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Post by MrFurious on May 20, 2018 15:44:13 GMT
Conspiracy of Hearts(60) Lovely Sunday afternoon film
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shield
Sophomore
Reading is to the mind what excercise is to the body
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Post by shield on May 20, 2018 17:22:14 GMT
mikef6 Another Bogart under my belt and I like what I've seen so far. Blasphemy, i know, that it's taken me so long to see them. Casablanca is my favorite of the 4 Bogart films I´ve seen. Now I know what all the hoopla was about. Also fun to see John Huston direct his father, Walter Huston, to an Oscar for "Best Actor in a Supporting Role" (well deserved!). He sadly passed away a little over a year later after receiving the Oscar. The Treasure of Sierra Madre (1948)
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Post by MrFurious on May 20, 2018 18:26:52 GMT
Yield to the Night(56) So that was the famous Diana Dors.::love:: Have enjoyed loads of J L Thompson movies even his latter ultraviolent Charles Manson ones
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Post by kijii on May 20, 2018 20:28:42 GMT
Knight Without Armor (1937) / Jacques Feyder DVR'd from TCM There are so many great movies based on James Hilton novels that I have become a little spoiled, thinking that they will all be as good as: Lost Horizon (1937), Goodbye, Mr. Chips (1939), Mrs. Miniver (1942) or Random Harvest (1942), but they can't all be equal, even when Robert Donat is co-staring with Marlene Dietrich. I did like this movie, but I think it lacked both the focus and pathos of the other movies listed above.
This movie is about a British Russian scholar, A.J. Fothergill (Robert Donat), engaged to blend in with, and spy on, the Russian Reds during the Russian Revolution. After being arrested and sent to Siberia as a Red, WWI breaks out and he is liberated. However, he soon finds himself assisting a Russian countess, Alexandra (Marlene Dietrich) from her potential Bolshevik captors as the two run across the forest trying to find a train to escape from Russia.
Station Master : Take your seats, please! Kazan... Moscow... Petrograd! Ainsley J. Fothergill aka Peter Ouronov : I don't see the train. Station Master : Sshh! Trains that are seen are being blown up.
Countess Alexandra Vladinoff : [Asking about a bribe] And all he wanted was your wristwatch? Ainsley J. Fothergill aka Peter Ouronov : [Rhetorically] Well, what use is a wristwatch when trains are to be a week late?
For a fuller, and much better, synopsis of this movie with SPOILERS see this link: www.tcm.com/tcmdb/title/80463/Knight-Without-Armor/full-synopsis.html
EDITED LATER---I just saw this movie again and loved it! There has an epic sweep to it that must have been hard to achieve in 1937. I does capture some of what Russia may have been like during the Revolution. AND there are many scenes that evoke pathos and adventure, especially during the later part of the movie when Donat and Dietrich are trying to escape from Russian.
As I saw Donat and Dietrich on the run from the Bolsheviks and resting the the forest, it did remind me of the kind of connection Donat had with Madeleine Carroll in Hitchock's The 39 Steps (1935) when they had time to stop and joke. Added to this is the train motif that runs through both of these Donat movies. In both movies the man and woman are chased on the run of their lives. In both movies, they are aided by a helpful person or two: i.e., Crofter's Wife (Peggy Ashcroft) in T39S and Poushkoff (John Clements) in a moving relationship that he builds with the young couple in KWA.
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Post by ZolotoyRetriever on May 20, 2018 21:38:52 GMT
After Dark, My Sweet (1990), directed by James Foley, with Jason Patric, Rachel Ward, Bruce Dern. DVR'd from FLIX cable network some while back. I've seen it before, but thought I'd revisit it.
Neo-noir with a fairly interesting story about an ex-boxer (Jason Patric) who appears to be slightly mentally retarded (possibly punch-drunk... or is he faking it?). Anyway, he gets lured into a kidnapping plot hatched by a femme fatale, Fay (Rachel Ward) and her uncle Garrett (Bruce Dern). Things with the kidnapping don't go as planned (do they ever?), complications and psycho-drama ensue.
Not bad for a neo-noir. Suitably atmospheric with some good dramatic tension, and nicely filmed in the palm desert area of Southern California,
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Post by ZolotoyRetriever on May 21, 2018 2:27:08 GMT
Crime Wave (1952), Directed by André De Toth, with Sterling Hayden, Gene Nelson, Phyllis Kirk et al. DVR'd off of TCM telecast from the "Noir Alley" presentation last night, hosted by Eddie Muller.
This was a taut little noir thriller from 1952. Pretty good crime story, nicely filmed in Los Angeles, with many actual L.A. streets and buildings serving as on-location shooting sites. Sterling Hayden, playing a very aggressive cop, is so zealous in his role that his character comes across more as a caricature than anything, but he redeems himself in the final reel. Dub Taylor has a brief appearance as a gas station attendant who, much like he did in Thunderbolt and Lightfoot some 20 years later, was a very talkative attendant. An uncredited Timothy Carrey plays a slightly psycho ex-convict character.
Look for an early screen appearance by a young - and as-yet "undiscovered" - actor named Charles Buchinsky, aka Charles Bronson, as an ex-con. It was a reminder that Bronson got his start largely by playing these sort of menacing, scowling bad guys.
Anyway, it was a good movie-watching experience, made all the better by Eddie Muller's very informative intro and outro spiels.
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Post by kijii on May 21, 2018 5:23:44 GMT
The Wings of Eagles (1957) / John Ford Continuing on with my John Ford-directed movies, I tackled this one tonight:
THIS WILL ALSO BE AIRING ON TCM on Sat, May 26 12:00 PM (ET) if you want to set your DVRs
Min Wead (Maureen O'Hara) : I'm not going Frank W. 'Spig' Wead (John Wayne): Stay broke and keep moving that the story of our lives. Min Wead : Spig you got two daughters and they lived in seven different houses and seven seven states and seven different years back and forth across the country and out of it too. Well, I'm just not going to move them anymore. Frank W. 'Spig' Wead : Well, Have a Drink
later in the movie... Min Wead : Why don't you! Frank W. 'Spig' Wead : Alright, I been thinking what a heel I been about you and my own kids, I do something I go all the way, living, gambling, flying, tap myself out I guess that what I wanted to be. Maybe way I am. Min Wead : Star spangled Spad damn the marguritte and full speed ahead and don't give up the ship. Frank W. 'Spig' Wead : Have a drink, Listen Min I'm trying to say I been a fool, first grade gold brand Min Wead : So Have I! Frank W. 'Spig' Wead : [Grabs her] Okay, Let change it, lets grow up before our kids do Min Wead : We better hurry up.
For full synopsis with SPOILERS: www.tcm.com/tcmdb/title/2304/The-Wings-of-Eagles/full-synopsis.html
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Post by kijii on May 21, 2018 6:08:45 GMT
mikef6 Another Bogart under my belt and I like what I've seen so far. Blasphemy, i know, that it's taken me so long to see them. Casablanca is my favorite of the 4 Bogart films I´ve seen. Now I know what all the hoopla was about. Also fun to see John Huston direct his father, Walter Huston, to an Oscar for "Best Actor in a Supporting Role" (well deserved!). He sadly passed away a little over a year later after receiving the Oscar. The Treasure of Sierra Madre (1948) shield and mikef6-- This is probably my favorite John Huston movie. John Huston makes a great little appearance here as the man in Tampico who is always getting panhandled by the same guy over and over---Bogy--was it?
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shield
Sophomore
Reading is to the mind what excercise is to the body
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Post by shield on May 21, 2018 9:46:58 GMT
mikef6 Another Bogart under my belt and I like what I've seen so far. Blasphemy, i know, that it's taken me so long to see them. Casablanca is my favorite of the 4 Bogart films I´ve seen. Now I know what all the hoopla was about. Also fun to see John Huston direct his father, Walter Huston, to an Oscar for "Best Actor in a Supporting Role" (well deserved!). He sadly passed away a little over a year later after receiving the Oscar. The Treasure of Sierra Madre (1948) shield and mikef6-- This is probably my favorite John Huston movie. John Huston makes a great little appearance here as the man in Tampico who is always getting panhandled by the same guy over and over---Bogy--was it? Ahh, was that him? Yes, it was Bogy who harassed him for "money for a meal to a fellow american". From what little (so far) of what I've seen of John Hustons work I agree, the best so far. Nice and thanks for telling :-)
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Post by OldAussie on May 21, 2018 9:47:49 GMT
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Post by OldAussie on May 21, 2018 9:58:08 GMT
Another famous name also appeared - Here he is a little older -
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shield
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Reading is to the mind what excercise is to the body
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Post by shield on May 21, 2018 10:40:59 GMT
Another famous name also appeared - Here he is a little older - Haha, nice! I grew up with Baretta. I can see it now that you've mentioned it
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shield
Sophomore
Reading is to the mind what excercise is to the body
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Post by shield on May 21, 2018 21:15:32 GMT
Another great classic. Charles Laughton really impressed me with his total owning of every scene he was in. The disclaimer in the end that the audience (me in this case) should not reveal the ending to those that haven't seen it I found funny and still very relevant but not usually something that has to be mentioned.
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Post by ZolotoyRetriever on May 22, 2018 5:39:04 GMT
Untamed (1929), Directed by Jack Conway, with Joan Crawford, Robert Montgomery, Ernest Torrence. Recorded off of TCM yesterday. First-time viewing.
This pre-Code comedy-drama was Joan Crawford's first appearance in a movie with sound (talkie), and first role as a leading man for Montgomery. I was stricken by how young they looked! The story was a bit nonsensical, but it was fun to see some early work by both Crawford and Montgomery. One needs to remember that this was not only pre-Code, but it was pre-Depression (the Stock Market Crash of '29 hadn't happened yet), so this was a bit of a time capsule, looking back at a different America that would soon change greatly. Oh, and Prohibition was still in effect, so it was clever how they worked so much boozing into the script in spite of the prevailing "dry" laws. The sound recording wasn't the greatest, so this is helped by watching it with Closed Captioning turned on.
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Post by kijii on May 22, 2018 6:13:20 GMT
So Well Remembered (1947) / Edward Dmytryk This movie relates the complicated family saga of two generations--and two classes of society in Browdley, Lancashire, a small English industrial town--between the two world wars. (Evidently, this movie had been lost for some time and then was rediscovered in the early 21st century.The movie is narrated by James Hilton, author of the novel upon which it is based.)
George Boswell (John Mills) is the crusading newspaper editor, social activist, and later, mayor of the town. He defends, and later marries, Olivia Channing (Martha Scott), daughter of the the town's industrial magnate who had served 20 years in prison for a crime that had caused so much misery in the town. The conflicting ambitions of the couple--the social activism of George and social climbing of Olivia--causes the death of their son and, ultimately, their divorce. But, the respective idealisms represented by George and Olivia is countervailed by the brutal realism of the constantly inebriated town doctor, Richard Whiteside (Trevor Howard), who understands much more about the Boswells and Channings of the town than he ever tells--until the end of the movie. After George and Olivia are divorced, she remarries and has a son, Charles Winslow (Richard Carlson), who is physically and psychologically injured by the war. Olivia strives to protect her disfigured son from the world, but fate steps in........ For TCM Full Synposis with SPOILERS: www.tcm.com/tcmdb/title/3407/So-Well-Remembered/full-synopsis.html Julie Morgan (Patricia Roc) : Why did he marry her? Dr. Richard Whiteside (Trevor Howard): He was in love with her, why else? Julie Morgan : Oh I don't mean that, its too general... really why? Dr. Richard Whiteside : He married her because she was the most beautiful woman ever seen, because he felt sorry for her, and because she promised something that was twice as exciting, and worldly as anything he'd ever known. And because he didn't have any choice once she'd set out to get him.
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Post by Lebowskidoo 🦞 on May 22, 2018 12:37:17 GMT
Deadpool 2 (2018) is more of the same crazy, foul-mouthed superhero antics that we saw in the first movie, and it's purely delightful. It pokes fun at DC, Marvel and itself, and has some truly surprising cameos that I wouldn't dare spoil for anyone.
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Post by teleadm on May 22, 2018 18:09:06 GMT
The Entertainer 1960, directed by Tony Richardson, adapted from the play by John Osborne, starring Laurence Olivier, Brenda de Banzie, Roger Livesey, Joan Plowright, Alan Bates, Daniel Massey, Albert Finney and others. Drama about Archie Rice (Olivier), an old-time British music hall performer sinking closer and closer to his final defeat, but still schemes to stay in show business. This is the dark side of show business, at a very run down summer resort, rock and roll and skiffle group has begun to take over, as have television, the movie takes place in 1956 at the time of the Suez crises. Olivier is great as the has-been entertainer who never really made it big, but still dreams of the big times and don't care who get's crushed in his way, including his family, even having a fling with a young girl that he promises to make a star, just so he can get hold of her fathers money to create a new big show, he doesn't even care to use his old father, whose name is still popular, but in failing health to create interest and bringing in money so he can afford his own new show. Archie Rice has more or less become a joke in show business, but it's hard to feel any pity for him. That it's made at real locations makes it very genuine, and I think there has been and still is Archie Rice's out there. The movie is very well made, but depressing. Laurence Olivier was nominated for a Best Actor in a Leading Role Oscar. The movie marked movie debuts for Joan Plowright, Alan Bates and Albert Finney, all playing Archie Rice's children. Roger Livesey plays Laurence Olivier's father, but is less than one year older than Olivier! Most location shots were made in Morecombe and Blackpool in Lancashire, including the West End Pier in Blackpool that has since been demolished.
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Post by kijii on May 22, 2018 19:58:50 GMT
The Entertainer 1960, directed by Tony Richardson, adapted from the play by John Osborne, starring Laurence Olivier, Brenda de Banzie, Roger Livesey, Joan Plowright, Alan Bates, Daniel Massey, Albert Finney and others. Drama about Archie Rice (Olivier), an old-time British music hall performer sinking closer and closer to his final defeat, but still schemes to stay in show business. This is the dark side of show business, at a very run down summer resort, rock and roll and skiffle group has begun to take over, as have television, the movie takes place in 1956 at the time of the Suez crises. Olivier is great as the has-been entertainer who never really made it big, but still dreams of the big times and don't care who get's crushed in his way, including his family, even having a fling with a young girl that he promises to make a star, just so he can get hold of her fathers money to create a new big show, he doesn't even care to use his old father, whose name is still popular, but in failing health to create interest and bringing in money so he can afford his own new show. Archie Rice has more or less become a joke in show business, but it's hard to feel any pity for him. That it's made at real locations makes it very genuine, and I think there has been and still is Archie Rice's out there. The movie is very well made, but depressing. Laurence Olivier was nominated for a Best Actor in a Leading Role Oscar. The movie marked movie debuts for Joan Plowright, Alan Bates and Albert Finney, all playing Archie Rice's children. Roger Livesey plays Laurence Olivier's father, but is less than one year older than Olivier! Most location shots were made in Morecombe and Blackpool in Lancashire, including the West End Pier in Blackpool that has since been demolished. ----------------------------------------------- This is a great movie, marking the debuts for so many great English actors.
Wow, what a great cast, including Daniel Massey from the "Massey acting dynasty." Daniel was almost a dead ringer for his father, Raymond:
His sister, Anna, also had some resemblance to her father and brother. I remember her from Hitchock's Frenzy (1972) and the Michael Powell's Peeping Tom (1960).
Then there was Brenda de Banzie who I remember from Hobson's Choice (1950), but took a supporting, but important, role in Hitchock's The Man Who Knew Too Much (1956).
I thought The Entertainer was on the BFI Top 100, but, in checking again, it isn't.
I had no idea that Roger Livesey and Olivier were so close together in age. (He made for an ideal father for Archie Rice in this movie.) But, even stranger than that is Joan Plowright, who played Olivier's daughter in this movie but--in real life--married him in 1961--22 years his junior--after he divorced Vivian Leigh.
Both Alan Bates; and Albert Finney's roles' were very small in this movie, but both went on to become giant actors.
Speaking of "Acting Dynasties," Tony Richardson was part of one of his own....as well is being an important part of the "British Kitchen Sink" era.
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Post by kijii on May 23, 2018 0:49:37 GMT
The Road to Glory (1936) / Howard Hawks This was a pretty good anti-war movie, although the copy I bought was not the best. It did give me a chance to see Fredric March, Warner Baxter, and Lionel Barrymore (before wheelchair) all in the same movie and all in top form. I was not familiar with the young lady in the movie, June Lang, but she was quite good too. (I had to use my multi-region DVD player for this movie since the DVD I played was not a region 2 DVD).
For TCM Full Synposis with SPOILERS: www.tcm.com/tcmdb/title/88416/The-Road-to-Glory/full-synopsis.html
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Post by ZolotoyRetriever on May 23, 2018 9:00:31 GMT
Street Scene (1931), directed by King Vidor, with an ensemble cast including Beulah Bondi, Estelle Taylor, David Landau, Sylvia Sidney, William Collier, Jr., et al. DVR'd from recent TCM telecast. First-time viewing.
Interesting play-like movie that takes place almost entirely in front of a tenement building in New York's "Hell's Kitchen" neighborhood. Features a cast of various ethnicities, all jumbled together in the same building. The film shows how they all interact with each other over a 24-hour period during a particularly uncomfortable summer heat wave. Central to the story is the Maurrant family - husband, wife and daughter, and a young son. The husband is rough and mean and appears to be suffocating the marriage, so the wife (Estelle Taylor) - still attractive - begins a flirtation with the local nice-guy milkman as a sort of relief from this stifling situation. Complications, and a lot of gossipy tongue-wagging, ensue.
All in all a very good picture. Much of it contains dialogue that is altogether provocative and ethnically insensitive, but none of it seems gratuitous. In spite of it being all so "un-PC" by today's standards, you have to accept it for what it is: a snapshot of life in the urban ghetto. It's also made clear more than once that these hateful comments towards other ethnicities are "not cool."
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