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Post by Feologild Oakes on Jun 9, 2020 8:40:53 GMT
Legends of Tomorrow - season 4
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Post by Chalice_Of_Evil on Jun 15, 2020 11:21:04 GMT
Just finished Season 2 of Fear the Walking Dead on Blu-ray. In the first episode of the season, I found it a bit odd that their best weapons were big rocks they used to bash zombie skulls in with. They didn’t have guns or any other weapons at all? I also don’t know how they have managed to avoid getting bitten thus far (plot armour, I guess). Bringing Liza’s corpse with them when the island was bombed and they got onto boat didn’t seem like such a great idea. I was over Chris being mad at his dad last season. Nothing changed regarding that in this episode. After Alicia found a ‘friend’ over the communicator and Strand got mad at her, I was annoyed. He’d already annoyed me with him stating his ‘three rules’ which were just him saying it was his boat three times – that’s not three rules. That’s one rule. He's as bad as Wesley was in Season 3 of Buffy the Vampire Slayer. Nick, meanwhile, wondered what he contributed after Strand said everyone had to...and he never actually gave Nick an answer. Of course the answer is Nick contributes next to nothing...yet somehow everyone, including Strand, seems to think he’s in some way ‘special’. Nice to see swimming zombies in the water after Chris and Nick dived in...though how Nick didn’t get bit, I don’t know (I guess that’s what makes him ‘special’). In the second episode, I was worried we were going to get saddled with children/more characters. The first time I liked Strand was him saying children were the very definition of dead weight. When the daughter, Willa, saw Nick getting pills out of the globe, I thought he should’ve taken them with him, but of course she got into them and consequently died as a result. When Madison warned the mum not to hold her zombiefied daughter, the husband said she knew that...yet she did it anyway and naturally got bitten. Then the Clarks waved bye to the remaining kid and his older brother on the pier as he shot the zombie mum. I was so glad to be rid of them all just after this one episode spent with them. The third episode contained “So. Much. Stupid!”, I thought. Daniel didn’t want Ofelia asking Madison for meds for her wound, saying she’d choose her own daughter over Ofelia...but since when was there a need for that choice to be made? Alicia wasn't needing any meds, so how'd it become a choice between her and Ofelia? I'm sure Madison would've spared some for someone who actually needed them at that point in time. Chris, the dumbarse, wandered off after not bothering to do any supply searching like the others, but instead killed a passenger on a crashed plane who was still alive (furthering his descent into future serial killer material). Meanwhile, Nick found the plane captain's shirt/jacket that managed to fit him, but it was stained with god-knows-what and yet he still wore it. He then got blood all over his face and stood on the edge of a small cliff looking down at a zombie...then promptly fell onto the zombie with crabs (how’d they not pinch him?), miraculously managed to kill that zombie (yet again avoiding getting bitten) and then another fell on top of him. He should've been dead several times over. Also, how’d he not get blood in his mouth? Daniel decided standing still and shooting at zombies instead of heading straight for the boat was a wise idea, which then led to them all somehow getting backed into a corner...on a beach...somehow. It was good to see Alicia killing some zombies for the first time. As if Nick doesn’t already look oily enough most of the time, he didn't even bother to wash once he got back onto the boat. The episode ended with Alicia arguing to bring Alex and the guy she was with whose name I can't recall onto the boat, then them reaching a 'compromise' to tug the two along behind their boat...but Strand cut the rope. I might've cared a bit more (though doubtful) if I'd watched the 'Flight 462' extra on my Blu-rays prior to this, since it explained the origin of Alex and the kid she was with coming to be in their predicament. Instead, I didn't see it until after I'd finished the season. In the fourth episode, it was the first sighting of the butterfly knife, mszanadu ! . Alicia's 'friend' she'd been communicating with, Jack, and the guys he was with showed up on the boat. Naturally, they weren't quite what Alicia had been led to believe they would be. By the fifth episode, Chris was full-on psycho, just simply standing by and watching as Madison was getting attacked by a zombie. Thankfully Alicia saw it and rescued her mum, then later called Chris out on his crappy behaviour. Unfortunately, he then threatened her and later on he was going to (presumably) knife Madison (and possibly Alicia) before they heard the gunshot. I still couldn't get over everyone thinking Nick was 'special' - Strand, the newly introduced character of Celia (she only just met him! Then again, Strand quickly formed the opinion of Nick having a 'specialness' about him not long after meeting him at the end of Season 1, so...I guess Nick is just SO SPECIAL that everyone sees his 'specialness' straight away ). Celia immediately raised red flags when it was revealed she kept zombies locked up somewhere (Maggie's family did that on the farm in Season 2 of The Walking Dead and it didn't work out so well for them). It was upsetting to see the kid feeding a dog down the chute to the zombies. Kill all the humans you want, show, but leave the animals alone! My memory of the sixth and seventh episodes kind of blends together. We found out about Strand's b/f and he wound up shooting him, Celia got angry and wanted them all gone, but liked Nick (of course ) and let them stay because of him. I was glad Madison realised Celia had brainwashed Nick (then again it's Nick) and didn't really mind that she trapped her in with her own zombies (revenge for the dogs!). Chris Psycho Watch update: he's in full-on nutso mode now, taking a kid hostage and threatening with death, attacking Travis, etc. Everyone yelled out to Nick to come with them a million times but he chose to stay as the place burned down. They shouldn't have wasted their time on him. Daniel 'may' be dead. Can't say I'm overly broken up over the possibility (though I highly doubt he actually is). I liked Alicia waving to Strand as he was being kicked out. I noticed the eighth episode's was titled 'Grotesque’ - was that a reference to Nick's hair (and Nick's general appearance/hygiene)? And a whole episode focused on Nick? Who thought that was a good idea?? Also, this show hates dogs! Those two poor dogs who were probably starving just as much as Nick was attacked him (he whacked one in the head with a rock), then attacked many zombies and got killed as a result. While this 'tracks' with what happened in one of the first few episodes of Season 1 (dogs not running for the hills instead of staying put when zombies are going to attack them), it still seems pretty stupid to write them that way. I'd think dogs would be hightailing it out of there ASAP. Why are they being written as more stupid than the humans when in fact they would probably have more sense? Quit killing dogs, show! Nick must have no sense of smell or taste, since he ate the dogs' guts and is constantly covering himself in zombie blood. I remember when Rick and Glenn covered themselves in zombie guts for the first time on TWD. Back then it was a 'new' thing, here it's like 'no big' and something Nick does quite often (if the zombies don't eventually get him, hopefully all the diseases he should've caught from this will). Oddly, though, he grimaces/barfs after drinking his own pee and eating a cactus. I guess they're worse than zombie blood/dog guts? I had no problem with guys who killed the still-alive people trapped in cars getting killed themselves (they deserved it). Nick was once again regarded as 'special' by Luciana (it's his super power, I tell you!) and was brought into a new community. The only other 'main' castmember who appeared in this episode was Madison via flashback. For a second I thought the zombie girl that Nick hallucinated was speaking to him was a zombiefied Alicia. Yay! We got the return of Gloria, Nick's fellow druggie, from the opening of the show's first episode (I'll always think of 'Gloria' by Van Morrison whenever I see her or hear her name mentioned). How'd Nick ever manage to score her? Best-looking zombie ever (yes, even when she was eating some dude's face). One other 'plus' about this episode was at least the show finally decided to increase the size of its subtitles font, which made it easier to read (previously it was tricky to do so, since it was not only smaller, but also white and often placed over bright white backgrounds). I couldn't help but groan when the ninth episode started off on Nick after having just been subjected to a whole episode focused on him. He should've said "Nope!" and left as soon as he saw that the set-up in his new community involved people being sacrificed to the zombies through the bus stuck in middle of the fence. When I saw a random dog wandering around, I thought it could've used some of the water Nick was drinking/wasting (seriously, why is it whenever someone is desperately thirsty they waste half their water by just letting it run everywhere?). When Nick nearly lost an arm over bringing a snack back for the girl who’s dad was sacrificed and she didn't seem interested in it, I imagined Nick thinking "I nearly lost an arm for that!". Madison and Strand were useless this episode, as they just spent it getting sloshed (is it ever a good idea to dull your senses when there are zombies around?). Madison seemed to be suggesting she regretted having kids (I felt bad for Alicia...not so much Nick). She also revealed that their father offed himself and didn't die in a 'car accident' like she'd told them. Alicia was the only useful one who did anything this episode. I felt bad for her again when she offered to count Ofelia as part of her 'family', but she was having none of that (ungrateful!). Ofelia ticked me off further by going missing and not having Alicia’s back as she showered. When we saw the first zombie that dropped from the hotel, I expected it to fly straight back up again (been watching too many superhero shows, evidently). Madison and Strand only had themselves to blame for being drunk when they had zombies swarming in on them. Apparently Nick was involved in some sort of cult now (classic Nick!). When the tenth episode started, I immediately knew the happy wedding wasn’t going to remain happy. I even predicted that the bride who gave her dad CPR was going to get her face chewed on. I felt bad for her. Meanwhile, the bitch who locked everyone in and sentenced them to death (Elena) could've easily let out the ones who hadn't been turned into zombies. I groaned again when it seemed like this was going to be an episode of just Travis and Chris (more because of Chris, as I don't particularly have a problem with Travis...just his 'blindness' when it comes to his psycho son). Chris, delinquent that he is, stole from some guys who he and Travis ended up running into again later. When they said that they called the infected 'wasted', I immediately thought, "Oh no you don't! It's bad enough everyone else calls them anything BUT 'zombies'. We don't need anymore of that crap!". Yes, the jerks were immediately giving off 'creeper' vibes (no wonder Chis was so drawn to them). Once they found a farm, Chris told Travis they needed a group/people, Travis said they had that (referring to Madison, Alicia and Nick), which Chris dismissed because he reckoned they they looked at him 'different' (yeah, because you tried to kill them, you little psycho!), and then him and his new 'friends' proceeded to go kill chickens, the owner of the farm caught them in his barn and the stand-off between them ended with Chris shooting the guy dead (sucks to be a farmer in the zombiepocalypse). Travis was so worried about others being a bad influence on his son, when what he should've been worried about was his son being the real psycho. The opposite of all that^ was Alicia showing her badass proficiency with the butterfly knife. As well as trapping zombies in rooms, climbing out on a balcony and swinging to the one next door. I liked the hotel setting, as it made for a visually interesting locale. It was just unfortunate they teamed her with Elena (who at least admitted to Alicia she'd locked all the people at the wedding in the room with zombie father of the bride). I wasn't happy that Alicia was willing to defend her (sure, she helped Alicia, but she also sentenced many innocent people to death). I recognised Brenda Strong (from Desperate Housewives and several others things I've seen her in) as the mother of the bride. I didn’t blame her for being mad at Elena (though wasn't sure how she managed to survive since she was stuck in the room with the zombiefied father of the bride). Alicia met up with Madison and Strand who weren’t dead like they probably should've been (plot armour!). I guess they were quick-recovery drunks. Where was Ofelia all this time? She just abandoned Alicia who had reached out to her and didn't deserve such shoddy treatment in return for her kindness. I was glad the eleventh episode started by showing us what happened with Madison and Strand leading up to them meeting up with Alicia. Luckily all that zombie blood flying everywhere didn't infect them (on The Strain it would have). At least Madison and Strand reacted reasonably/like normal people when smearing zombie blood all over themselves (unlike Nick who doesn't react at all to it). Why was Madison so gung-ho about finding Ofelia who abandoned her daughter? Yes, she'd promised Daniel...but eh. Alicia was again the most useful, coming up with a quick/efficient way of getting rid of the zombies along the pier and into the riptide. Madison also proved herself as having pretty good nerves, being the 'bait' to attract them into the water like lemmings going over a cliff. Didn’t care what was going on with Nick and his drug-making. Or his getting together with Luciana. Why is she interested in his oily arse? The twelfth episode started with a man, woman and child leaving the place Nick was at (now even children are using the covering-themselves-with-zombie-blood trick and able to go without complaining about the smell or vomiting? Stretches credibility just a tad). I didn't care about what was going on with Ofelia after she abandoned Alicia, as I find her to be just as boring as Nick (though not quite as bad as Chris). Alicia proved herself more reasonable/level-headed than Madison this episode. I also liked her scene with Strand, who was wounded, and him telling her to make her mum 'see' her after asking what she meant by raising herself. Considering he hand't liked Alicia at first, this was some 'growth' for his character. I had to laugh when the family from the start of the episode referred to Nick as an American with 'ratty hair'. Yes, he is quite rodent-like in appearance. Madison turning on the hotel light, thereby attracting those she'd wanted to keep away, was a boneheaded move as Alicia pointed out. Sadly, Madison seemed to care more about Nick than Alicia who also rightly pointed out she stayed and never changed her mind like Nick did. When the episode ended with beardo Travis seeing the hotel light and there was no sign of Chris, I held out hope that meant he'd finally put him down. At the start of the thirteenth episode, I couldn't help but think, "Good one, Madison, attracting all those people you didn’t want to let in.", but then Travis turned up and I wondered how they managed to let him inside the gate without letting any of the others in (I would've thought they'd have grabbed him and prevented him from entering until they were let in also). We ended up seeing what Travis got up to while he was absent for episodes after Chris killed the farmer (he and his a-hole ‘friends’ ate all the chickens after not listening to Travis about eating the eggs instead). Chris, the psycho, clearly felt no remorse, blamed his being bullied at school for how he turned out and whined about Travis looking at him differently (gee, I wonder why). All the jerks wanted to leave their 'friend', James (who'd been wounded), and Travis was the only one who helped him. I could tell Chris was talking BS when he was telling Travis everything he wanted to hear, then his 'friends' busted in, with him holding Travis as they shot James (I didn't realise until rather late that the actor playing James was from the Happy Death Day films. I knew I recognised him from somewhere). Travis went to the trouble of burying the farmer (he should’ve made Chris do it, but since Chris is so lame, he probably would've only been capable of digging a shallow grave), finding out his name, carving it into a cross, then later burying James and doing the same for him. Then Chris drove off with the jerks. It was crazy that Travis told Madison he felt guilty for 'leaving' Chris when it was in fact the opposite. At least Madison finally told Alicia that her father had offed himself, leaving a note that simply read ‘I love you all, but enough is enough’. She then claimed that she never loved Alicia any less than Nick (despite all evidence to the contrary, including her still going on and on about how 'great' he was). The episode ended with the two jerks showing up at gate sans Chris. The fourteenth episode began with Ofelia, who was still boring and wasn't keeping a proper lookout after her car broke down, nearly winding up zombie food as a result. I was glad to see Travis apologise to Alicia for not believing her in regards to Chris and his psycho behaviour and failing to protect her from him. After Madison kept telling Travis he did everything he could for Chris, she learned that the two jerks were there, they said their driver was killed (she figured out they meant Chris) and Madison asked Strand whether she should tell Travis. When he asked her what gets her up in the morning and she said her kids, she still listed Nick before Alicia. At least Strand recognised Alicia's awesomeness. Madison and Strand, like Alicia and Strand, have come quite a ways from where they began, back when they were not getting along. I remember in an earlier episode this season Strand had suggested Madison join him on the boat. Obviously he'd grown to tolerate her more than he did at first (though still maintaining they were not 'friends'). At the Nick camp, a zombie caught him unawares, bit off a guy’s nose as well as a woman’s finger, and then got its eyes gouged out by Nick (that part I didn't watch ). I was glad to see the guy at the community Nick was at, who'd maintained he was 'immune' to zombie bites, revealed as the fraud he was. When Luciana leaned her face against Nick's shirt that was covered in zombie blood, all I thought was "ew". The jerks told Madison that they were in the back of the truck Chris was driving and he fell asleep at the wheel, sending them crashing. Firstly, how the hell did they survive if they were in the back of the truck? I would've thought for sure that would've meant instant death for them (I guess they were 'thrown' from it and miraculously somehow survived?), while Chris was supposedly sent through the windshield and didn't make it. And secondly, I was glad to see Travis catch them in their lie about pulling Chris free after saying he'd been thrown. We then got to see how Chris had died for real - he was severely injured, but still alive...that was until his 'friends' shot him in the head. Can't say I felt too bad for him. He was a psycho who trusted other psychos, witnessed their psycho behaviour towards their 'friend' and then was surprised they did the same thing to him. Admittedly, I hadn't been expecting that this was the way he was going to be killed off (I thought maybe Travis would have to 'put him down' after he eventually witnessed Chris committing one too many psychotic acts of violence, or that Chris was going to turn up at the gate as a zombie and would have to be 'taken care of' in the Mob sense). I was surprised we just saw him offed so cavalierly...but didn't particularly have a problem with it. Nor did I have a problem with Travis beating the crap out of the jerks, I just wish it hadn't been to avenge Chris, since he didn't deserve to be avenged (unlike the innocent people Chris killed). So, in the end Travis killed the two jerks and looked like he had a mental breakdown, which brought us to... The fifteenth episode/season final, which started where things left off last episode (how come nobody thought of smashing the side window to gain access earlier on when they were desperately trying to enter the room to stop Travis's beatdown of the jerks?). I was fully expecting Travis to be stuck in the room with the jerks he'd killed and for them to rise as zombies and eat him. Alas, he was freed and Madison took care of them later. Apparently during the beatdown Travis had also severely injured the brother of one of the people at the hotel. I couldn't really remember that part. I might've felt sorry for them, but hey, they were with Elena who locked a roomful of people in together with a zombie at that wedding, so when she was saying "He killed two people!" in reference to Travis, all I was thinking was, "Hey, get off your high horse, woman responsible for many people's deaths." (not to mention Alicia and Madison helped them turn the hotel into a fortress when all they wanted to do was leave things as they were). Eventually the angry mob wanted Travis's blood and went to kill him, but Alicia saved him (thereby making her very first human kill, preventing the guy from shooting Travis) and they were forced to flee. Elsewhere, Nick injected not-so-immune guy and talked to him about having a good death or whatever - which meant he drove the bus (which was still miraculously working. I thought that thing would've stopped working long ago considering the state it was in) out of the fence, thus allowing the zombies to finally be free (I actually almost felt like "Whoo!"-ing the zombies freeeeedom!) and taking care of the Narcos. Later on, once Travis, Madison and Alicia got there, it showed how much Alicia actually cares about other people - the fact that she went to help suicidal bus driver guy. I was getting a bit sick of seeing Madison using Alicia's butterfly knife, though. It's like "Geez, get your own knife, mum!". Nick and his crew (now EVERYBODY gets zombie blood camouflage! It's seriously being overused at this point) got attacked and I couldn't have cared less. Despite all my griping in this^ review, I actually didn't mind Season 2. It was good to see Alicia kicking arse, Strand 'mellowing' a little/growing closer towards Alicia and Madison, and now that we've shed the dead weight that was Chris, hopefully things will start to improve even more in Season 3.
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Post by Chalice_Of_Evil on Jun 27, 2020 8:09:16 GMT
Just finished Season 3 of Fear the Walking Dead on Blu-ray. The first episode of the season started with the trio of Madison, Travis and Alicia (who'd only just been reunited) being taken by the same militia guys who attacked Nick and Luciana at the end of last season and then being separated again, though Travis reunited with Nick (bet he wish he hadn't). I thought the beginning was pretty boring, as there was just lots of sitting around and/or sleeping. Luciana was acting very damsel-y, I found (which was in contrast to last season). I guess one can blame it on her being injured, but still...I thought she'd be tougher. Good on Alicia for instinctually hiding her butterfly knife (I'm sick of her having to give it to her mum all the time, though). I recognised the actor playing Troy (Daniel Sharman) from Teen Wolf and The Originals. You knew the militia were bad guys when they were enjoying offing people too much. I thought things picked up in the second half of the episode once Madison stuck a spoon in Troy’s eye, while Alicia saved Nick and Luciana by tossing them her knife. Travis managing to kill a couple of zombies was fine (cinder blocks were handy for crushing heads, though gruesome), but him killing ALL the zombies in the pit? I guess him beating those jerks to death last season made him a lot better at this. All the Clarks finally reunited...only to be separated again when zombies overran the place (this separating/reuniting/separating thing is going to get annoying). That one dude who was stupid enough to put his face near the hole where he removed the grate only had himself to blame when he got his face partially bitten off and then was pulled into the hole (bending in an unnatural way). Madison had been wanting to reunite with Nick all this time, and now she’ll finally have some quality time with him since it’s the two of them (plus spoon eye guy aka Troy), while Travis is with Alicia and Luciana in the helicopter. You would think that meant Travis got the better deal...but not so. I wasn't expecting Travis to be killed off at the start of the second episode. I knew he wasn't going to be around for much longer, but it still came as a surprise the way he got taken out - randomly getting shot in the helicopter and then having to make Alicia let him go and him falling out (I had been hoping that the two of them could have some one-on-one time now that Travis was finally free of psycho Chris. If he'd gotten to know Alicia a little better, she could've been like the non-psycho kid he never had. Such a missed opportunity). According to behind the scenes extras for the episode, he was shot through the gut into his neck and that's where the bullet exited - I never would've gotten that from just watching. I thought he'd been shot in the neck and then revealed to Alicia he'd received his fatal gut injury sometime earlier on. They could've made this clearer. Meanwhile, Nick was starting to sound vaguely nutso like Chris and Luciana was basically reduced to being dead weight after having been injured. I was surprised to see Brenda Strong appear again at the hotel (the makeup people did a good job making her look like she was indeed starving). Her character apologised to Strand for shooting him, but I knew as soon as he forced open the balcony door that she would jump. I'm not sure why he was surprised by this exactly, since clearly she'd gone off the deep end (she had a mannequin daughter in a wedding gown after all). I was glad that Strand left the hotel crew, as Elena was such a bossy bitch, acting all high and mighty despite what she’d done. After surviving the helicopter crash, Alicia was left with the male and female pilots. Once again these militia folk showed they weren't very bright during the zombiepocalypse, since the girl walked off by herself and consequently got killed by zombies. The guy gave Alicia his gun, then she had to save him from zombies because his gun jammed, then he asked her to give the gun back that he'd given to her so that he could off the zombie-attacked girl. When Alicia eventually reunited with Nick, I noticed he ran straight to Luciana first, seemingly not giving a crap about his sister (which pretty much matches Madison's treatment of Alicia - both her and Nick seem to care more about others than her). Like his fellow militia peeps, Troy appeared to be not too bright. Did he honestly believe Nick when he said he’d shoot Luciana after being so adamant they help her/ not shoot her? Naturally, he pointed the gun at them. I know that people seem to think Kim Dickens as Madison displays 'no emotions' or whatever, but this episode showed that her character just bottles them up and releases it later on when she's by herself. It's good they showed that, as it had seemed like Alicia was sadder about Travis than Madison (going by her reaction). Nick asking Alicia if she was okay seemed like it was low on his priority list/an afterthought, while Madison’s plan was to stay and possibly take over the place (oh Madison, you and your plans). At the start of the third episode, I wondered what was up with the random zombiepocaclypse preppers commercial. For a second I thought my Blu-rays were faulty (wouldn't have been the first time) or that I had to adjust the picture, as it was fuzzy. Emma Caulfield (Anya from Buffy the Vampire Slayer) made a random guest appearance as the wife (I guess they needed someone who could play 'annoying'). Apparently no one at the ranch liked the Clarks (I know there's a good percentage of viewers who feel the same way, though I'm not one of them). Madison said Nick might have to choose if they didn’t let Luciana in, and obviously he’d choose her (that's Nick for ya - he's all about everyone BUT his actual family). At least Luciana got to be conscious this episode, while Alicia got invited to 'Bible study'...which in actuality turned out to be something else. Poor Alicia, getting saddled with a druggie plotline. Geoff the zombie head was...weird. Firstly, I always assumed zombies died from decapitations...but I guess not. Secondly, it was a pretty weird/random thing. I guess it was meant to be 'humourous'. I just wanted Alicia to get away from the druggies (it was bad enough going through all this with Nick, I didn't want her to be dragged down that hole too). It was interesting seeing Strand taken down a peg or two by his ‘friend’, as his people threw others over the railing of the dam to fall down into a pile o’ zombies below. Strand had been so confident most of last season. Here we saw he wasn't as 'tough' as he liked to pretend he was. I'm sure there were those viewers who were nodding in agreement when Madison admitted she wasn't 'likeable' and Travis was a better person than her, etc...but, hey, at least she wasn't like Troy who seemed to be almost as nutso as Chris. His brother, Jake, seemed to be the 'sane' one. When I saw that the fourth episode was titled ‘100’, I thought that it should’ve had Eliza Taylor from The 100 guest-starring and reuniting with Alycia Debnam-Carey. That would have at least been interesting...unlike the actual episode, which followed the character of Daniel (and I thought the Nick-focused episode last season was boring ). Finally! A dog with enough brains to run away from a zombie, after it distracted the zombie from getting Daniel, thereby saving him (damn it). I didn’t watch the rotted leg razor scraping . Later, a zombie got hit by lightning just before it could kill Daniel. Convenient. At this point it seems like he's got even stronger plot armour than Nick does. Daniel asked Strand about Ofelia, he said she was alive, but then Daniel thought he was lying to save himself and left him locked up, then later he sold out the guy who saved him. People complain about the Clarks 'ruining' the lives of those who save them, but Daniel did the same here - ie. beating up the guy who saved him, giving him a crappy choice (telling him that if he talked, the other guys would kill the woman, but if he didn’t talk, Daniel would kill him) and then letting at least one guy get thrown over the dam railing before he finally shot the other guys and asked the woman (Lola) for forgiveness. PLEASE, show...no more Daniel-focused episodes! In the fifth episode's opening scene, I thought that was an efficient way of rendering zombies powerless - just remove their teeth (like the old man had done to the old woman). Also efficient was the old man's way of offing himself, shooting through both their heads while dancing and knocking over a conveniently-placed lantern to set the house alight. *I* could’ve told the ranch people not to waste their water. There was no putting that fire out with buckets. It took them too long to get told that by the leader of the community (Jeremiah). I was already tired of Alicia being stuck in the pointless ’Bible study’/druggie storyline, having a personal crisis, not caring about stuff that she used to, etc...and then she was looking like she was going to jump from a cliff at the end (but, thankfully, just jumped into water and seemed happier for it). Before all that, she also had sex with Troy’s brother, Jake (nice to know people can still find the time to get some in the middle of the zombiepocalypse). Nick, meanwhile, was being subjected to Jeremiah's boring story time and his platitudes. I didn't like Luciana forcing Nick to decide between staying with his family he only just reconnected with and leaving with her for wherever (given how Nick seemed to care about others more than Madison and Alicia, I was surprised he didn't leap at the chance to leave with his g/f). I personally was finding Daniel to be as intolerable as Chris at this point, and I felt sorry for Strand being stuck with him, especially when Daniel ended up leaving him for dead with zombies (if Alicia were there, she'd be all, "Like father, like daughter."). I was getting this weird vibe from Troy always wanting to hang with Madison (especially after her spooning his eyeball). Heh, he now had one droopy eye. She’d apparently gotten used to his death metal music, turning it up this time instead of turning it off like she'd done previously. Personally, I'd take All Zombie Radio over that. Clearly, Troy was a creepy kid (given the story about him that his father told). When we were treated to the sight of the partially scalped dude with a bird picking at/eating some of his brain, my main thought (after "Ew.") was, "At least the bird got a good meal before flying away." (I thought for sure it’d be shot...and it almost was). Madison and the others were forced to take off their shoes so they had to walk over rocky terrain. We also learned who was responsible for Travis's death. I noticed the guys called the infected ‘wasted’ like the jerks last season. The sixth episode was a mostly boring episode. Just people doing a lot of shooting/learning to shoot (despite not wanting to attract zombies with loud noises last episode). Having said that, I wasn't at all opposed to Alicia learning more skills (she needs to know how to use a gun, since she's always lending her knife to everyone). Apart from shooting, there was also a lot of arguing between those who wanted to leave and those who want to stay. Some who left wound up dead and zombiefied. It seemed the show had moved on from cruelty towards dogs to cruelty towards horses now. First, there was the escaped horse that had been burned, then there was the poor horse being eaten alive by the zombiefied family in the caravan. I was relieved that it was put out of its misery first, then the zombies were offed. Madison couldn’t off blonde girl, but Nick could. Will he be new Chris? Here's hoping NOT. Troy, who we knew wasn’t exactly that mentally healthy, was someone Madison was encouraging for some reason (we learned he was responsible for the zombiefied caravan family). The only really entertaining part was Madison and Alicia's chat about 'rhythm method'. The seventh episode was noteworthy for being the episode where Nick FINALLY cut his ratty hair! About damn time (he's still greasy-looking/rodent-like in appearance, though). I was glad to see Alicia telling off Ofelia for leaving her back at Hotel Zombie, and also calling out Walker for his hypocrisy. Unfortunately, Madison stuffed things up by 'rescuing' Alicia (who seemed to be coping alright and having semi-civil conversations with Walker, learning about stuff, etc). The militia guys got poisoned, died and were zombiefied. Ofelia, who Nick quickly realised was to blame, ran off (as she always does), before Nick himself was revealed to have also been poisoned. I had a slim hope this may have been his ending...but alas, no. Oh, and Jake almost got scalped (weird that a big slice across his forehead seemed to not bother him too much). The eight episode, thankfully, felt like the best episode since this whole annoying ranch storyline started. When the episode began, however, I thought it was going to be like the Nick-focused/Daniel-focused episodes...only with Ofelia - the prospect of which bored me (when are we going to get an Alicia-focused episode with just her and no one else, huh? She deserves it more than pretty much anyone else). But then we picked up where we left off, with Madison smashing the window of the truck Ofelia had scampered off to hide in. I was hoping she’d drag her out through the smashed window, but instead she just punched her repeatedly, demanding to know what she’d poisoned the people with. I was glad that Madison was mad (who wouldn't be?). When Ofelia said she knew what Madison thought of her and Madison said I doubted that, I was morbidly amused as I imagined all the curse words Madison was thinking in relation to Ofelia. I was also glad that Madison mentioned how they took Ofelia in as family (Alicia had attempted to treat her as family back at the hotel, but Ofelia rejected her) after she had promised Ofelia’s dad she'd look after her. I liked that Madison had the balls to go to Walker with Ofelia at gunpoint and this impressed him (he said something to the effect of how Madison was more of a man than Jake), so he told her the poison was anthrax (really, Ofelia, you didn't find out what you were poisoning people with before you did it? ). Nick seemed to recover okay from it (his ‘specialness’/plot armour once again saving him) and pretty soon after was digging up his floor, finding a human skull with a bullet hole in it and getting a confession out of Jeremiah that he shot three of Walker's people (including his father). It was then story time with Madison, as she told her kids why she was so closed off/emotionless after Alicia had told her off earlier, saying their dad was living with a corpse (in reference to Madison). After story time, Madison & co attacked Walker's people, stealing the caravan of artifacts, but Walker didn’t care about the skull of his father or anything else and so Madison went to kill Jeremiah, then wanted him to off himself instead, only for Nick to come in and do it. I'm not sure what story they spun to Jeremiah's sons, but we were treated to a montage of them taking out his body and Madison bringing Jeremiah's head in a bag to Walker while a pretty blah version of ‘Stand By Me’ was played. Oh, and in other news...Strand was reunited with his boat, killed some zombies on it, talked to some Russian dude over the radio (after giving Alicia crap for doing basically the same last season), and then decided to burn his boat and wear his sunglasses at night all Corey Hart-style for the sole purpose of having the fire's flames reflected in them. Sadly, after last episode, the ninth episode felt pretty lacklustre in comparison. The only things of note this episode were... At the start, the militia guys were watching zombies chasing a couple of dogs running around them (I don't remember seeing the dogs later in the episode. Seriously, show, QUIT IT!). Troy getting exiled (I wished Madison would've just shot him instead). Also, what was with the caps this episode? Alicia wore one, Jake wore one. I was expecting to see Madison or Nick sporting one next (speaking of Nick, his hair was back to looking oily again). Walker also wore a hat, though it wasn't a cap. And, as always, Daniel and his storyline bored me to tears. The start of the tenth episode included the first (and probably only) time I found Troy entertaining...and it was a hallucination of Nick’s in the hotbox involving Troy doing his fake zombie impression/walk and tumble/roll. When Madison was sticking her hand through the hole of the hotbox to touch Nick's oily hair/sweaty forehead, all I could think was "Ick!". People fighting over water = yawn. At least Alicia was trying to keep the peace. Ofelia was still bitchy. Nick had followers now (ugh, what is he? Oily Jesus?). Madison and Walker went off together to find water, ran into Strand who cost them their chance at water, but then he comforted Madison after she told him about Travis (these two have come far in their 'relationship'). When Strand got tied to a dead zombie and was forced to fight other zombies to pay off a debt he owed at the trading post, I wondered what the big deal was and why he couldn't just use the zombie-blood-smear trick that all the cool kids were using nowadays. Nick's followers and Walker's people were looking like they were ready to shoot each other, that was until Alicia spotted through binoculars a woman searching for water with a stick and this brought everyone together, as the episode ended with everyone diggin’ a hole/well. The eleventh episode focused on Madison, Strand and Walker crawling through a sewer (complete with lots of crap/turds) where they encountered a fat zombie stuck in a hole (reminded me of the one in The Walking Dead that was down the well). I liked seeing Madison dismembering it while Strand cringed and took the body parts she handed him one at a time. Then they had to pull on the arm and got covered in other yuckiness as a result of dislodging the fat dismembered zombie. Daniel was still annoying. Lola, his lady friend, wasn't much better. I like Madison and Strand's one-on-one scenes together. Although they got their water they wanted after all that, I was fairly sure that once they exchanged the guns and Ofelia, Daniel and his lot were going to break the deal they made. No ranch story (which would've been a 'plus'...but I missed Alicia). At least the twelfth episode was more interesting than last episode’s ‘get water’ storyline. At first I thought this episode would be Troy-focused. Thankfully, it wasn’t. Though I still had to watch him cut off a rattlesnake's rattle and teasing me with the prospect of him offing himself...only to decide to attract a zombie horde instead. Nick shot a cow (boooo!), got a knife of his own (probably jealous of Alicia's), and was paid a visit by Troy who locked him on the balcony which he easily escaped. Then he went on a car ride with Jake. I didn't need to hear Jake's tale about him finding the rabbit that was skinned alive. Was this the first time the show featured an f-bomb? It was when Nick spotted the zombie horde dust cloud (I always thought it was weird this show and TWD could be as violent as they wanted, but no one ever dropped an f-bomb - which you would think people would do, considering they were dealing with zombies). I guess now they were allowing the use of it? Nick radioed Alicia, she pieced together what was happening (despite the crappy radio reception), but was still not on great terms with Ofelia. Nick, Jake and Troy started fighting, Troy essentially told Jake that Nick killed their dad, Jake wouldn’t shoot Troy, then got bitten by a zombie. I'd just assumed he'd be immediately put down...but no, they instead cut off his arm (I hadn't thought of that as an option). Obviously, that didn't stop the spread of the virus and Jake wound up eventually turning anyway, then Troy killed him. While this^ was happening, Alicia’s camp used caravans to make a wall. Coop, the only ranch person who’s name I remembered, got overrun, ran outta bullets to shoot himself with, and so Alicia had to off him. It was neat seeing her offing so many zombies, she even saved Ofelia. At one point it looked like she was overrun by zombies, but instead they escaped to 'the pantry'. The thirteenth episode involved everyone looking to Alicia like she was the leader (this was in spite of the way a lot of them had treated her, including Ofelia). People dismiss Alicia's 'toughness', but she had to deal with a LOT this episode, as she was forced to be the one to off those who'd been bitten, since they were trapped with no air coming through the vent. Poor Alicia. Yes, morphine was used to off the bitten folks one at a time, but she had to stab each one in the ear to make sure they wouldn't rise again. Alycia Debnam-Carey did a damn good job portraying the emotional toll all this was taking on her character, as she had a moment of breaking down, before recomposing herself and getting on with what had to be done. Anyone who doubted her character's resilience should've had a new respect for her after this episode. The only thing I questioned that she did was chatting with that last woman. Wasn't their talking using up the oxygen faster? Same with Ofelia and Crazy Dog in the vent. He got stuck when they were trying to turn around so they could go feet-first down the hole, then decided to waste time by chatting. Like...thanks for treating everyone's need for oxygen like it wasn't urgent, guys! Of course, once they eventually dislodged the zombie that was blocking the air, it was too late and everyone except Alicia was dead, so she was forced to kill a whole lot more zombies on top of the heaps she'd already killed. In comparison to Alicia, Nick wasn't having nearly as tough a time. All he and Troy did was get in a helicopter and eventually turn on the rotors (which you just knew were going to be used to make chopped up zombie - just like they were at the start of the season). Alicia was getting overrun by zombies, when Madison & co showed up. They informed Ofelia that her dad was alive and told Alicia that Jake was dead (Alicia: "WHY do *I* get the crappy news??"). I wasn't ever invested in the Alicia and Jake 'relationship', so I didn't care...though obviously Alicia did. She'd finally had enough and wanted to go off alone. I didn't like that Nick and Troy were going to secretly follow her like she needed their supervision or something when she'd just proven how tough she was by herself all episode (I guess there were no alive witnesses to her awesomeness). At the beginning of the fourteenth episode, I was surprised Ofelia survived falling off the back of the truck. I don't know if any normal people would've survived face-planting the road like that. Then it was revealed she'd been bitten (when did that happen?). Madison’s mission was to get Ofelia to see her dad before she died. They went to the trading post, where Nick and Troy got high off of...zombie brain stems? WTF?? After Alicia's short encounter with Nick, she found a burger joint, grabbed herself a tub of potatoes, but then was forced to hide thanks to zombies. She found shelter in the ball pit. Unfortunately, there was a zombie kid in there which she had to dispatch, but then further complications occurred when some woman with a pick-axe killed a few zombies before STEALING Alicia's tub of potatoes! Potato thief! She then tracked down the potato thief's truck and had a stand-off with her over the potatoes, until reaching an agreement to share them. After a semi-civil conversation while eating, potato thief left, Alicia came across her truck again (which was now not working) and zombies appeared. Naturally, after all Madison did to keep Ofelia alive long enough to be reunited with her father, she died just as he arrived. He seemed like he might shoot Madison...but, surprisingly, he didn’t. Instead, he agreed to let her and those she was with come back to the dam. I still didn't trust him. The fifteenth episode started with Nick apparently now being a zombie-hunting expert, as he was all blasé about going around cutting off zombie heads and putting them in a shopping trolley so he could take them back to the dude who harvested their brain stems. Apparently some were no good...though I would've thought NONE would be safe enough to consume since they were inside the body of a rotting corpse who'd been infected with the zombie virus. Seriously, this was the most WTF-worthy idea this show had come up with thus far. Maybe it was supposed to be 'funny', but I didn't find it so. Something that was somewhat amusing was potato thief constantly wanting to sell Alicia's hair and Alicia being adamant she wouldn't let that happen. Then they got into a car accident and potato thief's leg got broken. I thought it a bit weird that Alicia told her not look, when they killed zombies in gross ways all the time and had no problem with it. I usually liked Madison and Strand together, but I found their conversation this episode deathly boring. Daniel was going to go all torture-y on Nick like he did with the guy at the end of the first season and I couldn't figure out why Nick kept protecting Troy, but in the end no torture actually took place and Nick covered for Troy by saying the already-dead Jake was responsible for the zombie horde that led to Ofelia getting bitten. Troy continued having his creepy 'moments' with Madison (complete with hand-touching) as they were setting explosives around the dam, but then Nick appeared and it eventually led to Troy confessing to being the one responsible for the zombie horde. One thing you can say about this show is that when the deaths of 'regulars' occur, they're not always entirely expected. I mean, Chris's death last season didn't go down how I'd expected it to, then Travis's death seemed quite sudden (even Ofelia being bitten, which always automatically equals a death sentence, was somewhat of a surprise), and now Troy's death was kinda out of nowhere as he was yammering on at Madison (as he liked to do), then suddenly WHAM! No, not the band. Madison gave him a good solid double clobbering in the head with a hammer, making a decent-sized hole. After wishing all season that somebody would just frickin' KILL Troy already...the moment it happened, I was a bit like, "Uh...did she just actually kill him? For realsies??" (that whack was damn satisfying, though). I like that the show doesn't telegraph all of its 'important' character deaths. On so many shows, you can see the deaths coming from a mile away. In this case, they'd led us to believe that something may have eventually been going to happen between Madison and Troy (though I never honestly thought she'd be down with that) and then it was just suddenly like NOPE. He deeeead. I was kinda glad he didn't get some big 'epic' death. He didn't deserve it. He was someone who needed to be put down just like Chris (and it's scary to see comments online from those defending his character and acting like Madison was the 'bad guy' here. Newsflash: she wasn't! She was preventing many future deaths by ridding the world of someone with serial killer tendencies). Sadly, I didn't get the one death which I REALLY wanted. All Strand managed to do to Daniel was shoot him in the face, making a big wound (ew), but not killing him (unfortunately). The Proctors, who Alicia wanted to help her injured potato-stealing friend, were apparently bad news and the head guy threatened her with death if his back surgery (which he wanted Alicia to assist in) didn't go well. Her role in 'assisting' seemed to mainly involve her talking to him and holding his hand. He was remarkably calm for someone who was awake during such a major procedure. When he said she was a tough kid and her response was "You have no idea.", it immediately made me wish others had witnessed everything she had to go through in the thirteenth episode. Sadly, it seemed no one would ever fully appreciate her ordeal. Remarkably, Proctor John managed to survive the least sanitary surgery ever and was almost immediately able to move his feet again, then was up and ready to attack the dam in no time. The sixteenth episode/season final began with Madison in a bizarre Christmas dream set to the tune of 'Sleigh Ride'. When she went outside where Nick and Luciana were, they had a child and were looking at Alicia’s grave (poor Alicia, even in her dreams Madison cares so little for her that she appears dead). Back in reality, during Madison and Nick's argument over her killing of Troy and whether she’d kill Nick if required, Nick was annoying once again. This also marked the second (if I'm not mistaken) f-bomb of the season/show when Madison told Nick "F U". I wondered why everyone was acting like Strand never killed a human before, when in fact he shot his b/f last season. Also, Strand told Madison that shooting Daniel was the worst thing to happen to him?? I'm pretty sure it wasn't fun for Daniel either (not that I really cared). Lola got shot/killed, but took some Proctors with her. So long, Lola. You didn't make much of an impression, but were at least somewhat useful in your final moments. When Proctor John said he was going to kill Alicia because he was going to kill Nick and he wouldn’t be able to trust Alicia after that...I did appreciate his honesty, but it was still a crappy thing to want to do after she helped him through his miracle surgery. They were then taken onto the dam bridge, where they said their goodbyes. As usual, Nick didn't really seem that broken up to be saying goodbye to his family (the least he could've done was say something nice to Alicia), and then he gave Strand a hug, which should've immediately set off alarm bells. Sure enough, he'd pickpocketed the detonator and threatened to kill them all unless Madison, Alicia and Strand were set free. After a long drawn-out process, they eventually got in the boat, but (naturally) experienced motor trouble. Somewhere along the line we were treated to Christmas dream #2 with Madison for some reason dreaming about all the significant male characters this season - Troy, Jake, Jeremiah, Walker, Daniel and Strand (who showed up late). Randomly, Coop was there too. The most frustrating thing about these dream sequences was not being able to hear any of the dialogue. Things quickly turned bloody after Madison revealed she was serving Jeremiah's head (to her surprise, it seemed), followed by Walker cutting off Jake's arm. I have no idea what point these dream sequences were trying to convey. Walker and Crazy Dog did a decent job of sniping some of the Proctors, but when they saw Madison, Alicia and Strand were going to get sucked into the flood, they just up-and-left for 'North' (the previous season final episode title). Nick ended up blowing the dam, but since Daniel was with him (and I just know that I'm never going to be rid of Daniel as a character), I imagine they somehow survived. It'd be weird if Daniel survived but Nick didn't (unless Daniel decided to off Nick himself). It would seem like the flood was being selective about who it killed (Flood: "I wasn't trying to kill Nick...I just wanted to give him a decent bath!"). We were then treated (or rather subjected) to one final dream sequence: while underwater, Madison dreamed of Travis pulling her up out of a grave she'd been pulled down into...but then let go of her (I guess this was him representing all the Madison haters out there), causing her to sink back into the grave. Back in reality, after she made it to the shore, it was somewhat morbidly amusing how everyone was rushing to get their precious water and seemingly couldn't give two figs about helping Madison or seeing if she was okay (another score for the Madison haters!). The only one who even acknowledged her existence was a young girl. The season ended with the two of them exchanging "hola" and Madison not seeming too concerned about Alicia (par for the course when it comes to Madison's attitude towards her daughter, it seems). Regarding this season as a whole, I personally didn't find that it had improved much from Season 2 like I assumed it would be after getting rid of psycho Chris. They just replaced him with psycho Troy (though Troy was somewhat less annoying than Chris). I really didn't care about anyone outside of the core Clark family and Strand, so all the ranch people and other characters the family encountered didn't really interest me at all. It seems the show likes to introduce a bunch of new characters each season, only to eventually off most of them by the end of the season...which begs the question "Why bother?". I guess they figure they need new characters for the family and Strand to interact with, but I'd much rather they focus on the family and explore the different aspects of their dynamic. Something else that seemed rather pointless was making the actress who played Lola a 'regular', since she was missing from quite a lot of episodes (though not nearly as many as the actress who played Luciana. Seriously, why add these actresses to the 'regular' cast only to have them appear in 'credit only' for most of the episodes?). I was very disappointed that after several other characters got to have entire episodes devoted to them, Alicia didn't get one. The closest she came was the thirteenth episode, but that had other 'main' cast members in it, so it didn't really count. I want an episode that just follows Alicia and nobody else, damn it! It was good to see her character further develop and have to go through some seriously messed up stuff emotionally, as all of this is gradually turning her into a hardened warrior, it would seem. Nick, meanwhile, seems almost zombie-like half the time (maybe it's all that zombie blood he smeared on himself last season?). I know a lot of people don't like Madison, and I do think she makes some dumb decisions at times (heck, EVERYONE on this show is guilty of that, so she shouldn't be singled out for it), she even irritates me on occasions, but she's lasted this long and does what needs doing a lot of the time. I just wish she treated Alicia better. Strand is a character I wasn't that fussed on last season, but he's gradually become more tolerable and I like that he seems to now care about Madison and Alicia (still not entirely sure how he feels about Nick). I think I've made my feelings regarding Daniel's character pretty clear, and I'm annoyed we're clearly stuck with him for the foreseeable future. Ofelia could have been okay, but the way she treated Alicia and, to a lesser extent, Madison just really irked me (I honestly didn't care how she treated Nick, but was surprised when I was reminded that they once seemed to be getting 'close'). Luciana appeared to be an improvement over Ofelia in 'potential girlfriend for Nick' material, but she too annoyed me at times. Still...I think I preferred her to Ofelia, so I was fine with which one of them ended up biting it. Here's hoping next season introduces new characters that I'll actually like. I think I might take a bit of a break from the zombiepocalypse and watch a season of another show (or possibly two) first, then continue on with Season 4 of this show.
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Post by claudius on Jun 27, 2020 14:05:15 GMT
Full ROBIN OF SHERWOOD series 2 (35th anniversary)
Majority of episodes BUFFY season 4 & ANGEL season 1 (20th anniversary) ER season 1 (25th anniversary)
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Post by Chalice_Of_Evil on Jul 1, 2020 23:56:16 GMT
On and off again I've been rewatching Season 3 of Castle on DVD (in between watching other shows) and just finished it last night. Since I started my rewatch of this season quite some time ago, my memory of the episodes at the start of it are rather fuzzy, but I recalled the premiere involved Beckett, Ryan and Esposito not having heard from Castle since he went away with one of his ex-wives to the Hamptons at the end of last season. Safe to say that when they first encountered him again, standing over a dead body no less, there were some hurt feelings (and not just Beckett's). Since Castle had asked Beckett a few times to join him in the Season 2 final, but she hadn't said 'yes', then when she was going to, she didn't get the chance because he'd already asked one of his ex-wives instead, one might think it 'unfair' with the way she was acting towards him. One could also say it was a bit 'unfair' for Esposito, Ryan, Lanie and Captain Montgomery to 'gang up' on Castle, but it just showed the loyalty they all had towards Beckett - the fact that they sided with her against him. Thankfully, they eventually forgave (more or less) and were getting along again. I always remember the episode that introduced the serial killer, 3XK, as well as there being a 'twist' near the end of the episode about who it really was, and that both Castle and Ryan wound up at the mercy of the killer, who stole Ryan’s gun (which would come back in an episode the following season). It actually had a bit of tension - the scene with them in the safe house (despite us knowing that Castle was definitely safe and Ryan probably was too). Castle was also feeling guilty about the 3XK getting free and the people he'd kill since he got away. I hadn't really remembered anything about the episode ‘Last Call’, other than it was a whiskey-related episode that ended with the gang all singing ‘Piano Man’. Yes, it was quite a 'cheesy' ending, but it was fun to hear them all take a shot at singing (even if not all of them were great at it). An episode I DEFINITELY remembered from when it originally aired on TV, because it's one of my favourite episodes of the show, was the ‘Nikki Heat’ episode. The case itself wasn't that great, but what made this episode so much fun was Laura Prepon guest-starring as actress Natalie Rhodes who had been cast in the role of Nikki Heat for a movie based on Castle's book that he wrote. The character of Nikki Heat was inspired by Beckett, and Natalie Rhodes starts out as an actress who Castle doesn't think is up to the task of bringing the role of Nikki Heat to life, he doesn't like the footage he's seen of her in her audition tape and criticises the dialogue as 'hackneyed', immediately dismissing her. Meanwhile, Beckett doesn't mind Natalie tagging along with her (which is a quite a different tune to how she's been in regards to Castle following her), Castle takes exception to this, and keeps trying to have memorable one-liners for Natalie to use, but she uses Beckett’s instead. However, Castle and Beckett soon switch attitudes towards Natalie when Castle realises she is fully committed to the role, after hearing how dedicated she was to her previous ones, while Beckett gets jealous over just HOW committed Natalie is. First it's little things, like Natalie picking up on stuff Beckett does with her posture and hair moves, but pretty soon she's not only dressing like Beckett, but also acting like/mimicking her. The last straw, however, is her taking the coffee that Castle always (thoughtfully) brings Beckett, not to mention her showing an interest in Castle. Speaking of Castle, everyone thinks of Natalie as a celeb, but clearly don't regard him as one. She ends up reading his book and then kisses him in the elevator. Beckett not-liking Natalie provides quite a bit of the episode's humour. I had to laugh at Beckett's mouthing of the word ‘meta’ after Castle used it and she tried to figure out what he meant (I myself didn't have a clue what it meant at the time either). Beckett wasn't the only one who Natalie's presence managed to upset. Ryan had his ‘freebee five’, one of which just happened to be Natalie, and when his girlfriend (Jenny) - who he was hoping to propose to - found out she was hanging around the precinct, this caused some problems. Luckily, it all worked out in the end, Ryan proposed in the middle of the precinct and we learned Jenny has a lot of weird middle names (I'll always remember that I discovered the actress who plays her is the real life wife of Seamus Dever who plays Ryan, after doing some 'detecting' myself). The only 'minuses' of the episode were Castle's mother and daughter didn't get a whole lot to do/say this episode (besides Alexis commenting on Natalie’s movies, then adding “If I’d seen it...which I haven’t.” because they were too 'adult' for her) and Natalie’s cheesy dialogue managing to talk down the guy about to off himself. Still, this episode was a lot of fun and gave us a very memorable guest star who shook up the 'dynamic' between Castle and Beckett a bit. I remembered that there was a magic episode (Vanessa Lengies and pre-Black Panther Chadwick Boseman guest starred). I think this was when I really started noticing how often Castle and Beckett figured something out at the same time and them doing their finishing each other’s sentences thing as they put two and two together...whilst together (though sometimes they figured things out at the same time whilst they weren't together/in the same place as each other). I was also amused by Beckett's "Alakazam, jackass." she used not once, but twice in the episode. The 'Knockdown' episode was what I like to think of/call one of the show's 'serious episodes' (you can tell by the way it's filmed, there are less jokes, it's just the overall 'mood'). It was noteworthy due to Beckett getting a lead on her mother’s murder, Montgomery getting some actual significant screentime (for a while in the show's earlier seasons, it felt like he didn't get much to do), and I always remembered Eposito and Ryan getting captured, with Ryan being tortured, but keeping up the ‘bravado’ as he was almost drowned to death over and over. I felt really bad for Ryan here. I mean, he was obviously putting up a brave fight, but clearly he wasn't going to last much longer. At least it showed that Esposito cared about Ryan (sometimes it doesn't seem like it so much). The other thing I always remembered from when the episode first aired was Martha’s “You can’t charm your way out of a bullet.” speech to Castle. That's like one of the most memorable lines from the show. And it's true too. It was good to see Susan Sullivan given some decent stuff to play. I also liked seeing Castle and Beckett briefly playing a drunk couple to gain access to where they needed to get to. It was an interesting choice on the show's part to have their first kiss (that I can recall) happen when they weren't really acting like themselves, but playing a 'role'. It was nice to see Castle getting in on the action and saving Beckett from getting shot. I know the word 'always' is an important one in the Castle/Beckett relationship and remember it being uttered here in reference to Castle 'always' having Beckett’s back. I found it interesting when Beckett was telling the bad guy in jail some of the crims she put away in there ‘formed attachments’ to her like she was their favourite school teacher, basically threatening him into talking. Stana Katic plays the 'tough cop' role well. I've always thought of the two-parter this season as 'The Bomb two-parter episode' (though that obviously wasn't its title). This was another ‘serious’ episode. I found it mildly amusing that they had to keep reminding us that Kate's doctor boyfriend, Josh (who we didn't really see much), existed. His sole person seemed to be keeping Beckett and Castle apart and he wasn't really developed as a character beyond that. Castle’s expression after he convinced Alexis to go with Martha (after being on her side with not wanting to go to the ‘Serenity’ resort - and, yes, the reference was pretty obvious), really said a lot. Alexis was mad at him, but he was putting both their safety first. Adrian Pasdar (who's always been a solid actor, I've found) was a really good guest star here as Fallon. He brought a lot to the role. We witnessed his unorthodox interrogation skills, he got pissed at Beckett for breaking laws (something Montgomery very rarely seemed to do) and really pushed Beckett. While it was a bit contrived how Castle and Beckett wound up locked in a meat locker (they follow a bad guy there, then he locks them in? I would've thought Beckett would be smarter than to fall for that trick), it *did* lead to one of the show's best scenes. Part 2 explored their relationship and both actors did a great job in it. Even though we knew they wouldn’t die, it was still a good scene. Also good was Castle getting his mother and daughter out of town (again), telling Alexis she couldn’t tell her boyfriend (remember him?), as it was obviously a really tough thing to have to tell her - sorry, we can't notify your b/f a bomb's about to go off, because then he'd alert others and it'd cause panic. It's always interesting when Castle is put in a tight spot like that, as it gives Nathan Fillion some good material to work with, showing Castle's inner conflict. I was glad the show gave Fallon some depth (the backstory of how his wife died in 911) and that both Castle and Beckett came to respect him. There was one part I'd misremembered about the episode from when it originally aired - for some reason I thought Fallon ended up having to drive the van away as far as he could get it before it went off. That didn't actually happen. I *did* remember, though, Castle and Beckett's final seconds before the bomb was about to go off and how Castle's last ditch effort to deactivate it was him simply pulling out all the leads at once. His reaction to it working was quite amusing. Naturally, later on Castle was about to tell Beckett how he felt until Josh showed up. In the soap opera episode, it was fun to learn that Beckett knew about 'shipping' (a nod to the shippers for this show). Also fun was Castle coming up with 'Esplanie' as the ship for Esposito and Lanie, Ryan and Esposito talking about not nitpicking (probably the show's attempt to tell its audience to quit nitpicking - this is a FUN show. No need for that), and Ryan asking Castle and Beckett if they did their finishing-each-other’s-thoughts/sentences thing when he and Esposito weren't around. I noted that Jane Seymour guest starred in this episode (though her acting seemed rather iffy) along with an actress I recognised from Veronica Mars. In the following episodes... It was a fun reversal, seeing Castle jealous of his protégé and how Beckett seemed interested in him (and vice versa), after what went on with Beckett being jealous of Natalie Rhodes. Castle and Beckett's ‘always' was mentioned again. Royce, Beckett's old training officer, was killed. I remember his line from the first time the episode aired about hell raining down on the guy who shot him (in reference to Beckett). The guy who shot him was, of course, played by pre- Legends of Tomorrow Dominic Purcell. Another reversal was Beckett being too close to the case (I remember an earlier episode in the series where she told Castle exactly the same thing when a friend of his was involved in a murder). Naturally, she didn't listen to the Captain and went 'on holiday' - ie. went after the guy who shot Royce. Castle showed how well he knew her, by being there and ready to go with her (saving her from cramped seats on airplanes next to wailing children). The episode illustrated Beckett's bad habits when it came to breaking the rules, but it showed how determined she was. We were also treated to more of Beckett than usual in the pool scene. It was a very memorable moment from the show. I liked Castle telling Beckett she was a mystery he’d never solve and was amazed by her. It was funny seeing the actors who were playing Ryan and Esposito in the Nikki Heat movie (though, sadly, Natalie Rhodes apparently wound up in rehab). Also amusing was Gene Simmons guest-starring, with both Castle and Beckett fanboying/fangirling (they both dressed up as him for Halloween). Beckett's letter from Royce, among other things, was essentially telling her to get with Castle, and in the hotel room they came close...but, of course, as she opened her door he closed his. In the second-to-last episode of the season, some actors I knew quite well made guest appearances - Michael McKean (who I last watched in Good Omens, but have seen in quite a lot of things), Sasha Roiz (from Grimm), Teri Polo (from Meet The Parents) and, most surprising of all, Amanda Schull in her pre- 12 Monkeys days. Also of note was the fact that we saw Alexis's often-referred-to-but-rarely-seen boyfriend, Ashley. Like Kate's boyfriend, the show had to keep reminding us he even existed. The thing I've always remembered most about Season 3 (other than the Natalie Rhodes episode and bomb two-parter) is the season final. It was probably my favourite season final of the show, as it had a lot of emotions in it and gave Montgomery his most significant part since the show started, as he wound up being the '3rd cop' everyone was after. I imagine the actor who played the role probably got sick of having very little to do and wanted to move on, but at least the show gave him a memorable exit. In the previous episode, we met his wife and learned he was going to retire (clearly that was his death sentence), and in this episode we met his kids (yep, he was doomed). The show did a good job with the 'twist'. If I hadn't known about it before watching, it may have even surprised me. I thought it was a bit unfair for both Beckett's dad and Montgomery to tell Castle he was the only one who could get through to Beckett and make her stay away from the case that was going to get her killed. I mean, I get why they did that (in retrospect, it especially made sense why Montgomery did it), but it meant Castle making Beckett angry with him and saying they were 'over' (this wasn't the first time she'd said something like that). It obviously made Castle upset too, judging by his glass-throwing. I thought Stana Katic played Beckett's reaction well when she told Montgomery she wanted Castle gone, he said immediately that it was done and he only kept him around because he saw how good she was with him. One of the parts that I remember most about this episode was Ryan and Esposito learning Montgomery was the 3rd cop, which led to Esposito being in denial, Ryan trying to get through to him, Esposito PUNCHING Ryan (I hated seeing him do that to his partner who he supposedly considered a 'friend' - especially after Ryan's water torture earlier in the season), then shoving him against a wall and preparing to punch him again before they both thought of Beckett being in danger and that's what finally got through to Esposito. The scene where Montgomery met Beckett at hangar, like he was doing what the bad guy wanted, had some nifty blue lighting going on (very moody). He told her what happened (though not the name of the one in charge - don't you hate that? But his reasoning was he wanted to keep Beckett safe and knew if he gave her the name, she'd charge right in. To be fair, she's shown previously that she would do exactly that), he had called Castle to come take Beckett away, as he clearly knew he was going to die, but managed to take out most of the bad guys...just not the main one, who shot him but made the mistake of getting too close to Montgomery who then shot him. Stana Katic was really good in the scene, as Beckett forgave Montgomery for his part in things and got carried away by Castle, breaking down as she knew her friend was dead. Ruben Santiago-Hudson was very good also. So long, Montgomery. At least they gave you a good send-off. As if the episode didn't have enough going on, then came the funeral at the end. It was a really nicely done scene. Castle saw the shining light reflected off the gun's sight first, but wasn't quick enough to save Beckett from getting shot (I noticed Esposito was more focused keeping Lanie safe than anything, as she wanted to go over to help Beckett). I remember feeling quite an emotional gut punch when I last watched the episode and saw Beckett get shot, but not so much this time around (maybe it was just due to having watched the scene a few times). Naturally, it was as Beckett lay there possibly dying that Castle finally confessed his love to her. All in all, I'd say this was probably my favourite season of the show (then again, I can't really remember the following seasons as a whole, so maybe when rewatching Season 4 I might discover I like it more? Though I doubt it. One season I WON'T be rewatching is the show's actual final season/Season 8. I'm just going to pretend it ends with Season 7 - I'll be much happier that way). This season had a good mix of the 'lighter'/'fun' episodes and the more 'serious' ones. It brought more complexity to not only Castle and Beckett's relationship, but also to the characters of Ryan, Esposito and Montgomery. There were some really good one-off episodes as well as two-parters and some nice guest stars throughout. It'll probably be a while before I get through Season 4, but hopefully won't take as long as it took me to finish Season 3. And for those keeping track of Beckett's hair progression through the first three seasons... Season 1 Season 2 Season 3It was interesting listening to one of the DVD extras (sadly, there weren't many) about how Beckett started off with short hair so she would be taken 'seriously' as a cop, then once she'd proved herself, they let her grow it (I'm paraphrasing). What directions will Beckett's hair go next season? We'll find out!
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Post by Chalice_Of_Evil on Jul 2, 2020 10:16:27 GMT
Well, since I'm taking a break from watching Fear the Walking Dead, I decided to watch the first season of Pennyworth which I recently got on Blu-ray (this was in between my watching of Castle Season 3 on DVD). **spoilers below** When it was first announced that a show was being made about 'Batman's butler', I think a lot of people scoffed and sneered at the idea. I myself was somewhat intrigued. After all, people dismissed Gotham when it was announced as being a show about kid Bruce Wayne and Jim Gordon before he became Commissioner, but proved itself capable of finding interesting stories to tell without Batman around. Similarly, this show managed to actually craft an interesting season centred around a young Alfred Pennyworth. I can't say I was familiar with Jack Bannon who plays Alfred here (though after looking up his IMDB list of credits, it appears he's been in a few things I've watched...I just didn't remember him from them). He really did feel like he was playing a young version of Sean Pertwee's Alfred from Gotham (with the accent of Michael Caine's version of Alfred). He definitely had a memorable haircut. We'd gotten hints of Alfred's backstory in the show and movies I mentioned, but this really allowed his background to be explored in depth. For a character who apparently came to hate violence and swore on more than one occasion he was through with it...he certainly committed a lot of it (some of it quite brutal too). I wasn't totally able to get a 'handle' on what sort of character Alfred was like here, as it seemed he would change at times what he valued/cared about and what his stance was on certain things. Still, by the end of the season I think I liked his character (though I'm not 100% sure). He did some stuff I liked, and some stuff I didn't. I was a bit miffed that Esme, who ended up becoming Alfred's girlfriend and then fiancée, didn't last very long in the show. I'm sure there were those who were glad to see her killed off and dismissed her as 'boring', 'annoying', 'useless' or all of the above. I personally didn't have a problem with her. Yes, at times she could get on Alfred's case about things, but she brought out a side of him that no one else really did. She showed in the first episode she could fight back if she needed to (I vaguely recall her getting in on the beating up of a guy, along with Alfred's parents). It's just a shame she was given the pretty thankless role of being the 'girlfriend'/'fiancée' and not much else. I think they could've explored more with her character, and it was especially cruel to off her when she and Alfred were looking forward to a happy life together. The writing for what led to her demise was also rather iffy (her leaving in the middle of the night), and to top things off, she'd been prepared for intruders after her kidnapping in the first episode, with a gun at the ready, but because the last time she pointed a gun it wound up being Alfred, she didn't bother the second time around - and that's when she really should've/ needed to have a gun at the ready. Anyway, the actress who played Esme has gone on to bigger and better things, playing Princess Diana in The Crown. Thankfully, the third episode introduced the character of Martha Kane (who will, of course, eventually become Martha Wayne and mother to Batman. Hey, at least her name won't change drastically once she's married). It's just as well that as the show wrote out Esme, they introduced Martha, since she proved quite awesome. SO awesome, in fact, you wonder how she will ever go down without a fight on that fateful night in an alley many years into the future. This Martha would totally kick the arse of anyone who tried mugging her. She had just the right amount of 'attitude' and gave as good as she got when people would say some not-so-nice things to her. I enjoyed her dynamic with Alfred (though I thought it a bit weird that he was already shown as 'moving on' from Esme so soon after she passed. No, he didn't 'move on' with Martha, but clearly there was an attraction between them. He did, however, 'move on' with the bar owner's daughter, but I'll get to that later). As for her and Thomas Wayne...I pretty much was on her side most of the time during whatever arguments they were having. Thomas was wasn't quite as likable a character as Martha, and I loved whenever she'd tell him off. The only not-so-great part involving Martha was the whole Satanist orgy side story. WTF was the point of that? It seemed so random, and also like the show didn't wish to fully commit to having the Devil be a real entity in this universe, but wished to leave things vague enough so it could be a real thing if they wanted to introduce supernatural elements at some point. It just felt like finding something for Martha and Thomas to do that didn't really go anywhere. I can't say this is my favourite version of Thomas Wayne (the Thomas Wayne from Batman Begins was much better. Hell, I even found Thomas's sister in this show more entertaining than Thomas...and she was a mess), but this is easily my favourite version of Martha ever. I was so relieved that, although the show unceremoniously offed who I thought was the female lead of the show, they replaced her with someone who was even better (and more awesome to boot). Two of my favourite moments from her occurred in the season final: 1) When she realised that Thomas 'likes' her, and 2) When she punched the face of the old lady who the Sykes sisters were living with. Go Martha! The other significant female characters in the show, the Sykes sisters, were....bizarre, to say the least. When the first scene of the show involved the platinum blonde Bet Sykes, I thought she was just going to be one of the main villains in the show. Then she showed an interest in Esme and suddenly it was a case of her 'loving' Esme. That bit felt rather rushed (which is why they should've kept Esme around a tad longer, so the two characters could've shared more screentime together). For a while it felt like the show didn't really know what to do with Bet (who was revealed to in fact be a redhead) or her sister (played by Polly Walker, who I know from quite a few different things I've seen her in). I will give props to Paloma Faith. I had heard her name previously, but didn't really know who she was (apparently a singer/songwriter). Not many singer managing to make the transition to becoming really good actors, but she pulled it off quite well. Her character was morbidly amusing at times, but just plain weird other times. Sticking the sisters in a storyline with Lord Harwood (after he'd been tortured and mutilated in the first episode) didn't do them any favours, as I found him rather boring (when the show started, I thought he'd be another main villain, but then he got turned into a deformed hobo and it seemed like the show needed him taken out of commission for a certain amount of episodes before he could basically return to how he once was...though now with interchangeable fake noses - first a flesh one, which looked the most natural/normal, then a silver one, and then finally a GOLD one). Since Goldsnozzle didn't interest me much, I wasn't that into his storyline with the Sykes sisters (I would've been happy if they'd offed him by the end of the season). I did find Bet to be the more interesting of the two, as she was pretty wacky and got into a physical fight with her sister over simply listening to music on the radio. The most interesting I found her was when she was 'teaming up' with Alfred. I wish there could've been more of that. I also wondered WTF was up with the sisters living with that old couple who they insisted on being almost naked most of the time. Could've done without that visual. I thought Alfred's buddies, 'Bazza' and 'Dave Boy', were going to play somewhat bigger roles. I figured they'd constantly be accompanying him on missions, but several times it felt like they didn't have much to do. I couldn't really get a 'feel' for their characters other than Bazza making me not like him much when he said he was all for Alfred shooting Martha (I couldn't have cared less about Thomas) when a mission called for it, and Dave Boy being a royal screw up. I actually would've applauded the show having the balls to suddenly off Dave Boy in the season final...but, no, it was just a flesh wound (sadly). Can't say I was overly fond of either character. I much preferred Alfred interacting with Martha and Bet and even Thomas. I didn't mind Alfred's mother (again, watching her - along with Alfred's dad - kicking the crap out of the guy near the end of the first episode was unexpected, but quite amusing/entertaining), but I didn't much like Alfred's dad. At least not in the beginning when he was being pretty horrible to both Alfred and Esme. It was weird, as partway through the season he suddenly seemed to shift in the way he acted towards them. He wasn't so aggressive and was downright nice towards Esme. I wondered what the heck was going on with this personality transplant. It made me think maybe he'd been involved with Esme's murder...but that wasn't the case at all. I guess the show needed us to at least somewhat like him since the final scene of the season involved Alfred having to shoot/kill his father. It was really quite noticeable the sudden change in the way he acted and I'll forever wonder what exactly that was all about/whether it was just inconsistent writing. I liked Sandra, the daughter of the bar owner, who Alfred saved from a guy who looked like the evil version of Alfred (Jason Ripper, who also could've been a brother of Jerome/Jeremiah from Gotham). She was nice and even got to do some important message-carrying towards the end of the season when Alfred was briefly in prison (I thought it was quite funny how immediately after winding up in prison, Alfred sought out the guy in charge and by next episode Alfred was the guy in charge and had clearly made everyone his bitch offscreen). I thought it felt a bit too 'soon' for Alfred and Sandra to do the deed, but whatever. Clearly, Alfred's a 'player'. As if we needed any further evidence of this, by the end of the season he was even doing the Queen (yes, for real). I was amused at this show's version of the Queen. Claire Foy from The Crown she AIN'T, but she fits in with this show's 'heightened'/'alternate' reality, playing a comic book version of the Queen. She was quite fetching, and showed the Sykes sisters who was boss when it came to card games. It was good to see Alfred save her not once, but TWICE (the second time after shooting his father to prevent the bomb he'd set from going off...but it still went off anyway, which led to Alfred's ending 'hero shot' with him emerging from the burning palace whilst carrying the Queen in his arms). Given everything else going on in this show, the absurdity of Alfred shagging the Queen didn't actually seem that absurd in the end. I just rolled with it. I wonder if any of the actual royals ever got wind of this show by any chance? Most likely not. Probably just as well too. Also in the season final...Martha and Thomas seemed to be making future Batman, but then Thomas got shot and I wondered for a minute if this show was going to go in a totally unexpected direction and have Martha be a single mum to Bruce in the future. That's probably NOT what's going to happen and Thomas will be fine, but it was still a shocking moment when he got shot, as I totally wasn't expecting it/it came out of nowhere. There were some 'minuses' to the show. All the stuff between the two groups - the Raven Society and No Name League just confused me more than anything and I didn't really know who was what/understand much of it. Sometimes the dialogue sounded a bit too 'modern' for the time period it was supposed to be set in (they'd use a word or phrase that would give me pause and make me think, "Um...did they even have that word/phrase back then?"). Then again, this wasn't exactly the most 'historically accurate' version of history ever, so it didn't really matter that much. It was just something I noticed on occasion. I knew from the classification that this show was going to contain violence and cursing, but wasn't quite prepared for just how much. I mean, the first half of the season felt like it packed in a LOT of blood and gore - with heads blown off, noses and toes removed, disemboweling, and probably other stuff I'm forgetting. As for the cursing...it wasn't just f-bombs, but plenty of c-bombs as well. It's not like I haven't heard both plenty of times previously, but I was especially surprised by how many c-bombs they were dropping in quick succession. I do think the violence and cursing slightly lessened towards the end of the season (I saw two people get shot in the head and there was barely any blood! Which seemed strange for this show which had appeared to revel in the violence earlier on). It's not like this stuff put me off the show, but it did make it a show I probably won't share with certain people because it might just be a fit too much for them. Other than those^ few things, though, I didn't really have a problem with it. The show certainly looked like it cost a pretty penny to make, plus it had a really good opening credits sequence with a memorable theme tune (which I always appreciate). Most of all, it proved to the doubters that, yes, an interesting show could be made about the early days of Batman's butler.
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Post by taylorfirst1 on Jul 3, 2020 2:39:22 GMT
Finished rewatching The Munsters.
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Post by Feologild Oakes on Jul 6, 2020 7:52:56 GMT
Arrow- season 3
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Post by Feologild Oakes on Jul 7, 2020 23:18:50 GMT
NCIS season 16
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Post by Chalice_Of_Evil on Jul 9, 2020 11:44:11 GMT
I most recently finished Season 1 of Anne with an E on DVD. I've never read the book Anne of Green Gables, nor have I seen any other filmed version (that I can remember, anyway), so I went into this series not really knowing what to expect. Prior to getting the first season on DVD, I had watched the trailer...though it didn't exactly 'wow' me. I'd had my reservations after watching it, as Anne came off as rather melodramatic and her dialogue sounded a bit 'forced'. However, since I'd seen some glowing reviews for the show and I was still interested in checking it out, I decided to get it anyway, as I thought maybe the trailers just weren't a good indication of the series as a whole. This more or less turned out to be the case. I did find at the start of the first episode that the actress playing Anne did sound like her delivery of dialogue was forced (which was how I felt when watching the trailer), but then it seemed like she quickly became comfortable with it...which was just as well, as she had a LOT of it. That's not an exaggeration. Anne talks SO MUCH, it felt like the whole beginning of the episode was just Anne talking nonstop. The actor who played Matthew, who'd come to fetch the boy he was expecting to pick up (but found Anne instead), was amusing with his silent reactions to Anne's seemingly never-ending talking. She certainly used a lot of words (and BIG ones at that). It seemed like she'd use ten words in place of one and it took a while for me to get used to it. I hadn't known that her character was going to be such a chatterbox, but the young actress (Amybeth McNulty, who is an exceptional find) managed to keep Anne more on the side of 'endearing'/'charming' than 'annoying'. Still, I wondered if she would ever stop to take a breath. I imagined that was pages and pages of dialogue she had to learn. It was pretty impressive how she managed to make it sound 'natural' (especially given my first impressions of her dialogue from the trailers). I can't remember the last time I heard one character have so much dialogue in a row. If this is how she talks in the book, I imagine it must be as thick as the Bible. On top of Matthew’s expressions on the ride home, I was also amused by Anne's obsession with puff sleeves on dresses, how she seemed to 'love' everything, said goodbye to trees and named horses/trees/lakes with names she thought suited them. Literally pinching herself (causing bruises) was a bit weird, though. Like with her outpouring of dialogue, the fact that she was so emotional about everything took me a little while to get used to. When watching the trailer, I'd found Anne collapsing to the ground (in response to hearing Marilla say she'd have to go back) rather 'melodramatic', but that just shows the difference seeing things in context can make. After learning that Anne was quite dramatic about everything, it made perfect sense for her to act that way (especially considering the hell she'd been through previously that we were treated to brief glimpses of via flashbacks). Consequently, this action of her falling to the ground now seemed perfectly 'normal' for her character and no more dramatic than anything else she did or said. On the one hand, I could understand Marilla being a bit frustrated with Anne at times, but I loved the fact that Anne had such an imagination and it was upsetting when anyone would shoot down her lofty dreams (such as Marilla burning the flowers she'd picked from the tree outside her bedroom window). By the time that woman, Rachel Lynde, was insulting Anne's appearance/hair, I'd already decided I would immediately dislike anyone who attacked Anne, be it verbally or physically (or both). I was actually cheering Anne on in my mind when she was giving Rachel a taste of her own medicine/dropping some truth bombs on her in retaliation for being insulted. I could totally understand her refusing to apologise later, but the show managed to make it into a somewhat amusing moment with how over-dramatic Anne's apology was (plus, she did say that what she'd told Rachel was actually true, but that probably got lost in amongst the rest of what Anne said). I knew as soon as Anne started playing with Marilla's precious brooch that something was going to happen to it, but that didn't make the scene where she accused Anne of stealing it any easier to watch. After they'd finally sort of come to an 'understanding', it was sad to see it all go to hell in no time. What made the scene more 'complex' than just simply being someone accusing an innocent person of a crime was the fact that at first Anne insisted she didn't take it, but then when Marilla made the threat of sending her away if she didn't admit to taking it, Anne changed her tune and concocted some story for how she did take it (which was actually the lie), and after 'admitting' to it, Marilla told her to pack her things anyway. Anne was so desperate to stay, she was willing to admit to a crime she didn't commit in the hope of staying, but still 'lost', and thus I felt worse for her than I already did. It was rather a depressing end to the first episode, but it showed this series wasn't just 'one' thing. It certainly wasn't 'all happy', nor was it 'all sad' (though Anne did do a lot of crying, but it was understandable). Thankfully, there was some 'relief' in between all the sad/depressing parts. I was glad Anne found a friend in Diana Barry (though to me it kept sounding like they were pronouncing her last name as 'Berry'). And Matthew seemed pretty decent also. The rest? Not so much. Considering I'd had some reservations about the series after watching the trailer, I was somewhat surprised to find that I was pretty much 'hooked' after the first episode. Just goes to show you can't judge a series by its trailer. One thing that particularly stood out to me was the show's opening credits sequence. I don't even mind that the song is 'modern-sounding'. The lyrics fit perfectly ('ahead by a century'? Anne is indeed that). The opening credits themselves are like a work of art. Every shot is gorgeous. I always appreciate opening credits sequences that look like they've had some actual thought/effort put into them. The second episode began with a lot of Matthew searching for Anne. I read some comments saying they found all of that 'boring', but I actually appreciated the fact that it showed tracking her down wasn't just a simple/easy task. It also illustrated how far they have to travel to get from 'Point A' to 'Point B' in this show. So many series tend to have characters travel long distances in no time and have people wondering if the characters possess some sort of ability to teleport. So although it may have felt a bit 'tedious' to see him going from place to place in search of her, it felt more 'realistic' than if he'd just managed to track her down in no time. His reaction to hearing she was quiet/didn’t say a word really spoke volumes (since he was already well aware that she loved to talk). The actor who played Matthew sold that moment very well and made me buy that he'd go to so much effort to find her. Having said that, for a guy his age...he managed surprisingly well with all the horse riding and travel. I thought for sure he’d have a heart attack just as he found her or something overly dramatic. Thankfully, that didn't happen. He did get injured, though, by a passing horse and wagon...but seemed to operate okay with a head injury. He's pretty spry for an old guy. It was nice to see another character in the show who was a decent person to Anne in the form of the milkman who gave her a ride in return for her helping him deliver milk bottles. He even shared food with her and didn't mind her chattiness. I was glad to see him actually engage her in conversation, whereas Matthew hardly said two words to her in response to everything she had to say to him on the ride home to Green Gables in the first episode. Once again I felt sorry for Anne when she was having to trade poems for money at the train station (the show wasn't afraid to go 'there' with the creepy guy who tried to entice her with sweets and when she got away from him he went after two other kids). It was sad seeing her enthusiasm to recite poems for people dismissed by most of them. Though there was at least a couple of ladies who thought it sounded delightful. I wish we could've seen her finish her poem and how much they would've praised her had they not been interrupted, but thankfully it was Matthew who caused the interruption and not some other dodgy type. The fact that Anne was even willing to give the ladies their money back after Matthew's interruption said a lot about Anne as a person. I felt a bit bad for Matthew and thought Anne should've reserved her anger for Marilla (since she was the one who'd falsely accused her of stealing and then basically forced her to admit to something she'd hadn't done), but then we never did hear what Matthew had to say in relation to the whole 'stealing' incident. I'd have thought he would've spoken up for Anne and defended her against Marilla's accusations, but the show seemed to avoid showing any of that in the previous episode. Anyway, I thought Anne was kind of mean to him. It was interesting to see some guy step in to help out Anne when he thought Matthew was causing her trouble. Maybe he was yet another decent person (or maybe he was secretly a creep like that earlier person. Who knows? Can't fully trust anybody in this show, it seems). What turned things around was Matthew saying “She’s my daughter”. Anne's reaction to that was a really great moment. Super emotional. Kudos to Amybeth McNulty for making it completely believable that Anne's animosity/resentment towards Matthew would completely melt away after hearing that statement from him. It was nice to see Anne happy again and being her usually chatty self on the way home...that was until Marilla neglected to apologise or act like she did when she thought she’d lost Anne and Matthew. It took forever for Anne to get an apology from her, and it only occurred after poor Anne was subjected to people making rude comments about her (loudly) at a picnic - the worst being the jerk who referred to her as a 'dog' and made barking sounds. Even Diana’s family members were cruel towards Anne. Naturally, kids are generally jerks to others, but hearing the adults be just as bad as them caught me a bit off guard (though I guess it probably shouldn't have. Snooty parents breed snooty kids). Eventually, Marilla tracked Anne down and apologised, which was good (and what Anne was sorely in need of after having been insulted so terribly by the young and old alike). It was also nice that Matthew and Marilla wanted Anne to sign their book, thereby making her being a part of their family 'official'. Anne was, naturally, over the moon (it's hard to hate her enthusiasm for such things after having just witnessed such cruelty towards her from others). She was, of course, talking a lot (as she does) and was also amusing with her wishing to add to her name in the book, constantly making alterations (I can only imagine what a mess it must've looked like with all those add-ons). The episode ended with Marilla saying “Anne...” as she kept adding to her name, which was funny. The third episode involved Anne going to school. Unlike most, she was excited by the prospect - so excited, in fact, that it led to her breaking a cup. I thought for sure this would get her in strife, but Marilla already seemed to be slightly more accustomed to Anne's over-enthusiasm for things and wasn't as harsh with her as she would've been had this happened in the first episode. I liked seeing Anne talking to the horse that she'd named Belle in the first episode. Anne's dynamic with the farm boy, Jerry, was an interesting one, as she wasn't overly fond of him because she thought he would be doing things on the farm that she herself could do and that might have led to the Cuthberts not 'needing' her. They snarked at each other, but it was generally fun/lighthearted digs. He also learned the word 'eavesdrop' (which he misheard as 'e-drop'). Naturally, the kids who were a-holes to Anne at the picnic in the last episode were just as bad here. The girls were bitchy towards her, while the guys were complete jerks. Diana seemed to be the only decent one. I found it slightly amusing how she informed Anne of all the 'rules' regarding lunch etiquette and such (I think I would've thought it daunting at that age to have to remember all that stuff, but for Anne it was no problem, I'm sure. She's got a wealth of knowledge due to all the things she'd read and seems to have an almost photographic memory). The teacher was obviously not only a jerk to Anne, but also a perve/creeper as well. As if his mustache wasn't a clear enough indicator of that, his hooking up with a student made it abundantly clear. At first I was amused by Anne's ‘pet mouse’ talk and it being the thing she called what was down the front of a male's trousers, but then it got to the point where the other girls who'd been mean to her wanted to hear all about it and Anne being Anne couldn't help herself from going on and on about what she had come to know about the 'making of babies'. It was one of those situations where you wished you could've told Anne to take it down a notch, as she seemed to get carried away. Since it was the first time the other girls had given her the time of day, you could at least understand Anne wanting to keep them engaged with what she was talking about. I figured that once she'd found that topic that had the others interested, she wanted to stick with it for fear of losing their attention if she'd changed the subject. Unfortunately for Anne, it eventually reached the point where she got so enthusiastic about sharing this stuff that the mean girls suddenly thought it had gone 'too far' and became repelled by what Anne was saying. It was a weird/abrupt 'turn', and they quickly became nasty towards her once more. Although I wished she'd shown some restraint, I still felt sorry for her. She was so eager to make friends and it sadly cost her big time. They now regarded her as 'trashy' and wanted nothing to do with her. I would've been interested in seeing how Diana went about her attempts to 'smooth things over' with the other girls, as she had to do that a few times. I was glad Diana didn't end up being one of those types of people who'd just dump Anne because others didn't like her. Still, they didn't have Diana go too far the other way (with her attacking her other so-called 'friends' and defending Anne to the point of giving them up). It kept her from being too 'perfect'. I was angry on Anne's behalf that everyone (except for Diana) was so horrible to her, including the teacher, when she should've been the star pupil in class with how much she knew. As if everyone hating Anne now wasn't bad enough, that head jerk (Billy Andrews) with his 'dog' insults/barking at Anne accosted her in the woods. I would've LOVED to have seen her sock him in the jaw or kick him in the nads or something, but instead this served as our introduction to the character of Gilbert Blythe (kudos to the casting people for not only managing to find a brilliant young actress to play Anne, but a young actor who could match her in seeming far more mature than his age). It didn't take long for Gilbert to make it clear he was a decent sort, since he got rid of the jerk. It was odd seeing Anne not be very nice to him, given all the meanness that had been directed towards her by others. Thankfully, she apologised for how she was. Unfortunately, one of the mean girls liked Gilbert and his escorting Anne to class was taken the wrong way (Anne could've really used Gilbert's explaining to the girl who liked him that it wasn't Anne's idea that he escort her...though I doubt the girl, Ruby Gillis, would've listened. She clearly thought the boy she liked coming to class with the girl she and her friends now hated was the 'worst. thing. ever!'). It was interesting seeing all the guys reacting to Gilbert's arrival like he was a local hero. Clearly he was very popular with not just the girls, but his friends as well (including that jerk, Billy Andrews). He'd already scored some points for helping Anne out with Billy, but then scored some more when he enjoyed hearing her reading. While everyone else was not great at reading (Diana had some trouble), Anne was almost too good at it. As she does with everything, she read with such enthusiasm that it caused others to laugh, but she was putting so much passion into it that Gilbert had an appreciation for her. Sadly, no one else did and the teacher and his stupid mustache told Anne to sit down, instead getting the head mean girl (Josie Pye) to take over. Of course, she was like most kids when reading aloud in class and was painfully dull/boring/monotone with her reading. I was amused later on when Gilbert approached Anne while she was outside (by herself, sadly) and the other girls were watching through the window of the classroom, as Anne was telling him to leave her alone...but while keeping her lips closed. Obviously the girls inside the room couldn't hear what she was saying to him, they just saw him talking to her (even though she was trying to do 'right' by Ruby and not engage him in conversation). Once they were back in class, he kept trying to get her attention, throwing things at her, but still she refused to acknowledge him until finally he went over to her and pulled her by hair/braid. I got a laugh out of her whacking him with her slate. On the one hand, that seemed a bit harsh, but on the other...she'd told him repeatedly (through clenched teeth) she wasn't talking to him/to leave her alone and he refused to listen, so a good whack may have gotten the message through to him that 'no' means 'no'. This got her in trouble and she was forced to stand in front of the blackboard for the rest of the afternoon by the teacher (who had scrawled on it that Anne had a 'very bad temper'). While all this^ was going on, Marilla was asked to join the PMSC (all I could think when hearing that was just as well they added that 'C' on the end). I liked hearing her telling off the mother for the way she talked about Anne because it wasn’t Anne’s fault what she was subjected to (though, admittedly, she really shouldn't have shared with others what she'd seen/heard...but she didn't know that). Matthew was the first one to feel sorry for Anne, as prior to that Marilla was as horrified as the girl’s mother after hearing what Anne had said about her and the teacher. Still, any decent parent would've totally gone investigating that teacher instead of attacking the girl who outed him. I could totally understand Anne eventually having had enough of all the crap everyone was giving her at school and walking out of class, running off crying (she does that a lot in this show) and into Marilla's arms at home, saying she’d never go back school. Marilla understood being judged. It's at this point I should mention I was getting pretty tired of everyone insulting Anne's hair, her freckles, her hat with flowers she'd added to it in the hope of making it stand out (again, she succeeded *too* well with that) and just generally calling her 'ugly'/putting her down. Firstly...this show probably wouldn't do wonders for your self-esteem if you are a redhead, as it's not just others who regarded red hair as something to be ashamed of, but Anne herself did as well. Secondly, Anne was far from 'ugly'. There were other kids in that class who should've really learned the phrase 'people in glass houses shouldn't throw stones', as some of them were far worse off in the looks department than Anne. And thirdly, it was sad hearing Anne putting herself down in regards to her looks. While it's believable behaviour (especially for young people, but older people are just as susceptible to self-critique), it was a bit shocking to hear how harsh the things she said about herself (and others said about her) were. I just wanted to speak to her though the screen and say "You have nothing to be ashamed of, Anne! Embrace your looks! There are others far worse-looking than you!"...or something to that effect. She had so much to be proud of, and it was frustrating seeing her be negative about herself. The fourth episode began with Anne, of course, not going to school (can't say I blame her after the way she was treated). Unfortunately, this led to Anne being idle, acting a bit 'loony' and letting pies burn as she was easily distracted by her imagination. I also wondered if she'd developed multiple personality disorder when she was talking to someone who clearly wasn't there called Katie as she looked at her own reflection in the glass of a grandfather clock. Apparently it was just an imaginary friend she'd created after being in isolation. Although it was 'wrong' of her to do so, I could understand her telling Marilla she was going to school (after Marilla had a talk with Rachel Lynde about how Anne had been acting) when in fact she was doing her own thing and reading/learning by herself (in between her imagining princesses and whatnot). Given how dodgy that teacher at the school was, Anne probably was better off teaching herself, I thought. Of course, she was 'outed' when Diana and Ruby came over to check on Anne and bring her books to her (though Ruby clearly wasn't the caring friend Diana was and had to be forced into it), as they'd wondered where she'd been. Once Marilla realised what had been going on, she got a narrow-minded minister out to talk to Anne about lying and how she should focus on becoming a wife. Obviously Anne was not satisfied with that (neither was Marilla, judging by her reaction to the things the minister was saying). However, a fire then broke out at Ruby's house and although everyone was out of the house, Anne ran into it to cut off the oxygen to the fire so it wouldn't spread (which shows just how much smarter Anne is than me, as I couldn't figure out what she was up to at first). It was great seeing Anne be a hero and people treating her as such...except for Ruby, who still wasn't nice to her and it was especially horrible the way she reacted to hearing she'd be staying with Anne as her house was being fixed. She outright said she didn't want to live with Anne and was moaning about her reputation being 'ruined' or whatever - all of this after she just saved your house from being completely destroyed, you ungrateful little --! There was some stuff with Anne and Jerry in this episode...though I can't remember what exactly. What I *do* remember was Ruby slowly starting to 'like' Anne after her tale of princesses (complete with puff-sleeved dresses - can never forget those). It showed what a good person Anne was - the fact that she didn't let what Ruby had said affect the way she treated her. She was still friendly to her, and was even happy to loan Ruby a dress because she had TWO (Anne was so proud of having TWO dresses, it was quite endearing). The two of them, plus Diana, had a clubhouse (I must've forgotten how Anne acquired that place) for writing stories. It was good to see them all getting along, though Ruby didn't know what to make of the things Anne said half the time (I could sympathise with her there) and Diana remarked that she had a way with words (does she ever). It was nice/considerate of Anne to help Ruby get started with her story, since she was having trouble, by suggesting a romance. It would've been very easy for her to get carried away and practically tell/write the whole story herself, but she was just giving Ruby an idea. When they were making 'cookies for the boys', I was immediately reminded of the talking Malibu Stacy doll from The Simpsons. Which was unfortunate, as Anne was so much better than that. Once they took them to the guys who were helping to fix up Ruby's house, Billy was yet again his supremely jerky self towards Anne. Ruby fell down, Gilbert helped her up, some dialogue that I can't remember was exchanged, and as they walked away Ruby commented to Anne about how Gilbert was so chivalrous. Anne responding with a very dry, "Well, he's something alright." felt slightly 'modern' (as did the dialogue here and there throughout the season), but was still amusing. After Anne eventually returned to school, I was fully expecting Ruby to change her tune after having said on their last night together that she’d miss Anne when going back to her own house. I thought for sure she'd return to being her mean girl self, but it was a nice surprise to see her openly welcoming Anne back and seemingly not caring what anyone else thought. In fact, it appeared as if others were glad to see Anne return as well, which was a happy moment to end on (unlike last episode's ending). The fifth episode was the one where Anne ‘became a woman’ (there's really no need to get further into it than that). Once again, it was easy to feel sorry for Anne given how little she knew about what was happening to her. It also reminded me of Carrie's reaction in the 1976 film Carrie. However, this one had a slight 'humourous' touch to it as 'womanly flowering time' was explained to Anne by Marilla. Even funnier was Matthew's reaction to seeing the bloody sheets and his "Don't know and don't want to know" reaction as he hightailed it out of there. Marilla was good about it all and even looked slightly amused. Of course, Anne had her usual over-the-top reaction (but in this instance, it was kind of understandable). Anne was also quite rude to Marilla, but she just took it. It was good to see Anne kicking butt at spelling in class as creepo teacher continued his student prowling. She then discussed what was going on with her with the other girls. Of course, Josie Pye couldn't help but brag, though Ruby hadn't had it happen to her yet. I found the way Anne said she'd gladly give Ruby hers if she could to be morbidly amusing. It was nice of Matthew to go get a dress made for Anne, though I felt a bit bad for the store girl who greeted him, asked if she could help him, but he could barely form a coherent sentence and left to go buy other stuff. Eventually, he returned and we learned that he had a history with the woman in charge of the store. Anne wanted to invite Diana over for tea, had a nice table setting, they were both attempting to act 'maturely'...but then Anne picked up the wrong bottle, getting wine instead of the cordial she'd intended to get. Consequently, they both wound up drunk. It was funny, but it sadly led to Diana's mum doing what Milhouse's mum did in The Simpsons when she thought Bart was being a bad influence on her son. This time Anne was the one accused of being a 'bad influence' and Diana's mum forbade them from associating at all. This was another instance where I felt Anne's reaction was justified with how emotional she got. Anne had made a true friend and to lose that was, understandably, one of the worst things ever as far as she was concerned. Growing up sucks! When Anne was forced to take Gilbert's books to him by creepo teacher, she instead met Gilbert's sick father and it was so nice to finally hear someone actually complimenting her red hair. He seemed friendly...but given how sick he was, I knew he wasn't long for this world. Creepo teacher made a show of separating Anne and Diana in class, obviously at the behest of Diana's mum. Everyone gasping really illustrated how 'major' a thing this was. Anne was missing Diana, Diana was missing Anne (judging by the looking back at her in sadness) and Ruby just looked uncomfortable to be made to sit next to Diana in Anne's place. Of course, Josie Pye was her usual bitchy self by moving away from Anne who was now forced to sit next to her. Later, Anne and Diana met in secret and I was somewhat amused by the 'thou’s and 'thee’s in their promises they made to remember each other. Once again Amybeth McNulty killed it when she conveyed Anne's reaction to learning that Diana loved her (as a friend, of course). The melodramatic goodbye/swearing to be BFFs was a nice scene. Meanwhile, Matthew was clutching his heart after ordering Anne's dress (he was so awkward with describing it/the puff sleeves, complete with saying how they had 'air') and I thought for sure he'd cark it just as he got the dress or possibly before that and it'd arrive after his death. Luckily, that's not what happened. I'm ashamed to admit I hadn't realised Marilla and Matthew were siblings, rather than husband and wife, for an embarrassingly long time and we learned there was a mysterious third sibling. He got Jerry to go get the dress once it was ready and he returned a button to the store owner woman that had been a 'thing' between her and Matthew when they were younger. I really liked the scene of Anne receiving her present and how, once she opened it and saw what it was, she didn't take the dress out of the box first or try it on, but instead immediately went over and hugged Matthew - that was such as heartwarming moment. This show would really lose something special if it didn't have the Anne/Matthew dynamic/relationship, I think. They're just so good together. Both actors did a splendid job of conveying so much with just looks. I was amused when she was pulling out the sleeves to make them be their puffiest after making her grand entrance down the stairs, and then when she asked Marilla if they could arrive late to church so everyone could see her walking in. FINALLY Anne got her dress with the puff sleeves that she just hadn't shut up about since the beginning of the show! Hallelujah! It was evident from the beginning of the sixth episode that winter had arrived (snow always adds so much to shows. You've got the the visuals, the atmosphere and everything). At first I didn't realise it was Diana running through the snow, but it became clear once she ran inside the house to go wake up Anne because her little sister was coughing. Only Matthew was home with Anne and only Diana's great aunt Josephine was at Diana's house. She started off acting like Diana's mother towards Anne, who knew what to do in this situation and was asking her (politely as possible) to keep out of the way as she rushed to save Diana's sister. It was good that Josephine slowly came to respect Anne after witnessing her quick thinking firsthand as she helped Diana’s sister. I figured that Anne saving the girl would get Diana’s mother on board with the two being friends again. When she came to the house, and asked Marilla "May I please see your wonderful, remarkable Anne?", I was disappointed Anne wasn't awake to hear the praise and get her much-owed apology from Diana's mum. I liked the funny moment where Marilla was ensuring Anne ate first before she told her that Diana's mum was happy for her daughter and Anne to be friends again. Marilla knew that once she told Anne, things like eating would be long forgotten (and she was proven right - not just about eating, but cleaning dishes too). Anne and Diana reuniting was a very nice moment. I really appreciate the friendship between these two characters. Meanwhile, Gilbert’s dad died. Apparently Marilla had a thing for him (the actor and actress playing the young versions didn’t look anything like the older actors, but young Marilla at least got the voice right). He'd given her the blue ribbon Anne now wore in her hair. Anne stuck her foot in her mouth when she tried to comfort Gilbert by saying he was 'luckier' than her. Anne, Diana and Ruby made a pie for Gilbert while Diana’s little sister, who Anne had saved, made remarks. Anne also learned about 'spoilers' and not spoiling a book for Josephine, as she hadn’t read all of it. It was weird seeing her later visit Anne at her clubhouse. I guess Anne saving her great niece had won her over. It was good of her to tell Anne that she didn't have to get married. I liked seeing them have a nice chat. She seemed one of the few who was close to being on Anne's 'level' and being someone Anne could have a good proper conversation with and not get confused by her 'big words', etc. Gilbert’s ‘friend’ who constantly bullied Anne, Billy, was acting like an old-timey version of a 'dude-bro' and his dialogue felt a bit too 'modern'. He really was dumber than a box of rocks, not taking Gilbert's hints to leave him alone and pushing him to the point where he FINALLY punched the a-hole and started beating him up (he should've kept going). Anne realised, after talking to Josephine, not to miss an opportunity and went to Gilbert’s house to (presumably) tell him that she liked him...but everything had sheets over it as she peered in through a window and he appeared to have left. Other things that happened in this episode - Matthew discovering that he and his family would be having financial trouble after a boat went down (I forgot to mention towards the beginning of the episode when Marilla first came home she looked over and saw Matthew seemingly asleep in a chair, called out to him and he didn't respond. For a second I was having flashbacks to Buffy finding her mum...but, thankfully, Matthew was yet again spared. I'm not sure how many more of these almost-dying moments are going to occur, though). The seventh episode/season final (which came far too soon! WHY such a short amount of episodes?! It's criminal!) began with Anne talking to a boy at school who I don't know the name of, but he seemed friendly enough to Anne. Too bad that bitch Josie Pye had to ruin things by loudly declaring Anne's family poor and just generally being her usual horrible self. Her and Gilbert's friend, Billy, would be perfect for each other. They're both heinous people. I noticed one of the four girls who'd hung out with Anne (not including Diana) was missing now. When Anne ran home after hearing this^ news and then overheard Marilla and Matthew talking about their financial problems, I thought for sure what was going to happen was Anne would just hear the parts that made it sound like they were no longer going to 'keep' her (Anne had always had this concern, and Josie Pye just added fuel to the fire by wondering aloud whether they would 'keep' Anne). I was fully expecting Anne would misinterpret things as them giving her back, but instead Matthew raised his voice to Marilla (something that was quite a shock/surprise, as he'd always remained so softly spoken), then she yelled back at him and he suffered a heart attack (it was only a matter of time). After Anne and Marilla tried to go sort out their financial problems and discovered they were in deep financial doo-doo, I thought there’d be a bigger deal made out of Anne thinking they were giving her up and Marilla reassuring her that wouldn't be happening and she was their family now. Too bad Marilla was too proud to accept charity from others, as they were in desperate need of it. Especially sad was seeing Anne having to give away her dress Matthew had only just bought her. Marilla had already let Jerry go, informing him they could no longer keep him on at the farm, then she was sending him off with Anne to sell their stuff. Clearly Anne didn't much fancy being accompanied by him. Diana showed she was a good friend, bringing stuff for Anne to sell (but being smart enough to not let on to Marilla what she was really doing there). I thought to myself that Anne now knew how Matthew felt that first day he brought her to Green Gables, as she was being subjected to Jerry's singing in French as they journeyed. It was then sad seeing Anne say goodbye to the horse that Jerry was sent off to sell (not Belle, but a black horse whose name I didn't quite catch). I liked that she talked to the horse like he was a person and reassured him. I hate seeing sad goodbyes between people and animals. Also sad was her giving her dress back, though at least she reassured the woman who had it made that she loved it and treasured it more than anything else she owned. It was funny hearing Anne spinning stories to the pawn shop owner about all the stuff she was trying to sell so she could convince him to pay more for the items. After Jerry sold the horse, he (unwisely) walked down an alley with two shady-looking characters who beat the crap out of him, kicked him when he was down and stole the money he'd just gotten in exchange for the horse. It was a bit of a shock to see Jerry beaten up so severely, but I appreciated the show not shying away from it. I was sorry about Jerry, but also about the fact the horse was sold for what ended up being nothing (since the money got stolen). This episode was like a roller coaster of emotions. One minute it could have some humour, the next it would get quite 'dark' and depressing. Another somewhat amusing part was Anne's reaction to seeing Gilbert again and needing to sit down. It was a bit of a coincidence that the two scumbags who'd mugged Jerry just happened to walk into the same place that Anne and Gilbert were in at the same time they were there. Even more of a coincidence that Jerry arrived and one of the thieves caught sight of him through the window, telling his partner not to turn around. And then, to top things off, they just happened to read the ad in the newspaper Marilla had put out for people to stay at Green Gables so she could earn money from tenants. A bit too 'convenient'. Jerry was showing how much he'd come to care about Anne (despite how she treated him) when he saw Gilbert as a threat at first and stepped in to defend her, but that was quickly forgotten and he greeted Gilbert politely enough. It got quite 'dark' when Matthew became convinced that Anne and Marilla would be better off with him dead because at least then they'd get the life-insurance. When he went so far as to grab a gun and attempted to load it with bullets, I thought for sure we were going to hear the shot go off just as Anne arrived back home. Thankfully, that didn't occur (but just how many times is he going to come so close to dying before it actually happens?). Instead, the dress store woman found him and helped Marilla take him back to bed (though not before she caught sight of the gun and bullets. I was glad she gave Matthew a talking to about that). Anne had gone to Josephine, who gave Jerry money/a job (after Anne insisted that, since Cuthberts didn't accept charity, she couldn't either as she was now one of them). Jerry finally got to sleep in a bed, though got frightened and slept in bed with Anne. Once they returned home, Anne convinced Marilla to take Josephine's charity. Also, helping out was Rachel Lynde who convinced others to donate (despite them claiming to not really 'know' the Cuthberts well). She started off as not a very nice woman, but showed over the course of the season she wasn't without a heart after all. Anne helped some more by offering her cleaning services to raise money. I hadn't expected the season to end with the Cuthberts' new tenants arriving and being the thieves who'd beaten up Jerry. Disturbingly, it appeared as if Anne may have had the hots for one of them (eep! ). That was certainly a cliffhanger, as I'm now wondering how long it'll be before Jerry spots them and works out they're the ones who kicked his arse (since they were all dolled up now/looking much fancier than they were before, obviously having used that money they'd stolen). How I wish Anne would kick THEIR arses. I noticed this episode was directed by Amanda Tapping from Stargate SG-1 (I've spotted her name as director in a few shows I've watched lately). Well, it's safe to say this show was certainly a 'winner' in my book. It was very charming, had a lot to love about it (only a few hissable characters), and what a find Amybeth McNulty is as Anne. The casting people should be patting themselves on the back for finding the perfect young actress to take on this role. A lot of kid actors/actresses would've probably been annoying in the part of Anne, but she avoided that. For me, this is right up there alongside My Brilliant Friend as being one of the best shows I've watched in the last year or so. That show was very different (and quite a bit 'darker'), but this show wasn't all 'sunshine' either. It had its pretty 'dark' moments as well and I appreciate shows that seem at first like they might be intended for younger viewers, but are in fact for all ages. They explore some fairly 'mature' themes and I'm sure a lot of younger viewers appreciate not being talked down to/condescended to (though I imagine some will need translations for half the stuff Anne comes out with). This is a gem of a series and I'm flabbergasted to have read that it was cancelled (OF COURSE quality programs such as this get cancelled while the same old dreck continues to go for years and years. It's always the best stuff that goes underappreciated). I'm glad that I'll at least have two more seasons of it to watch (though I imagine it'll be quite some time before Season 2 is released on DVD here). If you have the chance, I'd highly recommend checking it out. They just don't make many shows like this nowadays. I really can't praise this series enough. It's a treasure. If nothing else, at least watch the opening credits. They're simply stunning.
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Post by Chalice_Of_Evil on Jul 15, 2020 12:05:36 GMT
Just finished Season 1 of The Boys on Blu-ray. In the first episode, I immediately saw the parallels between these characters and other famous comic book characters. Homelander = a cross between Captain America and Superman (but...you know... evil) Queen Maeve = Wonder Woman (with a bit of Xena mixed in) A-Train = The Flash The Deep = Aquaman I just wasn't sure who Starlight's, Black Noir's and Translucent's other comic book character counterparts were. I knew going into this that the 'superheroes' were not going to be what one typically expected superheroes to be like, and boy...they certainly weren't. It wasn't long before Hughie's girlfriend, Robin, was exploded by A-Train super-speeding right through her. I'd heard about this, so it didn't have quite as much impact as it probably would've had I not been spoiled for it (especially the slow-motion part of it after it appeared she'd blinked out of existence). So, straight away A-Train established himself as more an A- hole than anything, as he barely seemed to care about this innocent woman's life he'd snuffed out and the impact it had on Hughie. I've seen quite a few characters in shows introduced as jerks/a-holes and it's often hard for me to have my opinion of them changed since they made such a bad first impression...this instance was no exception. Nothing I saw in the rest of the season altered my view of A-Train as a supremely a-holish person. Next on my 'shit list' was The Deep (hi, Chace Crawford from Gossip Girl, I wasn't sure it was you to begin with and had to wait until the end credits to check). He acted nice to Annie/Starlight to begin with, but it wasn't too long before he was dropping his pants and pretty much forcing her to give him a bj or he'd make sure she was no longer in The Seven and would ruin her life/any career prospects. Although they didn't actually show the act (which I was thankful for), it was pretty clear she had to go through with it. This immediately made me feel sorry for her and she seemed like the only decent character in the show. I guess one could argue Hughie started off 'decent' as well, but he was kind of a sad-sack (though, to be fair, he had reason to be after what he'd gone through), but even he managed to go 'dark' as the season went on. I didn't really get to know much about Queen Maeve or Black Noir in the first episode, sadly. All I really noted about Karl Urban's character, Billy Butcher, was that he had to explain what he meant by 'boot', his accent (which sounded like Urban's natural Kiwi accent some of the time, but at other times sounded like he was trying to be Dick Van Dyke as Bert in Mary Poppins) and the fact that he had a bad habit of dropping c-bombs at regular intervals (and I'd thought Pennyworth featured a lot of c-bombs. That was NOTHING compared to this show, as there were at least five per episode, if not more, I'd estimate). I didn't know Simon Pegg was going to be guest-starring in this as Hughie's dad (after looking at pictures of the comic book version of Hughie, I saw how closely he resembled Pegg, but I guess they wanted the character in the show to be younger, so this was their way of giving a nod to the uncanny resemblance while casting a more age-appropriate actor for the part. Having said that, I didn't get that they were father and son to begin with. They looked more like brothers to me. The actor playing Hughie, Dennis Quaid's son, looked too old to be the son of Simon Pegg). I also didn't know beforehand that Elisabeth Shue was in this, so that was a surprise as well. In the second episode, Karl Urban's accent seemed to lean more towards a British cockney accent than his natural New Zealand accent (though at times that still slipped through). It was interesting seeing the 'PR' side of things, with prearranged team-ups, etc. Though I HATED the actress who played the Vought publicist and Starlight's agent, Ashley. I hated her in Jessica Jones (where she played a character named Robyn, which was why I noted the name of Hughie's girlfriend in this show, since she was also named that...though with different spelling. I think I'll forever associate the name with that loathsome character in Jessica Jones and this actress who played her), as she almost ruined that show's first season for me she was so annoying, and she just has one of those very punchable faces, so every time she was onscreen in this show I was irritated and hoped she'd be offed. No such luck, unfortunately. When The Deep was whining to Starlight about how he was only called on when there was 'trouble at a dock. Or a river, or a lake, canal. A jetty.', it immediately reminded me of Knightboat: The Crime Solving Boat from The Simpsons and how there was always an 'inlet or a canal or a fjord' as a means of escape. I was glad to see Starlight stand up to The Deep and threaten to burn his eyes out for what he'd done to her (it became quite clear that although he 'acted big' in the first episode, he was just as much of a walking fish joke as Aquaman's always presented in everything but the Jason Momoa film). Homelander also threatened him. Speaking of, my brain could not compute that this was Antony Starr aka Lucas Hood (or, more accurately, Not!Lucas Hood) from the TV series Banshee. I didn't recognise him in the first episode without his facial hair from that other show, though I did feel there was something familiar about him. It wasn't until I saw the end credits and recognised his name that I realised. He deserves kudos for playing this 'hero' who, on the surface, appears as sincere a 'good guy' as Christopher Reeve's Superman and Chris Evans' Captain America, but underneath that persona he presents to the public, he's actually a sociopath and quite evil. Considering all the powers at his disposal, that combined with his threatening manner equaled one scary dude. I never knew if/when he was going to zap someone with his laser eyes or something else equally horrible. I was annoyed that Maeve still barely had anything to do/say, but was glad to see Translucent meet a sticky end, as he'd annoyed me and I was hoping he was dead after the first episode. It was weird that no one had thought prior to this about how someone with invulnerable skin wouldn't necessarily have invulnerable insides as well. I mean, this is the first thing that occurs to me whenever I see anything with characters who have super-tough skin. I figured they'd just trick him into drinking an explosive or whatever, but they explained why they had to knock him out and insert it rectally (because he might've vomited up anything they fed him). Anyway, I was virtually saying out loud to the screen, "Come on, Hughie, kill him already!" as he wavered a bit, before finally going through with it. I may have cheered. I was also happy to see Starlight beating up those guys to save that woman from being raped. Unlike most of the other heroes, she was actually using her powers for good. Unfortunately, it got her into trouble with her extremely annoying agent. The third episode began with shoveling up Translucent bits. The only time I liked Homelander was him telling Elisabeth Shue's character, Stillwell, to turn off her kid/make it stop (even though she pointed out that it wasn't crying, it was still making annoying noises, so I understood where Homelander was coming from in that instance). The woman who Starlight saved last episode came forward, so she was no longer in trouble for not consulting her extremely annoying agent about the save she made...but she was made to wear a skimpy outfit. Stillwell basically forced her into it, saying she'd be out of The Seven if she didn't (there seems to be a lot of that type of threatening by the characters towards poor Starlight ). A-Train’s girlfriend, Popclaw, appeared to have one of Wolverine's original bone claws in each arm. She also reminded me of Marrow from the X-Men comics. A-Train showed how little he regarded 'mere humans', as he didn't seem to recognise Hughie (who was barely containing his rage when coming face to face with his girlfriend's killer). It was funny seeing the actor who played Rufus in the TV series Timeless (which I just finished rewatching on Blu-ray earlier this year) appear here in what seemed like a 'bit part' (though he was featured more in later episodes). I guess since Timeless was a show from Eric Kripke (the man behind Supernatural) and this one was too, he wasn't above 'reusing' actors. It also took me until this third episode to realise where I'd seen the actress playing Queen Maeve from previously. She was in The Astronaut Wives Club, which I'd watched when it was on TV. She looked quite a bit different here, which is why it took me so long to 'place' her. Once we learned that Maeve had a thing with Homelander, I was immediately worried for her on account of the fact that he was always threatening-sounding (even with her) and him nonchalantly shooting her after killing a guy who'd been shooting at them. He cared more about his glove that got bloody from the sucking chest wound he'd punched in the dude. Clearly she wasn't totally on board with him killing the shooter. It was interesting that we learned Homelander couldn't see through zinc. Here's hoping this proves useful in eventually defeating him at some point. I really couldn't have cared less about A-Train and his racing woes or druggie habits. The only real thing of note was that he was apparently 'high' when he ran through Hughie's girlfriend. That didn't excuse what he did, of course. I hope that wasn't supposed to 'let him off the hook' in any way. It'd be like excusing a drunk driver who killed someone. Meanwhile, his girlfriend crushed a guy's face from sitting on it after having taken the same Compound V stuff he was on (I knew that part was coming, thankfully, so was able to find something else worth looking at when that moment occurred). Again I felt sorry for Starlight when she took a photo with a kid fan who was dressed in a replica of Starlight's old outfit and the girl revealed she was saving up to get an outfit just like Starlight's new one. Some dude yelled out for Starlight to show her boobs and after that kind of 'ruined' the photograph session, she told the girl to save her money. I can't say I was too sad to see how The Deep was treated by Homelander given how he'd treated Starlight, but I was amused when it was mentioned that The Deep's 'friend' (a porpoise) found the Translucent bits. The fourth episode showed just how evil Homelander could be, as he purposely let people on a plane die rather than rescue any of them. Maeve showed she at least had some humanity, as she firstly wanted him to fly people down to safety (which let us know that she couldn't fly herself), but obviously Homelander thought that would take too long/too much effort, then she wanted him to at least save a mother and her young daughter...but he wouldn't even agree to that. In the end he gave her a choice to either crash with them or go with him. This was a particularly 'dark' moment (one might argue even 'darker' than the more gory moments, as this involved people begging to be saved and Homelander dismissing them/threatening them with his laser eyes). I will admit, though, that I found it morbidly amusing when he was reassuring them everything was fine as they were panicking after they’d been so relieved at his saving them (though they did witness him zap one guy dead). They'd applauded Maeve too. It was so close to being a 'happy' moment at the start, but then it all went to hell in no time. Meanwhile, The Deep wasn't exactly having a 'fun' time either, as he wanted to help dolphins at Oceanland after talking to his therapist about being the fish joke guy. It was funny seeing him driving and the dolphin in the back, talking to him/wanting him to touch...something, but then he slammed on the brakes and the poor dolphin (who'd looked/been acting so happy) went flying through the windscreen (in slow-mo, no less) and out onto road where it got run over by a semi. That^ was a pretty sad moment, and I almost felt sorry for The Deep since he seemed to genuinely care about the dolphin...but then reminded myself what he did to Starlight and he immediately lost my sympathy. I just felt sorry for the poor dolphin. I hate any sort of harm coming to an animal, so this^ was a bit much. It wasn't enough it went through the windscreen and onto the road. No, it had to get SQUISHED as well. I don't see the 'funny' in animal cruelty. Something that was funny, though: Butcher’s Spice Girls analogy that he used in an effort to keep his gang together (which then led into their song 'Wannabe' that played as The Deep was attempting to rescue the dolphin). The only one having a half-decent time was Hughie, who went on a date with Starlight. At first she seemed like a bad bowler, but it turned out that she wasn't really, after revealing that she'd held back on her bowling expertise because a guy she was with stopped talking to her after she beat up a dude and he apparently couldn't handle her being stronger than him. Hughie suspected her of not being the nicest person in the world (all evidence to the contrary) and was being haunted by his dead girlfriend. Like with the show trying to make us feel sympathy for The Deep by showing him caring about animals, it seemed they were also trying to make us think that A-Train really cared about his girlfriend (shame he didn't care about anyone else's). We were introduced to The Female aka Kimiko, who had been locked up but was freed by one of Butcher's team (Frenchie - who I had trouble understanding half the time) and she killed a bunch of people violently. Elsewhere, Homelander was putting a spin on the tragedy of the crashed plane by saying it never would've happened if The Seven were allowed into the military. The fifth episode illustrated that A-Train apparently didn't care about his girlfriend after all, since he super-sped two needles into her arms, causing her to overdose after he'd found out about her taking Compound V and talking with Butcher. So A-Train's apparently an equal opportunity girlfriend-killer (not just other people's girlfriends, but also his own). I can't say I really appreciated this episode's heavy-handedness with the whole Anti-Christian stuff (especially from Butcher). The only one who I was able to tolerate at the Believe Expo was Starlight (who got to wear her old/less reveal-y outfit again). As part of her speech, she mentioned what was really 'immoral' was what The Deep did to her. Of course, she didn't mention him by name, but everything else she put right out there...and good on her! Hopefully it got through to The Deep, who was watching at home, stuffing his face after the dolphin incident. Starlight wasn't the only one who went 'off script', though. Homelander did as well (though maybe not quite so much). Later on when Homerlander was lying on Stillwell’s lap, it was looking like he was going to suck on her boob or something...but, thankfully, only did that to her fingers (still, ew). On top of Homelander's creepy relationship with Stillwell, we also learned about baby Supes and how they were created, not born (as they'd been led to believe they were). I knew, long before watching this show, about Butcher using the Supe baby to slice and dice through guys with its laser eyes. Someone else who almost got cut in half was Kimiko (by Black Noir, who finally did something noteworthy), but then she healed. I was so glad that in the sixth episode we finally got to say goodbye to Starlight's horrible agent (though, sadly, she wasn't offed). Buh-bye, bitch! She said she was glad she didn’t have to kiss Starlight’s arse anymore, while I was just glad I didn't have to see her punchable face anymore. Starlight stood up to Stillwell, The Deep had to ‘fess up to what he did to Starlight (though he spun it that he perceived it as 'consensual') and was basically sent into exile/banished, Maeve apologised to Starlight...but that was about it (more Maeve, damn it!), we learned that Homelander raped Butcher's wife, Butcher made it clear to Hughie that he thought Starlight was just like the rest of The Seven (if only he'd known what was done to her by The Deep, maybe he'd have had a little sympathy after what happened to his wife...then again, Butcher only seemed to care about himself and his own problems, so maybe it wouldn't have made any difference after all) and threatened Hughie if Starlight found out about Translucent's death. I was amused by the Tara Reid and Billy Zane cameos at the convention, and this is the second show I've recently seen grown-up Haley Joel Osment in (the other was Future Man, which I was watching on TV). I don't think I'd seen him in anything since I watched A.I. Artificial Intelligence (2001) on TV years ago, so it was quite the 'jump' to go from last seeing him as his kid self to seeing him as an adult. He still looks like himself (just now with a beard). The seventh episode started with a flashback to Butcher (minus his facial hair, but with as much of a potty mouth as ever) and his wife, Becca, meeting Homelander. It wasn't until this episode, when we got a better look at her, that I recognised the actress playing Butcher's wife as Shantel VanSanten. She appeared in Season 2 of The Flash as Patty Spivot and was another actress from the TV show Timeless (she appeared in the very first episode as a lookalike of Wyatt's dead wife). The meeting that Homelander had with The Seven Five was filled with tension, I thought. He was his usual threatening self and I kept expecting him to do something bad. The only one he complimented was Black Noir (who we actually see doing very little most of the time). In this scene Starlight found out about Hughie and Butcher, everyone learned about Starlight and Hughie being together, A-Train got mad at Starlight while Maeve was sticking up for her. Later they chatted and had a martini. When A-Train was threatening Hughie’s dad, broken up about his girlfriend's death, all I could think was what an a-hole he was, since it was him who killed her. Of course, he had to place the blame on someone else since he was incapable of accepting responsibility (both for her death and for killing Hughie's girlfriend). I was somewhat amused by The Deep being stuck living somewhere he deemed 'beneath' him. Even more amusing was Air Supply's 'All Out of Love' playing as he struggled to write his ‘Deeper: A Memoir’ (I'll forever associate that song with Dean Winchester singing along to it in an episode of Supernatural) and then him going shopping at the local grocery store and chatting with a lobster who he promised to free. Less amusing was the lobster being killed before he had a chance to stop the guy from doing it. The show is trying really hard to make us feel for The Deep. I feel for the animals. Butcher killed Haley Joel Osment's character, Mesmer, while Homelander went to see a guy (played by the actor who was Carmine Falcone in Gotham) who lab tested him and this was, I guess, supposed to 'explain' Homelander's evilness. I was just mainly worried about the dogs the guy was breeding and whether Homelander was going to do something horrible to them. Hughie basically admitted to Starlight he was using her to get to A-Train (after earlier she'd asked him if he they went to a hotel because he was trying to do 'nice things' before up and leaving her like her father did). She wanted to take him to the cops, but Butcher shot her a couple times as they fled - which made me dislike Butcher (who I noticed didn't seem to utter as many c-bombs this episode as he usually did. Or maybe I just somehow missed hearing them) and Hughie (for just leaving Starlight like that) more than I already did. On the 'plus' side, Kimiko broke A-Train's leg - complete with bone sticking through (usually I'd be grossed out, but he totally deserved that). We also learned there were Supe terrorists out there. In the eighth episode/season final, we began with Homelander zapping/slicing through guys. I did not watch him crush one guy's head with his foot (after it became clear that was what he was about to do). It showed how horribly efficient Homelander was at taking out enemies. He also uttered his line to the guys he helped out about how they were the 'real heroes' (which he liked to do when in public). Turns out Homelander helped create supervillains (which just seemed unwise to me, as although it ensures The Seven will be needed and let into the military like they've wanted all this time, it also means there'll be other Supes out there who could possibly give Homelander a run for his money. I mean, how does he know there won't be anyone else more powerful than him? Even if there isn't, they could all gang up on him). Although I think Mother's Milk has got to be THE MOST STUPID NAME EVER for a character, I did like him helping out Hughie by pointing out to Butcher that Starlight didn’t know him, and since he got 'burned' along with the rest of them, she couldn't be to blame for it. A-Train was his usual a-holish self when he wasn't immediately recognised in a store while on crutches and cursed at everyone. Later he was pulling a train to strengthen himself and he even managed to piss off his trainer or whoever the guy was who hightailed it out of there after even he had had enough of A-train's BS. Losing friends and alienating people - that's A-Train. Starlight had a talk with her mum about what happened to her as a kid (after Hughie had filled her in). She learned she wasn't 'chosen', but just 'made' and her mum was basically like a lot of pageant mums, making it all about her and giving Starlight no choice really (which she'd already had taken away from her by The Deep, Stillwell, etc). It made sense why she then 'rebelled' by wearing her skimpy outfit once again (after getting a reprieve from it at the Believe Expo) and was looking to hook up with random dudes and other stuff until Maeve had a chat with her in the bathroom, telling her to just being her 'goody two-shoes' self. I liked seeing scenes between these two. I wished we could've gotten more (and just more Maeve in general, really). As Black Noir played the piano, we met Giancarlo Esposito's headhoncho character. Mr. Edgar (who was apparently the boss of The Seven and seemed to intimidate them by just his name being mentioned). Elsewhere, Butcher referred to his guys as ‘the boys’, which finally made the show's title make sense (he also made up for his lack of c-bombs last episode by dropping plenty of them in this one) but abandoned them, while Hughie wanted to help them. Homelander learned last episode that Butcher’s wife had his kid, but they supposedly died (her from it tearing itself out, and it after only a short while being alive). However, after more creepy stuff between him and Stillwell, she promised to not lie to him anymore and then proceeded to lie about Butcher's wife dying in childbirth. Starlight showed up to help the boys. I enjoyed seeing her living up to her name and going all 'starlight-y', glowing and sending sparks everywhere. When A-Train showed up, I was hoping she'd manage to take him out. Unfortunately, he shoved Starlight away (after we cut to slow-mo) and was his a-holish self once again (blaming everyone else for his problems while accepting no real responsibility or feeling guilty for his own actions), putting Popclaw's death all on Hughie...but then he suddenly suffered a heart attack. This would've been GREAT...except then, for some reason, Hughie felt compelled to save his girlfriend's killer who he'd been wanting to kill himself all this time (and he'd proven he was capable, after offing Translucent). I was with Starlight, and it was a bit rich for Hughie to expect her to take over saving A-train while he escaped (after what the a-hole had just done to her). When Butcher was waiting at Stillwell’s place in the dark, it immediately made me think "How long has he been sitting there waiting?". I always wonder this whenever a character dramatically waits in the dark for someone to return home. What if he'd been waiting a while and had to go take a leak just as she returned home? That would've totally ruined his dramatic revealing of himself to her. He'd found out she was supposedly Homelander's 'weakness' and thus strapped explosives to her, but as Homelander pointed out to him...it wasn't much of a plan. Everything Homelander said to Butcher (about his lack of plan and him not even making 100% sure he'd killed Butchers wife) was the truth. I wondered what the point of Homelander bringing Stillwell's kid down into the room was, but in the end all he really wanted was a confession out of her that she was afraid of him (after letting her know he'd caught her in her lie earlier on). He then proceeded to laser beam her in the face, burning through her eyes and a good percentage of her skull. I guess with Mr. Edgar being introduced, the show had no further 'need' for her character. So long, Elisabeth Shue. It was nice to see you again after having not really seen you in much for quite a long time. Apparently Butcher figured he was screwed (or that he had nothing left to live for), as he set the explosives off once he no longer had any 'leverage' over Homelander. He then woke up on a lawn and it was 'revealed' (not that it was that surprising really) Homelander's son was alive and living with his mum/Butcher's wife who was also still alive. I'm not sure where they're going with all this next season, but it should be interesting. The thing that made the least sense this episode? The Deep shaving all his hair after having had a girl stick her fingers in his gills (which were in a sensitive area). I guess now he knows what it feels like to be sexually assaulted/have someone do something to him he didn't want to happen (just like what he put Starlight through). So, has he finally had enough of living on land and is going to start a new life under the sea? While I could've done without the constant c-bombs and excessive violence, I knew what I was getting into when I started this show. It seemed others, however, did not. I liked the show in spite of those things rather than because of them. Starlight was easily my favourite. Erin Moriarty was easily likable as her character and I'm not sure if I would've liked the show much if she wasn't in it. The opposite of that was Homelander, who was most definitely a character I didn't 'like'. Nevertheless, I did find him interesting (and quite unsettling at times). Antony Starr was really good in the role. I've already mentioned a few times how I would've liked to have seen more of Maeve. I really wanted to get to know her character, but she seemed underused in this first season. I hope they rectify that in Season 2. Speaking of the second season, I just checked out the teaser trailer for it. As well as this clip featuring the introduction of a new character named Stormfront played by Aya Cash (I'm SO pleased to see she's joining this show, as she was excellent in You're the Worst. So much so that I watched that series TWICE in a row).
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Post by Feologild Oakes on Jul 22, 2020 18:29:54 GMT
Family Ties - season 1
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Post by Chalice_Of_Evil on Aug 3, 2020 8:57:08 GMT
Most recently finished Season 4 of Castle on DVD. The first episode starts with a 'Previously on', then we're subjected to seizure-inducing editing/cutting as Beckett's wheeled in on a gurney and Lanie's riding along with her, trying to save her life and insisting she's her friend until she's told to get off the Beckett ride. How 'convenient' that Beckett's often-referred-to-but-rarely-seen boyfriend, Josh, just happens to be working at the same time Beckett's wheeled in. At least he tries to do the right thing by getting another doctor to come and take over since he's 'too close' to the victim (being Beckett's boyfriend and all), but then he can't wait and ends up operating on her anyway. And just to make sure we'll be extra happy that this is the last we'll be seeing of his character, he then goes and attacks Castle (both physically and verbally), blaming him for both Beckett and Montgomery, and gets into a yelling match with the whole Castle family (it was a cheer-worthy moment, seeing both Martha and Alexis tell off Josh). I had remembered Castle's line to Martha when he was feeling guilty about Beckett and said he "put her in the crosshairs". Castle is, of course, there for Beckett...and subtly checking whether she remembers him telling her he loved her as she lay on the ground dying. I mean, I get him being curious, but like with when he finally decided to tell her his feelings, his timing could've been better here. She tells him she needs time and doesn't remember anything after getting shot. I must say, she looked pretty good for someone who almost died. Three months go by and we meet the new Captain, Victoria Gates, who's earned herself the nickname 'Iron Gates’ since she's much more by-the-book and clearly not going to be as lenient towards Beckett or Castle as Montgomery was (thanks, Ryan, for the exposition/summarising her character to us). I remember hating the character Penny Johnson Jerald played in 24, and so when I originally watched this season, I was apprehensive about her being in this show as the new Captain. Beckett, Ryan and Esposito have to be sneaky around her/keep secrets, Beckett wants her gun, but is told by Gates she has to re-apply, and it's amusing when Beckett says "I want my gun." almost through gritted teeth, as it sounds like there's a silent "I have to go shoot something." to the end of that (and it may have been nothing, but I thought I noticed Ryan and Esposito dressing a bit differently - which I attributed to Gates. Well...maybe not so much Ryan, as he always seemed to wear suits, but I didn't think Esposito did...until now). Before she turns up at Castle’s book signing, he's looking rather bored/like he’s wishing he were on a case or is thinking of Beckett, then when she appears (handing him a book and saying "Make it out to Kate."), we learn he's angry at her because three months have passed and she hasn't contacted him in all that time (it was kind of a reversal of last season's premiere, where she was angry at him for not keeping in contact when he went away on holiday with one of his ex-wives). Although I think they may have previously had a scene together on a swing set, this was the first time I really took note of it, as I knew it would become an important place for the two of them as the series went on. I was glad it wasn't long before they were together again, as I didn't like him being angry with her (even if part of me understood it). Gates apparently kicked Castle out, but Castle has his friend the Mayor get him back in, though he's told by Gates that if he slips up once, she’ll bury him and Beckett (not a great start to the character). Castle gets a call from the guy Montgomery mailed stuff to in the Season 3 final (I recognised the actor from Dexter), who tells him that Beckett has to stay away from her mother's case or she won’t be safe. After considerable effort, Castle manages to talk her into it leaving it be 'for now'. Clearly Beckett's still affected by her shooting, since she freezes when a guy aims his gun at her, but later she manages to subdue another guy/killer who points his gun at her as well. Also in the episode: Alexis is upset with Castle because he could’ve gotten shot or she could’ve, which kind of makes it sound like she couldn't give two figs about Beckett, but then she asks him whether Beckett makes him happy and he confirms that she does (I would've thought it had been obvious for a while now that Beckett made him happy). The ending of the episode is Beckett telling her therapist that she remembers everything about her shooting. This kind of doesn't paint her in a positive light - the fact that she lied to Castle about not remembering him telling her that he loved her - but I can understand that she needed time to process it. It wasn't one of Beckett's finest moments, to leave him in the dark. However, he decides to keep her in the dark about the fact that he's contacted by that 'Deep Throat' type of character, so they're both as bad as each other with the keeping secrets business. On a 'shallow' note, I wasn't as fussed on Beckett's hair in this episode (or season). I much preferred how it was last season. The second episode was the superhero/comic book episode which I'd remembered from the first time I watched this season when it originally aired on TV. However, I'd forgotten that a female cop (who was introduced last episode, but treated like she'd been around before that), turned out to be the superhero/vigilante at the centre of this episode. Though, really, it should've been immediately obvious that she was the one, since the show so awkwardly brought her character in last episode (whenever a random cop character gets some lines/focus, you know they're going to be 'important' later on). I appreciated all the superhero/comic book references from Castle, it was amusing seeing Ryan act like Castle with the 'murder board' and it became quite obvious that Gates didn't like Castle (which would turn out to be a running theme throughout the season). I've always remembered the fourth episode, which focused on Ryan (I came to think of it as the 'Ryan's gun episode', but its actual title is 'Kick the Ballistics'). Beckett’s reaction to hearing that the gun that killed the victim of the episode was Ryan’s really said a lot. And if Beckett's reaction, as well as Ryan's reaction, to hearing his gun was responsible for someone's death wasn't enough to let us know this was going to be a 'serious' episode of the show, then the different title card/serious music played over it certainly made it clear. I'd always liked Ryan, so I was happy to see him getting an episode focused on him. His reactions throughout the episode really said a lot, and it seems every character - Beckett, Castle, Ryan has an episode where they push a suspect 'too much' and others have to come in and tell them to go cool off or whatever. One part of the episode that always stuck in my memory was Ryan telling Beckett of his early days in narcotics when he yelled out the name of someone who'd called in with a tip across the bullpen and how it was the stupidest thing he'd ever done as a cop until 3XK got the drop on him and stole his gun. It was nice to see Beckett having a one-on-one scene with Ryan and her reassuring him it wasn't his fault what happened with his gun. I also liked seeing Ryan's scenes with Ben Lee (though I wonder if the Australian musician/actor Ben Lee ever caught wind of them using his name for a character? I guess it was just a coincidence). Although I remembered quite a bit of this episode from when I originally saw it on TV, I couldn’t remember if Ben Lee died or not (so it was a bit of a surprise when he appeared alive, but just wounded). I remember thinking that Ryan struggling to keep him alive was in many ways like that time Beckett was forced to shoot the guy who had information about her mother's murder and then she tried to save him (but failed to do so). I liked the scene between Beckett and Castle where they discussed Ben Lee's brother who had information about 3XK and him wanting to make a deal, but Castle said they'd find 3XK another way and Ben Lee's brother shouldn't get any deal. I had no problem with Martha and Alexis getting minimal screentime in this episode since Ryan got plenty instead. Him toasting to the episode's victim at the end was a nice way to finish things. As far as 'serious' episodes in the show go, this was one of my favourites. Seamus Dever got time to shine in his role as Ryan and proved himself more than capable of carrying so much of the episode on his shoulders. The fifth episode was another one I vaguely recalled, which featured an art thief who turned out to be an insurance investigator. I recognised the actress who played the part of Serena Kaye, Kristin Lehman, from her guest appearances in Felicity and The X-Files. This was another episode where a guest character showed an interest in one of the lead characters thus making the other one jealous. They seem to have at least one or two episodes like this per season. In this case it was Beckett's turn to be the green-eyed monster again. I liked that Serena recognised Castle's and Beckett's feelings for each other and didn't wish to get in the way. It was good that she and Beckett came to an 'understanding' of sorts by episode's end. We also saw Beckett's therapist again, as he asked her whether she wanted Castle to wait for her or not. The sixth episode featured another change in the Castle title card with a wolf howl and creepy music playing, which was fitting since this episode featured a haunted house, the supernatural and demons. It had to be a shout-out to the show Supernatural that this one just happened to feature Fredric Lehne and him claiming 'a demon made him do it', since he played the Yellow-Eyed Demon in Season 2 of SPN (he also guest-starred in an episode Firefly with Nathan Fillion). Another guest star I noticed in the episode was the actor I've currently been seeing playing Enoch the final season of Agents of S.H.I.E.L.D. (he was playing a very different sort of character here, complete with totally different voice and also sporting hair). There was a funny moment with Beckett giving Castle and Ryan 'a look'. Also amusing was Castle getting Beckett to say the phrase "I ain’t afraid of no ghost." before a piece of the 'Ghostbusters Theme' was played. This is probably where the show started having Castle's 'wild theories' get even more outlandish, as he apparently believed in ghosts...so much so that he was suckered in by Beckett's ghost tale, but she pointed out to him (after laughing) how long he'd known her and of course she didn’t believe in ghosts. Might've seemed slightly 'mean', but she had a point. There was a side story to the episode involving Ryan and Jenny (played by the actress who is married to Seamus Dever in real life, as I seem to always feel the need to point out in my Castle reviews for some reason) going on a double date with Esposito and Lanie (which Esposito was opposed to). Jenny makes the mistake of asking Esposito and Lanie when they’re getting married, which leads to both of them being pissed and Ryan having to later apologise to Esposito repeatedly. For some reason I misremembered Jenny as being far more chatty and 'annoying'...but she wasn't that bad, really. Everything was going fine until she mentioned that one thing (which could've easily been avoided if Ryan had just said to her not to mention marriage earlier). I guess the writers must've listened to those fans of the show who weren't into 'Esplanie' as a couple since this led to them ending up 'taking a break'. Also in this episode: I noticed Beckett started having her hair up, not down/long and flowing, then later in a braid. She continued having it up for a few episodes. The seventh episode was what I thought of as 'the hostage episode' which I guess was designed to help make up for the lack of screentime Martha had been getting so far in the season, as it focused mainly on her and Castle being held hostage in the bank with a group of characters who were the typical types of characters you always seem to get in episodes like this. I appreciated Beckett’s blink-and-you'd-miss-it reaction to Castle saying "Tell me you need me." (though, of course, he hadn't intended it the way it sounded to her), as he was on the phone to her when the doctor robbers came in (speaking of, at least wearing doctor scrubs/masks and using the names of different TV doctors was a nice change from the usual monster or clown masks bank robbers seem to use on TV). I was mildly amused when one of them wanted to talk to the ‘lady cop with the bedroom voice’ (referring to Beckett). I was less amused by Alexis basically threatening Beckett with her ‘they better (be safe)' remark when she turned up (she also gave her rarely-seen boyfriend, Ashley, the boot since he didn't answer when she called him, needing his support in this 'difficult situation'. Oh well, he barely appeared onscreen anyway, so this didn't really make much of a difference. He can go hang with Beckett's ex-boyfriend, Josh, and they can commiserate about both being dumped while offscreen). All those who'd complained that Castle had been 'dumbed down' and/or made to act 'foolish' more than how he started out on the show should've been happy with the fact that he got to be smart in this episode, calming other hostages down, observing things, getting info to Beckett, etc. Clearly I hadn't remembered this episode in great detail, as I forgot there was an explosion and it appeared as if the robbers had accidentally killed themselves (though they would've had to be the worst robbers since the ones in the Home Alone films to accidentally kill themselves like that). Beckett’s reaction to the explosion and Castle (once he was rescued) really said it all. It was a nice/funny moment when Martha had to remind Beckett that she was there too and in need of freeing, as she'd been too focused on Castle. It turned out the whole bank robbery thing was all a plot by one hostage to find his wife and kid who'd changed their names/hidden from him since he abused them. At least that was somewhat of a surprise in the episode. I liked things ending with Martha hugging Beckett (her reaction to it was nice) and Castle saying Beckett had saved him eight times and he had saved her nine times, with him reviewing the different instances of them saving each other (I'm sure certain fans had already done that). The eighth episode was the 'Vegas episode' involving Ryan and Esposito going away with Castle and at one point the three of them all dressing as Elvis (though Esposito was 'El-vez'). I wasn't that fussed on this episode, as although I like the Castle/Ryan/Esposito dynamic, the main reason I watch is for the Castle/Beckett dynamic and that was sadly lacking for a large part of the episode. Beckett was stuck with Gates (though at least it let us get to know her character a bit more), while Alexis had a party to get over her boyfriend who she dumped...which, naturally, got out of hand as parties always seem to do when parent characters are away. Though she wasn't the only one recovering later on, as Castle was recovering from Ryan's Las Vegas bachelor party which was probably why he didn't care that much what Alexis had gotten up to. This is as good a place as any to mention that after several seasons of Alexis being the 'all too perfect' daughter, she really started becoming the typical 'annoying teen' this season. She acted out, was rude to her father at times (and Beckett as well) and just not as 'likable' as she had been in the earlier seasons. Oh well. I guess it had to happen eventually. Still, she was more tolerable than most annoying teen characters in shows. She wasn't too bad. I'd always thought of the ninth episode as 'the sniper episode' since it focused on the sniper who'd shot Beckett in last season's final and her PTSD from that - not that she admitted to having any, of course (being stubborn and all that). In this episode Beckett freaked out, snapped at Castle (more than usual), pushed suspects 'too far' (as seems to be a common thing with those who work at the 12th Precinct), freaked out at home (only time her hair was down in this episode except for at the end) and talked to her therapist. Castle was patient with her after asking Ryan and Esposito (the two of them have always seemed sort of like 'brothers' to Beckett) what he should do. Since Ryan got an episode where he was featured quite a bit, I guess it made sense that this episode had quite a bit of Esposito's gun expertise (since he knew guns/weapons well, given his background). It was a good scene between him and Beckett when he was getting her to face the gun she was shot with. When the bad guy of the episode was about to shoot her, she tried to talk him down and say they were similar, but Esposito ended up shooting him (boring conversation anyway). I noted there wasn't any humour this episode (there was, however, the 'blue lighting of seriousness' that this show tends to use whenever it's a 'serious' episode) and Castle said "Always." in response to Beckett thanking him for giving her space to deal and not pushing her. 'Always' is their thing! The tenth episode was a 'bottle episode' in that it took place in mostly one place, with Castle and Beckett handcuffed together, bickering, but having to work together. I enjoyed having so much of them together, and their bickering was entertaining as ever. I enjoyed Castle asking how she runs in her heeled shoes when she had to stand on his shoulders to try to get them out (such a comment about Beckett's shoes was previously made in the 'Nikki Heat' episode from last season by the actress Natalie Rhodes who was mimicking how Beckett dressed and acted). There were quite a few amusing moments between them, their reactions to having to move so awkwardly since they were handcuffed and and different 'innuendos' that came with being handcuffed together....then a TIGER was added to the episode. That made things even more fun. Thankfully there was no dodgy CGI tiger, but an actual real one. It was interesting listening to the commentary for the episode (probably the last one that Nathan Fillion and Stana Katic would do together, as I imagine it was sometime after this that they apparently started not-liking each other in real life, sadly. It was funny hearing Stana remarking on the commentary that tigers didn’t so much 'purr' as they made a Chewbacca-like noise...which she then proceeded to demonstrate) and all the technical stuff about how they shot things with the tiger, etc. I was amused by Ryan's “grrrreat” as they walked out of the scene near the end. Bottle episodes often 'feel' like what they are - ie. episodes made in an effort to save on budget, but this one thankfully didn't feel that way, as it allowed for lots of good Castle/Beckett interaction and gave us a freakin' TIGER to boot! So kudos to the show for not making this feel like a 'waste' of an episode. I also noticed Beckett’s hair was finally back to being down again after a few episodes of it (mostly) being up. The eleventh episode was the one where Ryan and Jenny finally got married (would've been weird for the couple who were already married in real life, I'd guess). Of course there was some 'drama' added (as there always must be) before that could happen, as Jenny was discovered to be in a ledger (along with a lot of other women) of a guy who had slept around and was at the centre of the case being investigated in the episode. I would've been annoyed if they'd painted Jenny in a negative light, but luckily Ryan knew about it and explained to the others that she and him hadn't been 'exclusive' at the time and that's why he was fine with it (while Castle, Beckett and Esposito had all struggled with whether or not to tell Ryan). I was annoyed, however, that after seasons of build-up, we didn’t even get to see any of the actual wedding. Instead time was wasted and it became more about Esposito and Lanie bringing other dates (hers was gay and his was a cousin) to the wedding, being jealous of each other and then reconnecting. This should've been RYAN's moment (well...his and Jenny's, to be exact), not anyone else's. Very disappointing. On the plus side, Beckett told Castle that the third time might be the charm in regards to him someday possibly getting married again as they walked arm-in-arm. Other things in this episode: Ryan was put on a 'cleanse' by Jenny, drinking gross-looking green stuff and consequently starving as a result until finally he gave in towards the end with takeout food. Also, the actor who played Edgar in You're the Worst guest-starred. I remember that when the twelfth episode originally aired here, we missed it (I can't recall for sure why that was, but I think it was because the power went out). It was the episode that finally let us meet Castle's friend, the Mayor, who was the reason Castle got to follow Beckett around and continued doing so after being kicked out by Gates. Castle meets with his ‘Deep Throat’ character twice, tells Ryan to give him info but not Beckett, once again is deemed 'too close' to the case (him and Beckett seem to take turns with this just like they take turns being jealous of the other showing any interest in guest star characters) since it was his friend the Mayor who was the prime suspect, Gates talks with Beckett (and we got to know her a bit more, as she apparently is well aware of the nickname the others have for her, but she explains to Beckett that she doesn’t hate all cops...just ones like the one who assaulted her partner), Beckett calls Castle 'Rick' at one point (which she rarely does, I've noticed. I think we hear him call her 'Kate' more than we've heard her call him 'Rick'), Alexis didn't really have anything to do in the episode, while at least Martha had her stormy light show of King Lear in Castle's apartment going on. The next episode was the 'dog episode' and the cute dog was the most noteworthy thing about it. It was fun seeing Castle and Beckett both wanting to take him home, but acting like they weren't desperate to. They got ‘shared custody’ of him and Beckett was saying he wouldn’t be allowed on her couch with her. But clearly she was a big softy, as it wasn't long at all before she relented and encouraged him to join her on the couch and there was a very sweet moment between them. Though I'm sure other viewers were more focused on what happened prior to that^. Before Castle left, he demonstrated on her hand how the dog liked to be gently rubbed and they had a 'moment' between them. The next episode was 'The Blue Butterfly' and was one of those types of episodes where they have the regular castmembers in the roles of characters from the past. It seemed mainly an excuse to have all the actors/actresses dolled up in the style of the 1940's (we even got era-appropriate music over the title card). Of everyone, Beckett looked the most glamorous. The era really suited Stana Katic (who could've been nicknamed Stunner Katic). Unfortunately, I also remembered from this episode that they had Seamus Dever attempting an Irish accent which seemed to consist mainly of him saying "boyo" a lot, thinking that made him sound more convincing with his accent. It did allow for a funny exchange between him and Castle, though, where Castle was trying to get Ryan to say "boyo" (because he'd been imagining everyone as these past characters, including Ryan) and the two of them kept saying the word over and over back and forth between them. Also funny, before that, was when Castle asked himself "Why am I narrating?" (nice breaking of the fourth wall there) and in flashback mode there was a record scratch as Castle said 'Kate' in place of the past character he was picturing her as and she figured out he was imagining them in the roles. He then said ‘fate’ instead, attempting to cover his slip-up. I think the overacting was intentional (at least I hope it was) by the cast during the flashbacks, considering the time period they were set in. Flashback Alexis and some rando dude were the bad guys (oh, Ashley, if only you hadn't been dumped by Alexis...maybe you could've played the role of her partner in the flashback). It was interesting that the person Alexis was 'playing' in the flashback wanted to kill the person Beckett was 'playing', as I had the feeling actual Alexis had some hidden animosity towards Beckett at times. Luckily, though, flashback Beckett killed her (in the 'present', actual Beckett was pretty quick at aiming her gun at the killer as well), then both she and flashback Castle burned the bodies in a car and pretended it was them (that would've been sort of weird for Castle to be picturing his daughter in the 'role' of someone who turned out to be bad and then the person he was imagining Beckett as killed her and the two of them burned her corpse together). But, hey, it led to the two kissing whilst backlit by the flaming car with corpses inside. And, of course, flashback Castle said the word ‘always’. I'd remembered this was the season with the two-parter featuring Jennifer Beals as a woman who Castle knew from the past and was involved with at one point, once again Beckett got to be the 'jealous' one and the first part ended with both her and Castle stuck in a car that was pushed into the ocean, making it look like they might drown (not bloody likely). The second part had the reveal that the woman Castle knew was the bad guy and she was killed (that's one way of taking out Beckett's 'competition'). In the next episode, as soon as I saw the girl in the red riding hood, I remembered there was a fairytale episode of the show. I figured this episode must've originally aired around the time shows like Once Upon A Time and Grimm were still relatively 'new' on TV. I enjoyed seeing Castle and Beckett's discussion of the old Grimm's fairytales. The episode also featured Ryan being scared of creepy dolls, talk of lies (with Beckett looking guilty), some Martha stuff, Castle figuring out the killer because he just happened to be tying Martha’s apron in a bow and that made him realise the bows that were tied on two victims' costumes were the same but not on the costume of the third victim (just as well Castle spends so much time with his family, since it often seems that they help him crack the cases) and that 'victim' turned out to be the killer who was played by noneother than a young Meghan Markle! Taylor Kinney (who I know from The Vampire Diaries and Chicago Fire) was also in the episode...but, eh, who cares? A young Meghan Markle as the villain! I forget the following episode, but the one after that was another 'serious' episode featuring protests and a bomb going off. Nathan Fillion did a good job showing Castle's reactions to seeing the bodies of the dead. Though he wasn't the only one left reeling. Alexis also sees them (since she's now working alongside Lanie). The most notable thing in this episode was Beckett inadvertently revealing to Castle, when interviewing a suspect, that she remembered everything after being shot and he immediately started acting cold towards her after hearing this reveal (not that she realised she'd revealed herself to him, so therefore she just found his sudden coldness towards her as him acting weird/not normal). He's clearly pissed, conveying his woes to Martha and saying how Beckett's lie must mean she thought his feelings for her were a 'joke' and that she didn't feel the same way. While it was unfair of her to keep secret that she'd heard him telling her he loved her, he could've just confronted her about her lie. Instead, he was acting just as immature as he thought her actions were. So they really weren't 'better' than each other when it came to lying. Though Castle does drop subtle hints to her that he knows, she doesn't really get what's up with him. She tries asking him for a drink but he won't go. It's sad that she finally starts reaching out to him but by the the time she does it's seemingly too late. Oh, and the bomber was the reporter that the episode started with. This was at least three female characters who'd appeared 'good' or as 'victims' to begin with, but then were revealed to be the 'bad guys'. The only real notable things about the twentieth episode were Castle returning to his 'old ways' (models hanging off his arms as he arrived in sports cars), him seeming 'off' to Beckett and the Aussie guest star actor in the episode trying (and failing) to do a British cockney accent. Honestly, why can't they just have Aussie actors play Aussies and Brits play Brits? What's so hard about that? The next episode featured a much better guest star in the form of Adam Baldwin who I knew from the TV series Chuck and, of course, as Nathan Fillion's co-star in Firefly/ Serenity. It was fun to see a 'reunion' of sorts between the two...though Baldwin's character of Slaughter (real subtle name there, show) was somewhat of a 'caricature'. He was rough, rude/uncouth, dangerous and rather nuts...oh, and let's not forget that he was showing a creepy interest in Alexis before Castle made him aware that she was his daughter (by way of punching him in the face...though I think that hurt Castle's fist more than anything). His character seemed like a cross between Casey from Chuck and Jayne from Firefly/ Serenity...though without any of the 'nuance' or subtlety (yes, there was some nuance to Jayne...if you looked really deep). His 'unorthodox' methods (ie. dangerous/illegal) included driving around wildly with a guy in the boot of a car, nearly crushing a guy in garbage truck and pulling out his gun a number of times when he probably shouldn't have. It required some suspension of disbelief that he wasn't arrested for all the illegal crap he got up to. Meanwhile, Beckett, Ryan and Esposito were all jealous of Castle hanging with another detective, feeling that he was 'cheating' on them. There was an amusing running joke of Castle trying to impress Slaughter by getting Ryan and Esposito to run licence plates for him over the phone and them asking for things in return. Because this show likes to feature 'parallels' between whatever's going on with Castle at work and what's going on at home, Alexis was unsure whether she should accept Stanford’s offer since they'd rejected her previously (just as she's hurt by Stanford's rejection of her, Castle's hurt by what he perceives as Beckett's rejection of him/his feelings for her and the two of them are struggling to trust those who 'rejected' them ever again). Sadly, not much time was spent with Castle and Beckett together in this episode until it got towards the end. The one payoff was that Beckett said she had his back. The second-last episode of the season was the zombie episode. It's funny watching this now, since I've been watching Fear the Walking Dead lately. It was at this point the show felt like it was starting to really 'reach' for outlandish things for Castle to believe (or at least want to believe). We'd had vampires, aliens, ghosts, demons...and now zombies. Castle and Ryan were the 'believers', while Beckett and Esposito were not. Castle was still at odds with Beckett, Martha said she understood him being hurt but that they that couldn’t continue this way, and he told Martha it was going to be his last case with Beckett, who was still noticing his acting weird towards her (it was funny seeing her react to the zombie horde like they may have been real, especially after she was so skeptical). She admitted to him she had a therapist and by the end of the episode she said she was close to being ready to accept everything from ‘that day’ she was shot (basically telling him she was close to admitting her feelings for him). Also in the episode: Castle was sad that Alexis wouldn’t be around to play laser tag with, she wanted him to 'grow up', but managed to get the drop on him later (quite literally) by coming down from the ceiling. However, he got her back at the end when he was still in the zombie makeup (that he'd used to get the killer of the episode to confess). The season final was titled 'Always', which was fitting considering how many times that word had been uttered on this show. And in case we were in any doubt that this was going to be a 'serious' episode from all the shadows and fading out from one scene/fading into the next scene with Beckett, we got the 'serious' title card for the show coupled with a moody green background and no jaunty music accompanying it. The episode starts with Beckett hanging off the edge of a building, we hear someone (who I thought was Castle, but turned out later to not be him) shouting "Hang on!" (why do people always say this when it's the most obvious thing ever?). It then comes up with '3 days earlier' on the screen (such an old device, but I guess it's used so often because it works). Beckett gets a lead on who's behind her mum's murder when it’s revealed the guy who "put a bullet in her heart" (Ryan's words) has resurfaced and is killing again. Ryan wants to tell Gates, but Beckett (supported by Esposito) is opposed to that because she wouldn't be allowed to investigate the person involved with her own shooting. Alexis is preparing for a graduation speech and we get one scene with Martha, but the most important scene of the episode (and one of the most important/memorable scenes from the show as a whole) is the one where Castle finally confesses to Beckett about the guy he’s talked to over the phone and met with in an effort to 'keep her safe' by steering her away from investigating the case of her mother's murder. She gets angry about him sitting on a lead and lying to her, he gets angry because he doesn’t want her to risk herself and finally says that he knows she knows that he told her he loved her after she got shot, then adds that if she cares about him at all, she has to drop it...but, naturally, she won't. She doesn’t like that he made decisions for her about her life, he says he won't watch her throw away her life and that they're over/done. Very strong scene between the two, with great acting from both. Maybe it's this scene that makes the episode so highly regarded/rated among the fans? I myself preferred last season's final, but this was a really good moment. While Castle goes to Alexis’s graduation, Beckett and Esposito go off to get Tahmoh Penikett/Maddox, she fights him on a rooftop, this is one of the few times she doesn't manage to kick the bad guy's arse, and she winds up where she started the episode - hanging off the edge of a tall building with only a balcony down below (but off to one side, so she can't really land on it. It's almost like it was there taunting her, "Haha! You need me, but I'm just too far away! Suck it!" - kind of like how Castle wasn't there for her this time when she really needed him). Her epiphany about what matters most in her life occurs to her as she's losing her grip and says Castle's name, then we hear the "Hang on!" shouted out again and it turns out to be Ryan accompanied by Gates and backup. This obviously gets Beckett and Esposito into trouble with Gates, but Ryan was doing the right thing and is the reason Beckett didn't die...so I hated seeing how Esposito treated him after (with Beckett, we didn't really get to see what she thought of Ryan doing what he did. She was more focused on telling Gates that she resigned, handing her in badge and gun and storming out). Screw you, Esposito, for being such a prick to Ryan! Like it wasn't bad enough when he punched Ryan in last season's final when he was just stating the truth about Montgomery. Did he ever get an apology about that? By my count this makes at least two apologies Esposito owes him now. I felt so bad for Ryan (and we got our seemingly traditional throwing of something in a season final courtesy of Ryan this time around). Alexis's speech was then played over a montage which ended with Beckett at hers and Castle's swing set (maybe it was a different swing set to the previous one/s? Maybe they just have a monopoly on ALL swing sets? Take that, kids! Stay of Castle/Beckett's meeting place! Swings aren't meant for swinging on!) in pouring moody rain. She then knocks on Castle's door and says she wants him. Evidently, it took her almost dying to realise she didn’t care about catching Maddox, she just wanted Castle (I'm sure there were some viewers who thought when watching this scene, "How presumptuous of you, Kate, to just assume Castle wants to be with you now after you took so long to return his feelings and after the way you treated -- aaand now they're snogging."). The episode ends with Maddox visiting the guy Castle's been talking with over the phone/meeting with and wanting him to hand over the damning evidence against the person responsible for ordering the murder of Beckett's mum, because his next job (after throwing her off a roof) is to put Beckett "in the ground once and for all". DUN DUN DUN! As I mentioned before, this seems to be regarded as one of the 'best' episodes of the show (if not THE 'best'), but while it has some good scenes/moments, I thought last season's final was stronger overall. But that's just me. Anyway, this season as a whole wasn't as 'strong' as last season in my personal opinion, but I think part of that was this big secret between Castle and Beckett which kept them at a distance (and illustrated some of Beckett's less flattering personality traits). Still, there was some decent, and at times very good, stuff sprinkled throughout the season. I'm interested to see what Season 5 is like upon rewatch, as I don't recall that much from it.
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Post by Feologild Oakes on Aug 11, 2020 20:39:38 GMT
MacGyver (1985) season 1
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Post by taylorfirst1 on Aug 15, 2020 17:12:17 GMT
The Addams Family season 1
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Post by alpha128 on Aug 15, 2020 17:53:42 GMT
I recently completed a rewatch of The Wild Wild West Season 3. I reviewed every episode of the third season on the Classic TV board, starting with this post.
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Post by Feologild Oakes on Aug 20, 2020 16:51:04 GMT
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Post by Chalice_Of_Evil on Aug 24, 2020 14:02:33 GMT
Most recently finished my Season 1 DVDs of World on Fire.
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Post by Feologild Oakes on Aug 24, 2020 19:55:04 GMT
Six Feet Under - Season 2
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Post by bluerisk on Aug 24, 2020 21:43:23 GMT
Doctor Who - Season six
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