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Post by teleadm on Oct 27, 2018 16:25:55 GMT
I thought I had seen it, but maybe it was just a trailer with a spaceship. What a nerd I was back then, writing down every movie I watched. :format(jpeg):mode_rgb():quality(40)/discogs-images/R-4303603-1527412160-7471.jpeg.jpg) I never had this album, but somehow I remember seeing it in shops |
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Post by movielover on Oct 27, 2018 16:31:30 GMT
I love Stardust Memories. Allen's most underrated movie in my opinion.
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Post by london777 on Oct 27, 2018 17:01:17 GMT
I have only seen it once and was disappointed after Annie Hall and Manhattan. High time to re-assess. I just put it on my shopping list. Thanks for the reminder, petrolino.
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Post by movielover on Oct 28, 2018 2:52:38 GMT
I love Stardust Memories. Allen's most underrated movie in my opinion. Definitely one of my favourites, a top 10 Woody Allen for me. Top 10 Woody Allen for me as well. |
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Post by movielover on Oct 28, 2018 3:29:49 GMT
Top 10 Woody Allen for me as well.
The editing by Susan Morse on 'Stardust Memories' and 'Zelig' (1983) I find extraordinary. She was an assistant to Ralph Rosenblum who cut many films for Woody Allen and Sidney Lumet. She was also a student of Dede Allen's cutting edge techniques, Allen working regularly with Arthur Penn and Lumet.
"In his work on 'The Pawnbroker', Ralph Rosenblum imitated devices from several French films of the previous decade, but he also extended them. Like Dede Allen, Rosenblum broke editing conventions and rules. More importantly, and like her also, his innovations shifted editing away from its traditional reliance on telling a story to the creation of a new and penetrating subjectivity in the feature film."
- Paul Monaco, 'History Of The American Cinema - The Sixties : 1960 - 1969'
Susan Morse recalls a meeting with Dede Allen
I didn't know that. That's so cool because one of the things that so impressed me about The Pawnbroker (and Stardust Memories) was the editing for the flashback scenes. |
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