|
|
Post by ZolotoyRetriever on Jan 31, 2019 22:08:55 GMT
The Running Man (1963). Directed by Carol Reed, with Laurence Harvey, Lee Remick, Alan Bates. DVR'd from TCM telecast a while back. First-time viewing for me.
This one was very interesting - similar in many ways to another insurance-scam film, also from the early 60s, called Five Miles to Midnight, with Anthony Perkins and Sophia Loren - about an Englishman (Laurence Harvey) who fakes his death in a glider accident, then conspires with his wife (Lee Remick) to collect a large life insurance policy and then bolt for the Continent where they, presumably, will have a life of ease living on all that insurance loot. Things go well at first, until a man (Alan Bates) connected to the London-based insurance company they're bilking happens to show up on the scene. Is he there to verify some things, see if the insurance claim is legit? Who is he really, and what's he doing there in Spain?
What follows is a nice little cat and mouse sort of story played out in and around some small towns in sunny Spain. The location shooting and cinematography of Spain make this one a visual pleasure. Some nice plot surprises and an ironic ending fill the bill.
|
|
|
|
Post by kijii on Feb 1, 2019 0:13:40 GMT
Black Panther (2018) / Ryan Coogler Purchased for Streaming from Amazon (so I own it)
This is definitely not my type of movie (Action, Adventure, Sci-Fi), and normally I wouldn't have anything to do with it. However, just as I did with Mad Max: Fury Road (2015), I sat down and slogged my way through it simply because it has been nominated for so many Oscars (Nominated for 7 Oscars). I can understand that, if you like this type of movie, this one seems to have all of the required ingredients: anger, revenge, betrayal, high-action, humor, sci-fi, etc. Other than that, I don't feel I can comment on it. Nevertheless, it IS the movie I just FINISHED watching.
|
|
|
|
Post by them1ghtyhumph on Feb 1, 2019 2:13:32 GMT
Annihilation.
Disappointing
|
|
|
|
Post by mikef6 on Feb 1, 2019 3:55:08 GMT
|
|
|
|
Post by kijii on Feb 1, 2019 7:00:40 GMT
Eye of the Needle (1981) / Richard Marquand Steamed from Amazon PrimeBased on a novel by Ken Follett, with a screenplay by Stanley Mann, this is a great wartime thriller. The movie starts in 1940 as two parallel stories. One is about about an young English military aviator, David (Christopher Cazenove), and his new wife, Lucy (Kate Nelligan). The other follows a English-speaking Nazi spy, Faber (Donald Sutherland), who works in a small English village. As the movie unfolds, we learn more about these three characters. In 1944 these two stories merge into one as Faber, on the run from British agents, crashes his boat on Storm Island during a violent storm. Due to tragic circumstances, David and Lucy live there alone, with only their 4-year-old son, and a lighthouse keeper to keep them company. There, these three main characters meet which leads to a tense, thrilling showdown, a showdown that may determine the outcome of D-Day. Wikipedia plot summary with possible SPOILERS: A man calling himself Henry Faber is actually a German Nazi spy nicknamed "the Needle" because of his preferred method of assassination, the stiletto. He is cold and calculating, emotionlessly focused on the task at hand, whether the task is to signal a U-boat or to kill anyone who poses a threat to his mission.
In England, he obtains critical information on the Allies' plans for the invasion of Normandy but is unable to transmit the information. After narrowly escaping British Intelligence in London, Faber tries to make his way to Germany, but is stranded by fierce weather on Storm Island, a place occupied by only a woman named Lucy (Kate Nelligan), her disabled husband David, their son, and a shepherd, Tom.
A romance develops between the woman and the spy due in large part to an estrangement between Lucy and her husband, an accident (on their honeymoon) having rendered him embittered and physically confined to a wheelchair.
David has always been suspicious of Faber and, having discovered the mysterious guest is carrying military information, demands an explanation from him at gunpoint. A struggle ensues, ending with Faber throwing David off a cliff.
Lucy, chancing upon her husband's dead body, realizes Faber has been lying to her and hatches a plan to get away from him. However her flight alerts him that she is suspicious, and he pursues her. Lucy, after also discovering Tom's dead body, radios the mainland. She is told that help will be sent immediately, but in the meantime it is vital that she destroy the island's radio transmitter.
She is confused by the request, but before she can do anything Faber appears and threatens to kill her son if she does not do as he says. The Needle tries to use the radio to report to his superiors the exact location of the D-Day invasion, but just as he is about to impart the information, Lucy, having heard him speaking in German, blows the house's fuses, rendering the transmitter useless.
Faber expresses admiration for what Lucy has done and tells her the war has come down to the two of them. Thinking Lucy poses no further threat to him, he heads towards the shore to be picked up by a German U-boat, as previously arranged.
Lucy, now fully aware of the stakes involved, chases Faber to the sea and shoots wildly at him with her husband's pistol as he tries to launch a small rowboat in order to reach the U-boat lying just offshore. One of her shots strikes Faber but does not instantly kill him, and as he struggles to launch the boat, he falls forward dead.
Having been unable to transmit his information or reach the U-boat to get away safely, his mission has been thwarted. Soon after, the British Intelligence agent who was chasing Faber arrives with the police. He encounters a despondent Lucy, Faber's body, and the fleeing German submarine.
|
|
|
|
Post by teleadm on Feb 1, 2019 17:50:48 GMT
Iron Eagle 1986, directed by Sidney J. Furie, staring Louis Gossett Jr, Jason Gedrick, David Suchet, Larry B. Scott, Caroline Lagerfelt, Jerry Levine, Tim Thomerson, Shawnee Smith and others. American-Israeli-Canadian Teen action fantasy "A young pilot (Gedrick) plans a rescue mission when his father (Thomerson), an Air Force Colonel, is shot down over enemy territory and captured", aided by an older flying ace (Gossett Jr). I can't deny it, but it was fun seing this movie after all these years, but it is a very lousy movie with a rather dangerous moral message. A wet teen dream, a relic from the Reagan era, a flag-waver, filled with ridiculous propagandistic dialog. Refering to Mr Peanut President as a coward, and refering to "Ronald Ray-gun" as the President who will be though on countries that messes with U.S.A.. In all it's flag-waving about the superiority of the United States Air Force, yet there is apparently no security there, since a gang of teens can steal all kinds of classified secrets, and not only that, they can steal two F-16s' too and fly to a country that is very similiar to Lybia under Colonel Gaddafi. Louis Gossett Jr more or less reprises his Officer and Gentleman type of role, tough but not without a heart. Jason Gedrick, who never became the next new star, acts smug and careless. David Suchet actually is the only actor around who gives a credible performance, albeit clichéd as the main villain. This was a few years before he etched Hercule Poirot on television. This movie competed with Top Gun, and lost, but did reasonably well anyway, and became a hit on the video sales and rentals markets around the world. Resulting in not one but three sequels, Iron Eagle II 1988, Aces: Iron Eagle III 1992 and Iron Eagle IV aka Iron Eagle on the Attack 1995. They got from bad to worse, as did Gossett Jr's career who stared in all of them. In a sort of irony, although their F-16s are featured in the movie poster, the United States Air Force has a long-standing policy about not cooperating on any film involving the theft of an aircraft. Consequently, the filmmakers turned to the Israeli Air Force for the necessary aerial sequences. 
|
|
|
|
Post by Primemovermithrax Pejorative on Feb 3, 2019 3:41:52 GMT
HIGH TIDE 1947 A reporter hires a bodyguard to protect him from a gang boss he has been investigating. After a car accident traps the two of them inside the car with the tide coming in, the reporter recounts for his bodyguard the circumstances leading up to their predicament.
I didn't recognize anyone in the cast yet they didn't come across as amateur. It was interesting to NOT recognize anyone-made the story seem more timeless.
|
|
|
|
Post by mikef6 on Feb 3, 2019 3:52:42 GMT
One of my favorite 40s singers - Virginia O'Brien  Douglass Dumbrille makes the mistake of trying to trade barbs with Groucho  Chico and Harpo at war on the piano 
|
|
|
|
Post by BATouttaheck on Feb 3, 2019 3:58:46 GMT
Svengoolie I WILL get my revenge on you for this one ….  The day was not a total loss because it was preceded by 
|
|
|
|
Post by hi224 on Feb 3, 2019 4:02:25 GMT
A place in the sun.
|
|
|
|
Post by kijii on Feb 3, 2019 6:39:33 GMT
The Heart Is a Lonely Hunter (1968) / Robert Ellis Miller Recorded from TCM (perhaps as part of the 31 Days of Oscar)
I must have seen this movie 5 times over the years. But, I keep coming back to it again and again. To me, it is a great movie and one of the most under-rated. THIS is definitely the movie for which Alan Arkin should have won the Oscar. (Cliff Robertson won the Best Actor Oscar for Charly at the at the 41st Annual Awards Ceremony and this is not to cast any shade on his performance, but Alan Arkin's performance, here, was way beyond anything I have ever seen.)
The movie is based on a novel by Carson McCullers, with a great screenplay by Thomas C. Ryan. At first it may seem as though there are too many story lines in the movie, but in the end, they all revolve around John Singer (Alan Arkin) [What a great character name for this part.] Singer is a deaf mute who feels deeply and expresses his feelings for the people around without being able to vocalize them. To get their attention, he is forced to do it by his physical actions or written messages. Yes, he can sign, but only others who can also use sign language can really converse with him. Yes, he reads lips, but he must always get in front of people to see them talk. None of the people that Singer helps every day can quite see that Singer is a real man, with his own feelings. frustrations, and problems.
The people who know and love him best are people with their own problems, people who are isolated from the world around them in one form or another. Every time I see this movie, I see Singer helping hurt people, isolated in one form or another. These are the people who discover Singer and love him the most.  I am not familiar with Robert Ellis Miller as a director, but this movie is pregnant with wonderful examples of communication problems, or breaking through communication problems for one human to reach another. For example, in one scene a drunk loser, Jake Blount (Stacy Keach), befriends Singer. Jake is later thrown out of a bar. After being thrown out, Jake presses his lips against to the glass window from the outside and says something we can't hear. But, Singer CAN lip read what Jake is saying and gestures something like, "Wow, what a mouth." [Here, we are left out of something that only Singer can understand.] The same thing happens in scenes where there is signing between two deaf mutes. [Again WE are left out of the conversation unless we know how to sign too.] This shows us what he goes through all the time. Then, there is the wonderful interaction between John Singer and the young (coming of age) teenager, 'Mick' Kelly (Sondra Locke). They make a connection because she also feels lonely and isolated at times. Her outlet for loneliness is listening to classical music. Sensing that he is lonely, she wants to share this outlet for loneliness with Singer, but how can she explain how the music sounds and how beautiful it is? She can only tell him what the music feels like, and how the it sounds by using visual examples from nature, and gesturing............to be continued.... By the way, I know that there are several other "Oscared" performers who have won Oscars for playing characters that were deaf and mute. But, to me, this movie has more depth and pathos than any of the others because it strikes at the core of personal isolation better than any of the others. Mick (Sondra Locke): But, Mama... I wanna make something of myself, Mama. I got this feelin' inside me like I was destined or something. Mrs. Kelly (Laurinda Barrett): We all have that feelin' when we are young. It will pass! Mr. Kelly (Biff McGuire): Margaret, don't! Mick: Well, I know it won't be easy, but without a high school diploma, what chance have I got? Mrs. Kelly: The same chance I had. You'll meet some fella and get married. If you're lucky, you'll love him. You'll have kids. That's what life is, Mick. That's all it is!
Full synopsis from TCM with SPOILERS: John Singer is a deafmute who works as a silverware engraver in a small southern town. When his only companion, a retarded mute, Antonapoulos, is committed to a mental institution, Singer moves to another town in order to be near his friend. He finds work there and rents a room in the home of Mr. and Mrs. Kelly, who are having financial difficulties as a result of Mr. Kelly's recent hip injury. Because the Kellys' 14-year-old daughter, Mick, resents having to give up her room to him, Singer makes a few tentative efforts to win her friendship. He also tries to establish a rapport with Blount, a semi-alcoholic drifter, and Dr. Copeland, an embittered segregationist Negro who is secretly dying of cancer. Copeland's deepest disappointment is that his educated daughter, Portia, works as a domestic and is married to Willie Hamilton, a field hand. Following a successful attempt to win Mick's friendship by encouraging her love for classical music, Singer visits Antonapoulos, who is now suffering from a kidney infection. Although he takes his friend out for the day, Singer is more lonely than ever when he returns home. Meanwhile, Willie is jailed for defending himself against a group of white men, and subsequently he has a leg amputated after being placed in irons for trying to break jail. Feelings between Portia and her father become even more strained until Portia learns from Singer of Copeland's illness, and the two are reconciled. Mick willfully loses her virginity to Harry, the sensitive young brother of one of her classmates, when she realizes that her father's injury has permanently disabled him and she will have to leave school and go to work in order to help support the family. Profoundly disturbed by her sexual initiation, she again rejects Singer's friendship. A short time later, Singer goes to visit Antonapoulos and learns that he has been dead for several weeks. After visiting his friend's grave and saying goodby in sign language, Singer returns to his room and commits suicide. Some months thereafter, Mick brings flowers to Singer's grave and meets Dr. Copeland. As they talk, Mick explains that in a special way Singer's quiet strength has given her courage to face whatever her future may be.
|
|
|
|
Post by Lebowskidoo 🎄😷🎄 on Feb 3, 2019 18:41:36 GMT
|
|
|
|
Post by BATouttaheck on Feb 3, 2019 20:39:33 GMT
|
|
|
|
Post by ZolotoyRetriever on Feb 4, 2019 22:52:16 GMT
The Player (1992). Directed by Robert Altman, with Tim Robbins, Greta Scacchi, Fred Ward, et al. Many cameo appearances by big-name Hollywood stars (a number of whom are no longer with us). DVR'd from TCM telecast. First-time viewing for me.
Interesting, imaginative and nicely-done satirical tale of a Hollywood studio executive (Tim Robbins), whose situation in life goes from mildly precarious: he's on the verge of being ousted from his studio job, and a mysterious disgruntled writer is sending him threatening postcards - to very precarious: he somehow gets involved in the accidental murder of an angry, unhinged writer (Vince D'Onofrio) who may or may not be the writer sending the threatening postcards.
This one was nicely plotted, and had a bang-on ending most befitting a satirical black comedy. Only drawback for me was the audio: much of the dialogue was hard to decipher, especially from the swarm of star cameo appearances they wove into the story. Most of these cameos were nothing more than incidental, background additions. Simply put, much of the spoken word here was hard to understand. And to make matters worse, the version I saw broadcast on TCM was not supplied with Closed Captions. Luckily I found a good copy of the entire script online, and was able to stop and read some of the unintelligible dialogue. This helped immensely.
Fans of classic films might enjoy this one, too, as there were a good number of references to "Old Hollywood" and its golden age of films.

|
|
|
|
Post by kijii on Feb 5, 2019 0:31:59 GMT
Cheers for Miss Bishop (1941) / Tay Garnett Recorded from TCM
Based on a novel by Bess Streeter Aldrich, and screen adaptation by Stephen Vincent Benet, this melodrama presents a retrospective look at a dedicated Freshman English teacher at a Midwestern college, Ella Bishop (Martha Scott). Ella had her chances to get married to a faithful boyfriend, Sam Peters (William Gargan), but--inspired by the school's founder, James Corcoran (Edmund Gwenn)-- turns him down to concentrate on her teaching career at the college instead (1883).
James Corcoran, Midwestern U. President (Edmund Gwenn): [addresses registering students] I know some of you have walked miles to get here, and that everyday for four years you'll have to walk those miles; through rain, sleet and snow. But I know this: the end will pay you for those hardships; because the end is wisdom. Wisdom is first cousin to freedom, and freedom is the glory of our nation - and our people. Let us pray: almighty and most merciful God; here on free land, under free air, we have tried to build a house for wisdom, free to all. Look favorably upon us, O Lord. For today we light a lamp of learning. May it shine through the years to be. Amen.
When she does choose to marry, her attempts fail--twice: once because her cousin, Amy Saunders (Mary Anderson), stole her finance, Donald Douglas (Delbert Thompson) from her before the wedding, and later because her love, John Stevens (Sidney Blackmer) who was a married man, could not get a divorce from his wife, back East. When Amy dies in childbirth, Ella raises and her mother raise Amy's daughter, Hope (Marsha Hunt--still alive today at 101), with love and affection. Later, while Hope is attending the same university, she falls in love with one of Ella's students, Richard Clark (John Archer). After Hope and Richard are married, they give birth to Gretchen (Lois Ranson), who later lives with Ella while attending the same University (in 1934)....
To make a LOOONG story--this melodrama that extends from 1879 to 1934. It looks back on a person's life; what changed it at different stages; what sacrifices she may have been made along the way; what might have been; what was gained; and what was lost. Ella Bishop is a woman who loved teaching more than anything else, her story allows us to see how her life turned out and allowed her to observe how the people, around her, were touched by her personal sacrifices.
John Stevens (Sidney Blackmer) [Reading from J. M. Barrie's book, The Little Minister] The life of every man is a diary in which he means to write one story, and writes another. Ella Bishop (Martha Scott) : [Interrupting] Would you mind reading that again? Just the last sentence. John Stevens : The life of every man is a diary in which he means to write one story... and writes another. Ella Bishop : I suppose that's true, isn't it? We dream dreams and... Do go on.
Full synopsis from TCM with SPOILERS: In 1929, in Maple City, elderly Sam Peters visits his childhood friend, Ella Bishop, whom he had always hoped to marry, and awakens her from a nap. Ella has been reminiscing about her life, and continues now with Sam, recalling the September day in 1879 when she enrolled at the newly-opened Midwestern University: Ella excitedly runs to Midwestern, a university built in the middle of cornfields, and encounters the immigrant janitor, Chris Jensen, who says he has just been promoted to gardener. Ella arrives in time to hear President Corcoran's speech, in which he says that education is the road to freedom. At home later that day, Ella's cousin, Amy Saunders, an irrepressible flirt, leaves her chores to go out for ice cream with neighbor boy Buddy Warner, and when Sam, who delivers groceries, pulls up, Ella tells him her dreams of becoming a teacher. Sam is in love with Ella, and has his own dreams of owning a grocery, but Ella is not in love with Sam. After four years, Ella graduates with honors, and Corcoran asks her to teach English at the university. Corcoran's offer is the fulfillment of a dream for Ella, and she approaches each student as an individual, pressing for an astronomy course for Anton Radchek, and urging Minna Fields, who possesses a remarkable memory, to strive for a degree as a librarian, even though she speaks poor English. One night in 1883, Ella is unable to attend a concert with Sam because of a sore throat. When she puts a pot of maple candy on her snowy roof to harden, she is accidentally locked outside and calls to a stranger on the sidewalk for help. Delbert Thompson, a new lawyer in town, comes to her aid and brings a ladder to help her down. Ella and Delbert immediately take to each other, and in 1884, they become engaged. One night, Ella breaks a date with Delbert so that she can defend Minna against an accusation by the faculty that she cheated on a test. While Ella is proving that Minna is not only honest, but appears to have been cheating only because she has a photographic memory and transcribed exactly what she read, Delbert allows himself to be seduced by jealous Amy. Ella is deeply shocked by Amy and Delbert's betrayal, and Sam later forces the couple to marry and move out of town. Ella thinks of resigning from the college to move to New York, but Corcoran convinces her that she has a gift for teaching, and she remains. In the winter, Amy returns home pregnant, having been abandoned by Delbert. Amy dies during childbirth, and Ella and her mother rear her daughter Hope as their own. Many years pass, and in 1899, Hope is enrolled as a student at Midwestern, and has fallen in love with fellow student Richard Clark. Sam, who owns his own grocery business and a new "horseless carriage" for deliveries, still quietly hopes to marry Ella. However, Ella has fallen in love with married professor John Stevens, who shares her love for literature. Few know about their discreet relationship, which Ella breaks off when John's wife finally refuses to consent to divorce for religious reasons. John leaves the university, Hope and Richard become engaged, and Ella gives Hope the wedding dress she had once readied for her own marriage. In 1906, Corcoran returns from an extensive holiday in Europe, and tells Ella that John died there in a train accident. Corcoran, now elderly, resigns his presidency and turns it over to newcomer Watts. Ella has lost her spirit for teaching and clashes with Watts over his attempts to modernize the curriculum. Corcoran consoles Ella after Watts suggests that she resign, but hints that she, like the college, needs modernizing. Ella takes his advice to heart, purchases an automobile, and apologizes to Watts, who becomes her friend. In 1917, Corcoran dies and World War I takes many of the university's male students. The next year, Ella's mother dies, and Hope and Richard move to California, where they have a baby girl, Gretchen. By 1934, Gretchen is a sophomore at Midwestern and seeks Ella's advice when she falls in love with a married man. Although Gretchen assumes that her spinster aunt has never known love, Ella gives her advice from her heart, and Gretchen decides not to pursue the relationship. Now elderly, Ella retires. One of the oldest buildings at Midwestern is slated for razing to make way for a new structure, and the news coincides with an alumni banquet. Because Ella is so upset that the building is to be demolished, she decides not to attend the banquet until Gretchen surprises her with a visit from Hope and Richard. When they arrive at the banquet hall, Ella discovers that the banquet is being held in her honor, and she is surprised to see many of her former students there, including Nobel prize-winning astronomer Anton Radcheck, renowned historian Minna Fields, and Senator "Snapper" MacRae, who once was an ignorant country boy. Ella is granted an honorary doctorate and recalls Corcoran's opening speech for the university: "Wisdom is the first cousin to freedom, and freedom is the glory of our nation and our people." Ella returns home with Sam, as always, by her side.
|
|
|
|
Post by jeffersoncody on Feb 5, 2019 10:01:51 GMT
BECOMING ASTRID, with Alba August, Trine Dyrholm and Maria Bonnevie, directed by Pernille Fischer Christensen. Rating: 8 out of 10. Highly recommended.
Biopic of Swedish writer Astrid Lindgren, the author of numerous children's books and creator of Pippi Longstocking. Featuring what must surely be a starmaking performance by Alba August, BECOMING Astrid focuses on the young Astrid Lundgren and her emotionally bruising experiences after falling pregnant at 16 (by a married man 30 years her senior) in 1923. We learn what makes Astrid tick, and how she funneled all this agony into tales meant to empower children, creating therapy through imagination. Devoid of emotional manipulation, the gorgeously photographed, beautifully crafted BECOMING Astrid is a thoroughly absorbing, emotionally complex film about a rstrong, emarkable woman's personal liberation. This one's a keeper, with a heroine you will be rooting for all the way.   
|
|
|
|
Post by kijii on Feb 5, 2019 16:16:37 GMT
BECOMING ASTRID, with Alba August, Trine Dyrholm and Maria Bonnevie, directed by Pernille Fischer Christensen. Rating: 8 out of 10. Highly recommended.
Biopic of Swedish writer Astrid Lindgren, the author of numerous children's books and creator of Pippi Longstocking. Featuring what must surely be a starmaking performance by Alba August, BECOMING Astrid focuses on the young Astrid Lundgren and her emotionally bruising experiences after falling pregnant at 16 (by a married man 30 years her senior) in 1923. We learn what makes Astrid tick, and how she funneled all this agony into tales meant to empower children, creating therapy through imagination. Devoid of emotional manipulation, the gorgeously photographed, beautifully crafted BECOMING Astrid is a thoroughly absorbing, emotionally complex film about a rstrong, emarkable woman's personal liberation. This one's a keeper, with a heroine you will be rooting for all the way.    I sure wish I could see this, but it is not playing around here. Perhaps it will be available for streaming soon.
|
|
|
|
Post by teleadm on Feb 5, 2019 18:46:42 GMT
Ne le dis à personne aka Tell No One 2006, directed by Guillaume Canet. based on a novel by Harlan Coben, staring François Cluzet, Marie-Josée Croze, André Dussollier, Kristin Scott Thomas, François Berléand, Nathalie Baye, Jean Rochefort and others French crime-mystery, "An accidental discovery near a doctor's estate stirs up some painful memories eight years after his wife's hideous murder, and now, things are bound to take a turn for the unexpected. Does the good doctor know more than he's letting on?". A rather complicated French crime mystery were an innocent man, maybe, suddenly get's to be a taget both by the police and some other un-iidentified professional killers who are looking for something he might unknowling have in possion, and is forced to seek refuge with some very shady characters that he once helped in his role as a doctor. One day the doctor got an e-mail that shows a surveliance camera, and there among those persons a woman stops and looks up, and she looks like his wife, and that is the little stone that get the story rolling, and more and more layers just makes more and more very unclear. The movie has a long and complicated sollution that I'm not really agreable with since it felt a bit far fatched, but maybe it was the only possilbe sollution. Still it's a well made movie with at times too much dialog that made it at times difficult to follow all clues, since I hade to read subtiltles too. Great use of Paris locations that wasn't too familiar.    
|
|
|
|
Post by mikef6 on Feb 5, 2019 21:45:01 GMT
Black Panther (2018) / Ryan Coogler Purchased for Streaming from Amazon (so I own it)
This is definitely not my type of movie (Action, Adventure, Sci-Fi), and normally I wouldn't have anything to do with it. However, just as I did with Mad Max: Fury Road (2015), I sat down and slogged my way through it simply because it has been nominated for so many Oscars (Nominated for 7 Oscars). I can understand that, if you like this type of movie, this one seems to have all of the required ingredients: anger, revenge, betrayal, high-action, humor, sci-fi, etc. Other than that, I don't feel I can comment on it. Nevertheless, it IS the movie I just FINISHED watching.
That is what I fell about most superhero movies I have seen - noisy sound and light shows with little humanity. One big exception for me (and it's not really superhero) is Mad Max: Fury Road. I thought there was a lot of human connection among the exciting chases. Max is sort of the Bogart character for the modern world: he is in it for himself, will stick his neck out for nobody, but before long will be in the middle of things and on the right side. Maybe that's what attracts me to his films.
|
|
|
|
Post by delon on Feb 6, 2019 9:25:04 GMT
Saw this on the big screen yesterday. Wonderful heartwrenching drama with exceptional performances by Victor Moore and Beulah Bondi. It suprises me that MWFT didn't receive any recognition from the Academy. 
|
|