHS and DVD (4 different versions) and where I think the nordic/scandinavian ones are completely superior to the incredible dull and boring looking Anchor Bay/Starz edition, which looks so cheap and is just made up of two huge random pictures of Jeff Goldblum and Ed Begley Jr., but the other movie poster are so much fun and creative, and well, I so very much want it hanging on my wall as a framed poster. But, then again, I wouldn't mind a big framed poster of Gena Davis as the lovely vamp-nympho Odette as well. Galaxy of Terror I remember as well because of the incredible sets and designs, which I thought were very impressive, specially for a Roger Corman production, but if I am not mistaken, I think a very young James Cameron was involved in this, and I guess the whole Alien (1979) feel, sure make well use of that kind of talent. Yeah, there were some rather, WTF moments in there as well, and I guess that is why so many remember it.
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Post by stefancrosscoe on May 11, 2020 10:06:27 GMT
 Fright Night (1985) This is one of those must-watch movies for me during the month of January. Not sure why, but it seems to go well against the snow and cold. It's always a blast and I'm always finding new things to appreciate about it. Chris Sarandon and Amanda Bearse's hypnotic dance, the dynamic score by Brad Fiedel, the state-of-the-art (at the time) practical effects, the references to Hammer-era horror... I just really, really love this movie to pieces. 10/10 That has to be one of the coolest and most impressive movie posters (not just horror) of the 1980s, I guess so much, several ones later "borrowed" it, such as the Return of the Living Dead Part: II (1988), but that film is of course not even close of the classic that is Fright Night. For me, I usually tend to watch it during the late summer, I do not know why, but it has just ended up that way, and still a great movie, is still great movie no matter when or where I see it. What I love more and more about each viewing, is that it just keeps on getting better and more rewarding for each time, and that is why I guess it holds such a special place for so many fans of it. I did watch the remake a few years back, and it was not awful, but I felt it never came even close, once, to match the comedy, horror, atmosphere, music or special effects, and Colin Farrell I thought was, well not horrible, just bland and completely forgettable which I felt also the movie pretty much could be summed out to be as well.
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Post by Lebowskidoo 🎄😷🎄 on May 11, 2020 12:37:41 GMT
Watched 13 Cameras (2015) and the sequel, 14 Cameras (2018) back-to-back. My God, the skeezy landlord, Gerald, is so gross and freaky looking. It was unsettling!   
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Post by stefancrosscoe on May 12, 2020 4:58:10 GMT
 Creature (1998) by Stuart Gillard Over the last few days, I ended up watching each of the episodes of the mini-series that I think is based on one of Peter Benchley's novels, and is called Creature (1998). It is about 3 hours long, and where Craig T. Nelson and Kim Cattrall must find a way to destroy a mutated shark, which was born through some rather experimental warfare stuff, back in the early 70s, but then later on escaped into the ocean, and now 25 years later on, it is back, angrier and hungrier than ever! I remember watching it on norwegian television back in the late 90s and early 00s, specially during the summer, along with my dad. He loved the total cheese factor and we both laughed out at several times, specially of all the silly stuff over-the-top things that takes place. I mean, here we have a "shark" taking a walk, climbing up the stairs, or even decided to go all the way up into the top of a three, then only to lower itself from a branch, upside down, so it can wait for its potential next victim. And, yeah, there is still some very funny stuff going on here. The negative thing, is that as so many other very long mini-series, I thought the first half was actually very well paced and enjoyable, and of course not seeing too much of the shark-creature as well, however during the second half, things sadly do end up getting a bit too drawn out, specially the last 15-20 minutes or so, was just a total random and overlong scene, that, well I guess they just either ran out of ideas or time, so just had to make use of what they got. The positive is that some of (I think actually Stan Winston is involved here) close ups of the shark-thing, specially after it first arrives on land, and tries to breathe with its lungs, that was damn fine work by the special effects team. And I would have liked if they kept the shark "more hidden" and not reveal too much, so often. But, I guess in order to get a hold of the viewers, they just had to sell it for what it was, and it was surely not Jaws (1976), but more a b-movie turned into a 3 hours version. I also really enjoyed that adventurous and feel-good entertainment it had going, that and surely Kim Cattrall who looks so good in that diving gear, and even better without it. Over all, I thought it had a good cast of actors, and some of the special effects where very impressive at times, but all in all, it was not a great miniseries, but a more enjoyable one, that I often do re-watch or come back to, specially during the summer. 5,5/10
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Post by lostinlimbo on May 13, 2020 1:28:01 GMT
Resurrection (1999) - Russel Mulchay I have only seen this very typical late 90s crime-thriller once before, and this one surely tries hard in style and tone to "cash in" on the success of several serial-thrillers of the mid 90s, such as Se7en (1995) and Copycat (1995). But there is also a bit of The Silence of the Lambs (1991) vibe going on strong, at least a few times, I think. Of course, this is probably a far more low budget or tv-movie made film, that still manages to be, well, maybe better is not exactly the right word when it comes to Christopher Lambert and his acting, but compared to so much of the awful films he usally makes, I think this one of the few times I was left postively surprised. It is fast paced, gory, nasty, stylish, and at times very funny, but I just wished there was a bit more, how should you say, originality to the script and its characters, because, I am not saying a "great" movie lie between the pages or something like that, but it could surely have become a little more sharper in both tone, and story. Lambert sure does his best, but again, it kind of feels a little to over-the-top, and which brings some of the more overused thriller cliches into being almost unintentional funny, than what they were meant to be.  Of course, there is lots of walking cliches in this one, the tragic main character, his caring and lonely wife, their sad backstory, the wisecracking partner and sidekick, the angry and explosive police chief, the douchy asshole co-workers, the creepy looking killer with his huge bug eyes and constant intense stare, the grungy green-grey use of colors, the constant heavy rain showering the city and streets, and showing far too much of all these horrible dead bodies or body parts, and yeah, sometimes those who are not even dead, just dying and, well, I tend to prefer movies such as Manhunter (1986), specially when it comes to not show "everything", all the time.  Let the fantasy or imagination play their part, because what you often do not see, is way more scary or effective (or so I believe), than being constantly thrown all these horrific and gory images of mutilated bodies and victims of the killer. Also, when I think of wandering cliches, the serial killer is quite a piece of "work" himself, I mean the religous themes, the use of numbers, digitals and other obvious clues, such as windows or walls, being smeared in with blood in huge red letters "COME FIND ME!" and then Lamberts charactert begin this long and very serious speech about that this means the killer is serious and will surely continue on with his murdering, and it just, well, was so laughable and funny (sure not meant to be) that it felt like a parody of the crime-thrillere genre at times.  Another reason to why I have a certain soft spot for the film, is that one of my favorite directors, David Cronenberg also has a small part in here, as a local priest. Nothing huge or really special, but I thought it was nice little role from Cronenbergs side, and he did it pretty good. The one thing I would have really liked, and I think could have done this movie a huge favor, was surprising the viewer with a bit a of a shock, and I do not mean more blood and gore, but because somewhere along the way, especially when Lamberts character began discussing with his wisecracking partner and friend, about how he "admired" the intellect of the serial killer, and his partner, I always hoped or suspected would turn out as the bad guy, and he for a few moments looked very creepy, when Lambert started the whole admiring part, but sadly I guess that whole potential just got thrown away, and it was back the more creepy looking, sterotypical Hollywood serial killer kind of type, and again, that is why I love Manhunter and constantly brings it up, as how I wished more thrillers would deliver their serial killer.  Brian Cox looks just like a "normal" guy, with a very non-normal way of personality, while most of the Hollywood serial killer figures looks like they just stumbled out of the assembly line for "movie serial killer" or "creepy movie monsters", and they just do absolutely nothing for me. They are rarely ever scary or impressive, just most of the time dull and I have seen them so many times over, so just come up with something a little different, as I like to think normal is way more scarier or unsettling than having yet another cheap looking rip-off of the legendary Dr. Hannibal Lecter (the Anthony Hopkins version). Anyway, I enjoyed the movie, not great by any means, but entertaining and surely one of the better films that Christopher Lambert made during the late 90s. 6/10 I watched this the first time a couple years ago (which I posted some quick thoughts in this thread), and again a few months back after picking it up on dvd. For a ‘Se7en’ rip-off it’s fairly well-made and very engaging. I would say it’s definitely one of Lambert’s better films, even though he might be the film’s weak link with his overacting in certain moments. I wasn’t overly distracted, yet I had a snicker from time to time. It’s beyond cliched in how the story beats play out, but never did I found it boring... in spite of the familiarity. Mulchay executes with enough excitement and mystery to pull you along, even if the budget looks cheap/tv quality and his usual directorial flashes are kept in check. The dour atmospherics really harked back ‘Se7en’... so maybe his stark, and straight forward styling was deliberate here? Only because he made ‘Silent Trigger’ a couple years before it, which looked very low-budget, yet had his signature directorial flashes. As for Robert Joy, he made for an excellent serial killer and the mask was pretty creepy. Funnily enough it reminded of David Cronenberg’s performance in ‘Nightbreed’, right down to the mask.
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Post by lostinlimbo on May 13, 2020 1:46:25 GMT
Castle of Blood (1965)Hypnotic slow-burn b/w gothic horror seeping with tragic melancholy and feverish macabre as the dead are forced to relive past sins (their grisly deaths) the same night every year, and draw in anyone who happens to find themselves within the same walls. Interestingly the film is bookend by having Edgar Allan Poe at a tavern interacting with Georges Rivièr’s lead (a sceptical journalist who questions the truth/context of Poe’s tales). This leads to a bet with Poe’s counterpart to spend a night in his deserted haunted Blackwood castle on All Souls’ Day.  The atmospheric story builds nicely, very dream-like and it had me intrigued to where it was heading in spite of the run-of-the-mill backstory. Although it surprises with a good finale shock. As for the cast, Barbara Steel perfectly brings a gamut of emotions. She’s centre of attention to everyone and the only spectre who sympathetically wants to help, but the likes of Margrete Robsahm and Arturo Dominici were a nice counterbalance with their cold, nurtured turns. The relationship between Steele and Robsahm’s characters was somewhat vague, so Steele killing her when Robsahm passionately throws herself onto her was kinda out-the-blue. But I read in the english dub version cuts out exchanges between the two, especially a love making scene which would make Robsahm’s actions, and her murder less startling in the scheme of things. 
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Post by FridayOnElmStreet on May 13, 2020 5:47:20 GMT
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Post by FridayOnElmStreet on May 13, 2020 5:48:11 GMT
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Post by FridayOnElmStreet on May 13, 2020 5:48:34 GMT
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Post by FridayOnElmStreet on May 13, 2020 5:48:51 GMT
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Post by FridayOnElmStreet on May 13, 2020 5:49:07 GMT
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Post by FridayOnElmStreet on May 13, 2020 5:49:33 GMT
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Post by FridayOnElmStreet on May 13, 2020 5:50:00 GMT
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Post by FridayOnElmStreet on May 13, 2020 5:50:15 GMT
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Post by stefancrosscoe on May 13, 2020 10:26:39 GMT
I watched this the first time a couple years ago (which I posted some quick thoughts in this thread), and again a few months back after picking it up on dvd. For a ‘Se7en’ rip-off it’s fairly well-made and very engaging. I would say it’s definitely one of Lambert’s better films, even though he might be the film’s weak link with his overacting in certain moments. I wasn’t overly distracted, yet I had a snicker from time to time. It’s beyond cliched in how the story beats play out, but never did I found it boring... in spite of the familiarity. Mulchay executes with enough excitement and mystery to pull you along, even if the budget looks cheap/tv quality and his usual directorial flashes are kept in check. The dour atmospherics really harked back ‘Se7en’... so maybe his stark, and straight forward styling was deliberate here? Only because he made ‘Silent Trigger’ a couple years before it, which looked very low-budget, yet had his signature directorial flashes. As for Robert Joy, he made for an excellent serial killer and the mask was pretty creepy. Funnily enough it reminded of David Cronenberg’s performance in ‘Nightbreed’, right down to the mask. I am glad there are more out there who seemed to find joy in this movie, and I think along with The Hunted (1995) it might sit down as two of Lambert’s better or more "unusual" films, and I guess that is why I so much enjoyed watching them in the first place. Russell Mulcahy seems to be a name that just keeps on "following" me, and rarely a bad thing either, and I do notice it is surely not the first time he and Lambert have worked together, as the duos finest hour, I think has to be the first Highlander (1986) movie, which for me still looks stunning in places, and I always kind of wondered why Christopher Lambert did not hit bigger on in the movie business, but I guess maybe some bad luck or choices in pickin roles, or something like that may have had their part in play of how things turned out. Silent Trigger I have yet to watch, but since it stars Dolph Lundgren and that movie poster and also title of the film sounds kind of bad ass, it sure makes me want to have a closer look of it. You know, it is nice chatting up with you once more, as I think we had a few conversations or more, back in the day, when the action/adventure section were still alive. But now it seems like that one is gone or just deleted from this site? Still, I am very glad to see that the horror section is up and running, and hopefully it will continue like that for as long as possible. It is funny how you bring up Cronenberg and Nightbreed, as I re-watched it a few weeks/month back ago, and I loved David and his incredible creepy performance, way more menacing and evil than any of the "monsters" in the film, and I kept wondering how it would have turned out, if the film had been done as a mini-series over 3-4 episodes, as I could not get enough of the whole atmosphere, the underworld and, yeah I really enjoyed it.
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Post by stefancrosscoe on May 13, 2020 10:35:56 GMT
FridayOnElmStreet they sure knew how to make striking and incredible cool looking movie posters back then, even when they hit the 8th film, it just kept on coming and even though it is surely very "misleading" I guess, in many way, as most of the film I think takes place inside a boat, but I really enjoyed the whole tone it had, so no problem for me, what so ever. You know, it could have been a pretty cool idea to have a Jason vs Officer Matt Cordell from the Maniac Cop franchise have a go at each other, and some of the movie posters from that series, do have a certain resemble to that of the Jason takes Manhattan, or so I think. But I guess Matt Cordell was not as famous or well know at that time as guys like Jason or Freddy.
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