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Post by petrolino on Aug 5, 2017 23:25:21 GMT
The dark fantasy 'Black Magic' is a spooky melodrama that affirms the spiritual connection felt by the staff of Shaw Brothers Studio to their Mandarin-speaking audience in Malaysia and Singapore. It's a supernatural soap opera filmed in the Malaysian capital Kuala Lumpar that tells the twisted tale of two opposing wizards, Furong (Koo Man-chung) and San Kan-Mi (Ku Feng). A strong, traditional romantic core is off-set by the film's glazed colours and bizarre goings-on as the horror sub-plot plays out beneath the cloak of darkness.
Saloma
'Black Magic' filters some startling images through arresting camera moves, paving the way for the greater extremities of Kuei Chih-Hung's psychedelic fantasy 'Hex' (1980) which climaxes with a mesmeric slice of live theatre in which performance art merges with body horror. The film was a popular success in south-east Asia and spawned a sequel I'd like to see which is filmed in Singapore, Meng Hua Ho's 'Black Magic 2' (1976). Chuan Yang's frightening phantasmagoria 'Seeding Of A Ghost' (1983) was originally conceived to be the third part in the 'Black Magic' trilogy but mutated into something else during pre-production. In Malaysian and Singapore art, the spectres of terrifying she-demons such as hantu kopek, hantu kum-kum, the kuntilanak and the miniature polong loom large ... 'Black Magic' is not for the faint of heart!
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Post by petrolino on Sept 2, 2017 23:24:41 GMT
On a related note ... The superhero fantasy 'The Oily Maniac' (1976, You gui zi) is a twisted shocker that finds Shaw Brothers operations returning to Malaysia following the success of 'Black Magic'. It's a supernatural cautionary tale set in the Malaysian capital Kuala Lumpur that recounts the story of Shen Yuan (Danny Lee) who's transformed into slippery avenger the Oily Maniac. It's a loose remake of P. Ramlee's creeper 'Curse Of The Oily Man' (1956) which tackled the sinister legend of the oily man, a serial rapist ghost who was said to be so slippery he couldn't be caught. Orang Minyak
Oily Maniac
"Whilst Hong Kong was always one of the continent's safest hang-outs, it is unfair to say that the people of the island were not aware of issues of black market dealings and triad gangs. Transporting these problems to Malaysia of course, and grounding them in the form of a more localised sense of supernatural tradition, meant that any direct criticism of the island's current colonial authorities (and accompanying legal systems) could be avoided. Lest anyone be curious - English subtitles were deemed mandatory on Hong Kong films after the anti-British riots of 1967 so that UK authorities in the city could easily spot any subversion."
- Calum Waddell, The Forgotten Superhero Cinema
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