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Post by heeeeey on Dec 9, 2019 15:42:44 GMT
It could be a drum fill, a guitar, bass -- any instrument.
My favorite drum fills @ 03:42:
And before the chorus:
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Post by staggerstag on Dec 9, 2019 21:26:05 GMT
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Post by Fox in the Snow on Dec 9, 2019 22:11:02 GMT
I think this counts, pretty much my favorite moment in any piece of music:
St. Christopher - "She Can Wait Forever" [at approx. 2:13-2:16]
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Post by NJtoTX on Dec 9, 2019 23:44:42 GMT
Repeated bass fill between "reach out" and "I'll be there"
Not sure if it counts, as it's from 2:00 to 3:09
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Post by heeeeey on Dec 10, 2019 1:41:38 GMT
Repeated bass fill between "reach out" and "I'll be there" Not sure if it counts, as it's from 2:00 to 3:09 Reach Out is one of my favorites. Yeah, that sounds like a tambourine fill. The Steppenwolf sounds more like a solo, or 'break' but I like it.
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Post by heeeeey on Dec 10, 2019 1:44:01 GMT
I like the bass fills throughout this song:
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Post by heeeeey on Dec 10, 2019 1:48:35 GMT
Piano:
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Post by heeeeey on Dec 10, 2019 1:57:56 GMT
Harmonica and vocal @ 00:39, and before chorus:
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Post by cypher on Dec 10, 2019 12:16:23 GMT
Timebox - Beggin'
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Post by TheGoodMan19 on Dec 10, 2019 19:20:53 GMT
After the last verse @ about 10:25. Every instrument just oozes coolness. Winwood's keyboards, Ric Gresh's bass, and Chris Wood's amazing sax. I loved Traffic, until Winwood left
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Post by heeeeey on Dec 11, 2019 1:43:07 GMT
Strings:
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Post by Admin on Dec 11, 2019 2:57:20 GMT
I've always liked the stutter-stepping drum fill at 3:57 of this song...
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maxwellperfect
Junior Member
@maxwellperfect
Posts: 3,966
Likes: 1,683
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Post by maxwellperfect on Dec 11, 2019 4:14:10 GMT
Greatest drum fill ever in this Sweet song at the 30 second mark.
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alejandro
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Formerly Algroth
@alejandro
Posts: 109
Likes: 69
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Post by alejandro on Dec 11, 2019 4:21:37 GMT
The entirety of King Crimson's Red album is a masterclass on Bill Brufford's part, really. So many wonderful accents on his behalf across these mastodonic riffs laid out by Fripp and Wetton, like in the "Starless" midsection for example:
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Post by Eva Yojimbo on Dec 11, 2019 15:26:33 GMT
My favorite drum fills @ 03:42: Phil Collins - "In the Air Tonight" Would that also count as a song with a great Phil?
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alejandro
Sophomore
Formerly Algroth
@alejandro
Posts: 109
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Post by alejandro on Dec 11, 2019 16:22:04 GMT
My favorite drum fills @ 03:42: Phil Collins - "In the Air Tonight" Would that also count as a song with a great Phil? I wish I could like your post twice.
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Post by Nicko's Nose on Dec 11, 2019 16:22:15 GMT
The entirety of King Crimson's Red album is a masterclass on Bill Brufford's part, really. So many wonderful accents on his behalf across these mastodonic riffs laid out by Fripp and Wetton, like in the "Starless" midsection for example: One of my favorite songs of all time. You have great taste man.
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alejandro
Sophomore
Formerly Algroth
@alejandro
Posts: 109
Likes: 69
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Post by alejandro on Dec 11, 2019 16:29:28 GMT
The entirety of King Crimson's Red album is a masterclass on Bill Brufford's part, really. So many wonderful accents on his behalf across these mastodonic riffs laid out by Fripp and Wetton, like in the "Starless" midsection for example: One of my favorite songs of all time. You have great taste man. Thanks, you too!  It's a monstrous album through and through, though. Just one of the heaviest, densest records, and a really interesting case in point for the power of placing protagonism on the rhythm section as well (King Crimson in general is a really interesting act in how it subverts the classic lead/accompaniment conventions in popular music by often utilizing Fripp's guitars as the consistent backdrop atop of which the percussion usually acts as the protagonical, expressive and transformative element instead).
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It's a monstrous album through and through, though. Just one of the heaviest, densest records, and a really interesting case in point for the power of placing protagonism on the rhythm section as well (King Crimson in general is a really interesting act in how it subverts the classic lead/accompaniment conventions in popular music by often utilizing Fripp's guitars as the consistent backdrop atop of which the percussion usually acts as the protagonical, expressive and transformative element instead).