Post by petrolino on Jan 6, 2018 2:01:48 GMT
'Richard III' is an adaptation of the historical play 'Richard III' by William Shakespeare. The film demonstrates Richard's emotions while watching him plot and conspire in an effort to grab the throne from his brother King Edward IV (Cedric Hardwicke).
Olivier had previously directed two other Shakespeare adaptations, 'Henry V' (1944) and 'Hamlet' (1948), both of which were greeted with greater critical acclaim than 'Richard III'. He was an experienced theatre director by this point and selected Gerry O'Hara to serve as his assistant. Olivier's work as a film director, like that of Orson Welles, would open the door to a generation of actors-turned-filmmakers recognised by the Academy of Motion Picture Arts and Sciences, setting forth a revolving acceptance of actors doubling up behind the camera. Among actors who've also secured nominations in non-acting categories at the Oscars, perhaps only Warren Beatty has more than Olivier, with 14 total career nominations.
'Richard III' is shot in striking Technicolor by the great Czech cinematographer Otto Heller and co-produced by Hungarian mastermind Alexander Korda. The dignified music composed by William Walton of Oldham, Lancashire recognises the bold pageantry on display. Decorated Spanish surrealist Salvador Dali attended filming to paint Olivier in character.
"Your beauty was the cause of that effect. Your beauty, which did haunt me in my sleep to undertake the death of all the world so I might live one hour in your sweet bosom."
The House of York
Sir Laurence Olivier as Richard, Duke of Gloucester, the malformed brother of the King.
Sir Cedric Hardwicke as King Edward IV of England, the newly crowned King of England.
Sir John Gielgud as George, Duke of Clarence, brother of Richard and of the new King.
Sir Ralph Richardson as the Duke of Buckingham, who sees potential for advancement in Richard's plans.
Paul Huson as the Prince of Wales, the eldest son of the King.
Andy Shine as the Duke of York, the younger son of the King.
Helen Haye as the Duchess of York, the mother of the King.
Pamela Brown as Mistress Shore, the King's mistress.
Alec Clunes as The Lord Hastings (Lord Chamberlain), one of many loyal companions and friends of Richard.
Laurence Naismith as The Lord Stanley.
Norman Wooland as Sir William Catesby.
Esmond Knight as Sir Richard Ratcliffe.
John Laurie as Lord Francis Lovell.
Patrick Troughton as Sir James Tyrrell.
John Phillips as John, Duke of Norfolk.
The House of Lancaster
Mary Kerridge as Queen Elizabeth, Queen Consort of Edward.
Clive Morton as The Lord Rivers, brother of the Queen Consort.
Dan Cunningham as The Lord Grey, youngest son of the Queen Consort and stepson of the King.
Douglas Wilmer as the Marquess of Dorset, eldest son of the Queen Consort and stepson of the King.
Claire Bloom as The Lady Anne, a widow and an orphan.
Stanley Baker as the Welshman, Henry, Earl of Richmond.
Sir Laurence Olivier as Richard, Duke of Gloucester, the malformed brother of the King.
Sir Cedric Hardwicke as King Edward IV of England, the newly crowned King of England.
Sir John Gielgud as George, Duke of Clarence, brother of Richard and of the new King.
Sir Ralph Richardson as the Duke of Buckingham, who sees potential for advancement in Richard's plans.
Paul Huson as the Prince of Wales, the eldest son of the King.
Andy Shine as the Duke of York, the younger son of the King.
Helen Haye as the Duchess of York, the mother of the King.
Pamela Brown as Mistress Shore, the King's mistress.
Alec Clunes as The Lord Hastings (Lord Chamberlain), one of many loyal companions and friends of Richard.
Laurence Naismith as The Lord Stanley.
Norman Wooland as Sir William Catesby.
Esmond Knight as Sir Richard Ratcliffe.
John Laurie as Lord Francis Lovell.
Patrick Troughton as Sir James Tyrrell.
John Phillips as John, Duke of Norfolk.
The House of Lancaster
Mary Kerridge as Queen Elizabeth, Queen Consort of Edward.
Clive Morton as The Lord Rivers, brother of the Queen Consort.
Dan Cunningham as The Lord Grey, youngest son of the Queen Consort and stepson of the King.
Douglas Wilmer as the Marquess of Dorset, eldest son of the Queen Consort and stepson of the King.
Claire Bloom as The Lady Anne, a widow and an orphan.
Stanley Baker as the Welshman, Henry, Earl of Richmond.
At the opening of 'Richard III', Laurence Olivier turns his face to look over at Ralph Richardson, who in turn, turns his face to look over at John Gielgud. If you wanted a snapshot of the glory of British theatre in the mid-20th century, this could easily be it. Olivier purposefully put together a cast of powerhouse players for 'Richard III', only to have them dominated by his own imperious performance as Richard. His rhythmic, comic soliloquys are the real deal, prompting impersonation by Steve Coogan, reinterpretation by Kevin Eldon and image & character appropriation by Noel Fielding. It's believed singer-songwriters John Lydon (Sex Pistols) and Kevin Rowland (Dexys Midnight Runners) are among those who drew inspiration from Olivier's performance for their aggressive, confrontational stage work as rock 'n' roll frontmen. Richardson's role in 'Richard III' was almost offered to Orson Welles which would have created an almighty clash of senses. Between them, Olivier, Gielgud and Richardson would end their careers with a combined total of 14 competitive Oscar nominations in acting categories.
With the Academy Awards set to announce nominations on January 23, 2018, Laurence Olivier remains high on the all-time list (joint 4th position) of the most nominated performers in Oscar history ...
Meryl Streep - 20 Oscar Nominations
Katharine Hepburn - 12 Oscar Nominations
Jack Nicholson - 12 Oscar Nominations
Bette Davis - 10 Oscar Nominations
Laurence Olivier - 10 Oscar Nominations
Spencer Tracy - 9 Oscar Nominations
Paul Newman - 9 Oscar Nominations
Marlon Brando - 8 Oscar Nominations
Jack Lemmon - 8 Oscar Nominations
Al Pacino - 8 Oscar Nominations
Geraldine Page - 8 Oscar Nominations
Peter O'Toole - 8 Oscar Nominations
Meryl Streep - 20 Oscar Nominations
Katharine Hepburn - 12 Oscar Nominations
Jack Nicholson - 12 Oscar Nominations
Bette Davis - 10 Oscar Nominations
Laurence Olivier - 10 Oscar Nominations
Spencer Tracy - 9 Oscar Nominations
Paul Newman - 9 Oscar Nominations
Marlon Brando - 8 Oscar Nominations
Jack Lemmon - 8 Oscar Nominations
Al Pacino - 8 Oscar Nominations
Geraldine Page - 8 Oscar Nominations
Peter O'Toole - 8 Oscar Nominations
Ralph Richardson, Laurence Olivier & John Gielgud
Olivier had previously directed two other Shakespeare adaptations, 'Henry V' (1944) and 'Hamlet' (1948), both of which were greeted with greater critical acclaim than 'Richard III'. He was an experienced theatre director by this point and selected Gerry O'Hara to serve as his assistant. Olivier's work as a film director, like that of Orson Welles, would open the door to a generation of actors-turned-filmmakers recognised by the Academy of Motion Picture Arts and Sciences, setting forth a revolving acceptance of actors doubling up behind the camera. Among actors who've also secured nominations in non-acting categories at the Oscars, perhaps only Warren Beatty has more than Olivier, with 14 total career nominations.
"Reviewing Richard III in 1955, the Monthly Film Bulletin hailed Laurence Olivier's performance in the title role as "surely one of the classic interpretations". Today, it's considered so definitive that even highly acclaimed performances by the likes of Antony Sher, Ian McKellen and Simon Russell Beale are praised as much for their lack of resemblance to Olivier's as for their own intrinsic merit. Olivier's interpretation was first seen at the Old Vic theatre in 1944 and subsequently on a world tour. It took some time to reach the screen: Carol Reed turned down an offer to direct it, and Olivier reluctantly assumed the role himself when he signed a contract with Alexander Korda's London Films. It was to be the first in a series of Shakespeare films, a project curtailed by Korda's death in 1956."
- Michael Brooke, The British Film Institute
"Olivier’s performance is terrific. It’s far too camp and stagey for cinema, really, as are the luridly coloured costumes and absurdly clean and tidy “medieval” sets. But he is magnetic to watch as he delivers his scheming monologues straight to camera. It is impossible not to be reminded of Frank Underwood in House of Cards (or Francis Urquhart in the earlier BBC version). Olivier’s Richard is the charismatic antihero who, confiding directly in you as the viewer, makes you complicit in his plots and crimes. “I’ll have her,” he says casually of the widowed Anne Neville (Claire Bloom), “but I will not keep her long.” Olivier changed Shakespeare’s play so that Richard seduces Anne not at the coffin of her father-in-law, Henry VI, but at that of her husband, his son Edward. Historically, this is an approximately acceptable switch. Both men died in May 1471, though Edward was killed at the Battle of Tewkesbury and was buried at the abbey there. The real Richard’s skeleton shows he suffered from scoliosis – which made him short, but not especially misshapen. He is not thought to have walked with a limp. Thomas More’s description of him, laced with Tudor contempt for the physically imperfect – “little of stature, ill-fetured of limmes, croke-backed” – informed the lines Shakespeare gives to Queen Margaret, who calls him a “poisonous bunch back’d toad” and a “bottled spider”. Olivier has, if anything, toned this down. His Richard has only a mild limp, a withered hand and some quite subtle padding on the back, which just makes him seem stocky."
- Alex Von Tunzelmann, The Guardian
- Michael Brooke, The British Film Institute
"Olivier’s performance is terrific. It’s far too camp and stagey for cinema, really, as are the luridly coloured costumes and absurdly clean and tidy “medieval” sets. But he is magnetic to watch as he delivers his scheming monologues straight to camera. It is impossible not to be reminded of Frank Underwood in House of Cards (or Francis Urquhart in the earlier BBC version). Olivier’s Richard is the charismatic antihero who, confiding directly in you as the viewer, makes you complicit in his plots and crimes. “I’ll have her,” he says casually of the widowed Anne Neville (Claire Bloom), “but I will not keep her long.” Olivier changed Shakespeare’s play so that Richard seduces Anne not at the coffin of her father-in-law, Henry VI, but at that of her husband, his son Edward. Historically, this is an approximately acceptable switch. Both men died in May 1471, though Edward was killed at the Battle of Tewkesbury and was buried at the abbey there. The real Richard’s skeleton shows he suffered from scoliosis – which made him short, but not especially misshapen. He is not thought to have walked with a limp. Thomas More’s description of him, laced with Tudor contempt for the physically imperfect – “little of stature, ill-fetured of limmes, croke-backed” – informed the lines Shakespeare gives to Queen Margaret, who calls him a “poisonous bunch back’d toad” and a “bottled spider”. Olivier has, if anything, toned this down. His Richard has only a mild limp, a withered hand and some quite subtle padding on the back, which just makes him seem stocky."
- Alex Von Tunzelmann, The Guardian
'Legendary actor Sir Laurence Olivier is to star in a Hollywood fantasy film, Sky Captain and the World of Tomorrow, 15 years after his death. Footage of Lord Olivier from various films will be used to create a villainous leader of killer robots in the film due out in September. New dialogue was recorded by another actor for Lord Olivier's voice. Jude Law, who stars in the film, said film-makers used Olivier because few other actors possessed his authority.'
- Excerpt from a report issued by the British Broadcasting Corporation in 2004
'Love Games' - Level 42
'Richard III' is shot in striking Technicolor by the great Czech cinematographer Otto Heller and co-produced by Hungarian mastermind Alexander Korda. The dignified music composed by William Walton of Oldham, Lancashire recognises the bold pageantry on display. Decorated Spanish surrealist Salvador Dali attended filming to paint Olivier in character.