Post by jriddle73 on Nov 27, 2017 7:48:36 GMT
Throughout this season of THE WALKING DEAD, the series' writers have made it clear that everything our heroes are doing in the war they've launched against the Saviors is being done in accordance with some master Plan. Though the characters are all aware of this Plan (and Rick drones on endlessly about it), the writers have so far declined to share it with the audience, which has presented a raft of dramatic problems that seriously boiled over during tonight's ep.
Up front, it should be acknowledged that in a better series, viewers would have been introduced to at least some broad outline of this plan from the beginning and the writers would have milked it for suspense. Can our heroes succeed at this goal, capture this-or-that objective, take out this critical target, etc.? Will the Saviors anticipate what's up and counter or will Rick prove to be a few steps ahead of them? What unexpected developments will monkey-wrench both sides along the way? The season could have played out like an awesome game of action-movie chess and, at times, poker, with goals, reversals, fake-outs as the two sides try to outdo one another. Instead, viewers have been left entirely in the dark, which has reduced most of what has happened so far to just a lot of random mayhem with no obvious point beyond generating a string of emotional scenes--yet another example of TWD's soap melodrama model completely ruining what should be a great show.
Tonight's ep, "The King, the Widow & Rick," opens with the leaders of the various communities sending one another letters, essentially progress updates. This doesn't make a lick of sense--whatever mailman is driving around the apocalypse delivering them could just as easily have acted as a messenger himself and simply told everyone what they needed to know. Instead, we're to believe everyone stopped in the middle of this rapidly-developing action and wrote letters. Not necessarily helpful ones either--much of what's quoted from Rick goes on about how many brave people have sacrificed their lives so that the Plan may succeed. All of these communities have suffered casualties. Do any of them really need to hear such sentiment? Is sitting and writing such things really the best use of Rick's time in such a situation? "The plan is working." Rick's text assures everyone. "We're doing this. We're winning." Something else Rick wrote immediately caught my attention. Regarding Negan's headquarters, he records, "the lookouts are all around the compound. They open a door, we fire." Last week, the Saviors had speculated that there may e snipers outside. Perhaps they'd even observed said snipers. The other thing that happened last week: Negan not only opened a door, he opened two and between them, he fought his way through a long stretch of zombies across open ground and no sniper even so much as took a shot at him, even after Gabriel, who was accompanying him, began shooting zombies. That isn't a case of shitty snipers asleep at their posts; it's shitty writers asleep at theirs.
Rick, in what amounted to another glorified cameo, tried and failed to negotiate a new treaty with the Garbage People. Demonstrating yet again what an imminently skilled leader he really is, Rick doesn't take an armed force along so he can negotiate under a white flag and then leave; he just turns up at their landfill alone--the camp of a faction aligned with the same enemy against which he just launched a war earlier that same day. And then he threatens them; if they don't join up, they'll be destroyed. Jadis promptly turns him down--takes her a matter of seconds--and locks him up, presumably to turn over to the Saviors. "Talks too much," she says of him as he's led away...
The rest is here:
cinemarchaeologist.blogspot.com/2017/11/walking-dead-100.html
Up front, it should be acknowledged that in a better series, viewers would have been introduced to at least some broad outline of this plan from the beginning and the writers would have milked it for suspense. Can our heroes succeed at this goal, capture this-or-that objective, take out this critical target, etc.? Will the Saviors anticipate what's up and counter or will Rick prove to be a few steps ahead of them? What unexpected developments will monkey-wrench both sides along the way? The season could have played out like an awesome game of action-movie chess and, at times, poker, with goals, reversals, fake-outs as the two sides try to outdo one another. Instead, viewers have been left entirely in the dark, which has reduced most of what has happened so far to just a lot of random mayhem with no obvious point beyond generating a string of emotional scenes--yet another example of TWD's soap melodrama model completely ruining what should be a great show.
Tonight's ep, "The King, the Widow & Rick," opens with the leaders of the various communities sending one another letters, essentially progress updates. This doesn't make a lick of sense--whatever mailman is driving around the apocalypse delivering them could just as easily have acted as a messenger himself and simply told everyone what they needed to know. Instead, we're to believe everyone stopped in the middle of this rapidly-developing action and wrote letters. Not necessarily helpful ones either--much of what's quoted from Rick goes on about how many brave people have sacrificed their lives so that the Plan may succeed. All of these communities have suffered casualties. Do any of them really need to hear such sentiment? Is sitting and writing such things really the best use of Rick's time in such a situation? "The plan is working." Rick's text assures everyone. "We're doing this. We're winning." Something else Rick wrote immediately caught my attention. Regarding Negan's headquarters, he records, "the lookouts are all around the compound. They open a door, we fire." Last week, the Saviors had speculated that there may e snipers outside. Perhaps they'd even observed said snipers. The other thing that happened last week: Negan not only opened a door, he opened two and between them, he fought his way through a long stretch of zombies across open ground and no sniper even so much as took a shot at him, even after Gabriel, who was accompanying him, began shooting zombies. That isn't a case of shitty snipers asleep at their posts; it's shitty writers asleep at theirs.
Rick, in what amounted to another glorified cameo, tried and failed to negotiate a new treaty with the Garbage People. Demonstrating yet again what an imminently skilled leader he really is, Rick doesn't take an armed force along so he can negotiate under a white flag and then leave; he just turns up at their landfill alone--the camp of a faction aligned with the same enemy against which he just launched a war earlier that same day. And then he threatens them; if they don't join up, they'll be destroyed. Jadis promptly turns him down--takes her a matter of seconds--and locks him up, presumably to turn over to the Saviors. "Talks too much," she says of him as he's led away...
The rest is here:
cinemarchaeologist.blogspot.com/2017/11/walking-dead-100.html
