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Post by darkpast on Jun 23, 2018 2:45:40 GMT
Special Features:
NEW Audio Commentary by star Chris Elliott and director Adam Resnick NEW Interview with star Chris Elliott and director Adam Resnick Archival cast & crew interviews featuring Chris Elliott, Ritch Brinkley, James Gammon, Brian Doyle-Murray, Brion James, Melora Walters, Russ Tamblyn, production designer Steven Legler and writer/director Adam Resnick B-Roll Footage Edited outtakes Newly commissioned art by Jacob Phillips 5 TV spots Limited Edition O-Card (Blu-ray only) Reversible Art Theatrical Trailer Limited Edition booklet essay by film critic Nick Pinkerton (Blu-ray only) Optional English SDH subtitles for the main feature
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Post by geode on Jun 23, 2018 13:00:59 GMT
Special Features:
NEW Audio Commentary by star Chris Elliott and director Adam Resnick NEW Interview with star Chris Elliott and director Adam Resnick Archival cast & crew interviews featuring Chris Elliott, Ritch Brinkley, James Gammon, Brian Doyle-Murray, Brion James, Melora Walters, Russ Tamblyn, production designer Steven Legler and writer/director Adam Resnick B-Roll Footage Edited outtakes Newly commissioned art by Jacob Phillips 5 TV spots Limited Edition O-Card (Blu-ray only) Reversible Art Theatrical Trailer Limited Edition booklet essay by film critic Nick Pinkerton (Blu-ray only) Optional English SDH subtitles for the main feature
To be honest I have never heard of this movie. In addition what is "B-roll footage"...? To me A-roll and B-roll only pertain to editing of 16mm film, not 35mm as would have been used for this flick. What is an O-card?
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Post by geode on Jun 9, 2019 8:14:01 GMT
"The AVC encoded image (1.78:1 aspect ratio) presentation is sourced from an older master, finding some fatigue with the viewing experience. There's softness throughout, diluting facial reactions and grimy costuming, and while the picture is loaded with textured creatures and sets, only the most gnarled or blistered surfaces retain adequate definition. Colors are present but unremarkable, with the feature's vibrant look difficult to wash away, but a slight dulling of hues is present. Skintones are a bit bloodless at times, periodically too reddish. Delineation isn't a problem. Source shows some wear and tear with a few speckle storms and mild scratches. One brief scene around the 30:00 mark displays blurriness, though this could be a cinematographic issue." "The 2.0 DTS-HD MA sound mix isn't a sophisticated track, leading with dialogue exchanges that are clear, managing some rather outrageous and mumbled performance choices. Panic situations never slip into fuzzy highs. Scoring is acceptable, with basic instrumentation that summons moods and carries action without smothering it. Sound effects are defined, and aquatic atmospherics are present, delivering a feel for oceanic travel and underwater activity." Review
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Post by politicidal on Jun 9, 2019 15:30:34 GMT
"Originally intended as a vehicle for Tim Burton". Luckily he felt like doing Ed Wood instead. So they just used all the drugs when making this?
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