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Post by teleadm on Mar 16, 2018 17:00:03 GMT
Another with Sir Michael... The Italian Job 1969, directed by Peter Collinson, from a script written by Troy Kennedy-Martin, cinematography by Douglas Slocombe, music by Quincy Jones, theme song sun by Matt Monro, starring Michael Caine, Noël Coward, Benny Hill, Raf Vallone, Tony Beckley, Irene Handl, Rossano Brazzi, John Le Mesurier and many others, including three Mini Coopers. A caper comedy with a bit of satire and anti-establishment and with a very at the time debated cliffhanger scene. About a plan to steal a gold shipment from the streets of Turin by creating a traffic jam, something that can't be done without the Italian mafia and the Italian police hunting them. Taking it for it is, it's very entertaining. According to the extras on the DVD, British Car manufacturing companies was very resistant and unwilling to have their cars involved in a caper movie, while Italian Car manufacturing companies was seeing it as good way to show off their products and was willing to shower this production with all kinds of Italian cars, but one of the satirical points of this movie was British vs Italian cars (a point that might be totally lost by today). Amazingly the authorities of Turin was seeing this as a good way to show of the beauty of the city, so no back-projection was needed and the traffic jams was real. Of note, the original ideas of the lead roles was Robert Redford and Nicol Williamson in the Michael Caine and Noël Coward roles, and directed by Peter Yates. This was Noël Coward's last acting in a movie. "The Self Preservation Society" "You're only supposed to blow the bloody doors off!"
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Post by outrider127 on Mar 16, 2018 17:28:09 GMT
Just finished watching Tomb Raider at the theatre this morning. I quite enjoyed it. It has a very different ‘feel’ to the Angelina Jolie movies (which is to be expected, since it’s based on the 2013 reboot video game). Easily the best thing about the whole movie is Alicia Vikander and her performance as a very different Lara Croft than the one Angelina Jolie portrayed before her. All her training certainly shows onscreen... The film did have some ‘humour’, but it thankfully wasn’t try to be laugh-a-minute-‘funny’ like it seems so many movies these days are (even when it’s severely out of place). It’s just a light sprinkling of some amusing comments here and there, and I was very relieved that Nick Frost wasn’t too heavily featured in the film (I don’t hate him, but can only take his typical sort of character in small doses – which, luckily, was the case here). I liked Lara with Daniel Wu’s Lu Ren. I was worried for his character for a bit, but they wisely didn’t do what I thought they might’ve. The villain was so-so, but at least he wasn’t a snarky/wisecracking villain (which I’ve grown so tired of lately). There were some instances where people near me in the audience predicted what the next line of dialogue in a certain scene would be and were proven right - this led me to doing the same at one point (and I too was correct with my guess of what someone would say). I also predicted... How Lara would dispose of the villain and what the final scene of the movie would be... Given that we hadn’t gotten that^ scene from the trailer earlier in the movie, when it got to near the end of the film I realized that it would wind up being in the credits. There was no scene after the credits finished (at least none that I saw, as I stuck around just to check). There were some genuinely effective ‘jump’ moments in the movie, and even a nice ‘horror’ element too. I thought this was the first really good/solid/well-done movie based on a video game that I’ve seen...probably ever (there's maybe been one or two that I haven't minded, but I'd freely admit they weren't 'great'). I do hope there’s more of these films with Alicia Vikander in the lead. Though I am worried that the critics seemingly being against every video game movie ever made will put people off and therefore prevent any more films being made. Oh well, if there's no more, at least there'll always be this one to enjoy. I gave it 8/10. Thanks Chalice--glad to hear you liked it, I 'd like to see it soon myself
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Post by Deleted on Mar 16, 2018 23:05:02 GMT
The Exception (2016)
I enjoyed this movie far more than i expected.
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Post by taranofprydain on Mar 16, 2018 23:42:11 GMT
I have not quite finished it yet, but it is this year's Oscar winner, The Shape of Water. Some of it works better than other parts, but there are some truly unique and magical scenes here.
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Post by kijii on Mar 17, 2018 0:33:52 GMT
Today We Live (1933)This is possibly the strangest (or worst) movie I have seen this year. I viewed it as part of my Cooper quest, but he was only one of the many problems with this movie. One would think that a movie with three of MGMs top stars of the 30s (Joan Crawford, Franchot Tone; and Robert Young); written (story and dialogue) by Noble Prize-winning author, William Faulkner; and directed by Howard Hawks would be a winner. Right? Wrong! It is hard to say which is worse: the writing, acting, or directing; but something is seriously askew with this entire movie. The characters don't emote in a human way. They often talk in sentences without introductory nouns (leaving them to be understood, rather than spoken). The brother and sister characters (Joan Crawford and Franchot Tone) seem to have a closer relationship with each other than Crawford has with her husband (Young)--suggesting a stronger incestuous rather than fraternal relationship for Joan Crawford's character. (Gary Cooper's character seems to be nothing more than a plot device.) Quote from TCM Full Synopsis Claude (Robert Young) : [Who is now blind] About Ann, Ronnie. She loves him.Ronnie (Franchot Tone) : How did you...Claude : Sure of it now. Thought so early this afternoon. When we shook hands.Ronnie : Didn't think you noticed.Claude : Mmm Hmm. Noticed. See better now. See lots of things.For anyone who watches this movie and finds the dialogue strange--AS I DID--blame it on Nobel Prize-winning author, William Faulkner!!
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Post by ZolotoyRetriever on Mar 17, 2018 4:32:27 GMT
Trouble in Paradise (1932), DVRd off of recent TCM telecast.
This is probably the 4th or 5th viewing for me. Early-30s rom-com that still packs plenty of wit and charm even today.
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Post by kijii on Mar 17, 2018 4:46:31 GMT
Trouble in Paradise (1932), DVRd off of recent TCM telecast.
This is probably the 4th or 5th viewing for me. Early-30s rom-com that still packs plenty of wit and charm even today. Of the many sides of the 'Lubitsch touch,' this one is probably my favorite. Another Lubitsch movie that comes close is Cluny Brown (1946) which is full of wit and satire about the classes. I keep a copy of these two movies on my DVR for now.
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Post by ZolotoyRetriever on Mar 17, 2018 4:52:12 GMT
Trouble in Paradise (1932), DVRd off of recent TCM telecast.
This is probably the 4th or 5th viewing for me. Early-30s rom-com that still packs plenty of wit and charm even today. Of the many sides of the 'Lubitsch touch,' this one is probably my favorite. Another Lubitsch movie that comes close is Cluny Brown (1946) which is full of wit and satire about the classes. I keep a copy of these two movies on my DVR for now. I've never seen Cluny Brown but per your recommendation, I will keep an eye peeled for it and will DVR it if I see it pop up on TCM one of these days.
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Post by outrider127 on Mar 17, 2018 6:25:21 GMT
We just saw The Space Between Us(2017) because she made me watch it--Teen space drama--Actually, it was pretty good, good plot, good scenery of Florida,California,Utah, Colorado,Western Canada--first half better than the second half, and Gary Olman lends some class to the proceedings
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Post by taranofprydain on Mar 17, 2018 7:41:16 GMT
The Only Game in Town (1970) on TCM. Taylor and Beatty both gave fine performances and made a great pair in an intimate, small-scale romance. It was George Stevens' final film, and he went out with one that was simple and effective.
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Post by telegonus on Mar 17, 2018 8:01:50 GMT
The original 1939 Stagecoach. To my way of thinking near flawless in detail. Great photography, nice and often just plain fun use of music. The lightning is superb in most of the indoors scenes. First rate acting from an eclectic cast. No complaints. A classic worthy of its classic status. My only problem, personal, really, was whether movies like Stagecoach can survive as popular favorites. I mean mid-20th century black and white Hollywood pictures of the early talkie era (circa 1929-32) through the Fifties, with a final and rather glorious peak 1960-66, and then kaput. Can people born after that era, conditioned by cyber-technology and the CGI driven movies of today fully appreciate the glory of that bygone era, when movies moved so much more slowly by today's standards, almost strolled (as opposed to racing) to their conclusions, with emphasis on acting, texture, little things, details, whether of a flowerpot or a sport jacket, a stone wall or a garden. I miss that in today's films and TV shows.
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Post by neurosturgeon on Mar 17, 2018 16:36:59 GMT
Last night, watched the 1951 "Show Boat," though beautifully sung, seems like a highlights reel when compared to the 1936 James Whale production.
This morning, I went in a different direction with "Seven Day’s in May," the mid1960's political drama that seems more relevant today than when it was first released.
Both are part of FilmStruck's salute to Ava Gardner.
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Post by kijii on Mar 17, 2018 16:44:01 GMT
Another with Sir Michael... The Italian Job 1969, directed by Peter Collinson, from a script written by Troy Kennedy-Martin, cinematography by Douglas Slocombe, music by Quincy Jones, theme song sun by Matt Monro, starring Michael Caine, Noël Coward, Benny Hill, Raf Vallone, Tony Beckley, Irene Handl, Rossano Brazzi, John Le Mesurier and many others, including three Mini Coopers. A caper comedy with a bit of satire and anti-establishment and with a very at the time debated cliffhanger scene. About a plan to steal a gold shipment from the streets of Turin by creating a traffic jam, something that can't be done without the Italian mafia and the Italian police hunting them. Taking it for it is, it's very entertaining. According to the extras on the DVD, British Car manufacturing companies was very resistant and unwilling to have their cars involved in a caper movie, while Italian Car manufacturing companies was seeing it as good way to show off their products and was willing to shower this production with all kinds of Italian cars, but one of the satirical points of this movie was British vs Italian cars (a point that might be totally lost by today). Amazingly the authorities of Turin was seeing this as a good way to show of the beauty of the city, so no back-projection was needed and the traffic jams was real. Of note, the original ideas of the lead roles was Robert Redford and Nicol Williamson in the Michael Caine and Noël Coward roles, and directed by Peter Yates. This was Noël Coward's last acting in a movie. "The Self Preservation Society" "You're only supposed to blow the bloody doors off!" teleadm-- The The Italian Job (original version) is on the BFI's TOP 100 Films No.36. I think Michael Caine holds the record for being in the most of the films on this list. en.wikipedia.org/wiki/BFI_Top_100_British_films
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Post by kijii on Mar 18, 2018 5:33:49 GMT
The Cooper Quest Continues---- Task Force (1949) is a good movie written and directed by Delmer Daves that traces the history of the aircraft carrier from the early 20s until the release of the movie. The movie starts out in black and white and ends in color, indicating that there is some good actual footage incorporated within the movie. I always enjoy seeing Jane Wyatt in movies, but it is a little hard to imagine Walter Brennan as an admiral? "Dang it all..." See---It's good in any language! --------------------------------------------------- You're in the Navy Now (1951) is a very light comedy with really no point to it. When naval reservist (Gary Cooper), takes command of an experimental ship with a crew of other 90-day wonders, they make mistake after mistake, but no matter, it is all in good fun. As I watched this, I was reminded of the old TV show McHale's Navy--but without the canned laughter. Seen on YouTube: www.youtube.com/watch?v=Sfv0AW7TAO4---------------------------------------------------------- Return to Paradise (1953) is not your typical or best Cooper movie, but it is based on a James Michener story. I wonder if this was a story from Michener's Pulitzer Prize-winning collection of short stories? This is the book, Tales of the South Pacific, from which the Rodgers and Hammerstein musical, South Pacific (1958) was derived.. Seen on YouTube: www.youtube.com/watch?v=hgiIlsxMB2Y------------------------------------------------------- Distant Drums (1951) had some beautiful photography. But the story was only an average one about war with the Seminole Indians in the Florida Everglades. Seen on YouTube: www.youtube.com/watch?v=3kZnxeDXT1Q
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Post by BATouttaheck on Mar 18, 2018 6:02:50 GMT
Annual viewing of During which I was again heard to say: "I LOVE this movie !"
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Post by Chalice_Of_Evil on Mar 18, 2018 7:18:28 GMT
I watched my recording of The Jungle Book (2016) on TV last night. The effects are definitely the best thing about this movie. The animals and especially the landscapes are pretty convincing. I really enjoyed the voice cast. I thought they all did a great job. I've always liked the character of Bagheera ever since the animated film. Yes, he was oftentimes exasperated at things Mowgli did/said, and could be misconstrued as 'no fun', but he always clearly cared about Mowgli and put his safety first. I thought Ben Kingsley was able to walk that line between being disapproving, but not coming off unlikeable. I also liked that he was able to take on Shere Khan a couple of times - though I, of course, worried for him each time and hated seeing him get injured - as it showed he could hold his own. Speaking of Shere Khan, I thought Idris Elba was suitably menacing. Especially in the scenes where he delivered the thinly-veiled threat to Raksha about her putting Mowgli's life before her own pups, and the scene where he had a somewhat civil conversation with Akela, then suddenly lashed out and killed him (I hated seeing Akela die - though knew it would happen eventually. It figures that the first role I enjoyed Giancarlo Esposito in would be the one where his character dies). Despite it being in vain, I'd so hoped Shere Khan was going to be reasonable and just be happy that Mowgli was gone - but he made it quite clear that he was obsessed and wouldn't be satisfied with anything less than getting the pleasure of killing the 'man cub' himself. I had wished that rather than just telling Mowgli to hide behind him at the 'water truce', Akela had told him to run as far away as possible and not let Shere Khan see him. Though, of course, that probably wouldn't have helped much since he no doubt would've still smelled him, but still...I was just annoyed that Mowgli cost Akela his life (obviously he didn't *mean* to, but considering Mowgli was my least favourite character in the movie...I would've rather Akela remained alive in his place). Lupita Nyong'o was so kindly-sounding as Raksha. Very 'motherly', but also wasn't afraid to stand up to Shere Khan. She didn't appear to mourn Akela for very long, though. And I do think Shere Khan had a fair point about her seeming to put Mowgli's life above her own pups. Speaking of those pups - they were just so gosh darn CUTE! I find most kid characters in movies/shows are always annoying...but somehow the pups were not. I just wanted to see them kept safe at all times - especially whenever Shere Khan was around. The scene where he threatened them and briefly stopped one of them from returning to their mother was nerve-racking despite knowing there was no way this movie was going to have them harmed. I felt sorry for them (and especially Gray when he wanted to play) due to Mowgli ignoring them after his opening scene. I was just saying to the screen, "HOW can you ignore them?! They're ADORABLE!". It was probably part of the reason I wasn't so fond of Mowgli - but I'll get to him later. When this movie was released in theatres, I'd listened to one review that talked about "strangely sexy snakes" - and I hadn't gotten it until actually seeing the film (I mean, how could a snake be considered 'sexy'?)...but, dang, Scarlett's voice was indeed pretty alluring. It makes sense that she was cast, as I could understand Mowgli being hypnotised by her voice (and eyes). She may have only had a brief amount of screentime, but she certainly made an impact. I'd like to believe that because we hear her sing over the end credits, that means Baloo didn't actually off her - though I highly doubt her credits song is evidence of her being alive. Annoyingly, I didn't even get to hear Kaa's/Scarlett's 'sexy snake song' over the end credits - I only know of it because of having read about it. So I sought it out on YouTube - it's very nice. I had no idea she could sing. I was left wanting to see more of Kaa's character. I really did kind of hope that Baloo didn't off her. As for the bear - I had heard some saying he was one of the best, if not the best, parts of the movie...and I did grow to like him fairly quickly. He got a few good lines. One of my favourites was when he was being annoyed at all the little creatures coming to intrude on him getting Mowgli to fetch him some honey and threatened them with, "You have never been a more endangered species than you are in this moment. ", and the other moment was when he was climbing and realised just how high he'd gotten... As someone who isn't overly fond of heights, I could identify with his attitude towards them. I thought Bill Murray (and the animators, of course - the way they animated his facial expressions just made you want to give the bear a hug) did a good job of making Baloo likeable so that you'd feel sorry for him when he got hurt - which made it all the more surprising when the moment came later in the game that he got hurt by Shere Khan and it was pretty much a blink-and-you'd-miss-it moment which was largely glossed over. It barely even registered. I remember in both the animated movie and the live action one (which I think was one of the first films I ever saw Lena Headey in), the moment where Baloo got injured was deeply emotional/effective - this movie kind of failed matching those films' moments, I thought. It wasn't the only misstep I found in the movie, however. Another one was the rather forced use of songs from the animated movie. 'The Bare Necessities' felt a bit awkwardly worked in - though not half as clunky as 'I Wan'na Be Like You' from King Louie was. With the other voice actors, I didn't really 'see' the actors behind the characters, but Christopher Walken was different. His voice and even the face of his character made me hear/see nothing *but* Christopher Walken. And his song seemed to not fit the context of how it was originally intended in the animated movie. Also, I must forgotten that Louie died in the original? Or was that added? Because it sure seemed like he got squished...which was a bit 'dark'. I couldn't help but feel some moments seemed to rip off The Lion King a bit. It made me think that now when they do the remake of that movie (which I believe is completely unnecessary, as the original movie was perfect the way it was and remains my favourite animated movie ever), it will seem like some moments in it were ripped off from this film, when in fact it'd be vice versa (unless they change parts in it like they did here). One change that was somewhat of an improvement was the defeat of Shere Khan. In the animated film I have a vague recollection of him just getting a flaming tree branch tied to his tail and him running away? His defeat here was much more 'final' - and certainly well-deserved (though he seemed to lose some IQ points all of a sudden, when it seemed like he knew the branch he was standing on wasn't sturdy, yet still continued to walk along it and leap for Mowgli. I guess he was just too consumed with hatred to think straight, but it just made him seem a bit foolish). And now for my least favourite part of the film - the character of Mowgli. The actor playing him was obviously quite young, so I guess that was his excuse for being not so great in parts of the movie with his performance (there were other times where he wasn't so bad/felt more at ease in the role/wasn't so awkward with his line deliveries). However, the character of Mowgli himself just bugged me most of the time. I didn't like his attitude and that he carelessly set the home of all of his animal 'friends'/'family' on fire with that torch. I hated that some animals died to protect him (especially Akela), and I'd wished one of them had knocked some sense into him at times. I also felt a make-up scene between him and Baloo was noticeably missing (Baloo pulls the old 'make someone you care about think that you DON'T care about them so that they'll get as far away from you as possible and therefore be "safe" trick'...but after that, we never got a scene of him saying he meant none of it. Though I guess Mowgli just figured as much when he saw a bit later on how concerned Baloo was for his safety when he came to rescue him). I also found that Mowgli using the word 'cool' to describe something took me out of the movie a bit, as did Baloo mentioning 'propaganda'. There was at least one or two other instances where I felt they used words/terms that really didn't 'belong', and it just felt somewhat jarring. Anyway, I think it was always going to be the case that I liked all the animal characters in the movie, but not the one human character - as I'm more of an 'animal person' (it's one of the reasons The Lion King film is my favourite - no annoying humans). Still...the visuals and voice acting made this movie pretty enjoyable. Okay, so I hadn't gotten to see the actual end credits properly because the useless TV stations here have to instantly put on ads for all their reality TV crap and so the end credits to movies get shrunk down so you can't see them and can't hear them. I'm only just now getting to see/hear the end credits as they were intended (via YouTube)... On the one hand, I guess King Louie singing at the end could be construed as him having survived...except Shere Khan's also there, and I'm pretty sure we conclusively saw him die in the actual film (though they always say if you don't see a body, then they're not dead). Anyway, it was a fun way to end the film (and ensure people stayed to watch the end credits). I give the movie 9/10 for the visuals and voice cast characters, but 7.5/10 for the rest of it (because Mowgli ticked me off).
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Post by ZolotoyRetriever on Mar 18, 2018 7:18:47 GMT
Just re-watched the 1962 version of Mutiny on the Bounty with Marlon Brando, Trevor Howard, Richard Harris, et al. I wanted to give it one more watch before I delete it from my DVR which, frankly and for no other good reason, simply needs the space.
I really love this version of MotB in spite of it containing some glaring historical inaccuracies. The cinematography is excellent, the location filming is superb, and it just has a grand, epic feel to it. Sure, Brando hams it up a bit here and there, but he (as well as Trevor Howard) delivers some fine and memorable lines. And last but not least, it's just a damned good sea story. So that was tonight's watch.
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Post by neurosturgeon on Mar 19, 2018 1:25:34 GMT
In honor of his birthday, I just watched "Knight Without Armour" with Robert Donat.
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Post by mikef6 on Mar 19, 2018 1:34:39 GMT
"Vertigo" in its 60th anniversary theatrical showing via TCM. Beautiful. Chilling. Greatest score ever. Masterwork. One the greats of film history.
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Post by ZolotoyRetriever on Mar 19, 2018 2:50:06 GMT
spiderwort: Witness (1985) is one of those well-regarded 80s films that always keeps slipping by me. I've seen snippets of it (it looks very intriguing) but I've just never gotten around to seeing it from start to finish. Your post reminds me that I need to hurry up and do so. That darned 80s decade just keeps getting further and further away from me. lol
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