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Post by spiderwort on Mar 8, 2017 3:11:23 GMT
I'm not up to date on most of the newer ones, but these are among my favorites of some older ones:
My Brilliant Career (1979) - Gillian Armstrong Picnic at Hanging Rock (1975) - Peter Weir Galipoli (1981) - Peter Weir Breaker Morant (1980) - Bruce Beresford Careful, He Might Hear You (1983) - Carl Schultz We of the Never Never (1982) - Igor Auzins The Chant of Jimmy Blacksmith (1978) - Fred Schepisi The Year My Voice Broke (1987) - John Duigan The Rabbit-Proof Fence (2002) - Philip Noyce
I love the Australian films of these Australian directors. Many migrated to America, and I often felt their work suffered because of it.
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Post by geode on Mar 8, 2017 3:43:29 GMT
I'm not up to date on most of the newer ones, but these are among my favorites of some older ones: My Brilliant Career (1979) - Gillian Armstrong Picnic at Hanging Rock (1975) - Peter Weir Galipoli (1981) - Peter Weir Breaker Morant (1980) - Bruce Beresford Careful, He Might Hear You (1983) - Carl Schultz We of the Never Never (1982) - Igor Auzins The Chant of Jimmy Blacksmith (1978) - Fred Schepisi The Year My Voice Broke (1987) - John Duigan The Rabbit-Proof Fence (2002) - Philip Noyce I love the Australian films of these Australian directors. Many migrated to America, and I often felt their work suffered because of it. Many years ago I became impressed with Wendy Hughes. She is of course in My Brilliant Career but also in Lonely Hearts (1982) a rather touching little film but was completely different in Warm Nights On a Slow Moving Train (1988). I think Bruce Beresford did a very nice job with Tender Mercies (1983) working in America.
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Post by mikef6 on Mar 8, 2017 4:34:45 GMT
Here is a fist full of good ones that haven't been mentioned yet:
Murielβs Wedding/ P.J. Hogan The Castle / Rob Sitch Chopper / Andrew Dominik Lantana / Ray Lawrence The Last Wave / Peter Weir Look Both Ways / Sarah Watt The Proposition / John Hillcoat Jindabyne / Ray Lawrence
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Post by manfromplanetx on Mar 8, 2017 5:44:11 GMT
I'm not up to date on most of the newer ones, but these are among my favorites of some older ones: My Brilliant Career (1979) - Gillian Armstrong Picnic at Hanging Rock (1975) - Peter Weir Galipoli (1981) - Peter Weir Breaker Morant (1980) - Bruce Beresford Careful, He Might Hear You (1983) - Carl Schultz We of the Never Never (1982) - Igor Auzins The Chant of Jimmy Blacksmith (1978) - Fred Schepisi The Year My Voice Broke (1987) - John Duigan The Rabbit-Proof Fence (2002) - Philip Noyce I love the Australian films of these Australian directors. Many migrated to America, and I often felt their work suffered because of it. Hi there spiderwort Well you have caught me out here! I have not seen 5 of your quality listed films! but I must also admit to not being a big fan of the local industry. A few that I would like to mention are... Clay (1965) an independent and rare production at a time when the Australian Film Industry was virtually non existent. In other parts of the world thriving film industries were making a splash with the New Waves, this excellent solitary film I call Australia's ripple... Morning of the Earth (1971) A teen of the seventies this film still manages to bring a tear to the eye. Those halcyon days are forever captured in this hippie surfie fused film. No dialogue just song, a lyrical and visual ode with deep respect for one another the sea and our environment. Silent Partner (2001) A not for all tastes piece of Australian filmmaking lots of drunkenness and swearing. Two everyday blokes down on their luck have good fortune fall into their laps when the chance to train a greyhound dog is offered to them. Friendship and trust are elements that bind the characters in this black humoured film which is very south-side suburban Australia, low budget Aussie film treat Dons Party (1976) and Sweetie (1989) come to mind before I go...
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Post by OldAussie on Mar 8, 2017 5:49:26 GMT
Some of my favourites -
Sunday Too Far Away (1975) The Overlanders (1946) Gallipoli (1981) Breaker Morant (1980) Lantana (2001) Bliss (1985) Wake in Fright (1971) Newsfront (1978) Summerfield (1977) Malcolm (1986) The Dish (2000) The Boys (1998) Man of Flowers (1983) The Proposition (2005)
plus anything with Wendy Hughes too.
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Post by Matthew the Swordsman on Mar 8, 2017 6:09:05 GMT
Some of my favourites: The Sentimental Bloke (1919) The Back of Beyond (1954) Jedda (1955) Mike and Stefani (1952)
Also, though not a great film by any stretch of the imagination, I really like the b-movie Night Club (1952) because it is the only 1950s feature film set in contemporary Melbourne.
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rick220
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Post by rick220 on Mar 8, 2017 10:33:15 GMT
I am currently working on a Cinematic World Trip, and for Australia I watched Wake in Fright. That was pretty intense. One paragraph from my review: The film is beautifully shot, taking full advantage of the wide and desolate scorching planes of the Australian Outback. At the same time it also has this typical 70βs unapologetic rawness and sleazy realism. Difficult to look at, but at the same time strangely captivating and honest.

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Post by london777 on Mar 8, 2017 15:41:33 GMT
I love the Australian films of these Australian directors. Many migrated to America, and I often felt their work suffered because of it.
You could say that about many directors from England and other countries. Maybe worse for Australians because they do not have the same cultural heritage as those from older nations. They are basically Yanks but with corks round their hats so were subsumed more easily.
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Post by rateater on Mar 8, 2017 15:49:14 GMT
razorback mad max dead end drive-in fortress
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Post by london777 on Mar 8, 2017 16:25:29 GMT
Here is a fist full of good ones that haven't been mentioned yet: Murielβs Wedding/ P.J. Hogan The Castle / Rob Sitch Chopper / Andrew Dominik Lantana / Ray Lawrence The Last Wave / Peter Weir Look Both Ways / Sarah Watt The Proposition / John Hillcoat Jindabyne / Ray Lawrence I see you with Lantana and The Proposition, and raise you with Animal Kingdom (2010). Two Hands (1999), an early Heath Ledger effort, is worth watching once, too. Until I reached adulthood, probably the only "Australian" film which I, or most other Brits, had heard of was The Overlanders 1946, although it was actually made by the English Ealing Studios. It was not very good, though no worse than the similarly themed Australia (2008) (made on a huge Hollywood budget with major stars in the lead). The earlier film was surely the source of many stereotypes.
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Post by teleadm on Mar 8, 2017 19:33:50 GMT
I've seen the movie The Overlanders (1946) mentioned at least twice here above on this thread. I remember seeing it TV in the mid 1970s once. I thought it was fascinating, it felt like any western movie were they move cattle over the prairie from one place to another, but in a totally different mileau with for me "excotic" animals everywhere.
Another movie I'm not sure if should be counted as an Australian movie, or just made in Australia, that I've liked was The Sundowners 1960.
Anyway It's been interesting to read all the lists above, and has given me a few new ideas.
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Post by Matthew the Swordsman on Mar 9, 2017 14:52:38 GMT
Some of my favourites: The Sentimental Bloke (1919) The Back of Beyond (1954) Jedda (1955) Mike and Stefani (1952) Also, though not a great film by any stretch of the imagination, I really like the b-movie Night Club (1952) because it is the only 1950s feature film set in contemporary Melbourne. Haven't seen any of these wolf, but I'm intrigued by them, because of their dates. My relationship with Australian films begins in the 1970s. And a silent film! Wow. I wold love to see that one.There were a decent number of Australian silent films given the small population at the time, although few of these films survive. I know of three that are on DVD, "The Sentimental Bloke" of course, the other two being "The Kid Stakes" (1927, it's also on Region 0 Blu-Ray), and "The Woman Suffers" (1918, sadly on DVD-R only). There were also a decent number of 1930s films made in Australia, but very few in the 1940s/1950s/1960s. Ironically, TV helped revive the Australian film industry, since the production of TV shows provided the experience needed for the industry to be revived. EDIT: One example of the TV/Film connection I'm talking about, can be seen by looking at the filmographies of a lot of 1970s Australian film actors/actresses. A lot of the same TV productions keeping popping up in many of their filmographies (ABC's one-off TV plays in the late 1950s/early 1960s, the Crawford crime drama productions during the mid-1960s and onwards, made-for-export series like "Skippy" during the late-1960s, etc....)
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Post by bondfan90 on Mar 9, 2017 15:43:30 GMT
Tim (1979)- I think this is one of Mel Gibson's best roles. He plays Tim Melville, a handyman with a learning disability, who bonds and falls in love with a teacher. I like the scenes with Alwyn Kurts, as Tim's dad, Ron. You really get a sense of how close they are, as father and son. 
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Post by pimpinainteasy on Mar 9, 2017 15:51:32 GMT
I am currently working on a Cinematic World Trip, and for Australia I watched Wake in Fright. That was pretty intense. One paragraph from my review: The film is beautifully shot, taking full advantage of the wide and desolate scorching planes of the Australian Outback. At the same time it also has this typical 70βs unapologetic rawness and sleazy realism. Difficult to look at, but at the same time strangely captivating and honest.
 very well written. on the day i watched WAKE IN FRIGHT, i went to the bar and got so drunk, the next morning i had the worst hangover of my life.
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Post by pimpinainteasy on Mar 9, 2017 15:57:56 GMT
ROAD GAMES SUBURBAN MAYHEM (notable for the great punk rock soundtrack than the film itself)
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Post by london777 on Mar 9, 2017 16:59:20 GMT
Ironically, TV helped revive the Australian film industry, since the production of TV shows provided the experience needed for the industry to be revived. One example of the TV/Film connection I'm talking about, can be seen by looking at the filmographies of a lot of 1970s Australian film actors/actresses. A lot of the same TV productions keeping popping up in many of their filmographies I am always amazed at the number of leading Australian actors who started their careers in "Neighbours".
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Post by Matthew the Swordsman on Mar 9, 2017 17:08:23 GMT
Tim (1979)- I think this is one of Mel Gibson's best roles. He plays Tim Melville, a handyman with a learning disability, who bonds and falls in love with a teacher. I like the scenes with Alwyn Kurts, as Tim's dad, Ron. You really get a sense of how close they are, as father and son.  As someone who has a learning disability himself, I enjoyed that film a lot. It's refreshingly different.
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Post by Lebowskidoo ππ·π on May 3, 2017 12:30:01 GMT
Dead Calm The Reef Bait Adore Newcastle Babe Crocodile Dundee Strictly Ballroom Shine Candy The Hard Word Wolf Creek Little Fish Animal Kingdom Black Water The Babadook
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Post by Deleted on May 3, 2017 13:13:08 GMT
Mary & Max is my favorite, a stop-motion animation which is full of humor (black humor too). Touching and heart-warming
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Post by Matthew the Swordsman on May 3, 2017 16:56:02 GMT
Well, not favourites by any means (they are just OK), but lately I've been exploring the murky world of Tasmanian films. The island state starting in the 1950s produced a number of low-budget non-fiction short films, including classroom films, instructional films, and travelogues. Some of them aren't too bad for what they are. They didn't produce any dramatic films in the 1950s/1960s as far as I can tell, though a television station there did do a 30-minute one-off comedy called Happy Journey in 1963, which was a version of a Thornton Wilder play. I have no idea if the TV play still exists.
So far I've watched the following Tasmanian-made shorts: Learn to Live (1954, 19 minutes) Half a Pint of Milk (1952, 17 minutes) Everybody Work, Everybody Help (1952, 14 minutes) Henry Shoobridge: Hop grower (1952, 14 minutes) Daily Miracle (1963, 14 minutes) Appointment in Launceston (1960, 10 minutes) The Derwent Valley (1953, 10 minutes)
The surprising thing is that some of these are filmed in colour. Crappy colour, mind you, but still colour.
The not-so-surprising thing is that nearly none of them are listed on IMDb, which meant I had to make pages for them myself.
I viewed them on YouTube.
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