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Post by Chalice_Of_Evil on Dec 16, 2020 9:51:28 GMT
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Post by jeffersoncody on Dec 17, 2020 5:53:27 GMT
Beau-père (1981) with Patrick Dewaere, Ariel Besse, Maurice Ronet and Nathalie Baye, directed by Bertrand Blier. My Rating: 9 out of 10. Highly Recommended. On Blu Ray.
  I couldn't find a trailer with English subs, but here is the trailer for the restored French version of this delicate, darkly funny, subversive, and affecting, controversial, one-of-a-kind film about loss, grief, innocence and so much more.
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Post by movielover on Dec 17, 2020 5:57:55 GMT
Mysterious Island (1961) 
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Post by teleadm on Dec 17, 2020 7:22:17 GMT
Somewhere I'll Find You 1942 directed by Wesley Ruggles and starring Clark Gable, Lana Turner, Robert Sterling, Patricia Dane, Reginald Owen, Lee Patrick, Charles Dingle and others. Two brothers (Gable and Sterling), rival war correspondents, find themselves fighting their conservative editor (Dingle) over stories and each other of over the affections of a pretty blonde journalist (Turner), at the beginning of World War II, and later find her doing orphan work in China. This was a very popular movie at the time of it's release, but sadly it's not a very memorable movie, it's a rather flimsy story that starts lightly but becomes more serious once the story moves to Indo-China at the outbreak of WWII, and later to the South Pacific. The star value of Gable and Turner must have been huge, but I guess it's popularity at the time had to do with that during production, Gable's wife, actress Carole Lombard, died in plane crash, and audiences might have felt deep sympathy towards Gable. After production had finished Gable enlisted. As a movie in itself it's nothing special or memorable whatsoever, a vehicle designed around it's two stars screen charisma/personas, but that's sadly it. Worth a look if you like the stars though.   
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Post by Chalice_Of_Evil on Dec 17, 2020 20:53:38 GMT
Married by Christmas (2016).  
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Post by kijii on Dec 18, 2020 5:15:22 GMT
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Post by teleadm on Dec 18, 2020 7:08:11 GMT
The Lemon Drop Kid 1951 directed by Sidney Lanfield (and an uncredited Frank Tashlin) and starring Bob Hope, Marilyn Maxwell, Lloyd Nolan, Jane Darwell, Andrea King, Fred Clark, William Frawley, J.C. Flippen and others. When the Lemon Drop Kid (Hope) accidentally steers Moose Moran's (Clark) girl (King) away from a winning bet, he is forced to come up with $10,000 to repay the angry gangster. Fortunately it's Christmas, a time when people can be persuaded to part with money for the right cause. In this case a scam of collecting money for a home for the elderly, collecting money this way turns out well, so well that a local gangster, Oxford Charlie (Nolan), plans to take over the whole scam. Then there is also The Kid's long suffering girlfriend (Maxwell)... Of all the Christmas related movies mentioned in another thread this one seems to have fallen between two chairs. It's a very immoral tale, that is based on a Damon Runyon story, since the whole scam and set-up is to collect money with hoodlum Santa's on the street corners in a very cold New York is for a home for the elderly, but it's only purpose is that The Kid can pay of his debt. As he actually sets up a home for the elderly in an old casino, he has no plan of what to do with the elderly once the debt is payed, but since this is a comedy there is a happy ending for most of the characters. How much one enjoys this movie depends on how much one loves Bob Hope, here he is essentially a very egoistic character who only do things for his own purposes, including using and lying to all around him, only to gain himself, without concern what happens to those around him, even the good people. It's an entertaining movie with a little too much slapstick, with some good old supporting actors filling out different roles. This movie also introduced the song "Silver Bells" that over the years has become a Christmas standard, and there is offcourse a Bing Crosby joke.     
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Post by Salzmank on Dec 18, 2020 19:28:25 GMT
Father Brown (1954, dir. Robert Hamer).  A gem. Alec Guinness is typically wonderful Alec Guinness as Father Brown, G.K. Chesterton’s famous amateur sleuth. Peter Finch is just as good as his master-of-disguise opponent. “M,” Bernard Lee, is the professional detective chasing both men. (Ernest Thesiger appears, too—but, alas, only in a small comic-relief role.) The first thirty minutes are a faithful adaptation of Chesterton’s “The Blue Cross”; the rest is original, but all of it is loyal to Chesterton’s worldview and even dialogue (many direct quotations from all of GKC’s stories). Writer-director Robert Hamer is less underrated than undeservedly unknown (he did Kind Hearts and Coronets), but everything I’ve seen of his displays wit, intelligence, and style, this film very much included. Hamer’s pacing is impeccable, and he has an eye for Hitchcockian set pieces, including an excellent one in the Paris Catacombs. There’s no mystery-style twist ending or anything like that, but there is a lovely little twist hidden about halfway through. That said, I don’t think it’s meant to be some big SURPRISE mystery. Either way, a fine little film.
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Post by BATouttaheck on Dec 19, 2020 4:06:26 GMT
A Double Feature based on the same story ... I confess .... the 1924 silent was soooooooooooooooooooooo slow moving that I cheated and fast forwarded thru most of the final hour ..slowing down only at the title cards and the last ten minutes.
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Post by BATouttaheck on Dec 19, 2020 4:10:00 GMT
Salzmank Part of the fun of the Father Brown movie is the sudden realization that the young man is Peter Finch (if you've never seen him in young mode and have been wondering when he will turn up in the picture.  ) Quite an enjoyable film !
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Post by jeffersoncody on Dec 19, 2020 4:48:10 GMT
VIGILANTE (1983) with Robert Forster, Fred Williamson, Rutanya Alda, Richard Bright, Carol Lynley, Joe Spinell, Woody Strode, Steve James and Frank Pesce, directed by William Lustig. My Rating: 8 out of 10. On Blu Ray.
While this gritty, sleazy, violent New York-set variation of DEATH WISH is clearly not for all tastes, it is an exceptional eighties exploitation flick with a cast to die for. Robert Forster simmers, Fred "The Hammer" Williamson shows no mercy and takes no prisoners, Joe Spinell oozes sleaze, and the legendary Wood Strode saves Forster from a fate worse than death in a searing prison shower rape scene. What's not to love? When you're not safe anymore, it's time to start fighting back. If you enjoy taking a walk on the wild side VIGILANTE is a dark, seamy eighties B-movie treat.
  
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Post by Chalice_Of_Evil on Dec 19, 2020 14:24:03 GMT
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Post by Salzmank on Dec 20, 2020 2:16:50 GMT
Yearly rewatch of Die Hard (1988, dir. John McTiernan).  There’s little to say about this one that hasn’t already been said, but—dear God, whatever happened to thrillers this good?
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Post by BATouttaheck on Dec 20, 2020 3:09:38 GMT
Margaret Hamilton, Charlie Ruggles , Shemp Howard, Charles Lane and John Barrymore ... what more can be said ? except: Oskar Homolka !  and an Oscar Nom: Oscar Best Effects, Special Effects John P. Fulton (photographic) John D. Hall (sound)
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Post by kijii on Dec 20, 2020 5:23:06 GMT
Zodiac (2007) / David Fincher
This well-crafted movie is based on a real story from Robert Graysmith's book, Zodiac. It covers more than 10 years of searching for the Zodiac killer. The movie is like a giant jigsaw puzzle that chronologically follows the Zodiac killer. It lasts for 2h 37min and covers dozens of episodes touching on this story of a mass murderer.
I lived in LA from 1969-1971; I remember how Zodiac killer dominated the local news at the time. After leaving LA, I stopped following the story assuming that the killer had been caught. I was wrong.......
Robert Graysmith (Jake Gyllenhaal) : Just because you can't prove it doesn't mean it isn't true. Dave Toschi (Mark Ruffalo): Easy, Dirty Harry.
Robert Graysmith : I've been thinking. Paul Avery (Robert Downey Jr.): Yeah? Robert Graysmith : Somebody should write a book. Paul Avery : Somebody should write a fuckin' book, that's for sure. About what? Robert Graysmith : About Zodiac. I've been thinking, if you put all the information together, maybe you could jog something loose. And then I thought, who better than you? I mean, you know all the players, and you have all of the files. Paul Avery : Yeah, I lost them. Robert Graysmith : You lost them? Paul Avery : Or I tossed them. I don't know, I moved onto a boat.

Plot Summary from Wikipedia with SPOILERS:
On July 4, 1969, an unknown man attacks Darlene Ferrin and Mike Mageau with a handgun at a lovers' lane in Vallejo, California. Only Mike survives.
One month later, the San Francisco Chronicle receives encrypted letters written by the killer calling himself the "Zodiac," who threatens to kill a dozen people unless his coded message containing his identity is published. Political cartoonist Robert Graysmith, who correctly guesses that his identity is not in the message, is not taken seriously by crime reporter Paul Avery or the editors and is excluded from the initial details about the killings. When the newspaper publishes the letters, a married couple deciphers one. In September, the killer stabs law student Bryan Hartnell and Cecelia Shepard at Lake Berryessa in Napa County; Cecelia dies two days later.
At the office, Avery makes fun of Graysmith before they discuss the coded letters. Graysmith interprets the letter, which Avery finds helpful, and he begins sharing information. One of Graysmith's insights about the letters is that the Zodiac's reference to man as "the most dangerous animal of them all" is a reference to the film The Most Dangerous Game, which features the villainous Count Zaroff, a man who hunts live human prey.
Two weeks later, San Francisco taxicab driver Paul Stine is shot and killed in the city's Presidio Heights district. The Zodiac killer mails pieces of Stine's bloodstained shirt to the Chronicle along with a taunting letter. San Francisco police inspectors Dave Toschi and his partner Bill Armstrong are assigned to the case by Captain Marty Lee, and work closely with Vallejo's Jack Mulanax and Captain Ken Narlow in Napa. Someone claiming to be Zodiac continues to send taunting letters and speaks on the phone with lawyer Melvin Belli on a television talk show hosted by Jim Dunbar.
In 1971, Detectives Toschi, Armstrong, and Mulanax question Arthur Leigh Allen, a suspect in the Vallejo case. They notice that he wears a Zodiac wristwatch, with the same logo used by the killer and Toschi heavily suspects him. However, a handwriting expert insists that Allen did not write the Zodiac letters, even though Allen is said to be ambidextrous. Avery receives a letter threatening his life; becoming paranoid, he turns to drugs and alcohol. He shares information with the Riverside Police Department that the killer might have been active before the initial killings, angering Toschi and Armstrong. The case's notoriety weighs on Toschi, who is unable to sit through a Hollywood film, Dirty Harry, loosely based on the Zodiac case.
In 1978, Avery moves to the Sacramento Bee. Graysmith persistently contacts Toschi about the Zodiac murders, and eventually impresses him with his knowledge of the case. While Toschi cannot directly give Graysmith access to the evidence, he provides names in other police departments where Zodiac murders occurred. Armstrong transfers from the San Francisco Police homicide division, and Toschi is demoted for supposedly forging a Zodiac letter.
Graysmith continues his own investigation, profiled in the Chronicle, and gives a television interview about the book he is writing about the case. He begins receiving phone calls with heavy breathing. As his obsession deepens, Graysmith loses his job, and his wife Melanie leaves him, taking their children. Graysmith learns that Allen lived close to Ferrin and probably knew her and that his birthday matches the one Zodiac gave when he spoke to one of Belli's maids. While circumstantial evidence seems to indicate his guilt, the physical evidence, such as fingerprints and handwriting samples, do not implicate him. In 1983, Graysmith tracks Allen to a Vallejo Ace Hardware store, where he is employed as a sales clerk; they stare at each other before Graysmith leaves. Eight years later, after Graysmith's book, Zodiac, has become a bestseller, Mike Mageau identifies Allen from a police mugshot. Final text indicates that Allen died before he could be questioned and that the case remains open.
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Post by Chalice_Of_Evil on Dec 20, 2020 21:51:39 GMT
Yearly rewatch of Die Hard (1988, dir. John McTiernan).  There’s little to say about this one that hasn’t already been said, but—dear God, whatever happened to thrillers this good? Do you consider it a 'Christmas movie', Salzmank? And, no, you don't have to worry about me debating whether it is or isn't, as I honestly don't care either way.
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Post by Chalice_Of_Evil on Dec 20, 2020 21:52:03 GMT
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Post by kijii on Dec 21, 2020 5:02:27 GMT
The Curious Case of Benjamin Button (2008) / David Fincher
Second viewing. David Fincher had become a master of 21st Century digital imaging techniques by this time and used it to major effect in the screen telling of F. Scott Fitzgerald's short story, with the screenplay by Eric Roth. This 2h46min is well worth the second viewing. I enjoyed it more and got more from it this time. All the leading actors--Taraji P. Henson; Brad Pitt; Tilda Swinton; Cate Blanchett--were very effective in their roles. But, who could have guessed then that Mahershala Al, who played Taraji P. Henson's husband (Tizzie), would later go on to win 2 Oscars.
 Benjamin Button (Brad Pitt) : Momma? Momma? Some days, I feel different than the day before. Queenie (Taraji P. Henson) : Everyone feels different about themselves one way or another, but we all goin' the same way. ---This dialogue is ironic in this movie since they aren't goin' the same way.
 Daisy (Cate Blanchett): Would you still love me if I were old and saggy? Benjamin Button : Would you still love ME if I were young and had acne? When I'm afraid of what's under the stairs? Or if I end up wetting the bed? Benjamin Button : [Voice over; letter to his daughter] For what it's worth: it's never too late or, in my case, too early to be whoever you want to be. There's no time limit, stop whenever you want. You can change or stay the same, there are no rules to this thing. We can make the best or the worst of it. I hope you make the best of it. And I hope you see things that startle you. I hope you feel things you never felt before. I hope you meet people with a different point of view. I hope you live a life you're proud of. If you find that you're not, I hope you have the strength to start all over again.
[last lines] Benjamin narrates about what people were brought into this world for, as a montage recaps the most significant people throughout his life: Some people, were born to sit by a river. Some get struck by lightning. Some have an ear for music. Some are artists. Some swim. Some know buttons. Some know Shakespeare. Some are mothers. And some people, dance.
Plot Summary from Wikipedia with SPOILERS:
In August 2005, elderly Daisy Fuller is on her deathbed in a New Orleans hospital as Hurricane Katrina approaches. She tells her daughter, Caroline, about a train station built in 1918 and a blind clockmaker, Mr. Gateau, hired to make a clock for it. When it was unveiled at the station, the public was surprised to see the clock running backwards. Mr. Gateau says he made it that way as a memorial, so that the boys they lost in the war, including his own son, could come home again and live full lives. Mr. Gateau was never seen again. Daisy then asks Caroline to read aloud from the diary of Benjamin Button.
On the evening of November 11, 1918, a boy is born with the appearance and maladies of an elderly man. After the baby's mother, Caroline, dies during childbirth, the father, Thomas Button, abandons the infant on the porch of a nursing home. Queenie and Mr. "Tizzy" Weathers find the baby, and Queenie decides to raise him as her own, naming him Benjamin.
Benjamin learns to walk in 1925, after which he uses crutches in place of a wheelchair. On Thanksgiving 1930, Benjamin meets seven-year-old Daisy, whose grandmother lives in the nursing home. He and Daisy become good friends. Later, he accepts work on a tugboat captained by Mike Clark. Benjamin also meets Thomas who does not reveal that he is Benjamin's father. In Autumn 1936, Benjamin leaves New Orleans for a long-term work engagement with the tugboat crew; Daisy later is accepted into a dance company in New York City under choreographer George Balanchine.
In 1941, Benjamin is in Murmansk, where he begins an affair with Elizabeth Abbott, wife of the British Trade Minister. That December, Japan attacks Pearl Harbor, bringing the United States into World War II. Mike volunteers the boat for the U.S. Navy; the crew is assigned to salvage duties. During a patrol, the tugboat finds a sunken U.S. transport and the bodies of many American troops. A German U-boat surfaces; Mike steers the tugboat full speed towards it while a German gunner fires on the tugboat, killing most of the crew, including Mike. The tugboat rams the submarine, causing it to explode, sinking both vessels. Benjamin and another crewman are rescued by U.S. Navy ships the next day.
In May 1945, Benjamin returns to New Orleans and reunites with Queenie, and learns that "Tizzy" died a while back. A few weeks later, he reunites with Daisy; they go out for dinner. Upon failing to seduce him afterwards, she departs. Benjamin later reunites with the terminally-ill Thomas, who reveals he is Benjamin's father and leaves Benjamin his button company and his estate.
In 1947, Benjamin visits Daisy in New York unannounced, but departs upon seeing that she has fallen in love with someone else. In 1954, Daisy's dancing career ends when her leg is crushed in an automobile accident in Paris. When Benjamin visits her, Daisy is amazed by his youthful appearance, but, frustrated by her injuries, she tells him to stay out of her life.
In 1962, Daisy returns to New Orleans and reunites with Benjamin. Now of comparable physical age, they fall in love and go sailing together. They return to learn that Queenie has died, then move in together. In 1967, Daisy, who has opened a ballet studio, tells Benjamin that she is pregnant; she gives birth to a girl, Caroline, in the spring of 1968. Believing he cannot be a proper father to his daughter due to his reverse aging, Benjamin sells his assets, leaves the proceeds behind for Daisy and Caroline, and leaves the next spring; he travels alone during the 1970s.
Benjamin returns to Daisy in 1980. Now married, Daisy introduces him, as a family friend, to her husband and daughter. Daisy admits that he was right to leave; she could not have coped otherwise. She later visits Benjamin at his hotel, where they again have sex, then part once more.
In 1990, widowed Daisy is contacted by social workers who have found Benjamin — now physically a pre-teen. When she arrives, they explain that he was living in a condemned building and was taken to the hospital in poor physical condition, and that they found her name in his diary. The social workers say he is displaying early signs of dementia. Daisy moves into the nursing home in 1997 and cares for Benjamin for the rest of his life.
Daisy says that in 2002, Mr. Gateau's clock was replaced with a digital clock that ran forward. In the Spring of 2003, Benjamin dies in Daisy's arms, physically an infant but chronologically 84 years of age. Having finally revealed the story of Caroline's father to her, Daisy dies as Hurricane Katrina approaches.
Benjamin narrates about what people were brought into this world for, as a montage recaps the most significant people throughout his life. The film ends with alarms wailing as Katrina floods a storage room that holds Mr. Gateau's clock, which continues to tick backwards.
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Post by Salzmank on Dec 21, 2020 21:28:36 GMT
Yearly rewatch of Die Hard (1988, dir. John McTiernan). There’s little to say about this one that hasn’t already been said, but—dear God, whatever happened to thrillers this good? Do you consider it a 'Christmas movie', Salzmank? And, no, you don't have to worry about me debating whether it is or isn't, as I honestly don't care either way. For a long time I would have said no; now, heh, I think yes. It’s surprisingly Christmassy—far more so than the sequel, which I may not consider a Christmas movie—with Willis using the Santa costume and the wrapping tape and “Joy to the World” blasting on the soundtrack. The ending is not only cathartic but also joyful. A major theme is reconnecting with family. And, well, I watch it around Christmas every year. 
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Post by Chalice_Of_Evil on Dec 21, 2020 22:18:43 GMT
Romeo and Juliet (2013).  
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