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Post by jervistetch on Nov 16, 2017 22:43:34 GMT
Bob Fosse had small acting roles before getting behind the camera. Here's Bob on the right as Frank in MY SISTER EILEEN in 1955.  Here's Bob directing Liza Minnelli in CABARET in 1972. 
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Post by bravomailer on Nov 16, 2017 23:05:48 GMT
mattgarth Didn't know about Douglas. I think of him as an actor/producer. Thanks for the info. bravomailer Didn't know about Bill Murray; not something I would have expected. But your mention of him reminded me of Sofia Coppola, the not-so-good actress who became a very good director, particularly directing Murray in Lost in Translation. In her case, like father, like daughter. Oh, and that reminds me of Anjelica Huston, who directed a couple of very good films, then seemed to withdraw from that world. Too bad. I looked him up because I thought he might have directed that dreadful remake of The Razor's Edge. (He didn't.)
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Post by Richard Kimble on Nov 16, 2017 23:12:03 GMT
Bob Fosse had small acting roles before getting behind the camera. Here's Bob on the right as Frank in MY SISTER EILEEN in 1955. The highlight of MSE is the classic "Alley Dance" which Fosse shares with the great Tommy Rall
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Post by jervistetch on Nov 17, 2017 1:55:04 GMT
Thanks, Mr. Kimble. I’d forgotten that dance scene. It’s breathtaking.
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Post by bravomailer on Nov 17, 2017 2:10:33 GMT
Shame on all of us for not getting Warren Beatty early on.
Gary Sinise directed of Mice and Men.
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Post by deembastille on Nov 17, 2017 2:23:49 GMT
do you mean major directors or just directed a ccouple of things?
Rob Reiner and Opie.
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Post by spiderwort on Nov 17, 2017 2:58:12 GMT
do you mean major directors or just directed a ccouple of things? Rob Reiner and Opie. Generally, I was thinking of directors who had substantial careers, if only in television. But I'm actually interested in any names. I mentioned Anjelica Huston earlier and she only directed three films before she stopped. But she had talent and her films were good. Reiner and Howard are excellent choices. And Reiner's dad, Carl, actually started as an actor and then became a director, too. I especially liked his first film, Enter Laughing (1967).
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Post by Deleted on Nov 17, 2017 10:24:26 GMT
Al Pacino directed Salome, Wilde Salome, Chinese Coffee and Looking For Richard, which earned him a DGA Award.
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Post by sostie on Nov 17, 2017 11:23:17 GMT
Tim Roth Gary Oldman Clint Eastwood Ron Howard Robert Redford Warren Beatty Penny Marshall Stallone
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Post by Doghouse6 on Nov 17, 2017 15:28:36 GMT
Some actors who occasionally shifted from before the camera to behind it: Lowell Sherman  Among his directorial credits were She Done Him Wrong and Morning Glory (Katharine Hepburn's 1st Oscar performance). He's pictured above with Constance Bennett in probably his best known appearance, What Price Hollywood? Lloyd Corrigan  Some directorial credits were Follow Thru, Paramount's 1930 All-Talking, All Singing, All Dancing, All Technicolor feature, La Cucaracha, the first live-action short in 3-strip Technicolor, Murder On A Honeymoon (a Hildegarde Withers mystery) and Night Key with Boris Karloff. Lionel Barrymore  Directed Ruth Chatterton in Madame X, John Gilbert's notorious talkie debut His Glorious Night, the now mostly-lost Technicolor The Rogue Song and Barbara Stanwyck in Ten Cents A Dance among a few others. Pictured above pretending to direct Gilbert and Norma Shearer in The Hollywood Revue.
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Post by bravomailer on Nov 17, 2017 15:47:08 GMT
Laurence Olivier
John Gielgud
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Post by teleadm on Nov 17, 2017 16:43:15 GMT
Just came to think of Ernst Lubitsch, who begun as an actor/member of Max Reinhardt's Deutsches Theater in 1911, entering movies in 1913, he both directed and also acted in other directors movies. "He gradually abandoned acting to concentrate on directing" (Wiki)  Ernest Lubitsch in a double role in Der Stolz der Firma 1914, directed by Carl Wilhelm.
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Post by teleadm on Nov 17, 2017 16:57:32 GMT
Vittorio de Sica begun as a theatre actor, and his first movie credit is way back as a kid (bambino) in 1917 in Il processo Clémenceau, as Clémenceau as bambino. He acted in a lot of movies in the 1930s before he made his directorial debut, Rose scarlatte 1940. He continued to have a acting career besides his directing many masterpieces. He actually even got a later actor Oscar momination for A Farewell to Arms 1957 for a Supporting Role.  Vittorio de Sica, from a movie fan magazine in the 1930s.
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Post by Doghouse6 on Nov 17, 2017 17:41:07 GMT
 Reynolds made 80 appearances on the big and small screens from 1934 - 1967 before branching into directing in the late-'50s, helming multiple episodes of Leave It To Beaver, Andy Griffith, My Three Sons and others, then expanding to producing as executive producer of Room 222, M*A*S*H, Lou Grant and others, also directing multiple episodes of those series. In addition to his roles in such films as Boys Town, The Mortal Storm, 99 River Street or The Country Girl, viewers of I Love Lucy might remember him as the hapless newlywed whose bride, after renting the Ricardos' apartment and purchasing their furniture, upsets Lucy by wanting to cut the legs off the sofa and paint the coffee table black ( "It was my wife's idea!").  Here, Fred Mertz is assuring prospective tenants the Taylors, "If there's one thing I give my tenants, it's plenty a'heat," while the Ricardos sit shivering in their bathrobes.
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Post by bravomailer on Nov 17, 2017 17:50:45 GMT
Fred Mertz (William Frawley) was the funniest character on the show.
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Post by Richard Kimble on Nov 17, 2017 18:26:38 GMT
Sheldon Leonard He's best remembered as a movie gangster...  Turned powerful TV producer: An Andy Griffith Show script meeting  But he also directed a number of TV episodes  From Leonard's DGA page: "In talking about the Directors Guild of America, the significant word is ‘Guild.’ We are not only concerned about wages, hours and working conditions, but we are also concerned about the creative aspects of our work. We religiously protect the director’s right to his first cut, the director’s right to involvement in casting and in revisions, and we therefore do the best we can to maintain the standards of our trade.” Leonard learned these lessons as a director, writer, actor and producer who remained devoted to Guild service throughout much of his 60-year career in Hollywood. He was awarded the Robert B. Aldrich Achievement Award for service and was named an honorary life member. When Leonard was DGA secretary-treasurer, then-President Gene Reynolds called him a treasure: “because he’s the salt of the earth, because he’s wise, courageous, generous, reliable, straight as hell, entertaining and profoundly devoted to our cause.”
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Post by Richard Kimble on Nov 17, 2017 18:35:52 GMT
Irving Pichel  Pichel was a successful character actor (he's the unseen narrator of How Green Was My Valley) who directed some notable films, including: The Most Dangerous Game (co-d) Hudson's Bay The Pied Piper Happy Land The Moon Is Down A Medal for Benny O.S.S.
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Post by Richard Kimble on Nov 17, 2017 18:52:29 GMT
You've made me think of another interesting one: Donald Crisp, who started as an actor in 1908, became a director in 1914, directed until 1930 (still acting, too, of course), then devoted the rest of his career to acting. That wasn't his only career: The suspicious part of me wonders if some movies got approved b/c they also had juicy roles for Mr Crisp...
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Post by Primemovermithrax Pejorative on Nov 17, 2017 19:08:27 GMT
Has Cornel Wilde been mentioned?
The Naked Prey, Beach Red
Hugo Haas -- Pickup (1951) among other things.
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Post by deembastille on Nov 17, 2017 19:10:56 GMT
Leonard Katzman played Ewing family enemy Cliff Barnes on Dallas and started directing eps of the show in it's second season.
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