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Post by wickedkittiesmom on Feb 12, 2021 21:16:26 GMT
I watched Hillbillies in a Haunted House about year ago when I couldn't get to sleep, sometimes a totally silly film relaxes the mind.
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Post by jeffersoncody on Feb 13, 2021 4:56:26 GMT
The King of Marvin Gardens (1972)  Did you enjoy it Archelaus? THE KING OF MARVIN GARDENS is the only film starring either Nicholson or Dern (two of my very favorite actors) I have not seen yet. I bought it on Blu Ray recently and will be watching it shortly.
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Post by jeffersoncody on Feb 13, 2021 4:58:53 GMT
I saw DRIVE ANGRY on the big screen in 3D Chalice. I am not a fan of 3D generally, but it was well used here and added much to this deliciously schlocky action horror flick.
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Post by Archelaus on Feb 13, 2021 5:44:13 GMT
The King of Marvin Gardens (1972)  Did you enjoy it Archelaus? THE KING OF MARVIN GARDENS is the only film starring either Nicholson or Dern (two of my very favorite actors) I have not seen yet. I bought it on Blu Ray recently and will be watching it shortly. I wasn't too enthralled with this movie. The opening scene was great and it has nice cinematography with the muted backdrops of Atlantic City. Jack Nicholson uniquely plays a character out of his usual element that's reserved and introspective. Ellen Burstyn and Julia Anne Robinson do pretty good in their parts. I just wasn't too involved with the story. I suppose it's a 1970s commentary on how unobtainable the American dream is. Overall, I found it to be a weaker film than Bob Rafelson's earlier film Five Easy Pieces.
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Post by Morgana on Feb 13, 2021 8:12:16 GMT
Yesterday I watched Sicario for the second time. I loved it even more than I did after first watching it. Blunt, Brolin, and especially Del Toro, were exceptional in it. It's a pity that the sequel, though a good film, wasn't up to the standard of the first.
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Post by Chalice_Of_Evil on Feb 13, 2021 21:12:43 GMT
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Post by wickedkittiesmom on Feb 13, 2021 21:19:07 GMT
This morning I watched "Little Boy" its about a boy in O'Hara, Ca. during WW2, nicknamed "Little Boy" because of his extremely small stature. He will do whatever it takes to bring his father back from the war, he is given a "magic" list of things to do by a priest including befriending an old Japanese man in town, the priest tells him he has to accomplish these task in order to be able to bring his father back. It has a surprise ending, its a heartwarming film. p.s. "Little Boy" was also the code name for the bomb dropped on Hiroshima . This afternoon I just finished watching "Ike: Countdown to D-Day", self explanatory.
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Post by Prime etc. on Feb 14, 2021 5:26:58 GMT
SHADOW OF A DOUBT 1943 - The fascinating thing about Hitchcock movies is how dense they are for character and story elements. There's never any waste or filler. Everything matters. Little things-sometimes humorous such as the joke on the train with the doctor saying the passenger he is playing cards with looks sick and then we see his card hand instead of his face. Or two men discussing how to murder each other. That's always a Hitchcock theme-how the normal society may be hiding murder and insanity underneath.
The friend with glasses who gives eye contact to all the men she encounters--and also the waitress stood out. She's like the underside of the town--she is working different jobs--seems kind of worn out. She's the opposite of Charly and also the widows that get mentioned.
I didnt miss the quick comment that Uncle Charlie hit his head as a child and maybe that's the reason he changed. It is clear he and his sister are very cozy while the husband is rather wimpy. Notice that there are no other younger men around. Except the military people in the bar? But even our detective boyfriend is not present to help Charly by the end. She has to deal with it herself. I do find the sudden jump to the train moving while she is still on it kind of jarring. There's a couple of lines that caught my attention--someone says the remark that compared to the locals in town, foreigners are better at speaking (referring to Uncle Charlie)..and then right at the end-how the world gets crazy sometimes and needs watching. I almost expected Basil Rathbone and Nigel Bruce to drive by and mention war bonds. But that was a pretty subtle wartime reference.
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Post by Chalice_Of_Evil on Feb 15, 2021 14:04:35 GMT
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Post by wickedkittiesmom on Feb 15, 2021 16:30:36 GMT
My Bodyguard - a teen film about bullying. Stars Chris Makepeace, Adam Baldwin, a young Joan Cusack, Martin Mull, Ruth Gordon and Matt Dillon
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Post by Lebowskidoo 🎄😷🎄 on Feb 15, 2021 21:07:09 GMT
Emperor of the North (1973) I was expecting some sort of snowy adventure with Lee Marvin, but I was confusing this with Death Hunt (1981), I guess. This has Lee Marvin as a train-hoppin' hobo, battling his arch nemesis, Ernest Borgnine, a sadistic train conductor. It also features a baby-faced Keith Carradine. A pleasant enough time killer. .jpg)  
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Post by kijii on Feb 16, 2021 4:54:03 GMT
Much Ado About Nothing (2012) / Joss Whedon
This B&W movie, with modern dress and background setting, is an interesting idea. However, the brilliant Shakespeare dialogue--one of his best for his dialogue--just does not work well in this setting. Get thee a Much Ado About Nothing (1993) / Kenneth Branagh for finer enjoyment of the verbal battles between Beatrice and Benedick in a joyful movie of this play.
Beatrice : A bird of my tongue is better than a beast of yours. Benedick : I would my horse had the speed of your tongue, and so good a continuer.
Benedick : It is certain I am loved of all ladies, only you excepted: and I would I could find in my heart that I had not a hard heart; for, truly, I love none. Beatrice : A dear happiness to women.
Beatrice : I had rather hear my dog bark at a crow than a man swear he loves me.
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Post by Chalice_Of_Evil on Feb 16, 2021 14:18:34 GMT
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Post by teleadm on Feb 16, 2021 18:49:56 GMT
Across 110th Street 1972 directed by Barry Shear and based on a novel by Wally Ferris. A very violent and brutal crime move about amateur thieves who manages to steal from the mob in a Harlem apartment masquerading as policemen, the robbery becomes very violent and bloody, the police have to solve the crime as real policemen also were killed, and the mob want's revenge and their money back. There is also racial issues. Anthony Quinn plays the older police on the case, who is not beyond using very brutal methods to get answers, but he is put aside, since the top brass want's a back policeman on the case instead, played by Yaphet Kotto. Anthony Franciosa plays the man from the mob who also uses very brutal methods to get answers, revenge and the money back. Anthony Fargas, before he became "Huggy Bear", plays one of the thieves who can't keep low, but starts spending the money, with flashy clothes, drugs, and goes openly to flashy places, and that's were the mob finds him. We are spared some of the most brutal things the mob does to him, but what we see is rather graphic anyway. Though the movie is very violent and brutal, it's still a very good movie. Great music score by Bobby Womack and J.J. Johnson, and good use of very seedy real New York locations. The violence shocked me once, in the 1980's, seeing it again, it's still very violent and raw, yet feels more realistic than in an ordinary action movie.    
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Post by Prime etc. on Feb 17, 2021 7:14:30 GMT
A funny night of synchronicity for me. I watched DR BlOOD'S COFFIN 1961--which I had seen before. Directed Sidney J Furie from Canada. The performance by Hazel Court is quite good for this sort of film.
Then I watched THE SPY WITH A COLD NOSE 1966 which I expected to be a dud--but in fact was very funny at times. Directed by Daniel Petrie-another Canadian in the UK. This film has Lionel Jeffries as a secret agent who is as far from James Bond as possible. He needs a vet to implant a spy device in a bulldog given to the Soviet leader. Despite that plot, the humor is often so absurd and witty--I haven't had so many chuckles watching a 60s comedy in a while. Laurence Harvey and Daliah Lavi get first billing but Jeffries is clearly the star. Great performance and comic timing in this.
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Post by teleadm on Feb 18, 2021 19:09:33 GMT
Compañeros! aka Vamos a matar, compañeros 1970 directed by Sergio Corbucci and starring Franco Nero, Thomas Milian, Fernando Rey, Iris Balban, Jack Palance and others. Spaghetti Western, taking place in Mexico, but made on Spanish Locations."A Swedish arms dealer and a Mexican peon team up to rescue the intellectual leader of the Revolutionary cause, while taking part in numerous misadventures along the way". Been trying to catch up on my little knowledge of Spaghetti Westerns, but I have a hard time feeling enthusiastic about them, so I don't think it's a genre I will follow too closely, only occasionally. This one was said to be one of the better of it's sort, combining violence with humor, that was not made by Sergio Leone. Some great scenes and music by legendary Ennio Morricone helped a bit Franco Nero plays the Swedish arms dealer and his name is Yodlaf Peterson, no Swede has never been named Yodlaf, but if you read it in another way... You'd Laugh.    
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Post by Spooky Ghost Ackbar on Feb 18, 2021 23:33:44 GMT
King Kong 1933  
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Post by Prime etc. on Feb 19, 2021 6:03:39 GMT
Well I do enjoy a Tomas Milian western-this I assume is the one where Palance walks away naked in defiance? Hilarious. I like the edginess of these ones--the characters are often not likable in the traditional sense-they are criminals and thieves and killers. But there's something about them--a type of operatic mentality that I find works more than it doesn't. They have political angles sometimes, especially after 66 or so, but usually they fit into the story in an elegant manner. I haven't watched many after 1970 though so perhaps they get much more obvious and less entertaining. One thing about them--is that usually the bad guy is really bad.
On a related note, I watched
EL DORADO 1966 -- I noticed the villains are not all that ruthless and mean compared to the average spaghetti western. Christopher George has a good role but he's not really all that bad--and Ed Asner as far as the evil land baron goes, is not particularly mean either. maybe I watch too many spaghetti westerns where everyone seems bad.
John Wayne is someone that I do not particularly care for--he kind of works better as second banana to others instead of being the focus--and there's a few moments here where it works in his favor but he is sooooo overshadowed by Robert Mitchum, and even Arthur Hunnicutt who is great as the deputy is a stronger personality in this. One thing I perplexed by is why I have no idea who Michele Carey is since she must be one of the few to have shot Wayne in a movie to the point where he could have been killed. She seems familiar like I have seen her somewhere but I didn't recognize her name and I am too stubborn to do a search. She's like a combination of Anjanette Comer and Barbara Parkins. Anyway it was ok with some funny moments like the soap bit but I prefer the spaghetti western! There's something with American westerns I just find them too restrained and phony. The stakes never seem as high compared to a spaghetti western. And I am not thinking about Leone--I am more inclined to watch one of the other Sergios. I liked THE BIG GUNDOWN, RUN MAN RUN, FACE TO FACE, A BULLET FOR THE GENERAL, CEMETERY WITHOUT CROSSES, THE RUTHLESS FOUR....
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Post by teleadm on Feb 19, 2021 7:12:34 GMT
Prime etc.The one were Jack Palance runs away naked was The Mercenary 1968, in this one he had an artificial hand and a falcon (I think it was a falcon).
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Post by Prime etc. on Feb 19, 2021 7:16:38 GMT
Prime etc. The one were Jack Palance runs away naked was The Mercenary 1968, in this one he had an artificial hand and a falcon (I think it was a falcon). Oh yeah, this is one where Milian calls Nero "penguin" and sings to him when he is tied up. I remember this mostly for the glasses-wearing prostitute. I looked up other films she did after watching it.
The Belle Starr Story is another really good one I like.
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