Post by gunshotwound on Jan 7, 2018 9:54:56 GMT
Continuing the Preliminary Oscar Selections.
This post will feature the calendar year 1967.
This year marked the end of separate categories for black & white and color.
The final five nominees will be in bold print and the eventual winner will be bold, underlined and in italics.
CINEMATOGRAPHY
BAREFOOT IN THE PARK, Joseph LaShelle
BONNIE AND CLYDE, Burnett Guffey
CAMELOT, Richard H. Kline
DOCTOR DOLITTLE, Robert L. Surtees
THE GRADUATE, Robert L. Surtees
GUESS WHO'S COMING TO DINNER, Sam Leavitt
IN COLD BLOOD, Conrad Hall
IN THE HEAT OF THE NIGHT, Haskell Wexler
THE TAMING OF THE SHREW, Oswald Morris
THOROUGHLY MODERN MILLIE, Russell Metty
COSTUME DESIGN
BONNIE AND CLYDE, Theodora Van Runkle
CAMELOT, John Truscott
DOCTOR DOLITTLE, Ray Aghayan
THE HAPPIEST MILLIONAIRE, Bill Thomas
HOTEL, Edith Head and Howard Shoup
MORE THAN A MIRACLE, Giulio Coltallacci
THE TAMING OF THE SHREW, Irene Sharaff and Danilo Donati
THOROUGHLY MODERN MILLIE, Jean Louis
VALLEY OF THE DOLLS, William Travilla
THE WAY WEST, Norma Koch
PRODUCTION DESIGN, ART DIRECTION, SET DECORATION
BAREFOOT IN THE PARK, Hal Pereira, Walter Tyler; Robert R. Benton, Arthur Krams
BONNIE AND CLYDE, Dean TavoularisL Raymond Paul
CAMELOT, John Truscott, Edward Carrere; John W. Brown
DOCTOR DOLITTLE, Mario Chiari, Jack Martin Smith, Ed Graves; Walter M. Scott, Stuart Reiss
THE FLIM FLAM MAN, Jack Martin Smith, Lewis Creber; Walter M. Scott, John Sturtevant
GUESS WHO'S COMING TO DINNER, Robert Clatworthy; Frank Tuttle
THE HAPPIEST MILLIONAIRE, Carroll Clark, John B. Mansvridge; Emile Kuri, Frank R. McKelvey
IN LIKE FLINT, Jack Martin Smith, Dale Hennesy; Walter M. Scott, James W. Payne
THE TAMING OF THE SHREW, John DeCuir, Lorenzo Mongiardino, Elven Webb, Giuseppe Mariani; Dario Simoni, Luigi Gervasi
THOROUGHLY MODERN MILLIE, Alexander Golitzen, George C. Webb; Howard Bristol
FILM EDITING
BEACH RED, Frank P. Keller
BONNIE AND CLYDE, Dede Allen
CAMELOT, Folmar Blangstead
THE DIRTY DOZEN, Michael Luciano
DOCTOR DOLITTLE, Marjorie Fowler and Samuel E. Beetley
THE GRADUATE, Sam O'Steen
GUESS WHO'S COMING TO DINNER, Robert J. Jones
IN THE HEAT OF THE NIGHT, Hal Ashby
SOFI, Robert Grant
THOROUGHLY MODERN MILLIE, Stuart Gilmore
ORIGINAL MUSIC SCORE
BONNIE AND CLYDE, Charles Strause
COOL HAND LUKE, Lalo Schifrin
DOCTOR DOLITTLE, Leslie Bricusse
FAR FROM THE MADDING CROWD, Richard Rodney Bennett
THE FLIM FLAM MAN, Jerry Goldsmith
IN COLD BLOOD, Quincey Jones
LIVE FOR LIFE, Francis Lai
THOROUGHLY MODERN MILLIE, Elmer Bernstein
TWO FOR THE ROAD, Henry Mancini
WAIT UNTIL DARK, Henry Hancini
MUSIC SCORE ADAPTATION OR TREATMENT
CAMELOT, Alfred Newman and Ken Darby
A COUNTESS FROM HONG KONG, Charles Chaplin
DOCTOR DOLITTLE, Lionel Newman and Alexander Courage
THE FAMILY WAY, Paul McCartney and George Martin
GUESS WHO'S COMING TO DINNER, Frank DeVol
THE HAPPIEST MILLIONAIRE, Richard M. Sherman, Robert B. Sherman and Jack Elliott
HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING, Nelson Riddle
THE JUNGLE BOOK, Richard M. Sherman, Robert B. Sherman and George Bruns
THOROUGHLY MODERN MILLIE, Andre Previn and Joseph Gershenson
VALLEY OF THE DOLLS, John Williams
SONG
BANNING, "The Eyes of Love"; Quincey Jones; Bob Russell
BAREFOOT IN THE PARK, "Barefoot in the Park"; Neil Hefti; Johnny Mercer
CASINO ROYALE, "The Look of Love"; Burt Bacharach; Hal David
DOCTOR DOLITTLE, "Talk to the Animals"; Leslie Bricusse
THE HAPPENING, "The Happening"; Frank DeVol, Eddie Holland, Lamont Dozier and Brian Holland
IN THE HEAT OF THE NIGHT, "In the Heat of the Night"; Quincey Jones; Alan and Marilyn Bergman
THE JUNGLE BOOK, "The Bare Necessitiess"; Terry Gilkyson
THOROUGHLY MODERN MILLIE, " Thoroughly Modern Millie"; James Van Heusen and Sammy Cahn
WAIT UNTIL DARK, "Wait Until Dark"; Henry Mancini; Jay Livingston and Ray Evans
NOTE: Somewhere along the line of transffering info and correcting typos I lost one of the preliminary selections.
SOUND
BONNIE AND CLYDE, Warner Bros. Studio Sound Dept. (M.A. Merrick, Dan Wallin; Francis J. Schied)
CAMELOT, Warner Bros. Studio Sound Dept. (M.A. Merrick; Dan Wallin)
THE DIRTY DOZEN, M-G-M Studio Sound Dept. (Franklin Milton; Claude Hitchcock)
DOCTOR DOLITTLE, 20th Century-Fox Studio Sound Dept. (James P. Corcoran, Murray Spivack, Doudlas O. Williams, Buddy Myers; Bernard Freericks)
THE GRADUATE, Jack Solomon
THE HAPPIEST MILLIONAIRE, Disney Studio Sound Dept. (Rocert O. Cook; Dean Thomas)
IN COLD BLOOD, Columbia Studio Sound Dept. (Charles J. Rice, Arthur Piantadosi, Jack Haynes, Dick Tyler, Sr.; William Randall)
IN THE HEAT OF THE NIGHT, Goldwyn Studio Sound Dept. (Gordon E. Sawyer, Walter Goss, Clem Portman, Kevin Cleary; Charles Cooper)
THOROUGHLY MODERN MILLIE, Universal Studio Sound Dept. (Waldon O. Watson, Ronald K. Pearce; William Russell)
YOU ONLY LIVE TWICE, Pinewood Studio Sound Dept. (Gordon K. McCallum, Otto Snel; John Mitchell)
NOTE: The nomination for sound went to the studio sound department instead of the credited sound personnel. I have added the credited personnel.
SOUND EFFECTS (no preliminary selections; 2 nominees)
THE DIRTY DOZEN, John Poyner
IN THE HEAT OF THE NIGHT, James A. Richard
VISUAL EFFECTS (no preliminary selections; 2 nominees)
DOCTOR DOLITTLE, L.B. Abbott
TOBRUK, Albert Whitlock, Howard A. Anderson, Jr.
