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Post by teleadm on Mar 18, 2017 15:30:53 GMT
Joseph and His Brethren, a big biblical spectacle scripted by Clifford Odets and produced independently by Louis B. Meyer and released via Columbia Pictures, starring Hayworth, Orson Welles and Dick Haymes (!). Cancelled by Harry Cohn who refused to co-finance a movie with those special request of co-stars by Hayworth. The 1961 Italian movie bearing the same name and directed by Irving Rapper has nothing to do with this movie. Welles and Haymes were both Rita's husbands at various times. Haymes was very bland in his '40s musicals, but I recently listened to a Suspense radio drama he did in the '50s, an excellent thriller about a man trapped in a home's private elevator while killers burglarize the house, and he's not bad. Was this project connected to Thomas Mann's book series? In the '40s Columbia owned the film rights to Porgy and Bess. Harry Cohn intended to make it as a vehicle for... Rita Hayworh. At one point Cohn was going to film it in blackface, with Al Jolson as Porgy. When he he realized the absurdity of that idea, he changed the characters to white, and cast Fred Astaire as Porgy. That's right, Cohn planned to have the screen's most celebrated dancer play a crippled beggar. Eventually Cohn realized he could not cast current stars in any P&B adaptation. This and the story's dependence on censorable plot devices such as drug use and cohabitation convinced him to abandon the project. That Columbia once owned Porgy and Bess I didn't know, Fred Astaire in blackface sounds obscure by todays standards, but hey didn't he do such a rutine in a Bing movie.....
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Post by Doghouse6 on Mar 18, 2017 18:38:56 GMT
That Columbia once owned Porgy and Bess I didn't know, Fred Astaire in blackface sounds obscure by todays standards, but hey didn't he do such a rutine in a Bing movie..... Bing and Marjorie Reynolds did one ("Abraham") in Holiday Inn, which costarred Astaire. Fred did one ("Bojangles Of Harlem") in Swing Time, but it wasn't of the minstrel variety, and was intended at the time as respectful homage.
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