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Post by petrolino on Jan 4, 2020 3:24:00 GMT
I watched Jean-Baptiste Peretie's new documentary about screen icon John Wayne and found myself transfixed. It's not too reverent, nor a hatchet job, simply a portrait of a talented and complex man that benefits from some remarkable archive footage.
I think it becomes an intriguing film in itself, which is testament to the man himself.
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Post by politicidal on Jan 4, 2020 5:15:51 GMT
Never even heard of it. Sounds interesting.
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Post by koskiewicz on Jan 4, 2020 17:14:12 GMT
Is it available on DVD? Documentaries of all stripes are among my favorite film genres...
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Post by petrolino on Jan 5, 2020 0:35:48 GMT
Is it available on DVD? Documentaries of all stripes are among my favorite film genres... I don't know. I saw it on the channel Sky Arts which is available here in the U K through subscription.
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Post by bravomailer on Jan 5, 2020 18:45:56 GMT
I watched Jean-Baptiste Peretie's new documentary about screen icon John Wayne and found myself transfixed. It's not too reverent, nor a hatchet job, simply a portrait of a talented and complex man that benefits from some remarkable archive footage.
I think it becomes an intriguing film in itself, which is testament to the man himself.
Seems to me he's imitating the pose of a famous Civil War portrait but I cannot fond out just now.
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Post by Doghouse6 on Jan 6, 2020 0:35:40 GMT
It's viewable on Prime Video, which is where I watched it yesterday.
While this is the Classic Film board rather than the Politics one, it's impossible to separate politics from the doc, as that's the prism through which it examines Wayne's life and career. Without being too pointed about them, the film draws apt parallels between Wayne, actor and man, and America, nation and ideal, and how heavily each has depended upon their respective - and sometimes merging - mythologies.
Many performers have been known in private life to represent the antithesis of their screen image; others naturally infused their performances with characteristics for which they were well known offscreen; still others would create public personas that became integrated with their own personalities; Cary Grant comes to mind, having famously said, "So many people want to be Cary Grant; even I want to be Cary Grant." Wayne once said he wished his epitaph to be, "He was ugly, was strong and had dignity." In his case, the well-known line from The Man Who Shot Liberty Valance may be even more applicable: "When the legend becomes fact, print the legend."
The documentary form is such an interesting permutation of film making. Two on the very same subject can tell entirely different stories, yet be equally factual. It all comes down to what each chooses to include and exclude. Saying John Wayne: America At All Costs has an axe to grind would be overstatement, but it does present a discernible point of view.
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