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Post by stefancrosscoe on Jun 21, 2017 15:42:32 GMT
"Take the biggest guy in the world, shatter his knee and he'll drop like a stone."An infamous bouncer named James Dalton (Patrick Swayze) is hired to clean up the act at a violent nightclub, which means bad news for some of it's toughest, meanest and most nasty customers, but not everybody are taking the situtation seriously, in fact some even sees it as a challenge, and before you know it, every big shot around town wants to have a go against Dalton and his loyal crew at the Double Deuce.As a kid, I only knew of Swayze through romantic films such as Dirty Dancing (1987) or Ghost (1990), both films that my mum loved, and I guess mostly because of Patrick, and for me I put him in the same category as another favorite of my mother, Richard Gere. Typical 80s/early 90s romantic male lead, nothing more. But one day, my dad and I ended up seeing Road House on late night cable, and I was completely taken back, at how awesome this film was, with it's fantastic and brutal fight scenes, a whole arsenal of bad ass one-liners, stunning babes, great soundtrack, memorable villains, and so much more. My respect for Swayze went through the roof, and later on it just kept going, as I found out he also starred in the great action gem, Next of Kin (1989). Produced by Joel Silver (which back then was almost like a guarantee for badass action) and directed by Rowdy Herrington, Road House comes with a strong cast of memorable faces such as Kelly Lynch, Sam Elliott, Ben Gazzara (both Elliott and Gazzara starred later on in The Big Lebowski), Jeff Healey, Kathleen Wilhoite and of course Keith David. It is one of those films that the critics seemed to all love to hate, calling it "braindead" and "flat", but the fans could not care less, as it has grown onto become one of the great cult-classics of the late 80s, and even got itself a "sequel", years later on (which I have still not seen).
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Post by Dramatic Look Gopher on Jun 22, 2017 3:06:03 GMT
Oh yes, Road House is hard to resist. Pure 80s cheese at its finest. You got the mullet haircuts, the busty blonde babes, sexism, lots of quotable lines, and bone-crunching barroom fights. You can almost feel every punch and kick that is thrown. Sam Elliot is sure a welcome screen presence and he delivers the goods as Dalton's old bouncer pal, although I have a feeling he wasn't really acting; he was likely just merely being himself.
And yes, people really don't give a shit what the critics thought of Road House. It was a hit, people still talk about it and like it. A "guy movie" if there ever was one.
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Post by stefancrosscoe on Jun 22, 2017 13:28:32 GMT
A "guy movie" if there ever was one.
Absolutely! Dalton has to be one of the most bad ass characters to come out of the 80s. A shame that Swayze did not make more action films in his prime, as the man sure could handle himself.
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Post by kuatorises on Jun 22, 2017 16:40:17 GMT
I'm actually surprised that this was such a failure when it was released, because it's extremely popular amongst action fans. I'm surprised it didn't get more support when it came out. Was it released the same weekend this as some really big movie? There is definitely some high-quality cheese going on here, which is never a bad thing for an 80s action movie.
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Post by stefancrosscoe on Jun 22, 2017 16:50:13 GMT
According to Wikipedia, the film did manage to become a bit of a "sleeper" hit, with taking in over 30 million dollars, against the 14-15 million dollar budget, but it seems like it is one of those films that enjoyed more of a success as a rental video/night cable release, and has over time gone on to become a cult-classic amongst fans of 80s action. I loved the story from Kelly Lynch about how actor Bill Murray would do a bit of telephone terror whenever the film is show on TV, ending up calling her at home, and talking about the sex scene she did with Swayze. No matter if he's in America or in Russia, if Road House is on TV at night, the chances are pretty big that Kelly will get a call up from Bill, who is supposedly a big fan of the film.
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