The Prisoner of Zenda (1937) & (1952)
May 20, 2020 11:50:27 GMT
politicidal, mattgarth, and 3 more like this
Post by wmcclain on May 20, 2020 11:50:27 GMT
The Prisoner of Zenda (1937), directed by John Cromwell.
I feel a Ronald Colman marathon coming on. In my earliest movie memories he is a mythic figure from the old films, seemingly in a category by himself: distinguished, witty, but with touches of pain and sadness. The silent film actor who became one of the great voices of the century.
This is the now familiar story of the distant relation and look-alike to a monarch who must become king for a day -- but who finds himself in the role for quite a bit longer.
It's a good-looking 1930s action picture, although the swashbuckling doesn't get into gear until the last segment. Terrifically romantic. The heroes are brave and noble, the villains brave and dastardly. All crave the struggle, the chance to fight and triumph.
Many familiar faces:
Alfred Newman score and James Wong Howe photography.
I feel a Ronald Colman marathon coming on. In my earliest movie memories he is a mythic figure from the old films, seemingly in a category by himself: distinguished, witty, but with touches of pain and sadness. The silent film actor who became one of the great voices of the century.
This is the now familiar story of the distant relation and look-alike to a monarch who must become king for a day -- but who finds himself in the role for quite a bit longer.
It's a good-looking 1930s action picture, although the swashbuckling doesn't get into gear until the last segment. Terrifically romantic. The heroes are brave and noble, the villains brave and dastardly. All crave the struggle, the chance to fight and triumph.
Many familiar faces:
- Ronald Colman in the dual lead roles.
- Madeleine Carroll, last seen in The 39 Steps (1935), the princess who discovers the imposter is a better king -- and a better man -- than the original.
- C. Aubrey Smith, born 1863, massively featured and captain of the Hollywood cricket team. He played the dual leads on stage in the 1890s when the book was new.
- Raymond Massey is the arch-villain, although there isn't much for him to do other than glower.
- Mary Astor, who betrays for love.
- David Niven, young but stalwart.
- Douglas Fairbanks Jr, deliciously evil as our hero's nemesis. He wanted the lead badly, but C. Aubrey Smith told him: "I've played every part in this story except Flavia, and no one's career was ever harmed by playing Rupert of Hentzau". (Much as I revere James Mason, his version in the 1952 remake just can't compare).
Alfred Newman score and James Wong Howe photography.
