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Post by petrolino on Mar 30, 2018 0:37:25 GMT
Dillinger (1973) A Bonnie and Clyde wannabe, shot on location in Oklahoma with a good recreation of the period. Great cast: Warren Oates, Cloris Leachman, Ben Johnson, Harry Dean Stanton, Geoffrey Lewis, and Michelle Phillips in her impressive debut performance. The cast alone makes it watchable, but it's just not as good as it wants to be. A second and last viewing for me. Masterpiece! I've seen it a hundred times ...
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Post by petrolino on Mar 30, 2018 0:57:00 GMT
Masterpiece! I've seen it a hundred times ... Wow. . .There were things I liked about it, don't get me wrong. But for me it pales in comparison to Bonnie and Clyde. That said, to each his own. . . Here's the rub, spiderwort. Merits of this particular John Milius movie aside, Richard Dreyfuss announced himself as a superstar around this time, and based on box-office returns, hardly anybody could beat him from 1973 to 1977 - 'Dillinger', 'American Graffiti', 'Jaws', 'Inserts', 'The Goodbye Girl', 'Close Encounters Of The Third Kind' - established this man in the 'A' grade. Of course, he's risen from the ashes, sunk himself, and then risen again in recent years, but even during his darkest troubles he was an electrifying performer you couldn't take your eyes off of. What a man.
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Post by Deleted on Mar 30, 2018 1:38:23 GMT
A film by one of my favorite directors, Frank Borzage, and I still haven't seen it. Did you like it? Borzage has a wonderful lyrical style. Yes i thougth it was a very good movie. But i was disappointed with how the movie ended.
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Post by ZolotoyRetriever on Mar 30, 2018 1:54:08 GMT
Khartoum (1966), DVR'd off of THIS Channel.
Very well-told historical drama about British Gen. Charles "Chinese" Gordon (played by Charlton Heston) and his dealings with the army of the Mahdi (played by Sir Laurence Olivier) in 1885 Sudan. Some of the dialogue could easily have been written quite recently:
Gen. Charles 'Chinese' Gordon (Charlton Heston): The Mahdi plans to lay siege to Khartoum. Take it by force. To slaughter all the Egyptians - and those Sudanese who haven't accepted him. Col. J.D.H. Stewart (Richard Johnson): [incredulous] But... there are 35,000 people in Khartoum. Gen. Charles 'Chinese' Gordon: Those are his purposes. And I believe him. The man is sincere. He believes utterly in the Divine necessity for what he's doing. How could I have been such a stumbling fool! I'm a man who will question anything, except my own religious convictions. The Mahdi's no different. There's vanity for you! I seem to have suffered from the illusion that I have a monopoly on God.
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Post by petrolino on Mar 30, 2018 11:16:32 GMT
Here's the rub, spiderwort. Merits of this particular John Milius movie aside, Richard Dreyfuss announced himself as a superstar around this time, and based on box-office returns, hardly anybody could beat him from 1973 to 1977 - 'Dillinger', 'American Graffiti', 'Jaws', 'Inserts', 'The Goodbye Girl', 'Close Encounters Of The Third Kind' - established this man in the 'A' grade. Of course, he's risen from the ashes, sunk himself, and then risen again in recent years, but even during his darkest troubles he was an electrifying performer you couldn't take your eyes off of. What a man. Yeah, I don't know why I forgot to mention Dreyfuss the first go round. He was excellent as Baby Face Nelson, though for whatever reason I don't think Milius ever shot a close-up of him. No question that he rose to the top after that. Then sank, the rose again, as you note, to the status of a now star character actor. Back to Dillinger: it certainly had its merits, without question. It was a little too violent for me, but it had wonderful performances, direction, and Depression era locations, well scouted in Oklahoma and Arizona. So I suppose my biggest problem was with the script. I guess we'll just have to agree to disagree about that. Check out the wonderful 'Dillinger And Capone' (1995) starring Martin Sheen and F. Murray Abraham if you get the chance, I think you might enjoy it. I have it on dvd.
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Post by Deleted on Mar 30, 2018 11:48:38 GMT
Sybil (1976)
I know that it is really a mini series. But on my DVD it plays as one 3h 18min movie so i see it as a movie. Sally Fields best role i thinks and really proves what a great actress she is.
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Post by petrolino on Mar 30, 2018 12:00:11 GMT
Sybil (1976) I know that it is really a mini series. But on my DVD it plays as one 3h 18min movie so i see it as a movie. Sally Fields best role i thinks and really proves what a great actress she is. I really want to see 'Sybil'. I've seen most of Sally Field's feature films from the 1970s to the 1990s but not this tv movie which sounds like it tells a fascinating story.
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Post by teleadm on Mar 30, 2018 15:11:36 GMT
Sybil (1976) I know that it is really a mini series. But on my DVD it plays as one 3h 18min movie so i see it as a movie. Sally Fields best role i thinks and really proves what a great actress she is. If I'm not too wrong, there was a cinema version too in some contries.
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Post by Deleted on Mar 30, 2018 15:26:54 GMT
Sybil (1976) I know that it is really a mini series. But on my DVD it plays as one 3h 18min movie so i see it as a movie. Sally Fields best role i thinks and really proves what a great actress she is. If I'm not too wrong, there was a cinema version too in some contries. I had to look it up but yes it did get theatrical release om some countries.
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Post by teleadm on Mar 30, 2018 15:41:32 GMT
The Anniversary 1968, directed by Roy Ward Baker, based on a play by Bill MacIlwraith and a screenplay by Jimmy Sangster, starring Bette Davis, Sheila Hancock, Jack Hedley, James Cossins, Christian Roberts, Elaine Taylor and others. Don't be fooled to think this is a horror movie just because it's Hammer film, it's a very black comedy. Three sons who work in the family construction business help their overbearing mother celebrate her anniversary to her late husband. Bette Davis has a field day playing the kind of bitch that she has refined for over 30 years, as a mother of three sons she is overbearing and protective, Oldest son is a cross dresser, middle son has too many kids, youngest son has a new bride that disturbes mothers anniversary day and she does everything to find a weak spot in her. It's a battle of wits, and everytime mother seems beaten she always have a new ace up her sleeve. One character says "when it's just her and the boys, she is nearly normal". Though the movie is a bit hampered by it's theatrical origins, it's still entertaining to see the great American icon having the time of her life and deliberatly slightly overdoing it. Hancock, Hedley and Cossins reprised their stage roles. I can't help translating the Swedish title of this movie: A Sweet Little Mother That Ought to be Murdered.
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Post by Lebowskidoo 🦞 on Mar 30, 2018 20:11:30 GMT
This morning I watched Rain (1932) in which Joan Crawford faced off against Walter Huston.
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Post by Matthew the Swordsman on Mar 31, 2018 13:06:21 GMT
The Decoy (1914, USA, 16 minutes) - 7.5/10. Not a great drama, but I loved seeing the 1910s clothes, the 1910s locations, etc....
I viewed it via the DVD "The Thanhouser Collection - Volumes 10, 11 and 12". Thanhouser was a relatively short-lived film production company, but were very successful for much of their existence. The grandson of the founder of the company sells DVD-Rs of the films, which are sourced from a wide range of film archives. The money from the DVD-Rs goes towards paying the costs of making more of the films available (and transferring fragile old nitrate prints to more stable formats)
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Post by louise on Mar 31, 2018 15:19:50 GMT
THe Lady Vanishes (1938). very entertaining comedy thriller with May Witty as the lady who mysteriously vanishes on a train, Michael Redgrave and Margaret Lockwood solve the mystery of her disappearance.
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Post by Matthew the Swordsman on Mar 31, 2018 15:27:37 GMT
Just finished two short films with Roscoe "Fatty" Arbuckle: Leading Lizzie Astray (1914) and Mabel and Fatty's Wash Day (1915). I enjoyed both.
I viewed them via the DVD set The Forgotten Films of Roscoe "Fatty" Arbuckle.
BTW, can anyone recommend me where I can see some more Keystone comedies? I've seen all of the ones with Charlie Chaplin, and I've seen various with Roscoe Arbuckle. Just wondering where I can see some others.
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Post by kijii on Mar 31, 2018 16:14:25 GMT
Wagon Master (1950) is a fun John Ford movie about the unexpected travails of two horse traders (Ben Johnson & Harry Carey Jr.) who and end up leading a wagon train of Mormons (lead by Ward Bond) to Utah. Travails include: thirst, a group of bank robbers (Clegg boys), a quack medicine show. Elder Wiggs (Ward Bond): You boys mind tellin' me if you're drinkin' men? Travis Blue (Ben Johnson): Nope. Got a brother who's a drunkard though. Elder Wiggs : You ever chew? Travis Blue : [Dryly] Tried it once. Elder Wiggs : Use the words of wrath? Travis Blue : Only tolerable well. Elder Wiggs : Are you family men? Travis Blue : No, sir.
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Dallas (1950) is only a fair Gary Cooper Western. Actually not one his best westerns. ------------------------------------------------------ Bad Girl (1931) was a pleasant surprise to me. Normally I don't expect much from 1931 movies. But, I found this Frank Borzage romance very good. This movie was nominated for a Best Picture Oscar and won for Best Director and Best Writing, Adaptation. I found the story and all three major performers (James Dunn, Sally Eilers, and Minna Gombell) in the movie very engaging. [Dunn would later go on to win a Best Supporting Actor Oscar for A Tree Grows in Brooklyn (1945)].Luckily, we can watch a very good print of this movie on YouTube: www.youtube.com/watch?v=YWltM9MXuuU ---------------------------------------------------------Johnny Guitar (1954) As ridiculous as the premise of this Republic movie is, we all seem to love these two alpha females (Joan Crawford and Mercedes McCambridge) warring against each other, using their men to do their fighting for them. As the movie progresses, we sort of lose track of why these two women hate each other, but the main thing is--they do.Emma (Mercedes McCambridge): I'm going to kill you. Vienna (Joan Crawford): I know. If I don't kill you first. Sam (Robert Osterloh): [referring to Vienna] [Meekly, to the two men in the kitchen] Never seen a woman who was more of a man. She thinks like one, acts like one, and sometimes makes me feel like I'm not. One might think that with the two main male characters named "Johnny Guitar" (Sterling Hayden) and "the Dancin' Kid" (Scott Brady) we are watching a spoof of a western and maybe we are:Johnny (Sterling Hayden): There's nothin' like a good smoke and a cuppa' coffee. You know, some men got the craving for gold and silver. Others need lotsa' land, with herds of cattle. And then there's those that got the weakness for whiskey, and for women. When you boil it all down, what does a man really need? Just a smoke and a cup of coffee. Marshal Williams : And who are you? Johnny : The name, sir, is Johnny Guitar. Dancin' Kid (Scott Brady): [Scornfully] That's no name! Johnny : [Cooly] Anybody care to change it? Nevertheless, Emma is able to raise a posse to go after Vienna and her friends. And, who is willing to lead this posse of vigilantes? Ward Bond...?? --------------------------------------------------
Rich and Famous (1981) is George Cukor's swan song. It is a remake of Old Acquaintance (1943) with Bette Davis in the Jacqueline Bisset role and Candice Bergen in the Miriam Hopkins role. It's not exactly like The Philadelphia Story (1940). It sure ain't anything like Little Women (1933) Maybe it is closer to The Women (1939) or A Bill of Divorcement (1932). This just gives you a feeling for how many sexual mores Cukor movies span. Liz Hamilton (Jacqueline Bisset): I need the press of human flesh, and you're the only flesh around. Merry Noel Blake (Candice Bergen): After all these years are you trying to tell me there's something strange about you?
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Post by Chalice_Of_Evil on Apr 1, 2018 8:50:19 GMT
A Series of Unfortunate Events (2004) was on TV yesterday, which is a movie I quite enjoy, and so I recorded it to watch. I've watched this movie a few times on TV (though never saw it at the theatre) and because I never read the book series it was adapted from, I think that helped contribute to my enjoyment of the film - as I had nothing to compare it to and therefore nothing to complain about being changed/left out. While I think it was an understandable contrast to go from the annoyingly happy elf opening to Jude Law's Lemony Snicket interrupting and the bright sunshiny atmosphere suddenly turning dark with the record scratch - it's good that it happened when it did, as I don't think I could've taken any more of that irritating elf singing. The opening narration did a good job of establishing Jude Law's dry delivery of Lemony Snicket's lines (I especially liked the "if you like stories about clever and reasonably attractive orphans" bit - I thought that was amusing). I liked that they kept him mostly in shadow, but allowed for just a hint of what he looked like (for any young enough not to be familiar with Jude Law, I think it would've added mystery - which, if I recall correctly, I liked as a kid. The mere hint of something can be far more intriguing than something that's shown clearly/on full display - which is how this movie manages to navigate the more 'dark'/'gruesome' aspects). I liked the way the introduction of the three kids was handled. It explained who they were, what they could do and their quirks in a succinct way for those of us unfamiliar with the story. Of course, I was most familiar with Emily Browning who played Violet Baudelaire - since she was an Aussie (who I think I first saw in the horror movie Ghost Ship). I liked the quirk of Violet tying her hair up being an indicator that she was preparing to invent something. Not being a fan of young children/infant types in movies, the character of Sunny was a bit of 'downside' of the movie for me. However, most of the time she was relatively tolerable (maybe one or two of her subtitled lines were mildly amusing to me). I liked the dynamic between the three kids, and thought both Emily and the actor playing Klaus worked well together (I did feel sorry for Emily having to carrying the kid playing Sunny for a good percentage of the movie. Her arms must've gotten tired). Emily really sold the emotion in the scene where they learned of their parents' death. Apparently Jim Carrey's portrayal of Count Olaf was very divisive (from what I read). Some people seemed to hate it, others didn't. I myself was okay with it. Yes, there were times where it felt like he was just doing his Jim Carrey thing and ad-libbing or whatever, but there were quite a few instances where I found him genuinely amusing. There'd be too many amusing lines/moments to list here (and I'd no doubt forget some), but on the whole I liked his portrayal of the character. I even thought he gave off a nicely 'creepy' vibe a few times - with the added ickiness of him marrying's a 14-ear-old near the end. I'm glad they kept the slapping of Klaus - as horrible as that may sound. Obviously, I'm not glad about the slap itself, but the fact that they didn't shy away from Olaf being abusive - that could've easily been cut by over-cautious/overly sensitive ratings people, but it would've somewhat lessened the impact of what a horrible character he was. Him not being nice at all was really effective, I thought, and at least when the kids called him a monster, it was justified/we'd seen evidence that backed it up. He didn't go easy on them, he was pretty ruthless - which felt 'right' with the film's overall mood. As odd as it might sound, I really liked the sequence with the kids creating a meal for Olaf and his acting troupe. I enjoyed seeing what things they used (and as gross as the objects they used were - Olaf and his gang deserved to be eating food made with them...so it was too bad they didn't actually eat any of it. I was as disappointed as the kids were, after all the effort they'd put in). I also really enjoyed a lot of Carrey's line deliveries. He just made jokes 'work' because of how he delivered them - though, admittedly, some more than others. I thought the couple of 'different' characters he played were amusing too. Obviously Olaf was meant to be a bad actor - which was what made his playing other characters amusing. The sequence with Olaf leaving the kids trapped in the car on the train tracks to be smushed by an oncoming train was really well done, I thought. I liked the build-up, Violet's inventiveness, everyone contributing and just the overall 'look' of everything - I just loved the lighting/atmosphere of the whole movie. It was also a nice way of working in that annoying elf from the opening - by having its head (deservedly) bitten off. Timothy Spall was good as Mr. Poe, I thought. Yes, he was a very frustrating character, as he missed the obvious and wouldn't listen to the kids about Count Olaf - but still, I couldn't hate him. Somehow, I still found him okay. It was quite upsetting when Uncle Monty died. Billy Connolly was so 'warm'/likeable playing thing character, I thought, and it was nice to see the kids somewhat 'happy' with him (he was also, by far, the best of the adult characters, as he actually got a clue about Count Olaf once the kids drew his attention to the dodginess of 'Stefano' and he listened to them/ believed them). Which made it all the more awful when he was murdered. This is an example of where merely hinting at what had happened was enough, I think. We only see his hand and blue lighting, but you get the gist of what's happened to him. Yes, they could've shown more, but it wasn't really necessary. I definitely felt sorry for them (as well as poor Monty) and could totally understand their frustration/anger with all the adult characters. I will admit that the shot of Sunny playing with the 'Incredibly Deadly Viper' was kinda 'aww'-worthy - mostly because of the hugging. I'm not a snake fan, but that snake looked like it'd be the best snake it the world to have as a pet. Meryl Streep was pretty fun as Aunt Josephine and her fear/paranoia about everything being potentially deadly. After Monty, she felt a bit less 'warm', but I'm glad they gave her a moment here and there to seem a little less 'quirky' and the kids appeared to be somewhat warming up to her just as, yet again, things went sideways. Her reaction to realtors, with Jane Lynch in the cameo of a realtor, was rather amusing... I liked that the kids figured out she wasn't dead via her 'suicide note' she was forced to make spelling errors in when writing it. Them reading the note and then stopping multiple times to note the mistakes amused me. Of course, her need to correct any spelling/grammatical errors was what led to her being left behind as leech food in the end. I really liked the sequence with the house coming apart. Seeing all the things Josephine said were deadly actually prove to indeed be true was also fun - especially Violet's "No way!" reaction to the door knob heating up and exploding everywhere. Though, for someone so concerned with safety, it really was quite odd that she had such a deathtrap of a house built in a very questionable/precarious place. It was nice to see Catherine O'Hara again as Justice Strauss, as I mainly remember her from the Home Alone movies. Though, like the rest of the adult characters, her obliviousness to all the bad stuff going on was very frustrating to witness. If I had one complaint, it'd be that Violet didn't really get to play a large part in beating Olaf at the end - it seemed to be mostly Klaus. Yes, he used the 'What Would Violet Do' thinking process, and Violet herself tried to stall for as long as possible in signing the document, but she didn't really get to 'defeat' Olaf as such - which was disappointing. She could've at least kicked him in the goolies. Anyway, on top of the acting, the humour, the 'dark' aspects, and the atmosphere, something else I liked about the movie was the costumes. Violet's especially stood out. The black one gave a very 'gothic' feel. And the blue one reminds me of what Bryce Dallas Howard's character, Ivy Walker, wore in the movie The Village. I liked how the sets, the props, the costumes, etc all felt like they were from another time period. The only minuses were the few instances where there was something that felt a bit too 'modern' for whatever time period this was meant to be set in. Closing thoughts: I really liked this movie a lot. It's probably one of the best 'kids films' I can recall that's not from the 80's or 90's. It's really the sort of film that kids *need* to see to learn that things aren't all nice and sunshiny...but at the same time it wasn't all grim/dark, there were some lighter moments too. It had good humour (albeit morbid - though I liked that about it), fun/wonderful performances, it looked great and the music was suited the atmosphere perfectly - none moreso than the excellent end sequence that surely would've made people sit through the credits - they're just so delightful to look at (and the music is odd/different, yet so perfect). I do wish more 'kids films' were made like this^ one these days. There needs to be some 'dark stuff' in them, I think, to keep them from being predictable/boring. I can only guess the reason it didn't do so well was because it didn't fit into the 'typical' mould of what most think a kids film 'should be'. It's a shame it wasn't more well-received, as I think it's a delight and quite underrated (which probably explains why I record and watch it almost any time it's repeated on TV here). 8/10
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Post by ZolotoyRetriever on Apr 2, 2018 3:04:12 GMT
Lilith (1964), with Warren Beatty, Jean Seberg, Peter Fonda, Gene Hackman. DVR'd off of recent TCM telecast. Second time viewing for me. Intriguing, sometimes unsettling tale of goings-on in a private mental institution. The black & white cinematography seems to work quite well here. Seberg is particularly effective as the title character, and Peter Fonda (so young here I almost didn't recognize him) turns in a finely tuned performance as one of the mental patients. Gene Hackman was very good in a small role. Hackman would go on to play Beatty's brother in Bonnie and Clyde (1967), and also appeared with Beatty in Reds (1981).
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Post by Deleted on Apr 2, 2018 3:19:59 GMT
Just seen: Safety Last. I just didn't like the person in it, can't remember his name. Something about this guy, I do not care for. I don't really care for his physical gags in the film. Or whatever the right word would be for it. I mean, chaplin was way cooler than this guy, imo. Maybe I just an ignoramous but whatever.
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Post by delon on Apr 2, 2018 12:46:31 GMT
Johnny Guitar (1954): Cult western starring Joan Crawford and Sterling Hayden. Moderately entertaining and with a clever noirish dialogue, it's somewhat hurt by the lack of chemistry between two leads. Mercedes McCambridge steals the show with her intense performance.
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Post by kijii on Apr 2, 2018 15:14:54 GMT
Rich and Famous (1981) www.imdb.com/title/tt0082992/?ref_=nm_flmg_dr_2 is George Cukor's swan song. It's not exactly like The Philadelphia Story (1940). It sure ain't anything like Little Women (1933) Maybe it is closer to The Women (1939) or A Bill of Divorcement (1932). This just gives you a feeling for how many sexual mores Cukor movies span.
kijii, I don't know if you know, but this is a re-do of the Bette Davis/Miriam Hopkins film, Old Aquaintance (1943). I haven't seen it since it was released, but I remember liking it a lot better than most critics did. Spider-- No, I didn't realize that this was a remake, but now that I know it, I think I will go back and watch Old Aquaintance (1943) again with the former still fresh in my mind. One thing I forgot to mention was that in Rich and Famous, Meg Ryan makes her film debut as Candice Bergen's teenage daughter. And, Bergen's husband looked SO familiar to me, and I couldn't understand why. (I kept thinking wasn't he on a TV soap opera or something?). I was right--David Selby played Jane Wyman's lawyer (Richard Channing) on TV's Falcon Crest.
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